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"Picture
Stories)
MAGAZINE
VOLUME III.
September 1914 — February 1915.
Published by
THE CAMBERWELL PRESS,
DUGDALE STREET WORKS, LONDON, S.E.
Price : 3/6 nett. Postage extra.
PICTURE STORIES MAGAZINE
VOLUME III. SEPTEMBER 1914— FEBRUARY 1915.
•M- Denotes that the portrait is to be found in the Supplement — immediately preceding that page.
INDEX.
Acid Test, The
Adventures ok Miss Tumi'.oy, The
Ambition and its Attainments, His
Andekson, G. M.
As Fate Willed
At the Foot of the Staii^s ...
Baird, Leah
Basilisk, The
Barriscale, Bessie ...
Bayne, Beverley
Beaumont, Harry ...
Beeky', Wallace
Belasco, Ruby
Benham, Harry-
Bennett, Charlie
Bennett, Constanck
Bishop's Silence, The
Blache, Madam Alice
Blackvvell, Carlyle
Boardman, True
Boss, Yale
Boulden, Ed.
Brewster's Millions
Burns, Vinnie
Burton, Charj^otte
Bushman, Francis X.
Bass, Harry
Call of the Deep, The
Cali, of the North, The
Chaplin, Syd
Childers, Naomi Weston
Christmas Story, A
Clark, Andy
Clark, Marguerite
Clayton, Marguerite
Cocoon and the Butterfly, The
Coney Island Nightmare, A ...
Con NESS, Robert
Coombs, Guy
Cooper, Bigelow
Cooper, George
corbett, j. j.
Costello, Delores ...
CosTELLO, Helen
CosTEixo, Maurice ...
CoURA(iE of a CoWAliU, Till; ...
Crisp, Donald
Crute, Sally
CuNARD, Grace
Daly, Arnold
Dane, Viola
Darkfeather, Mona
Daylight ...
1)e Winton, Alice ...
Double Like, The ...
Dressler, Marie
Editor, By the
Edwin, Walter
Englishman's Huimi;,
An
Page.
Vitcigrapli 102
... Vitagniph 95, 140
Evan Strong 137
— 172 408
Victor 1
Rex 162
Vitagmph * 1
Hcpworth 1X3
Lasky *273
— 373
Edison *245
— 272
Hepworth *1
Thanhoiiser *1
— 128
— 80
Regent 40(5
— 42
Fttiiioits Players *65, 271
— 301
Edison *201
— 130
Lasky 81, 147
— 15
Flying A *345
*172, 320 408 '
Hepworth *1
Dania 191
Lasky 201
— 381
— 408
Vitagraph 202
— 101
— 271
... Essanay *345, 407
Flying A 217
Vitagraph 368
— 146
Kalem *65
Edison *201
Vitagraph *65
— 54
Vitagraph *129, 172
Vitagraph *129, 172
— 119
British & Colonial 334
— 80
— 94
35. 190, 253
Famous Players *65
— 15
— 271
Flying A 352
... Hepworth *65, 128
Ltibin 328
— 54
75, 194, 272, 339. 402
— 101
British & Colonial 114
INDEX — continued.
Father's Fj.iktation
Farnum, Dustin
FiGMAN, Max
Fischer, Little Kathie
Fischer, Maruuerita
Ford, Francis
Foster, Morris
Frederick the Great
FuEiiER, Mary
I'uge.
Viuigraf>Ii 15()
Lasky *20\, 270
Liisky *12\), 198, *343
— 221
Beauty *34.'>, 407
35, lilO, 253
— 280
Edison 55
29, 80, 172, 245
Uane, Noean
(JisH, Dorothy
GisH, Lilian
(JooDRicH, Edna
Gkegers, Em IE
— 155
— 221
— 80
Lasky 2(il, *273, 343
Daiiiiiark Filiita *129, 198
Hand oe IkOxN, Tjie
Hart, W. S.
Hennessy, RuTir
Hidden Letters, The
His Last Chance
HoLEisTER, Alice
Holmes, Gerda
Holmes, Helen
Hough, Irene Estei-le
Humi'HREy, William
HuTTON, Leon A
Edison 315
— 101
— 140
Vitagrut)h 273
Imp (j5
42, 245
— 272
101, 216, 280 3()1
— 391
261
— 408
Jacobs, Billy
Jailbirds
Jim
Joyce, Alice
— 42
Flying A 303
Flying A 30
Kalcni *05, 182
Kalich, Bertha
Kennedy, Jlanita ...
Kent, Charles
Kerrigan, J. Warren
KiN(iSTON, Winifred
Ftiinoiis Players 271, *273, 343
M llano *345
Vttagraph *273, 343
— 308
Lasky *201, 270
La Badie, Florence
Larkin, George
Law of his Kind, The
Lesi;1e, Helen
Life's Dark Road ...
Lily of the Valley
Lola
Long, Walter
Thanhouscr "1, 308
— 210
Rex W
— 391
Hepworth 382
Vitagraph 295
Flying A 222
— 128, 210
McCoy, Gertride
Madison, Cleo
Man fro»i Mexico, The
Marshall, Boyd
Mason, John
Maurice, Mrs.
Mitchell, Rhea
Moore, Tom
Mystery of Room 043, The
Mystery of the Seven Cjiest
, The
Edison *1, 271
— 2]()
Parantount 350
Thanhouser "201, 270
— 405
Vitagraph *273, 344
— 201
— 35
Essanay 30
Selig 397
Nation's Peril, A ...
Neill, Dick
Nesbitt, Mirl\m
Ni(iHT Riders of Petersham, Thi;
NiLssoN, Anna
O'Neill, James
One of oi r Girj.s ...
One who Loved him Best,
Till-;
101 Bison 43
— 113
— 101
Vitagraph 22
Kalcni TJO
— 124
.Famous Players 108
Edison 233
().n the bckken
On thk Vekcje of Wau
ostbiche, mukiel
ItihEX—coni'inan-l. t>age
... Evan Strong m, 125, 195, 267, 341, 403
70/ Bison 89
Princess & Thanhouser *345, 407
Pallette, Eugene ...
Papa's Little Weakness
Passing of Diana, The
Paul, Val
Pekkins, Walter E.
PicKFORD, Mary
PoTEL, Victor
Potter and the Clay, The
Price, Kate
— 155
Bam forth 388
Vitagraph 129
— 15
— 124
... I'aniuus I'laxcrs *129, 11)8, 232, 327, 301
... ' ... — 190
Kalent 221
Vitagraph "(35
Queen of Diamonds, The
"Ready"
Reid, Wallace
Reward of Thrift, Tin;
Rich, Vivian
Riddle of the (jREEn Umukella, The
Robertson, Lolita ...
Roland, Ruth
RoY.sTON, Harry
Sais, Marin
Scales of Justice, The
Seay, Chas. M.
Selbie, Evelyn
Shear, Joseph
Shea, William
Shepherder, The
Spirit and the Ci,.\v. The
Spitfire, The
Splendid Dishonour, A
Stewart, Anita
Stonehouse, Ruth
Taylor, Alma
Tell-Tale Scar, The
These Good Old Days
Thompson, Dave
Through Flames to Fame
Thumb Prints and Diamonds
Time the Great Healer
Toll, The
Travers, Richard 0.
Trunnelle, Mabel
Milano
374
September Supplement
—
124
Vitagraph
345
. Flying A 270,
^345
Kaletn
392
Lasky
*345
— 94,
113
Hepworth *65,
128
Kalem *201 ,
270
Famous Players
167
—
29
. Essanay *273,
343
—
80
—
387
Victor
76
Vitagraph b
, 69
Famous Players
309
Essanay
321
—
155
—
172
Hepworth *129,
198
Thanhouser
335
Evan Strong
189
—
128
Danmark
173
Lubin
362
Hepworth
254
Vitagraph
246
—
272
Edison *273,
344
Unwelcome Mrs. Hatch, The
Famous Players 240
Van, Wa]-]>v
ViGNOLA, Robert G.
Virginian, The
Voice of Silence, The
— 405
Kalem *201, 245
Lasky 281
Edison 49
Walker, Lillian
Walker Robert
Walsh, Raoul A.
Warner, H. B.
Washburn, Bryant
We.st, Herman Wij>]
West, Wm.
Welleslev, Charle.^
Whitney, Clair
Widow's Mite, The
WiLLiA.MS, Earle
Famous Players *201,
Kalem 15,
Edison *273,
Vitagraph
Thanhouser
101
245
54
270
190
'129
344
*1
113
120
139
YouN(;, " Tamm.\nv "
226
IHcture
Illustrated
FILMS
Monthly
No. 1 3.
MAGAZINE
September. Vol. III.
Scene from " T^f^ VOICE OF SILENCE," by James Wallis.
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See notice on /mfie 3 of cover,
lit U7viwerin'j lulvertisemenln pleasu
m^
A most important announcement
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OURSELVES !
A year !
What's in a year ?
Three-sixty days and more,
And two and fifty weeks —
And months, less eight — a score !
Twelve months !
Not long mdeed -
Time flies, yet we have seen
The l.F.M. become the P—
S — Magazme-
'^T is not a mere change m name, it is the change in
jii^ character which counts. Twelve months ago the
•'' attempt was made to run a magazine of a totally
different nature from those already on the British
market. America had already a magazine devoted to
motion picture stones, and a very successful one, but
when the idea was mooted on this side the carpers
prophesied ill-luck and a short life. They did not
realise that public interest in cinematography was so deep
and intense and have come to see that the " Illustrated
Films Monthly " venture has discredited their foresight.
Great Britain has such a mass of readable literature at
purchaseable price that any new publication must be
prepared for a fight for life during the first few months
of its existence; and it is only when the public declare,
by support, that a new magazine is filling a want, that it
can battle its way out of the influences which at its birth
set to work to retard its progress. Cynics and adverse
critics there were many when the l.F.M. started ils career,
but the voices of our friends competely overwhelmed
them now after twelve months of successful publication.
A year ago the l.F.M. appeared to fill up a vacancy
in the ranks of the monthly magazines. It was the first
periodical which dealt exclusively with picture stories.
Weakly allempls had been made to popularise screen
stories, but until this magazine came along nothing in the
nature of a publication giving the best stories adapted
from the screen particularly for the picture lover had
been issued. 1 here was some temerity in the first
step but lears were soon dispelled, and to-day we see
the inlant ol twelve months, now christened the " Picture
Stones Magazine," a vigorous and healthy youngster, die
centre of interest for a large and ever-widening circle,
a D
I I AVE you ever tried to realise how long a year is
•*■ *■ and what can be done in three-hundred and
sixty-five days ? It amounts to this: There have
been a series of muddles, one or two strokes of luck,
occasional success, a deal of trouble and worry, much
hertrl-buinini) on the side of the chiel, a lot of self-
praise, possibly A holiday, about fifty-two Saturdays or
twelve month ends, something accomplished, a mass left
undone — and perpetual hope. Hope drives the whole
world round — without it the l.F.M. would not now be
mciUiun Pi' lure iSlurita Ma<jay.iii(.
" Picture Storiest Magazine." Hope brought out the
first number, Hope sustained the efforts to improve it, and
Hope is the light of the future. Perhaps you wonder
why the name of our magazine has been altered? Well,
while, as said in the previous paragraph, character is the
thing which counts and not the mere change in name,
the value of attraction must not entirely be discounted.
Old readers we know will not desert us, still we must
look for more and more new readers. The title
" Illustrated Films Monthly," besides being somewhat
cumbersome, might have repelled persons who had not
opened the book, suggestmg possibly a trade journal; but
" Picture Stories Magazine " says distinctly and in a
(lash exactly what the contents are. So it is anticipated
that with a more popular title more readers may be
attracted. Certain it is that if they once read they will
become regular subscribers. The " Picture Stories
Magazine " will be a great improvement on the old
journal ; month in month out will find something new,
something appealling and better quality all round.
Already it is generally conceded that the stories are
equal to and ofttimes more compelling than those of the
majority of the average monthly, and the illustrations have
nioie life. For the money there is nothing in the same
street with the " Picture Stories Magazine," and if you
have been pleased in the past you will be delighted in
the future. Our magazine will not stand still. Progress
is the watchword ; variety and high standard is the
foundation upon which progress will be made.
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our popular piece of Dance Music "FILMING,"
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Volume II
(Consisting of Numbers 7 — 12)
•°0O of Oooo
Illustrated Films
Monthly
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Illustrated Films Monthly,
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In anaweriny Mlvatwumcnt* jiImm mtntiun I'ttturc Utorics AIa;/uzinc.
vt.
BOY SCO UTS
AND WHAT THEY DO
BEAUTIFULLY ILLUSTRATED.
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Pidure Stories Magazine.
(Illustrated Films Monthly).
CONTENTS FOR SEPTEMBER, 19H.
VOLUME ill. No. 13.
FRONT COVER: Scene from THE VOICE OF SILENCE (Edison]
SPECIAL SUPPLEMENT:
"READY!
SUPPLEMENT OF FILM FAVOURITES:
Miss RUBY BELASCO ...
Mr. CHARLES WELLESLEY
Miss FLORENCE LABADIE
Miss GERTRUDE McCOY
Mr. HARRY BENHAM
Miss LEAH BAIRD'
Mr. HARRY BUSS
AS FATE WILLED
FILM STORIES:
AS FATE WILLED
THE SPIRIT AND THE CLAY ...
THE LAW OF HIS KIND
THE NIGHT RIDERS OF PETERSHAM (Conclusion)
THE MYSTERY OF ROOM 643 ...
"JIM"
A NATION'S PERIL ...
THE VOICE OF SILENCE
FREDERICK THE GREAT
NOTE : These stories are written from films produced by Motion Picture Manufadurers
and our writers claim no credit for title or plot. When known to us, the name of the
playwright is announced.
... 12th
Lancers
OURITES:
PAGE
Hepworth
;
Vitagraph
2
Thanhouser
3
Edison
4
Thanhouser
5
Vitagraph
6
Hepworth
7
Front
is piece
Victor
1
Vitagraph
8
Rex
.. 16
Vitagraph
.. 22
Essanay
30
Flying A
.. 36
lOI Bison
43
Edison
.. 49
Edison
.. 55
SPECIAL ARTICLE
ON THE SCREEN
Evan Strong
63
PICTURE STORIES MAGAZINE is printed and published by The Camberwell Press, Dugdale Street
Works, London, S.E. Subscription 5/6, post paid to any address in the United Kingdom. Single
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Messrs. Alfred Bates &- Co., 132/134, Fleet Street, E.C.
NOTICE TO CONTRIBUTORS : MSS. and Drawings must be submitted at the owner's risk, and the
Editor will not guarantee their safety. When stamps are enclosed he will endeavour to return them.
MSS. should be typewritten.
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0
1)1 answeriiuj adw.rtlscmentf! i^ffnae mmUion I'iHurf, Storifi} Miujazine.
Mr. CHARLES WELLESLEY
(Vitagraph)
Mi8s FLORENCE LABADIE
(Thanhouser)
Miss GERTRUDE McCOY
(Edison)
Mr. HARkY BENHaM
(Tli:\nhouser)
Miss L£AH BAIRD
(Vilagraph)
Mr. HARRY BUSS
(Hepworth)
' Marion would be about the size of this little burglar, he thought ; her figure was llie same, and the poise
of the head identical."
As Fate Willed.
From the VICTOR Drama. Adapted by Rosa Beaulaire.
Richard is considered a good catch by reason of his
wealth, youth, and handsome appearance. A society
belle sets herself to capture him ; and by placing him
in a compromising position with her, and then play-
ing upon his sense of honour, she succeeds in gaining
his promise of marriage. Richard goes to the seaside.
There he meets a strange girl and immediately
realises that he is in love with her. Then she goes
away and he loses her. The next time they meet
she is a thief in his own house, but love explains
and triumphs.
HE unceasing sea rolled monot-
onously on to dash its weight
against the rocky shore, and
watching the leap forward and
the recoil to mass in readiness
for the next onslaught, one
realised that this perpetual surging and
determined attack could no more be con-
trolled than the relentless revolution of the
wheel of fate. By the sea one becomes a
fatalist; gazing at the never-failing shore-
ward roll of the waters one comes to under-
stand the mysterious inexorability of destiny.
Whatever happens will be in accordance
with the intention of fate, and there is no
deliverance from its power. Dissatisfied,
one oft attempts to break free and map out
his own course ; but do what one may, this
course will surely converge sooner or later
on the road laid down by the higher power.
Down there by the sea a scheming mother
and her daughter laid plans, little dreaming
that they could be upset even when their
object was within grasp. In their human pre-
sumptuousness they imagined they held the
power of control in their own puny hands ;
careful plans they had laid to capture
Richard Lee— a splendid young man, clever,
rich, an altogether eligible party; every
possible loophole had been diligently covered;
nothing that would interfere with a success-
ful issue had been overlooked — but fate had
not been admitted to the bargain. They
had not pondered over the ceaseless roll of
the seas, or noted the honeycombed rocks,
undermined by the onslaughts of centuries
and ready to tumble into the ocean's maw,
and so they understood no might but that
which man could assume for his own purpose.
Of course not : the hotel was their play-
ground ; rugged, uncouth nature made no
call, the rocks held no interest and were too
coarse in their wild, rough native state to
take interest in. Had these butterfly
persons heeded the lesson of the waves and
rocks, perhaps the biting blow of fate, when
it fell, would not have struck so deep and
shattering.
* * *
There was a little hubbub in the stoep of
the hotel, verandah it could hardly be called.
It overlooked the sea, which, in the sunset,
presented a wonderful silver and gold
aspect. However, the heads of the
little crowd of mothers and daughters were
not turned towards the sea, but to
the entrance of the hotel. The hub-
bub of excitement died to nothing as a
stalwart, well-dressed young fellow, Richard
Lee, in fact, leapt up the steps, and at the
pyschological moment Mrs. Carrington and
her daughter Inez rushed forward with
effusive welcome, leaving Frank Barton, their
dandy attendant, to fume at their neglect
and discourtesy to him — for had he not
waited on them, and been in attendance for
days, all for a smile from Inez 1 And now
they flew from him unceremoniously to hang
round the neck of this magnificent young
male animal, endowed with more of the good
things of the world than he could reasonably
dispense with.
Richard Lee was a man to turn any girl's
head. A dark handsome face, set and
determined, with deep fearless eyes, when
serious ; vivacious and light-hearted when
AS FATE WILLED.
talking, he was a good conversationalist
alike amongst men or women. And then he
was a typical athlete, with a figure like a
Greek god — no wonder
Liez Carrington was
attracted, for she was
pretty, with auburn
ringlets framing a petite
and temperamental face.
Yet she was empty,
though clever
enough to
conceal the
fact. Deep
feeling never
possessed her
heart, she had
too much love
for the lux-
uries of the
world, and the
things money
can buy, to
entertain sen-
timent pure
and simple.
Frank
Barton, the
almost penni-
less pleasure-
seeker,looked
on at the
meeting of
the two with
envy and disgust. He saw Mrs. Carringford
gush to Lee as she introduced her daughter,
and in that moment he understood the
reason why.
" Oh, Mr, Lee, how splendid of you to
come down here. Are you staying long 1 We
heard you were coming," cried Mrs.
Carrington as she held out her hand
daintily, I am so pleased to meet you
again. You remember the lasttim.ewe metl
I have my only daughter with me here. Let
me introduce you. Inez, this is Mr. Lee,
whom I have spoken about, I don't think
you have met him before. This is my
daughter Inez, Mr. Lee."
Poor Lee had no chance to put a word in,
not even to say ' How-do." Now he bowed
politely to the smiling Inez.
'Good evening, Miss Carrington," he
said quietly, ' I trust you have been having
a pleasant time here. It is a beautiful spot.
Do you know the choice corners about the
oountry round ^
He loved the sea — Inez hadLlittle interest in anything
"We have been here but a few days,"
Inez replied, and it has been hot and rather
dull. I have been out very little, so I'm
afraid I do not know
the places very well. I
hope it will be more
pleasant for you."
" Thanks, I hope so
too. I love the
wilds and the
seas. But I
must not
dilate on my
delights and
dislikes. I
must now
wash the dust
of travel from
me. It has
been very 'dry
up the country
and we have
come through
several dust-
storms. You
will excuse
me?"
Oh, cer-
tainly."
Perhaps
you will join
us at dinner,
Mr. Lee?"
chimed in
Mrs. Carrington with a winning smile.
"Thank you very much." Lee gave a
little twist to the other side of his mouth
and disappeared through the stoep doorway
to seek refreshment at the bar and in the
bathroom.
The days which followed were not directly
pleasant for Lee. He liked the open, he
loved the sea. Inez, whom Mrs. Carrington
attached to him at every opportunity, had
little interest in anything — she was a hot-
house flower and preferred lolling outside
the hotel, or lazy driving, to a swim in the
tumbling bay, or a sturdy tramp across the
headlands.
* ♦ ♦
The little bay was alluring. Sheltered by-
jutting spurs of rock, which, turning in-
wards slightly at the entrance of the bay,
formed a natural breakwater on either side.
It was a safe bathing place, an ideal swim-
ming pool alike for the expert and the
novice. Lee had found it years ago and
AS FATE WILLED.
whenever he visited Beechcombe he always
spent an hour of the morning there. It lay
some way to the left of the front which the
visitors paraded, and had the additional
charm of being unfrequented. Lee had
almost invariably bathed alone. He would
be up and have his " dip " while the others
were at breakfast. This morning, however,
he was forestalled, though he had been in
the water some time before he became aware
of the fact.
It was a soft warm morning, the sun's
glow was tempered by the faintest breeze
which came off the cooled land, and the
waters which flung themselves foaming at the
cliffs outside the cove gently lapped the
sands within the rocky breakwater. Scarcely
a sound broke on the air except the soft
s-sisch — 6-sisch of the wavelets on the
pebbles, and the occasional half-smothered
scream of a gull, as Lee plunged in and
amused himself with aquatic feats. Of a
sudden he became aware that the cove had
another human occupant. Away on a ledge
of rock, almost out to the horn of the cliff, a
figure in a bathing frock was sitting and
kicking her feet in the water, allowing the
spray to dash over her as the waves rolled
up and spent themselves on the masses of
rugged stone.
Lee had no interest for woman-kind, but
this was a unique experience; and without a
second's thought he struck out towards the
lady playing mermaid so early in the morning.
She must be an exceptional creature, quite
apart from those he habitually came in con-
tact with. On he came with a strong over-
arm stroke to within fifty yards before she
perceived him, so intent was she in her
game, and then it was too
late to beat a retreat
without confusion, though
she glanced fur-
tively around to
spy a way out
should it be
necessary.
Lee was now
up to the ledge,
he grasped the
rock and slowly
hauled himself
out of the water.
The mermaid
drew back a little,
but still sat on
the ledge trying
to appear unconcerned.
She was decidedly pretty, thought Lee,
and with characteristic features — a very
attractive nymph. Aloud he said, "Pardon
my unceremonious intrusion, won't you?
People who bathe so early allow themselves
some liberty. Will you tell me how you
found this cove *? I had always thought it to
be my own special claim, and to see you
here this morning before me gave me? quite
a shock."
I'm very sorry if I have jumped your
claim," she answered, with a whimsical
smile, a trace of sadness, however, lingering
in her eyes even as she laughed. " Had I
known it was your special reserve I should
not have intruded, I assure you."
She is quizzing me," he thought, but
she continued :
I stumbled on the spot by accident
yesterday, and being of a solitary nature, I
took the opportunity for a quiet paddle.
There, I think that answers your questions
and excuses me."
Oh, come," expostulated Lee, " I hardly
framed my words in that way I was merely
excusing myself for breaking in on your
reverie. Anyway, if you will accept my
excuse, I will accept yours, and perhaps we
can be friends for half-an-hour. Will you
be kind 1 " Lee was captivated at once by
this slim little water-girl. He spoke eagerly.
Would you like me as your friend 1 — I
have few friends." 'A depth of sadness had
' He decided on the only course to silence the gossip.
AS FATE WILLED.
impressed itself again on her features.
Already Lee felt an impulse to take her in
his arms — she looked like one who needed
a. pair of strong arms to protect her.
' I should like very much to be your
friend, if you will let me," he replied.
" Shall we exchange confidences ? My
name is Richard Lee. I do nothing except
lounge about in one place or another, with
on occasional burst of athletic energy. I
am staying at present at the "
"Oh, I'd rather take you as you are,
without your history," she broke in. "History
is not always an indication of the present
state."
Well, perhaps you will tell me your
name 1 "
" My name, if it pleases you to know, is
Marion Stearns. But is it necessary, when
perhaps we shall be friends but half-an-hour
and never see one another again ? "
' But need it be that we shall never see
one another again 1 You are not leaving the
neighbourhood immediately 1 "
"Not right away, but my holiday is a
snatched one, and my sphere in the other
world lies far apart from yours."
Of spheres we need not talk: J.here are
pleasanter matters of conversation. Tell
me now if you will come here again 1 "
What use to pursue the first conversation
of this chance pair further. They met again
and again during the next few days, and
before the week was out Lee was madly in
love, while Marion frankly admired the
chivalrous merman; nay more, her regard for
him, because she knew convention would
prevent closer union, caused a deep biting
pain in her heart. She watched his passion
grow stronger with fear and anguish, and
at last determined to flee and hide her
love away where he could not seek it out.
Determined, she made preparations for
flight. The night before her departure Lee
met her in the moonlight down on the shore.
The light came down the rippling waters in
a tremulous narrowing band to where they
stood on the rocks. And the passion of the
young man overcame him — he made to clasp
Marion in his arms, so dainty she looked in
the moon's glimmer, so tender, so truly
lovable.
No, no," she cried, anticipating his
desire, half wanting to submit, yet fearful.
' But, Marion, dear, I love you. I want
you. Won't you be kind — come to me,"
vrhispered Dick.
" I know, I know: yet it cannot be. You
do not know who I am and what obstacles
there are in the way of our love."
Then you love me, Marion ! " he cried,
seizing on her unwitting confession. ' Why
should anything stand in the way 1 Are the
obstacles so great that we cannot overcome
them in the strength of our love 1 "
She was silent, wrestling with a strong
temptation to yield. But her awful secret —
if he should learn of that he would despise
her, and she could not risk it. With an
effort, an effort which seemed to her like
the renunciation of the whole world and all
that is good in it, s'he brought herself to her
earlier decision
"No, it cannot be," she repeated. " I
leave here to-morrow ; and I hope you will
not try to find me. I love you, indeed; but,
believe me, it is better to part now and for
ever."
Marion, if you go from me now I shall
seek and find you. I will prove to you the
power of my love. Marion, give me a little
hope."
"It is better thus — there is no hope. Oh,
say no more; let me go — you will forget and
the pain will not be for long." She stifled
a sob and turned from him.
Too dumbfounded and broken-hearted to
speak, to call her back, or even follow her,
Lee watched the slender figure disappear in
the night. Then he returned to the hotel.
Inez Carrington had got wind of Lee's
meetings with the strange girl on the beach.
She had noticed his inattention to her and
connected it rightly with the influence of the
stranger. Scheming and determined to
capture him, she set about a plan to inveigle
him right away.
It was a beautiful afternoon and Lee and
Miss Carrington were sitting listless on the
verandah of the hotel. Of a sudden Inez
jumped up and clapped her hands in assumed
glee. Her companion looked up in
amazement.
" What now ? " he said.
"I know ; its getting frightfully dull here,"
she cried. 'We'll go for a motor-ride. Will
you take me in your car, Mr. Lee?"
" If you would like a run, why, certainly,"
he replied politely, but he did not appear
very enthusiastic over the idea; in fact his
mind was not present, it was away down by
the little bay, where he had first met the
mermaid.
AS FATE WILLED.
With a shrug he threw off his mood and
ordered the car round. Little did he know
that Inez had been tampering with the
tool box as
part of a subtle
scheme to cap
ture him. He
was to find out
later when he
could not draw
back.
They both got
into the ear im-
mediately it was
brought round,
Inez sitting up
by Lee, who drove
himself. For
miles they ran
out into the des-
olate country at
the foot
of the
hills,
and it
was
getting
dark
when Lee turned in the direction of home.
Then it was that Inez put the first part of
her plan into action. Slyly loosening the
strings of her bonnet, she waited till they
speeded up on a stretch of delightfully
straight road, then observing that Lee was
intent on driving she let the bonnet go.
" Stop, stop the car," she cried; " my
bonnet has blown off."
Lee brought the automobile up with a
sudden jerk.
" Is it far back 1 " he queried.
Yes, it is some way back there," she
answered. I'll wait here while you fetch
it — will you 1"
"All right, I won't be a minute."
He strode off with haste. It was growing
late, they could not aff"ord to waste time — if
they were too long away the people at the
hotel would begin to talk.
As soon as he had advanced a little up
the road, Inez ran to the tool box, seized a
spanner, and lifting the bonnet of the car
gently she smashed off a couple of plugs.
And there was not a spare one left — she had
seen to that.
Lee returned quickly. The bonnet was
fastened securely on Inez's head and the
pair got into the automobile again, Lee
' She almost threw the symbol at him
eager to be off.
But the car would not move. What was
the matter ? It was quite all right when
slowed down. Lee
was exasperated.
^^w' Jumping out he
discovered the
damage, went to
the tool box for
the spare plugs
and found the
spanner only.
Examining the
broken plugs,
he understood.
"We cannot
move
the car;
there
are no
spare
plugs,
and
these
are too
da ma-
ged to
be of
use," he said quietly, holding up the battered
parts to Inez's view.
She smiled inwardly, outwardly she was
distressed.
" What shall we do — how shall we get
home ? " she cried.
" Walk, " was the laconic reply.
But we cannot walk all that way ! "
" We cannot stay here."
" It will take us hours. What will the
people at the hotel think 1 "
So that was the scheme thought Lee,
Inez's words giving him the clue. Aloud he
said, with bitterness in his voice :
" The car will not move; there is no place
near here where we can get assistance —
there is nothing but to walk back, or till
we meet someone who can give us a lift to
the hotel."
He did not feel very kindly towards his
companion, and indeed the situation would
be very awkward if people began to talk.
Inez said no more, but patiently en-
deavoured to fit her steps to Lee's long,
swinging strides. But she had not played
her last card.
They had not marched much more than
a mile when Inez gave a little scream of
pain and sank down in the roadway.
6
AS FATE WILLED.
" Oh, I've sprained my ankle," she moaned,
and as Lee bent down to help her she
pushed him away, crying, 'No, leave me; I
cannot move, the pain is so bad."
There was nothing for it but to wait till
they were picked up. They were still miles
from the hotel and it would be impossible
to get home on a sprained ankle — if the
ankle was hurt at all. Lee was sceptical.
He placed the girl in a comfortable position
and they waited side by side. It was dark
now, but not cold. The night air was soft
and warm and they suffered no discomfort
on this score.
It was morning before they were found
and taken back to the hotel, and already
the busy-bodies were talking. Pointed
inferences reached Lee's ears, and at last he
decided on the only course to silence the
gossips and save the girl's reputation. He
asked for Inez's hand in marriage. The
engagement was duly announced, and Inez's
cup of pleasure was overflowing in the
success of her scheme.
The summer and autumn had passed, the
winter season had commenced ; and Mrs.
Carrington, in the glory of her daughter's
capture, had arranged a great ball, to which
all the society of Ashton had been invited.
It was a society affair on a large scale. Mrs.
Carrington had excelled herself, and in
secret had gone beyond her means to excite
the envy of all. Yet what did a few pounds
overdrawn matter when Inez was about to
marry one of the richest men for miles
around.
Inez was in the seventh heaven of delight,
and danced like an excited kitten amongst
the guests. Frank Barton was present,
looking glum and downhearted; but Kichard
Lee, her fiance, and the star of the evening,
had not arrived.
As a matter of fact l^ee was fully dressed
for the ball, but had no desire to attend.
He was thinking of someone who had passed
out of his life, someone who would have
brought him happiness, but who was lost to
him for ever. Marion, where was she now 1
Had he but known she was near at hand,
but hardly on an errand he would have
thought. Sitting in his library, the lamps
unlit, he was in a sadly pensive mood. The
idea of the ball sickened him; he endeavoured
to forget the whole affair, and yet the ball
had been published far and wide, and he
ought to be there.
Indeed, the ball had been published far
and wide, and the facts in some cases had
come to undesirable notice; for instance, the
notice of Jack Stearns, crook and ex-convict,
who had chosen that very night, because of
the convenience of the ball, to break into
Lee's home. He came now, in the dark,
creeping round the house, dragging a slender,
unwilling female by the wrist. Succeeding
in opening one of the doors, he pushed his
unwilling companion inside with muttered
curses and threats of violence if she did not
do as she was told.
Once inside and unable to retire, the
girl — she was scarcely more than a girl, and
wore a mask — crept cautiously forward,
trembling in every limb, seeking in her mind
a way out of the position, the horrible,
revolting business she was forced into.
Outside the library she halted. There was
no light, no movement — she stepped inside.
Immediately there was a blaze of light and
a man with a revolver was standing over
her, a form she seemed to recognise, and a
voice she knew. But it could not be he t
She dared not look !
Richard Lee had heard the slight noise
as the girl entered, and in a flash had his
Browning ready and the lights switched on.
' What are you doing here 1 " he said
quietly, his eyes taking in the figure of
the shrinking girl before him.
Marion would be about the size of this
little burglar, he thought — her figure was the
same, and the poise of the little head identical.
Lee lowered his revolver.
" Who are you ? What do you want ? "
he asked again, a coaxing note in his soft
voice.
I want nothing — I was forced to enter —
my father " She could go no further,
great, choking sobs checked her muttered
utterances.
Something in that voice brought Lee a
step forward. He caught her by the arm and
tore off the mask.
"Marion, you!" he cried, staggering back.
She did not answer, but stood trembling,
half-turned from him, trying to hide her
face in her shame.
The sight of her was too much for Lee,
burglar or not. He wanted her, and in a
second she was in his arms. As she
struggled to free herself, another figure
appeared in the doorway. It was Barton.
On the continued non-appearance of Lee at
the ball, he had been sent by Mrs. Carrington
AS FATE WILLED.
to find him. Now a queer smile spread
over his features, and he turned away with
a triumphant light in his eyes.
Hastening back to the ballroom he sought
out Mrs. Carrington and Inez, and hurried
them to Lee's house to see his discovery.
Lee had just relinquished Marion as they
entered — Inez wild withangerand petulance,
Mrs. Carrington as dignified as an ancient
fowl gloating over a newly-laid egg.
So this is how you carry on intrigue
instead of attending to your fiancee," cried
Mrs. Carrington, spluttering in her rage.
I assure you it is no intrigue, Mrs.
Carrington ; and as you should be aware,
the word should not fall from your lips to
me," replied Lee, slightly taken aback by the
sudden appearance of his fiancee and her
mother.
What do you mean by having this
creature in your house when you are still
engaged to my daughter ? "
That is my particular business. As to my
engagement to Inez, that is in her hands."
Lee was feeling more satisfied with the
turn of events; he saw visions of Marion as
his wife in the future. For a few moments
he had tasted of paradise with her in his
arms. Would they release him so that he
might go to her 1 His eyes sought hers as
she sat cringing on a club chair in the corner
waiting for an opportunity to flee.
" You shall marry no daughter of mine,
sir. It is disgraceful ! " shrieked the irate
mother.
" It has been your will all along," he
returned.
Inez was bursting with stifled rage. She
could contain herself no longer. Tearing
the engagement ring from her finger, she
flung one bitter, scornful glance at Marion,
and almost threw the symbol at Lee.
Lee's fingers closed on it and his heart
gave a big jump. He did not hear the
maledictions of the party as they left him —
he was thinking of his freedom to marry
Marion.
Snatching an opportunity, the frightened
girl sought to escape, but he was too quick
for her. " Marion, dear, you have come to
me ; you must stay with me," he cried exult-
antly, as he crushed her to him.
"Oh, no. My father .You do not realise
that I am the daughter of a convict," she
burst out hoarsely.
" What is that to me ? I knew you
would come — what matters how or through
what circumstances. Marion, you will
marry me? See, I put the ring on your
finger. You cannot escape that."
And she, her heart overflowing with love
and joy, realised that his love was strong
enough to overcome all obstacles, and she
let her head sink on his breast in submission.
"O ATS as actx)rs in a motion picture drama
•*■*■ are a sufficiently novel sight to cause the
photoplay patrons who see them at work
to inquire in amazement, " How on earth was
it done ? "
Nevertheless, rodents played an important part
in Kalem's drama, "ACCUSED." In this story,
the rats steal a package of bills and cause a man
to be accused of theft. The animals are the
property of a man in New York, who has
succeeded in teaching them a number of tricks.
To get the rodents to carry out the part assigned
to them, their owner impregnates the bills with
a certain odotir. When placed upon the table,
the rats sniffed the package, seized and instinc-
tively dragged it off the table.
'T^HE stor\- of the American National Anthem
-*• — " The Star Spangled Banner " — is being
produced as a two-reel photoplay by the
Edison Company. Few poems in the, history of
literature have Vieen inspired and conceived more
dramatical!}' than was this one. It was written
by the author, Francis Scott Key, during the
early morning of September 14th, 1814, whilst a
prisoner of war on the deck of a ship watching
the bombardment of Fort McHenry. Who
composed the music has never been discovered.
In this production, Edison's are endeavouring
to portray a true and accurate history of the
cause and effect which culminated in the writing
of " The Star Spangled Banner."
THE Universal Film Manufacturing Company
has signed a contract with Broughton,
whereby his famous detective stories of the
adventures of Lawrence Rand will be filmed,
with King Baggot, the Imp star, in the leading
role.
" The House of Doors," the first of the series
to be published, appeared ten years ago in the
" Metropolitan Magazine." It has been reprinted
eight times in America, and its sequel, "The
Mystery of the Steel Disc," was chosen by
Collier's as the best detective story ever written
in America. In book form over eight hundred
thousand are out. There are forty stories in
the series.
The Spirit and the
Clay.
From the VITAGRAPH Photoplay by Mrs. Hartman BreuiL
Adapted by Bruce McCall.
" The Spirit and the Clay " is the second of our two-
instalment serials. The story we leave to the judg-
ment of our readers. Regarding the film, we offer
the Vitagraph Company our warmest congratulations
for having produced such a magnificent picture. A
finer production we have not seen for weeks, Mr.
Darwin Karr is especially brilliant in the role of
the artist.
Instalment I.
|0W then, Paul, get out of the
way, or we'll run over you,
Molly and I."
Paul Ferrier ceased from
his labour of spreading litter
for the cattle, and leaning
on his pitchfork, looked admiringly at the
pretty, roguish face of the girl who had
uttered the dreadful threat.
"I reckon Molly wouldn't hurt me. She's
harmless enough. It's you I'm afraid of,"
he said, with mock seriousness.
The girl laughed merrily. What, afraid
of me 1 Why, if I was a great strong man
like you I wouldn't be afraid of a girl."
" No ? Well, perhaps I ain't exactly
afraid — ^not afraid enough to run away, any-
how. But there's something about you —
your eyes, now, they hit me every time."
Again the girl's laugh rang out. " Oh,
Paul," she cried, "how silly you are. Who's
been teaching you to talk like that 1 I do
believe you've been reading love stories.
That's the sort of stuff the heroes talk.
And you're not a hero, are you, Paul *? "
She looked at him provokingly.
No, I suppose not. I'm a farm hand,
that's what I am, and I've got too much
work to do to stand gossiping. No, I haven't
though," he went on with a change of
manner. " Be quick and take Molly into
the shed, and we'll have a talk over old
times. Grit uj), Molly ! " he cried, prodding
with his fork the cow which the girl was
leading.
The patient animal ' got up " obediently,,
and disappeared into the shed. The girl,
having seen that her favourite was well
supplied with creature comforts, rejoined
Paul.
" Come along, Marie," he said, " we've
both done enough work for one day. Do
you know, Marie, I'm about sick of farm
work. I reckon there's better things to be
done than ploughing and feeding cattle.
One of these days "
He broke off as he caught sight of the
girl's troubled face.
" Aren't you happy here, Paul?" she asked
with a little quiver in her voice.
Oh, well, I ain't altogether miserable, if
it comes to that, but I don't want to be a
farmer all my life. I wasn't cut out
for it. Still, I won't grumble. I reckon
my chance will come one day if 1 wait long
enough."
"But surely, Paul," said she girl, her face
still troubled, "you don't want to go away
and leave us all — your father and mother,,
and — and me ? "
Paul was silent for a moment or two ;
then he said soberly, " I think I'd have gone
before this if it hadn't been for you, Marie.
You've been a splendid little chum to me.
I can tell you things I can't tell to my father
and mother, because you — well, somehow
you seem to understand."
They were walking through the farmyard
now.
' Do you remember the first day you came
THE SPIRIT AND THE CLAY.
here 1 " Paul went on. Father brought
you in the cart — a tiny little girl of six, with
curly hair and big eyes. You were afraid
of me then, I belieA^e."
. " I wasn't," cried the girl indignantly.
"Well, you didn't seem to like it much
when I lifted you out of the cart. Rum
little kid I thought you were."
"And I thought you were a big, rough,
ugly, boy," retorted Marie. " I was sure I
was never going to like you."
" And now ? "
" Oh, well, never mind. 1 remember you
wanted to show me how clever you were.
The very first thing you took me right off
her teasing m^anner, I'm sure your chance
will come some day, only — only then you'll
go away, and perhaps forget all about us."
" Forget you ! Why, of course not. I'll
get on and make money ; then I'll come back
and marry you, and give father and mother
more money than they've ever dreamed of."
They had reached by now the outhouse
which Paul used as a workshop. On a
rough bench which he had put up were the
materials with which he worked, and a
number of clay models in various stages of
completion. Simple things they were for
the most part — heads of Marie, of his father
and mother, and one or two small models of
He learnt with astonishing ease and rapidity."
to the barn, and showed me the things you
had been making out of clay. You were
very conceited about them, I remember."
Paul laughed. " And I've shown you
everything I've made since," he said.
You've been my critic and my model.
Why, how many heads of you have I done,
I wonder ? "
I'm sure I don't know, but" — teasingly —
they haven't all been like me, at anyrate."
"But some of them have, and one day I'll
do one that'll be a speaking likeness. I can
do it, I know. Oh, if only I could have
some lessons."
'Paul, dear Paul," said the girl, dropping
animals. They were not all of equal merit,
but in some of them there was genius, alive
and unmistakable This farmer's son,
ignorant of many things, who had never had
a lesson in art, was yet able to put into his
clay models that indefinable, mysterious
something which for ever eludes many
highly- trained sculptors who have spent
years in the schools. Paul Ferrier's work,,
technically imperfect though it might be,,
had the rarest of all attributes in the work
of a man's hands — life.
As yet Paul's only critic had been Marie.
His father and mother only admired and
wondered— a little disappointed and im-
10
THE SPIRIT AND THE CLAY.
patient with the lad for spending his time
in such a profitless occupation. Marie, his
cousin, pointed out faults where she thought
they existed, suggested alterations, and
altogether helped him more than either he
or she realised.
For some time Paul had been engaged
upon a bust of Marie. It was the best
thing he had yet done — a really remarkable
likeness. He was working at it one day
outside the shed, having carried his bench
and his clay out into the sunshine. Marie,
who was sitting for him, was watching his
clever fingers busily at work. Both were so
engrossed that they did not see a stranger
enter the farmyard. A portly, comfortable-
looking gentleman he was, wearing a wide
sombrero hat, and carrying over his shoulder
The stranger hardly heard him. He had
picked up the bust and was examining it
closely.
"a portrait, I see,'' he said, with a glance
at Marie. "Excellent work, too. Have
you anything else to show me 1 "
Paul produced a number of other models,
and the stranger ran a critical eye over them.
" My lad," he said at last, " you have
the gift. You are a born sculptor — a genius.
You're untaught, of course, I can see that ;
but with training you could do anything.
Why don't you come to New York 1 "
Paul stammered out something about not
being able to afford it.
" H'm," said the stranger, thoughtfully.
" Well, I daresay that might be arranged.
Genius like yours ought to have its chance.
^ is . i
i
if i
H .-^ 'wd
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W^'-" '^^^WiVt
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vitaSraph
10&
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' ' He pressed a bundle of notes into Paul's hand. '
an artist's portfolio. He looked about the
yard, and then walked across to Paul and
Marie. His hearty "good morning " brought
them to their feet.
" Good morning, sir," said Paul." " Do
you wish to see my father ? He's about the
place somewhere. I'll fetch him."
No, no," said the stranger. I came in
to see if there was a chance of getting some
lunch— just a snack and a drink of milk.
I'm an artist, and have been making a few
sketches in the neighbourhood. Why,
you're an artist too," he said, with sudden
interest. " May I look 1 "
Of course, but I'm afraid it's not of
much account," said Paul, diffidently. "I've
never had any lessons, you see."
Look here, my name is Galton — John
Galton. I daresay you've heard of me ?
No *? Well, I'm the principal of an art
school in New York, and I'd like to have
you as a student. Never mind about the
money, I'll see to that."
Paul's face lit up, and then grew gloomy.
I'm afraid father can't spare me," he said.
" He needs my help on the farm."
Marie, who had listened to the conver-
sation with mingled feelings, torn between
dread of losing Paul and anxiety that he
should have the chance he so ardently
desired, now put in a word.
" Perhaps we might be able to manage,"
she said, hesitatingly, " for a time, anyhow."
" Well, let's go and see your father,"
THE SPIRIT AND THE CLAY.
11
said Mr. Galton, "and hear what he says
about it."
The farmer and his wife were in the
house, and when Mr. Galton made his
proposal the old man met it with an
emphatic refusal.
' No," he said. " Paul ain't going to New
York to waste his time. I don't hold with
them artist fellers — no offence meant, of
course, sir."
" That's all right," said Mr. Galton, hand-
somely. " But your son's a genius, and if
you can see your way to let him come to
New York he may become a great sculptor.
I'm sure you would not wish to stand in
hire a man to fill his place."
It was settled, however, that Paul should
have his chance ; and when Mr. Galton
called next day he found the young man
full of gratitude and eager anticipation, and
his parents already resigned to his approach-
ing departure. Marie was as excited as
Paul himself, but when the moment came
for him to leave the old home and set out
with Mr. Galton for New York, she broke
down, and was only half consoled by Paul's
assurance that he would write to her every
day and tell her all his doings.
Paul, raw country lad as he was, felt very
' By jove, Marie, it's the very thing,' he cried.
his light."
He put the matter so forcibly, and his
persuasiveness and the pleading of Paul and
Marie had such an effect on the old farmer
that at last he promised to think the
matter over.
"That's right," said Mr. Galton, as he
was leaving. " I'll look in again to-morrow
to hear your decision."
Already weakening, when the old man
found that his wife was also in favour of the
proposal, he gave way, though in no very
good grace.
I don't know what we'll do on the farm
without him," he said. "We can't afford to
awkward and ill-at-ease when Mr. Galton
took him into the modelling room at the
great art school and introduced him to the
young men and girls who were now to be his
fellow students. They were a jolly, com-
panionable set, however, and very soon made
Paul at home. His heart failed him a little
when he saw them at work. They seemed
so much cleverer than he, and he thought
with dismay of his clay masterpieces at the
farm, which now seemed so poor and insig-
nificant. As he became more accustomed
to his surroundings, however, and made
friends among the other students, the feeling
of diffidence passed away, and he threw
12
THE SPIRIT AND THE CLAY.
himself heart and soul into his studies. He
learned with astonishing ease and rapidity,
and it was not long before his promise was
recognised and he came to be regarded as
the school's most brilliant student.
Mr. Galton did not stint his praise, and
the other masters were always ready with
encouragement and help. The remarkable
progress which he made might have turned
a less steady head, but Paul was very modest
over his achievements, and always ready
with generous praise of those of his fellows.
The result was that he was the most popular
as well as the cleverest student in the
school.
A number of wealthy and influential
people, artists and art lovers, were interested
in the school and in the work of the students,
who had become quite accustomed to having
visitors standing near them and watching
them at work.
One day Mr. Galton appeared in the
work-room, accompanied by a tall, elderly
gentleman, with a clever, intellectual face.
They walked straight up to the bench where
Paul was at work upon a bust in the classic
style, the head crowned with a wreath of
bays. They stood a few moments watching
Paul at work, and then Mr. Galton said :
* This is the young man I was speaking to
you about. He's by way of being our show
student. Paul, this is Dr. Gordon. He's
interested in your work."
Paul stood up in his long sculptor's over-
all and bowed. Dr. Gordon put out his
hand.
'I've heard great things of you," he said.
I want you to show me something you've
done, if you will be so good."
Paul flushed with pleasure and embarrass-
ment, but for the life of him he could not
think of anything to say. Dr. Gordon
stepped forward to the bench and took up
the bust.
Excellent " he said. ' Very fine work
indeed. I see, Galton, that your praise was
justified. You ought to have a brilliant
future, Mr. Ferrier. I shall keep my eye on
you. I might even buy some of your work.
I'd rather like to be your first x>atroii."
I'm sure you're very good," said Paul,
modestly.
Not at all, not at all ; I'm on the look-
out for bargains. Besides, I might get my
name in your biography — who knows?
Well, good-bye. Let me see that bust when
it is finished. Come along, Galton, I must
be off" now."
As soon as he had gone the other
students thronged around Paul and chorused
congratulations.
" Your fortune's made, my boy," cried
Emil Becker, Paul's particular chum.
"Get out!" said Paul, highly delighted
nevertheless. " Who is Dr. Gordon, anyway?"
" My ! haven't you heard of Dr. Gordon 1 "
cried one of the girls. " He's as rich a&
Croisus. He's a heart specialist ; he make&
heaps of money, and spends a lot of it on
pictures and statuettes and things. He's got
a collection worth a million dollars. He
knows good work when he sees it, and if he
thinks yours worth buying — well, you can
bet it is."
All things considered, it was little wonder
that Paul went back to his work full of high
hopes for the future. In a few days th&
bust was finished, and Dr. Gordon came
again. He picked up the bust and examined
it critically. " It's good, very good," he
said ; " but I mustn't praise it too highly or I
shall make you conceited. Will you sell ? "
Paul hesitated. " If you think it worth
buying," he said.
" Right ! Shall we say three hundred
dollars 1 "
The generosity of the offer almost took
Paul's breath away.
" Oh, but it's too much. I really
couldn't think "
" Nonsense," said Dr. Gordon; "it's worth
it. It will be worth double in a few years
when you've made your name. Well, we'll
call it a sale. Here's the money." He
pulled out a pocket book and pressed a
bundle of notes into Paul's hand, cutting
short the young fellow's stammered thanks.
" Three cheers for Paul Ferrier ! " cried
Mr. Galton, and led the cheers himself.
The students shouted themselves hoarse,,
and Paul wanted to run away to hide his
confusion. It all seemed like a dream, but
the crisp notes in his hand were real enough.
How delighted they would be at the farm
when he wrote and told them — his father
and mother, and Marie. They were his first
thought, and were often in his mind
during months that followed. Dr. Gordon's
patronage proved of great value to him, and
commissions began to come in. All his
pations were not as generous as Dr. Gordon,
but he soon found that he was making a
very satisfactory income, so satisfactory that
he began to think about taking a holiday.
THE SPIKIT AND THE CLAY.
13
Meanwhile matters had not been going
^ery well at the farm. Paul had been sadly
missed. His father was an old man, no longer
■able to work as he had done in the days
of his strength. Marie laboured uncom-
plaingly, taking upon her young shoulders
much of the toil which needed a man's thews
and sinews. She was not strong, however,
-and often in those days a curious faintness
■came over her, and she had to stop and rest
for a time until it had passed. But with all
her efforts the need for more help on the
farm was very evident.
At last things came to such a pass that
the old man laboriously wrote a letter to
protested that the work was too hard for
her — it was a man's work ; but she pleaded
so hard that at last he yielded, and the
letter was not sent.
A few days later Marie was in the farmyard
when a cart drew up in the road, and a well-
dressed, stalwart young fellow sprang out,
swing open the gate and walked briskly to-
wards the house.
The girl ceased her work and stood for
a moment quite still. Then the young man
called her name and she ran to meet him.
" It's Paul !" she cried. "Uncle! Aunt!
Here's Paul come home."
By the time the old farmer and his wife
" I'aul ut M ui k
Paul, demanding his return.
You must come home," it ran. "We need
you. Money is scarce, and we cannot
.afford to pay for help."
Marie came into the farm kitchen as her
uncle was addressing the envelope. He gave
it to her to post.
" I'm telling Paul to come back," he said.
We can't go on any longer this way."
Oh, no," cried Marie in distress ; " don't
•do that. He's getting on so well, and if he
gave it up now everything would be spoiled.
Let him stay in New York, uncle. I can
do his work and mine too." The old man
|H dotal
had got to the door of the house the girl
was in Paul's arms.
"Oh, Paul!" she said. "Why didn't
you write and say you were coming 1 "
Paul kissed her several times before he
replied laughingly, " I thought Pd like to
surprise you all. Hullo ! father, mother !
Why, bless me ! you don't look a day
older than when I went away, and Marie is
prettier than ever ! "
" She's good as well as pretty," said his
mother soberly. " She's done your work as
wall as her own since you've been away."
" That she has," said the farmer. "I don't
14
THE SPIRIT AND THE CLAY.
know what we'd 'a' done without her. We
couldn't aftbrd to hire help."
For the first time Paul realised what sac-
rifices had been made to keep him at New
York, and his face grew serious.
" She's a brick," he said. " But that's all
over now. Here's plenty of money, father ;
you can hire as much help as you want now.
I'm well off, and you won't need to work
any more. You'll have to get somebody to
take Marie's place as well, for I'm going to
take her back to New York with me."
Hold on there," said his father. '' I don't
know as we can spare her."
But Paul was already walking oft' with his
cousin, and his arm was round her waist.
"I s'pose," said the old farmer, "we'll
have to let her go."
Yes," said his wife ; "seems to me we
can't help ourselves."
Well, we can afford to pay a couple o'
men now. Fancy the boy making all that
money. Seems as if he'd struck somethin'
better than farmin', anyhow."
Paul and Marie had gone to a secluded
nook where they had played as children,
and where, as they grew older, the lad had
poured into his cousin's sympathetic ear his
dreams of success in the great world. Those
dreams seemed now in a fair way to be ful-
filled ; and Paul had another story to tell, to
which Marie listened with head bent to hide
her tell-tale blushes. Only when Paul slipped
on her finger a ring which he had brought
from New York did she raise her eyes to
his — trusting eyes and full of love. It was
a short engagement, for Paul's holiday had
to be brief. In a few days he left the farm
and went back to New York, and this time
Marie was with him.
Paul had been fortunate enough to find
a house with a large, well-lighted room
which served excellently as a studio, and
Marie, who was enthusiastically interested
in his work, spent several hours there with
him every day. For six months they had
never a care in the world. Then one morn-
ing that curious feeling which Marie had
experienced several times at the farm came
upon her. Paul was alarmed, and insisted
upon her seeing Dr. Gordon.
Afterwards, when he .saw Paul the doctor
had a grave report to make.
" Your wife is seriously ill, Ferrier," he
said. It's her heart — she's strained it
somehow. Working beyond her strength,
I should think. Do you know if it is so 1 "
Yes, I do," said Paul. " She worked
for me — did my work on the farm as well
as her own, so that I could stay on in New
York. And I never knew, never thought
even. Oh, what a brute I've been ! It's
owing to her that I am here to-day. And
now, perhaps " His voice broke.
" Oh, well," said Dr. Gordon, " that was
the cause, no doubt. She wants rest, a good
long rest, and I daresay she'll make a good
recovery. But you must send her away at
once."
And so Paul wrote to his father, telling
him what the doctor had said. "I'm send-
ing her to you and mother," he wrote.
Take care of her. She must have complete
rest."
There was another matter in Paul's mind
at this time. He had received a letter from
his friend, Emil Becker, stating that a
Statue of Fame was to be erected before one
of the great public buildings of the city.
A number of well-known sculptors were
to submit models for competition. You
must enter," Emil wrote. " If your model
is chosen it will be the making of you."
The idea appealed to Paul. He had had
a multitude of small commissions, but they
failed to satisfy his ambition. He wanted
to do something great. If he succeeded in
obtaining the commission for this statue
he would step straight into the front rank.
The desire to win soon filled his mind to
such an extent that for the time he even
forgot all about his anxiety for Marie.
On the morning of the day which had been
fixed for her departure he had arranged to
interview a number of models to see if
among them there might be the one he
needed for his statue. It pained Marie to
see how much he thought of the statue,
and how little of her, on this of all days.
The models were a sorry company. They
were stiff and awkward, and of anything
but heroic mould. Paul dismissed one after
another in despair ; and when Marie, ready
to go, entered the studio to say good-bye, she
found him sitting in a chair, the picture of
dejection.
" Why, Paul," she said, " what on earth
is the matter?"
" Everything," was the gloomy reply. I
can't get a model for that statue. I never
saw such a wooden lot. They can't even
stand properly. I shall have to give it up."
Marie stood a moment thinking. She
knew what a terrible disappointment it
THE SPIRIT AND THE CLAY.
15
would be to Paul if lie could not submit a
design for competition. She had acted as
his model often at the farm, and he had
talked to her so much about his idea for
this statue that she knew exactly the pose
he required. Quickly she made up her
mind, threw off her hat and her outdoor
things, and mounted the pedestal which he
had prepared, and held out her arms.
He had his back turned to her until she
called him.
' Paul ! Is this anything like it ? "
By jove, Marie, it's the very thing ! " he
cried. " Keep just like that ! "
He began to work with feverish haste.
It was an hour later when Dr. Gordon
and Mr. Galton came into the studio. The
doctor started back with an exclamation on
seeing the girl on the pedestal. Already
he could see she was exhausted, almost fit
to drop. An angry look came on his face,
and he took a step towards Paul, who,
wholly engrossed in his work, had not even
seen the newcomers.
Marie leaned from the pedestal and
touched the doctor's shoulder.
No," she whispered. " I can stand it
quite well, and it means so much to him.
Go away, please — do go away."
Dr. Gordon gasped with astonishment,
stood irresolute for a moment, and then,
taking Gal ton's arm, walked out of the room.
He was back in a minute or two, and
walked straight up to Paul.
I told you, you must send your wife
away at once," he said, angrily, and I find
you using her as a model. She can't do it —
do you hear? It will kill her to stand
there. She's almost falling now."
Paul was startled, but a look at his wife
reassured him. She was smiling, and
nodded to him to go on working.
" Marie's all right," he said. " In a day
or two she can go, but I need her now."
Dr. Gordon's wrath blazed. "It's wicked,
brutal, criminal, I tell you ! Good God !
it's murder — sheer murder ! "
{To he concluded).
"PRIENDS of Val Paul, of the McRae 101
■*- Bison Company, are offering him belated
congratulations. It appears that shortly
before the company set sail for Hawaii, Val
approached a certain young lady with a certain
proposal, and — well, Mrs. Paul was May Foster,
known on the vaudeville stage as " The Queen
of Ragtime."
VINNIE BURNS, who was slightly injured by
falling from a window during the staging
of the Solax Feature, "The Monster and
the Girl," has completely recovered, and will
shortly begin work in a new and startling Blache
picture. Miss Burns received letters of sympathy
from all parts of the country where the daring
feats of this little actress have won her friends
and admirers in large numbers. Miss Burns, it
must be remembered, is only 17 years of age, and
has the distinction of being the youngest cinema
star.
PHOTOPLAY patrons will find it diflBcult to
-^ recognise William Herman West, the ver-
satile Kalem actor, in the spectacular five-
part photoplay version of the famous old drama,
*' Shannon of the Sixth," just completed by
Kalem. Mr. West portrays the role of an East
Indian high priest in this story, which, by the way,
is based upon the Sepoy rebellion in India. To
clad his work with realism, Mr. West studied the
Hindoos, who are found in considerable numbers
in California. In one white-haired old individual
he found the very type he desired. A study of
literature pertaining to the Brahman faith gave
him the information concerning the religious
services. Incidently, photoplay patrons will see
one of the most realistic expositions ever filmed,
when a building in which white women and
children are hidden, is blown up to prevent their
falling captives to the Sepoys.
VIOLA DANE, well known on the legitimate
stage through her appearance in " The
Poor Little Rich Girl," which was pioduced
in London a few seasons ago, has signed a
contract to appear in pictures produced by the
Edison Company. Her debut on the screen will
be made in " Molly, the Drummer Boy," an
American Civil War story, shortly to be released.
The Edison Company congratulates itself on
obtaining such a valuable addition to the stock
company.
SEVERAL of the performers attached to the
Keystone Company's establishment at Los
Angeles are in the studio hospitals as a result
of unusually vigorous work in a film entitled
" The Alarm," in which there is a scene showing
a runaway fire engine going over a blufi'. This
release was staged by Mack Sennett, and centres
about the rivalry between city and country fire
forces.
The Law of his Kind.
Adapted from the REX Film Drama by Owen Garth.
To Colonel Pritchard, the honour of his family
is more than life itself. When he finds that he
is married to a lady of more than questionable
virtue he shoots himself.
!)HERE was hustle and bustle in
the "Inverness Arms," and not
a slight suspicion of shocked-
ness, for young Ian Pritchard,
lieutenant in the — Borderers,
had come in and ordered
accommodation, attended by a beautiful
woman, unknown to the host.
Still, she looked a lady, and who could
know but that the devil-m'-care young
lieutenant had not married secretly? In-
deed, Nina, who hung gracefully on lan's
arm, looked every inch a lady. As tall as
Ian, lithe of form, with a fascinating intelli-
gent face, and wondrous eyes, now bold,
now modest, she made a fitting companion
to her cavalier ; and the host, honest old
Roderick Duncan, was not disposed to ask
questions, for was not Ian nephew of Colonel
Pritchard, of Craig Dhu, a mighty power
round about ? And it was said that he had
made Ian his heir.
Hurry along, Duncan," cried Ian, im-
patiently. ' I'm waiting for you to tell me
supper is ready. I'm jolly hungry, and I
dropped in here because I imagined you to
l)e the man to put something appetising
before me in a minute. Now you stand
gaping as if you take me for an apparition.
It's all right, man. I'm solid flesh and no
spook, as you'll agree when you set the meal
ready."
Pardon, sir. I was somewhat surprised
at seein' ye this evenin', " responded Duncan,
jumping round to tell his wife to see to
supper. " Wull ye come this way, sir. All
wull be ready in a mineet."
But supper was destined not to be eaten
at once. A voice outside was heard calling
Duncan," at the moment. Ian gave a
start, while Duncan remained rooted to the
spot and glanced furtively to the lieutenant.
Colonel Pritchard ! " he ejaculated.
Duncan, where the devil are you, man 1 "
came the voice again from the doorway.
"' Oh, there you are. Why didn't you
answer, man? Couldn't you hear me?
I——"
What the thunder are you doing here,
sir 1 " shouted the newcomer, a middle-aged,
upright man, just ^oing grey. He turned
with an air of outraged astonishment on
Ian, who was endeavouring to release Nina's
arm from his and motion her to leave his side.
'■ What are you doing here 1 I imagined
you were at Stirling, with your regiment,"
cried Colonel- Pritchard; for it was truly he
on a run down to the town to attend to
a special commission he would not entrust
to a servant.
"Yes, sir, but I had a couple of day's
leave, and I thought to run up to see you,"
muttered Ian, with an apologetic air.
" Coming up to see me with a — a lady,
and stopping here. Don't try to bamboozle
me, sir. I won't have it. I tell you I
won't have it."
Colonel Pritchard was purple with rage.
Duncan was standing out of the way, waiting
with shivers the turn of events. His wife
had flopped her somewhat ponderous figure
on to a chair in horror.
Nina clung to Ian, who was also fast losing
his temper. ' Say what you like, sir," he
cried, " but leave the lady out of the
question."
" Who is the lady ? What is she to you?"
flung back the firey old colonel. "What is
she to you, sir ? I have a right to know."
"l think you are presuming on your right.
You are too much in a temper to realise the
impudence of your inquiry."
' Impudence ! Impudence, you insolent
young cub! How dare you talk to me of
impudence ? Go back to your quarters.
You will hear from me again." And the
THE LAW OF HIS KIND.
17
colonel stamped towards the entrance,
brushing aside Duncan, who came forward
with a deprecating air, wrapped up in
supplication.
"All right, sir. I shall do
as you desire," sent Ian after
the retreating figure; "' but I
would remind you that I am
of age, and you can no longer
exercise your powers of
guardianship over
my every move-
ment. Perhaps we
shall meet when you
are cooler."
Do as you are
told and don't
answer back. You
are insolent, sir,"
shouted the colonel
as he disappears I,
slamming the door
behind him.
" That has cooked luy
goose, I'm afraid," said
Ian, turning to Nina.
" I must not go against
the old man too far, or I
shall be cut off."
" What a violent old
spitfire! How can you
be dictated to by him?
Are you a baby still 1 "
Nina simulated a
shudder as she spoke.
" You won't go back to
the barracks as he said,
will you 1 " "Attended by i
■'I'm afraid I must unknown
— it doesn't do to
provoke him too much. When he is in a
rage one doesn't know what he will do.
Still, he is not a bad sort. In fact, I'm fond
of the old uncle. He's been as a father to me.
And he can be jolly at times.
' But surely you are not going to run off
now, at once, like a little boy who has been
whipped for stealing jam ? "
" Well, not at once exactly. We'll have
supper and I'll just catch the last train. Hi,
Duncan," to the worried landlord, " is that
meal ready? We'll have it now, and see
that my traps are on the last train. I shall
go back to-night."
. Ian went back to (luarters, but he had no
further interview with his uncle, for the war
bugles were sounding and lan's regiment was
among the first to mobilise. They sailed for
South Africa immediately, and for two whole
years Ian was occupied with dangerous work
on the veldt. Honours came his way. He
showed considerable skill in
handling his company, and
later was detailed for opera-
tions against the guerilla
bands of Boers, who were
harassing the flanks of the
armies and the lines of com-
^fl^^^ munication. It was in
^^^^^^ an attempt to drive out
flBBP^ a commando in a well-
trenched and protected
Nek up beyond Lady-
smith that he received a
wound which, owing to
lack of attention, eventu-
ally led to his being in-
valided home, together
with his faithful compan-
ion and batman. Private
Mannings ; and though
scarcely older than his
officer, acted oft-times
as his adviser and runner.
Little news had
reached Ian at the front,
and he was scarcely pre-
pared for the changed
order of things when he
landed in the old coun-
try. It was a very rude
shock he received the
night he arrived at Craig
Dhu to pay his compli-
i beautitul woman meuts to old Colonel
to his host." Pritchard.
* * * *
Nina, the adventuress, had passed out of
Ian Pritchard's life after the night of the
incident at the " Inverness Arms." He had
been simply infatuated with her for a time.
When the call to arms came he promptly
forgot all about her, his thoughts being
turned into other and more serious channels.
If he thought of her at all amongst the
flood of recollections the sight of his native
countryside brought back, it was certainly
not in anticipation of meeting her again,
and in particular not in the position he was
soon to find she had assumed — a position
fraught with trouble for him.
Colonel Pritchard had drawn closer with-
in himself since he had last seen his nephew.
Craig Dhu had become his only home. He
C
18
THE LAW OF HLS KIND.
did not leave it often, and when he did it
was to fly back at the earliest moment. He
made Craig Dhu — the gloomy, old ancestral
dwelling place, perched half way up the rocks
on the west coast — his world, and finally
decided it was time for him to have someone
there to attend to his immediate comfort.
The servants and retainers were sterling old
busybodies, and firmly attached to him, but
there was not, could not be, the slightest
form or shape of companionship. He must
have a housekeeper^ — some younger, better
educated person, who would control the
household affairs, and to whom he could
talk about the house when he felt disposed
for a word or two of chit-chat.
So he advertised for a housekeeper, and
in answer came a charming and apparently
accomplished young woman of nearly thirty,
perhaps more ; still she did not reveal to the
casual observer any real idea of her years.
It was Kina ! Nina, the adventuress, who
had been the cause of the outbreak between
Ian and his uncle. Fortunately, or unfor-
tunately, the colonel did not recognise her.
He had paid little atten-
tion to her at the
Inverness Arms," and
had not seen her
before or since. -^ ^
And so Nina be- ^
came part and parcel
of the household at
Craig Dhu. She
ingratiated herself
with the colon-
el. She was
lively or gay as
the mood suit-
ed him. She
chatted intelli-
gently, and she
never failed in
her duties as
far as attention
to him was
coiice rn ed .
The course of
time made her
almost indis-
pensable, and
shortly she so
wound her way
into his affec-
tion thaS he made a proposal of marriage
to her. He had no idea of her dubious
past — never a breath of suspicion reached
" Take that portmanteau to your master's room
him up in his eerie retreat — he thought
of her as a reasonable, intelligent woman,
who would be a charming and faithful
companion in his advancing years.
When Ian arrived Nina was duly installed
as mistress of Craig Dhu.
Mannings preceded his master to the
house with the luggage. He knew Nina,
and absolutely let the portmanteau slip from
his grip on to the floor in sudden shock
when he met her in the hall.
"You here?" he gasped. "What's the
game?" Little respect had Mannings for
the adventuress. ' Mr. Ian will be pleased,
I'm sure," he continued. " I should skip, if
I were you, before he claps eyes on you, or
there'll be squalls."
To say Nina was taken aback would be
hardly correct. Manning's sudden appearance
gave her a slight shock for the moment. But
she had been prepared and was ready for
the meeting.
" You forget yourself.
Please keep yourself in your
JjjSfftllllk place," she remarked,
'^^'^^T haughtily, "and remember
I am mistress in this house,
and expect proper
deference. Pick up
that portmanteau
and take it to your
master's room.
One of the
maids will
point it out to
you."
This was a
staggerer for
Mannings, and
half- dazed he
indeed up the
fallen portman-
teau and did
as he was bid.
However, he
was (|uick in
grasping the
situation, and
pulling himself
together hur-
ried to tell his
young master
of what he had
discovered .
"But what can she be doing there?"
lueried Ian, amazed, when he was told.
Seems to have the old man well in tow,
THE LAW OF HIS KIND.
sir, by her attitude," replied the batman.
" Mannings, you forget that ' the old
man ' is my uncle. Please speak a little more
respectfully. I've noticed you're getting a
little too free of speech of late."
Beg pardon, sir. Didn't mean to be
disrespectful; only the shock of seeing her
quite flummoxed me, so to speak."
"All right. Mannings. I know you had no
intention of disrespect," said Ian with a
smile. He liked Mannings, and on the veldt
they had been good fighting comrades.
Kemember you are home now, my man,
and that you have to put a curb on that
tongue of yours."
"Right, sir!"
" Now, what's to be done 1 "
' Think you'd better see the colonel, sir,
and find out how the land lies."
" Yes, I think that is the best thing. All
right, Mannings, be about in case I want you."
Colonel Pritchard had forgotten the last
meeting with his nephew, and he rushed
forward now to greet him with all the
affection of a father finding his long-lost son.
Glad to see you back, my boy; glad to
see you back safe," he cried. " I watched
your movements, and you have done well.
Honourably mentioned, eh ! Pleasing
memento of the campaign ; " this last point-
ing to lan's arm, which was still in the sling.
Hope it's going on well — nothing serious f
No nothing serious, uncle," replied Ian
light-heartedly. " It will be all right in a few
days now, with proper attention. Couldn't
get attention in South Africa. Too many in
the same plight. Glad to see you looking so
well, uncle."
I'm fit as a fiddle, my lad. But I've
a surprise for you."
Nina had just entered the door, calm and
possessed.
My wife. Let me introduce you, my
boy." The colonel was enthusiastic. He
was hardly expecting the drop of lan's jaw.
' Your wife ! You don't mean to tell
me, uncle, that this — er — lady is No,
you're joking."
It's quite true, a fact. Why, what's the
matter with you, man — have you seen a
spook?"
Ian was flabbergasted as Nina came for-
ward with a supercilious smile on her face.
Good evening, Mr. Pritchard. I have
heard a great deal about you from the colonel,
and have anticipated this meeting. I hope
we shall be great friends." Nina spoke as
if she had never seen him in her life before,
while Ian shrank back from the proffered
hand, glancing from her to his uncle. With
an effort he pulled himself together and
bowed. Then Ire turned to Colonel Pritchard.
He was quite collected how, though the
blow had winded him.
" I must speak to you, sir, privately," he
said, in a low tone, so that Nina hardly
heard the words.
All right, but let us have dinner first,"
replied his uncle rather testily, smarting
under his nephew's discourteous attitude to
his wife.
"No, sir ; I must speak to you at once —
it is of the utmost importance."
"Is it so absolutely necessary now — can't
it wait an hour ? "
" It must be now, this minute, sir."
Well, come into the library. You will
pardon us a moment, my dear," turning to
Nina, who merely tossed her head, with a
suggestion of "do your worst," as she eyed
Ian. •
The two men went into the library and
closed the door.
" Well now, tell me what you have to
say so urgently."
The colonel spoke first and in an un-
conciliatory tone.
" You introduced me to that woman as
your wife, sir," said Ian, his voice hoarse
with suppressed emotion. " Do you know
she is an adventuress of besmirched reputa-
tion in the south 1 "
" What do you mean, sir"? Do you mean
to bring such vile insinuations against my
wife ? " The colonel had hardly grasped the
full significance of lan's imputation.
" What I tell you, uncle, is true — if this
woman is your wife, you have been drawn
into a disgraceful mesalliance."
"What is this you tell mel I won't
listen to it. I will hear nothing — no word —
against my wife. Do you hear me, sir?
Keep your miserable lies to yourself."
■' I am telling you the truth," flung back
Ian, enraged at his uncle's dourness. ' If
you do not believe my words it is because
of your blindness to matters which concern
your honour."
" You are taking too much on yourself,"
shouted the colonel, flaring up. " If you
have no respect for me and my household,
you had better not come here. I will not
hear these vile imputations in my house.
Do you hear me? I will not listen to you."
THK l.AW OF HIS KIND
Nina, overcoming the first shock, fell on her knees beside hin..
THE LAW OF HIS KIND.
9 1
J hen all I have to say, sir, is good-day,"
responded Ian coolly, as he turned on his
heel. I will remove myself from your
presence till you see fit to rec.ill me. You
will learn one day that I have said nothing
falsely."
He did not wait for a reply, but left the
house right away, after giving instructions
foi- his things to be taken to the village inn.
* + +
Colonel Pritchard, left to himself, began to
think of the words he had heard. He
becan.e suspicious, as a man jealous of his
honour and the honour of his house would.
He began to look about him, and made
investigations, with the result that infor-
mation came to him wliich gave strength to
his nephew's charges. Day by day the
evidence of his wife's former adventures
became stronger and stronger, till at last he
was convinced of her dual character.
Then it was that the awful decision came
to him. His house was one of the oldest
and best in Scotland — from generation to
generation had been handed down a legacy
of virtue and honour. What could he hand
down in face of his foolish — to him, now —
criminal marriage? The thought crushed
him. There was no way of escaping the
penalty of his folly, no way out of the
consequences. Yes, one way ! But he must
think — it was too awful.
Colonel Pritchard brooded in this way
for hours, sitting shut up in his library.
The last idea, the idea of the only way out,
stirred him. He rose like a weary worn-
out man from his chair, and, unlocking the
door quietly, went out into the long galleiy,
looking from face to face of those of his race
who had gone before. Our women were
women of virtue," he muttered to himself,
half -crooning, " our men, men of honour."
For an hour or more he marched up and
down the gallery looking at the faces as if
to receive a message and inspiration from
them. Then he came to an abrupt stop.
It was the only way. He was determined.
Resolutely marching to his room, he took a
revolver from one of his drawers, and
fondling it as if it were to him the message
of salvation, he went down to the dining-
room.
The faint flush of dawn penetrated the
closely drawn curtains. The colonel opened
the cnsenient as if to take a long farewell
look at his beloved hills. Then turning to
the sideboard he fumbled in a secret drawer
and brought forth a small green bottle.
From a decanter he pjured out a glass of
wine, and counted the drops as he held the
neck of the little green bottle over the glass.
Placing the revolver beside the wine he
drew h:ck a mom.ent to contemplate. A
smile of satisfaction over-spread his features
as he drew a pad towards him atid began to
write.
He had found the way out !
* + +
Nina had observed the gathering suspicion
of her by the colonel, and to-night, in dismay
at his attitude, had withdrawn to her room
to ponder and scheme. She coukl not sleep,
in fact she made no attempt to go to bed,
but sat brooding, fully dressed. Thought
had not helped her very much ; still, she
imagined she had discovered the course open
to her. She was smiling cunningly to
herself when the report of a pistol startled
her.
What did that mean? A guilty fear
gripped her heart as she rushed from the
room, her cheeks blanched with fright.
Instinct led her to the dining-room. A
crowd of servants, aroused by the shot,
followed her.
For a moment she hesitated to open the
door. Something warned her of evil. Her
guilty conscience pricked. Mustering all
her courage, she turned the handle and
swung the door open.
The colonel lay outstretched on the floor,
a contented smile on his cold grey features.
His right hand grasped the revolver, his left
held a scrap of paper.
Nina, overcoming the first shock, fell on
her knees beside him. The paper attracted
her attention, yet she feared to read. A
servant who bent over her muttered the
terrible indictment:
" My ancestors were men of honour and
women of virtue. It is the law of my kind ;
there was no other way."
The colonel had joined his ancestors,
atoning even as he died for the smirch on
the family escutcheon.
The Night Riders of
Petersham.
From the VITAGBAPH Photoplay hy R. S. Holland.
Adapted hy James Coope7\
Richard Coke visits Petersham to claim the inheritance
which his uncle, John Coke, has held in trust for him.
Petersham is in an excited state owing to the bold
statements made by John Burnay, editor of the local
newspaper, concerning an illicit still, which he avows is
being run in the neighbourhood. John Coke is a ring-
leader in this illegal business, consequently he is
dismayed to see his nephew becoming so friendly with
the editor's daughter — Emily. One night Burnay
receives a note, signed by the Night Riders, threatening
him with death.
Concluding Instalment.
|R. JOHN COKE'S indignation
against the midnight thief
who had stolen his nephew's
fortune had not diminished
by the morning. He declared
that all the forces of the law
should be put into operation, and promised
his nephew that the thief would soon be
discovered and the fortune restored.
'' There's one thing certain at any rate,"
he said. " He can't negotiate the securities.
He'd be nabbed as soon as he tried. We'll
put the police on his track at once."
" It might be a good thing," suggested
Richard, "if we got Burnay to put the story
in the Sentinel,' with a full description of
the stolen papers. I think I'll go down and
see him."
Mr. Coke frowned. " Oh," he said with
contempt, ' nobody cares what's in the
Sentinel.' Everybody knows Burnay's a
crank. Besides, I doubt whether publicity
is a good thing in a case like this. Puts the
thief on his guard, you know. Anyhow, I
wouldn't trust Burnay."
But I don't think he's a crank," said
Richard stoutly. " He impresses me as a
strong, conscientious and particularly able
man. I'd rather like to take him into my
confidence, unless, of course, you forbid me
to do so."
Mr. Coke laughed shortly. "Forbid !
No, no, my dear boy, I only advise. But
do as you like. I only hope Burnay may be
of some use to you, but I don't think he
will."
He laughed again when Richard had gone
out of the house — ^laughed to himself, a
particularly ugly laugh.
Richard went straight to the office of the
' Sentinel." Burnay's reception of his news
rather puzzled the young man. He asked a
few questions, looking keenly at Richai'd
from time to time. But he said nothing in
the way of comment or suggestion. Once
or twice he began to speak, and pulled him-
self up short.
" Could it have been the Night Riders 1 "
asked Richard, and Burnay nodded thought-
fully.
" Not unlikelv," he said slowly ; ' not at
alUmlikely."
" My uncle is furiously angry that such
a thing should happen at his house/' the
young man continued.
"Ah, no doubt," said Burnay drily.
" He would be, of course."
Something in his tone made Richard look
curiously at the editor, but not another
word on the subject could he get froni
Burnay.
In the evening he saw Emily, who dis-
THE NIGHT KIDEES OF PETERSHAM.
23
"iWith deft and tender hands bathed the child's head
played much greater interest in his story,
and held her breath with excitement as
Eichard told her of his sudden awakening
and his stab with the hunting-knife in the
darkness.
" Oh ! " she gasped, " did you get him 1 "
"No, unfortunately; but I got some-
thing belonging to him. This " — producing
the bit of cloth — "is a piece of his coat-
sleeve."
Eichard had been again to the "Sentinel "
office, and was now walking along the road
leading his horse. He had laughingly
invited Emily to walk a little way with him,
and the girl, having glanced at her father
and received a nod and a whimsical smile,
had consented.
Emily stopped, took the fragment of cloth
in her hand, and puckered her pretty fore-
head over it.
" I don't think it will be of much use,"
she said at last. ' Lots of the men about
here wear clothes made of stuf!' like this."
' Well," returned Richard, ' we can look
out for a. man with a torn sleeve — or a
mended one. It's the only clue
I have, anyhow."
"I hojic the thief will be
caught," said Emily. " Was it
a lot of money? "
"Oh, pretty fair ; but it's no
use worrying. There are other
good things besides money in the
world."
"Yes," said Emily, "lots of
good things."
This, for instance," said
Richard, taking possession of her
hand and smiling at her. She
blushed a little, and dropped
her eyes. " Oh, money isn't
everything," he went on, " it
can't buy "
But what it was that money
5^^ cannot buy Emily did not hear
until later, for a child's scream
close at hand put a premature
full stop to Richard's speech.
Both turned startled eyes in the
direction from which the cry
had come. A few yards from
them, on the ground, lay a little
fair-haired girl.
Emily was the first to reach
her. ' Why," she cried, " it's
Job Trainer's little girl. She's
fallen and hurt herself badly.
Maggie!"
But the child did not answer. In falling
she had struck her forehead on a stone in
the road, and had fainted with the pain.
" Can I fetch a doctor 1" asked Eichard.
" Is there one in the place 1 "
Yes, he lives at the other end of the
town. Anybody will show you his house.
Here's Job Trainer coming now. Tell the
doctor to come straight back with you."
Richard sprang on his horse and galloped
away, while Job, full of anxiety and distress,
carried his little daughter into the cottage
adjoining the forge, and placed her on a sofa.
Emily procured water and a sponge, and
with deft and tender hands bathed the child's
forehead while Job looked on, helpless as
most men are under similar circumstances.
Darkness was beginning to fall when
Richard returned, alone. He had learned
that the doctor had gone over the hills to
visit a patient, and had ridden some miles,
hoping to meet him on his return. In this
he had been unsuccessful, but fortunately
little Maggie was already recovering under
1'4
THE NIGHT RIDERS OF PETERSHAM.
Emily's homely ministrations. Beyond a
1»ad headache, the child seemed but little
the worse for her accident, but Job
Trainer could not have been more grateful
to the young people if they had saved the
life of his little daughter, who, since her
mother died, had been the light of his home.
It isn't much as I can do. Miss Emily
and Mr. Coke," he said, " but if ever I can
help you in any way be sure and let me
know. I can't thank you enough for what
you've done for Maggie."
" That's all right," said Richard heartily.
"I've done nothing at all. Its Miss Emily
you have to thank."
She's an angel,' said Job. " That s
Avhat she is."
Richard agreed so cordially that Kmily
l)lushed, while she protested that there was
no need to make a fuss about such a simple
thing.
' Well," said Job, as they shook hands
and bade him good-bye, "perhaps my turn will
come some dav."
his horse, and had ridden away by a rough,
uneven track into the hills. If his nephew
had met him he certainly would not have
recognised his uncle. Mr. Coke was en-
veloped in a kind of monastic robe and
hood. This strange garb was as black as
night, and as Mr. Coke rode along he looked
a sinister figure enough. His features were
entirely hidden, and through a couple of
slits in the enveloping hood his eyes stared
over his horse's head into the darkness.
He rode fast for he knew his road.
Here, at any rate, Avas one leading citizen
up to no good, and presently it became
evident that he was not the only Petersham
man out that night in that strange garb.
The track along which he rode narrowed,
became a path, with thick imdergrowth
encroaching upon it. There came a challenge.
Another hooded man on horseback stepped
out from the side of the path.
Mr. Coke gave the passM'ord, and the
challenger stepped back into his hiding place.
Five or six of these sentinels were passed
" Buinav received the tlaeatening note."'
It was quite dark when they left the
cottage, and in the meantime things had
been happening elsewhere. Mr. John Coke,
of Petersham, had left his house by a gate
which gave on to a lonely road, mounted
before Mr. Coke reached his journey's end.
He found himself in a little clearing, a
natural amphitheatre. Thirty or forty
figures were there, waiting for him, all
cloaked and hooded. Some Avere on horse-
THE NIGHT RIDERS OF PETERSHAM.
25
liack — horses and men as still as statues
carved in black marble. Others were on
foot, holding their horses. Several of them
greeted the newcomer, and though not a
face was visible, Mr. Coke recognised voices
that he knew. It seemed that the story
of the Night Riders was not quite so
lidiculous as Mr. Coke would have had his
nephew believe.
These, in fact, were the Night Riders of
Petersham, and it was soon clear that Mr.
John Coke was their leader. It was to him
they looked for guidance in the council
which now took place. Many of them were
\ ery much perturbed about the revelations
in the "Sentinel:" and though Mr. Coke
pooh-poohed their fears they demanded that
something should be done to keep the editor
*iuiet.
He'll have the sheriff and his men down
on us if we don't shut his mouth," said one.
Everybody's talking about what he said in
that rotten rag of his the other day."
"Oh, let him talk, ' said Mr. Coke. "Who
cares? He's got no evidence. AVhy, he
doesn't even know where the still is."
The sheriff will soon find that out," was
the gloomy rejoinder: "and 1 tell you I don't
like it ; it's too risky. We've got to put the
stopper ou him somehow. I'm for smashing
his damned printing-press, and him too, if
he makes trouble."
Well, ' said Mr. Coke, "if you want the
sheriff to interfere, that's as good a way as
any. No, if we must do something, let's get
at him another way. There's his daughter,
now "
' That's it ! " cried one of the Riders.
Let's kidnap her and let Burnay know he
can have her back when he promises to mind
his own business. That will teach him not
to stick his damned nose into other people's
affairs."
The proposition met with general approval,
and three or four of the men were told off
to effect the capture. They had no settled
plan, but trusted to luck to help them out.
It did, but not quite in the way they anti-
cipated. They hoped to find Emily at the
door, throw lier on one of the horses and be
off and away before Burnay could interfere.
If he did interfere — well, he must take the
consequences. They were desperate men.
They rode (juietly up to Burnay's house,
but though they waited some time, no Emily
appeared at the door. At last, becoming
impatient, one of the men dismounted and
walked towards the door. Just as he reached
it, it opened, and Emily's brother Elmer
came out. The young fellow sprang l)uck
in alarm on seeing the strange, hooded
apparition, but he was too late. With a
shout of '" He'll do ! " the man rushed at him.
Another of the riders flew to his assistance,
and before Elmer could realise what was
happening he was seized, a sack was over
his head, and he was thrown across a horse.
One of the desperadoes sprang into the
saddle behind him, and they tore away at
full gallop, the other Night Riders following
like the wiud. By the time Burnay, who
was in his office and heard the commotion,
reached the street door, there was nobody
in sight, and all he heard was the sound of
galloping hoofs in the darkness.
The Night Riders and their captive did
not slacken speed until they were well out
of the town, and were nearing the place
where they had left the main body of the
Riders. They passed the sentries, answering
their challenge, and rode into the clearing.
Then the man who had ridden with Elmer
dismounted, pulled the sack from the boy's
head, and dragged him roughly into the
group of men.
" Why, it's the boy ! '' shouted somebody,
and the words were repeated in a dis-
appointed chorus.
" The girl wasn't about," said Elmer's
captor shortly, "but I reckon the boy'll do.
What are we going to do with him '. "
Nobody was ready with an immediate
suggestion, and Elmer, finding himself
surrounded by a crowd of weird-looking
figures, stared about him defiantly. The
man who had charge of him still held
him roughly by the shoulder, but his
arms were free ; and suddenly, one of the
Riders pressing close to peer at the lad,
Elmer made a grab and tore the hood from
the man's face. The man let out an oath,
and there was a shout of consternation from
the others, while Elmer cried out a name in
triumph. For the face that now showed in
the moonlight, blanched with fear, was that
of one of the best known men in Petersham.
There was a silence, broken presently by
the voice of the man who had been recog-
nised.
'■ He's done for himself," he cried furiously.
"We can't let him go now, or he'll give me
away."
There was a hurried consultation, and it
was decided thnt F.lmer should be bound,
2f5
THE NIGHT KIDE1;S OF PETERSHAM.
" They waited in silence, evei-y man ready."
placed on a raft and set adrift on the river
not far away. The tide would take him in
an hour or two to the rapids. And that,
they flattered themselves, would be the last
of Elmer Burnay.
The boy's struggles were of no avail, and
there was nobody to hear his shouts for help,
which were quickly stifled by the gag thrust
into his mouth. Then bound and helpless,
he was dragged through the undergrowth to
the river bank. A raft, nothing more than
two or three logs rudely chained together,
lay there ready to hand. They threw the
boy upon it, untied the rope which held it
to the landing stage, and pushed the crazy
craft out into the tideway. Having accom-
plished their evil work, they disappeared
into the night.
And then, a little way off' among the trees,
a man's figure appeared. Richard Coke,
after he left the blacksmith's cottage \vith
Emily, had found the opportunity to tell her
what it was that money could not buy.
Love, he told her, was better worth having
than all the money in the world. He would
not care a jot, he said, if he never recovered
his lost heritage so long as Emily loved him
and would marry him. The girl's reply was
the one he had hoped for ; and after leaving
her at her father's door, Richard, far too
happy to think of going to bed, had ridden
over the hills in the moonlight, his head and
heart so full of Emily that he never noticed
how far he had ridden or where, until the
sound of men's voices called him back to
earth. The voices seemed to be approaching,
and obeying an impulse of prudence, Richard
dismounted and led his horse away from tlie
path until he felt sure he could not be seen
by anyone passing along the track.
He had not to wait long. He saw a
number of men go by, carrying between
them a big bundle — or a body ! He noticed
that the men were curiously dressed, but
for the moment his attention was concen-
trated on what they were doing. Hitching his
horse to a tree, he followed them to the
water's edge, watching from a safe distance.
As soon as they had disappeared he ran to
the river-side, plunged in, and swam strongly
towards the raft. He reached it, flung one
arm round the inanimate body he found
upon it, and struck out for the shore. Only
when they were safely landed did he discover
who it was that he had saved. Releasing
Elmer from his bonds, he put the lad in the
THE NIGHT RIDERS OF PP^TERSHAM.
27
saddle, mounted behind him, and galloped
back to Petersham at top speed.
There is no need to dwell upon the
welcome the two received from the editor of
the Sentinel " and his daughter.
They shall pay dearly for this," said
Burnay grimly, when he had heard Elmer's
story. " I'll publish their names. I know
them nearly all ; and the Night Riders of
Petersham will find themselves in gaol before
the month is out."
The street door had not been closed, and
suddenly a bit of paper fluttering there
caught Burnay's eyes. He tore it down, and
held it out to Richard with an exclamation.
Print another issue of your paper," the
young man read, " and we will burn you out
of house and home."
" We'll see," said Burnay.
+ + *
There were three days yet before the
Sentinel" would be published, and Burnay's
conjecture that the Night Riders would
take no further step in the interval proved
correct. They were waiting to see if their
threat had the desired effect. If, in the
face of their ultimatum, Burnay persisted
in bringing out his paper he might look out
for squalls.
Richard, who had so far seen no reason to
distrust his uncle, had informed him of his
adventure and his rescue of Elmer from the
Night Riders, and Mr. Coke listened to
the story with an agitation not altogether
feigned. He even went so far as to con-
gratulate his nephew on his pluck. When
Richard, however, announced his intention
to stand by Burnay if it came to a fight
with the desperadoes, Mr. Coke tried to
dissuade him.
Don't interfere," he said. "Take my
advice and let the man fight his own battles.
There's no reason why you should get a
bullet in your head. It's not your affair."
But Richard was firm, and by the dis-
agreeable smile in which Mr. Coke indulged
in when the young man had left him, it might
have been thought that he would not be
overwhelmed with grief even if his nephew
did get a bullet in his head.
The days passed quietly enough. Burnay
went about his work as calmly as though no
danger threatened. He and Elmer saw to
it that all the weapons in the place, a couple
of rifles and a six-shooter, were in thorough
working order, and they laid in a stock of
ammunition. When Richard declared that
he was going to take a hand in the fighting
the editor looked at him thoughtfully.
" I don't know," he said. " I'm obliged
to you, of course, but it's my quarrel, not
yours. I don't wish you to run into danger
on my account."
" Oh, come," replied Richard with a laugh,
" I'm one of the family now, you know — or
at any rate I'm going to be. Besides, I ad-
mire you. I'm sure you're right, and I'm
with you, heart and soul."
"Well, you're a brave lad," said Burnay,
taking Richard's hand in a hearty grip ;
" but I'am afraid the odds are against us.
It will be you, Elmer and I against a crowd."
So it was settled. Publishing day came,
and Richard, now openly a Burnay partisan,
himself took a bundle of papers into the
town, and distributed them in the square
by the post office, which served the towns-
people as a gossiping centre and market
place. He thrilled with excitement as he
thought that some of those to whom he
handed the sheets might themselves belong
to the Night Riders. When he saw a little
group of well-dressed men talking together
in angry excitement about something they
had discovered in the paper, he felt sure of
it. He guessed that they were reading
Burnay's editorial, in which he denounced
in stronger terms than ever the law-breakers,
who thought to carry on their nefarious
business with impunity. He told the story
of Elmer's kidnapping and rescue, and
printed in heavy black type the Night Riders'
threat to burn him out of house and home.
"Men of Petersham," the article concluded,
" I am making a fight for the right against
a gang of scoundrels who are amassing
wealth by the blackest of crimes. They have
tried to buy my silence, and finding that I
am not to be bought, they are resorting to
violence. They have tried to kill my son,
and now they threaten to destroy my liveli-
hood. I defy them ! I shall fight; and if
the worst comes, I shall lay down my life
in this cause. Am I to fight alone ? "
To say that the article created a sensation
is to put it mildly. The little square fairly
buzzed with excitement. Richard, who had
soon disposed of his papers, saw Job Trainer
in the centre of a crowd of workmen. The
blacksmith seemed to be making a speech,
and it was evident from their shouts of
ap})roval that what he said was much to
their minds. Richard drew nearer and
heard the end of Job's speech.
•28
THE NIGHT RTDEES OF PETERSHAM.
"I'm for Buniay," he cried.
" He's a white man all through, I
reckon. I ain't goin' to see him
ruined if I can help it. I'm goin' i o
take my shot-gun up to his place to-
night, and I reckon there's a lot
mors who'll come with me. What
do you say, mates ] "
Right you are. Job," came the
ciy from a score of throats.
" Three cheers for Burnay I '
cried somebody, and as the shout
went up, Richard pushed through
the crowd and shook Job by the
hand.
" That was tine, Job," he said.
" You come along to the Sentinel '
office to-night with all the men and
guns you can get, and, by jove !
we'll give the Night Riders niore
than they bargain for."
Job was as good as his word,
and when darkness fell there was
a little garrison of quiet stern-faced
men in the Sentinel " office,
waiting for the attack which
Burnay felt certain would be made
that night. Every man had a
weapon of some kind, Burnay
himself being armed with a six-
shooter. Emily, pale-faced, but as
cool and brave as any of the men,
was ready to perform any service that
might be required of her.
There was not much talking. For the
most part they waited in silence, every man
ready. 1 he waiting was so long that Richard
had begun to think there would be no attack
that night at all, when there came the
sound of horses galloping — many horses.
There was a clatter of hoofs on the hard
road, and then a thundering at the door.
" Open ! We don't want to harm you,
but we mean to have the printing-press.
Do you hear, Burnay ? "
" Yes," shouted Burnay, " I hear."
" Then open the door."
" No," cried the editor. " I'll see you
damned first ! "
A pause. Then the voice was heard
again. " You'd better give in quietly. We
don't intend to waste time talking. If you
won't open the door you must take the
consequences."
I warn you," said Burnay steadily, "that
we are armed, and the first man who comes
' He gazed with honor at his uncle's ghastly face."
through that door will get a bullet in him."
There was silence again for a space.
Suddenly there was a smashing of glass, and
through the window came a blazing torch,
followed by another and another. But the
defenders were ready for this, and the
torches were stamped out almost as soon as
they reached the floor. Two rifle shots rang
out. Elmer and Richard had fired almost
together. Each hit his man. The Night
Riders fired in answer through the window,
but none of the defenders were touched.
" Open the door ! " shouted Burnay.
" Let them have it ! "
Richard rushed to the door, flung it open,
and fired at the first man he saw. Job and
Elmer did the same, and Burnay banged
away with his revolver. Taken by surprise,
the Night Riders fired wildly, and without
eflect. In another minute the whole thing
was over. The Night Riders fled in a panic,
leaving three of their number lying dead in
the road.
It was one of the briefest and most
THE NIGHT RH)ERS OF PETERSHAM.
29
decisi\e battles on record, and the victory
of Burnay and his friends was complete.
The three Night Riders were carried into
the "Sentinel " office, and placed side by
side. All of them were well-known and
influential citizens.
There was nothing more to be feared
from the Night Riders, and the defenders
separated with mutual congratulations.
Richard rode straight to his uncle's house,
and reached there not more than an hour
after Mr. Coke himself, though Richard did
not know that yet.
Mr. John Coke had been one of the
attacking party at the Sentinel " office, and
had galloped off when the fight was over, with
a bullet wound in his breast. He reached his
house, staggered upstairs to his room, opened
a cupboard, and began with frantic haste to
search for something among his papers.
But in the middle of his search he stopped
suddenly, groaned, pressed his hand to his
heart, and staggering backwards to his bed,
fell across it and lay still.
When Richard entered the room he gazed
in horror at his uncle's ghastly face and
dead, staring eyes. Mr. John Coke, of
Petersham, wore the livery of the Night
Riders ! The young man looked round the
room, saw the open cupboard and the papers
lying about in disorder. He saw, too,
the box which his uncle had given him
and which had been stolen from his room. An
open travelling bag stood by the bed, and with
a sudden inspiration Richard began turning
over the contents. He gave an exclamation
as he pulled out a coat of rough homespun.
There was a hole in the left sleeve where a
piece of cloth had been torn or cut out.
The mystery was solved. His uncle was the
thief who had visited his room that night.
But why 1 That was a mystery that was
not cleared up for some days, until Mr. John
Coke's affairs had been investigated. Then
it was found that the securities in the box
were bogus, and that Mr. John Coke had
converted his nephew's heritage to his own
uses. He had, however, left a comfortable
fortune himself, and as Richard was the heir-
at-law he was not disposed to complain of
the way in which things had turned out.
In the next number of the " Sentinel "
Burnay announced with triumph the sup-
pression of the illicit still and the arrest of
a number of leading citizens, who had been
prominent members of the Night Riders'
gang.
And two or three months later there was
another paragraph in the " Sentinel," an-
nouncing the marriage of the editor's daughter
to Mr. Richard Coke, nephew of the late
Mr. John Coke, of Petersham.
Richard and Emily read the announcement
together, and agreed that it was by a long
way the most interesting piece of news in
the paper.
[The End.
A/TARY fuller, the particular bright star
-^'-■- of the Edison Company's constellation,
says she is not going to marry a member
of the company — or anyone else, in fact, at
present.
THE Mutual Film Corporation of New York
recently received a letter from a picture
enthusiast, who has evidently seen some
of the Keystone motor sensations and appears to
think that the present staff is about used up.
He writes : —
"I have a man that I think can lie down
and let an automobile weighing a ton-and-a-
half run over his stomach, that is the two
wheels on the one side. If you can use him,
or would like to give him a try-out, please
state your price, also when you want him."
The writer evidently realises that kinemato-
graph enterju'ise has few limits, but it is evident
he has never learned of the harmless necessary
"dummy."
CHARLES M. SEAY, the Edison Director,
refuses to have spectators interfere with
his exterior scenes any longer. He worked
a novel idea the other day. With a group of
people watching and striving to get into the
picture, Seay rigged up a dummy camera and
had characters not in the cast perform, while the
real scene, with Barry O'Moore as "Octavius,"
was being enacted only a few feet distant.
THE Theatre of Science," by Robert
(Iran, which has just been published in
the States, is claimed to be the first
history u[)-to-date of the motion-picture industry.
Mr. (Iran has dedicated his work to D. W.
(4ritfith, the famous £500-a-we.ek director of
Reliance and Majestic films, in appreciation of
his contribution to the development of the
|)hotoplay and the significance of his labours
for the new art.
of
The Mystery
Room 643.
The second ((dventuir of Richard Neal, private investigator
of crime.
Adapted froDi the ESSANAY Film by Jach Duncan.
Valuable papers, placed in the safe overnight, are gone
in the morning. The mystery is solved and a love
affair shattered, Neal regrets his success, in his regard
for the girl who discovered her affianced husband
a thief.
T was some time after my
fortunate rescue of Judith
Hamilton, which occurred over
the discovery of the priceless
scarab, that I met Milton
Wade.
I had dropped in for a chat and a smoke
with Hamilton one evening, with the hope
of again meeting Judith. After gossiping
to my friend for some time, the door opened,
and I was pleased to see her enter. My
pleasure gave way to surprise when I noticed
that she was accompanied by a companion,
and when the latter was introduced to me
by Hamilton as Judith's fiance, my dis-
appointment was bitter. Milton Wade was
his name, and it appeared that he acted as
Hamilton's secretary ; consequently during
Judith's many visits to her father at the
office the young people had frequently met.
They were now engaged.
Shortly afterwards I took my leave, and
on the way home was greatly worried to
find that I could not rid myself of a feeling
of distrust towards the fellow who was the
acknowledged lover of the girl to whom I
had taken such a liking.
It was annoying to think that I, Richard
Neal, a private investigator of crime, should
feel antagonistic towards a man whom I had
met but once. It was contrary to my
methods.
The next morning I awoke early and had
breakfasted and was dressed by a quarter to
nine. Glancing through the morning paper
I was attracted by an article on the Blackburn
case. Blackburn was a big man in the city,
and although I had never met him, I was
greatly interested in his case. Criminal
proceedings had recently been commenced
against him by a former partner, and in the
circumstances the following article was
rather startling :
THE BLACKBURN CASE.
Remarkable Scoop by the
Prosecutor's Counsel.
We learn on excellent authority that
Robert Hamilton, the well - known
counsel, has become possessed of several
important documents, reputed to have
been written by Blackburn to an
accomplice
Smiling to myself at Hamilton's smart
scoop, I was suddenly interrupted by the
telephone bell. A moment later my man
entered the room.
' Mr. Hamilton wishes to speak to you on
the telephone, sir."
Going to the 'phone I was startled to
hear my friend talking at a terrific pace, and
in a most excited tone.
"Steady, old chap, steady. What's the
trouble ? " I asked.
" Trouble isn't the word for it ! Have
you read this morning's news ? "
" What — you mean the Blackburn affair ?
Why, I was just about to 'phone through
my congratulations," I answered.
" Thanks very much, but the papers have
gone."
''Gone!"
"Yes, I had them here last night, and
before leaving the office I carefully locked
them in the safe. As I was explaining to
you the other evening, the thing's quite new
and of the latest pattern. A secret alarm
THE MYSTERY OF ROOM 643.
31
is connected from the safe to my desk, and
the only way to open it is via the desk. At
least that's what the manufacturers said.
Yet, when I arrived this morning I did the
unlocking as usual, and the papers had
disappeared. There's no mark of any sort
on the steel."
'* I'll be there in ten minutes," I promised.
Slipping on my hat and coat, I immediately
started for Hamilton's office.
* * +
My friend was looking very glum when I
arrived, whilst Wade appeared to be making
measure from my pocket I crossed to the
safe. The inner measurement was exactly
two foDt three inches deep, whilst the outer
was but one foot nine. The offices being of
the modern type, with walls of no great
thickness, I was greatly surprised to find
that exactly six inches of the steel was
embedded in the wall. Immediately an
idea struck me, and requesting Hamilton
and his secretary to stay where they were, I
left the office and walked along the corridor
to the next room. The fact that the adjoin-
ing office was " To Let " fell in with my
"Milton Wade was his name and he acted as Hamilton's secretary."
a great attempt to seem busy.
After listening to a lengthy rigmarole
about the marvellous qualities of his re-
markable safe, I gathered from Hamilton
all the facts of the case.
About six feet high, three wide and two
deep, standing in an angle of the wall, the
safe looked a tough proposition for any
burglar to tackle.
Although greatly puzzled, my vocation as
a detective forced me to make some show
of understanding the situation. Taking a
theory, and I felt strangely confident of a
simple solution to this seemingly complicated
mystery. Opening the door without diffi-
culty, I entered the room.
A few minutes later I returned, and
requesting Hamilton to place some papers in
the safe I toyed with my magnifying glass,
at the same time taking careful stock of
Wade. The more I examined him the less
I liked his looks, and felt confident that he
knew more about the missing papers than he
chose to tell.
32
THE MYSTERY OF ROOM 643.
Having carried out my request, Hamilton
carefully locked the safe and I again left the
room, to return again almost immediately,
telling my friend to take the papers from
the safe. Imagine his surprise to find them
gone. Wade gave me a half-scared look as
I crossed to the desk and threw thereon the
papers that had but a moment previously
been so carefully locked in the safe.
Ignoring their flood of questions, I told
them to follow me, which they immediately
did, Hamilton being in a most excited state.
Wade, and his attempt to appear surprised
was so obviously false that I felt more con-
vinced than ever that my surmise was correct.
Although we've discovered how the
theft took place, we have not yet found the
papers," I said.
This remark troubled Hamilton, but after
a little further talk I returned to my flat,
there to think out the best course to pursue.
+ * +
Seeing that the papers could be of no use
whatever to any person except Hamilton or
1
t
^
f
« » -
^^
1 i
"After hearing about the marvellous qualities of his remarkable safe, I gathered from
Hamilton all the facts of the case "
Trespassing once again into the adjoining
office I called them after me, drawing their
attention to where several bricks had been
removed from the wall, leaving the back of
the safe exposed to view. A section of the
steel, which must have been unbolted from
the inside, was easily shifted, thus laying
bare the whole of the upper section of the
interior of the safe.
Well I'm jiggered," gasped Hamilton.
Smiling with amusement at his honest
astoni.shment and indignation, I turned to
Blackburn, I decided to try the latter.
Pinning a reporter's badge to the lapel of
my coat — I find it convenient to hold a
reporter's position to sevei-al newspapers— I
started out.
An interview with Blackburn proved to
be no difficult matter, and within half-an-
hour I was seated beside his desk listening
to his plans regarding the coming action.
He was rather a pleasant fellow, and had I
been ignorant of his past record I should
have felt a liking for him.
THE MYSTERY OF EOOM 643.
3.i
And best of all," he was saying, ' I
believe I shall get the papers back that
Hamilton so cleverly got hold of. This
morning I received an anonymous letter,"
pointing to his pocket, " evidently from the
thief himself. He wants me to meet him
to-night and I'm to take my cheque-book
with me. I don't mind if it costs me a
hundred or two. The papers are worth it."
He seemed very pleased at the turn things
had taken, but I was puzzling my brains as
to how I could catch a glimpse of the letter
which evidently reposed in the inside pocket
of his coat.
Upon his inviting me to smoke an idea
struck me. After lighting my cigar I held
the lighted match between my fingers, and
the moment Blackburn turned his head I
dropped the vesta into the side pocket of
his coat.
A few seconds later I had the satisfaction
of putting the finishing touches to my bright
idea. As Blackburn jumped up with the
terrible discovery that his coat was alight, I
sprang up also, and between us we quickly
extinguished the burning cloth.
A'aturally this brought our interview to a
sudden end, but when I left Blackburn I
was carrying a letter in my pocket which I
hoped to be the one I required.
" You will notice, Hamilton, that all the
'e's' in this note are clogged. It was
evidently typed on a machine which was
badly in need of a clean."
The note under discussion was that which
I had the previous day extracted from
Blackburn's pocket. Fortunately my luck
had been good, and I had appropriated the
correct letter. It read as follows :
" If you are interested in the papers
that disappeared from Hamilton's safe,
call at 148, Street, at seven
o'clock to-night, and bring your cheque
book."
Typewritten on a plain sheet of notepaper,
the only exceptional character about the
note was the smudged "e's."
' I shall be at this meeting place to-night,
at seven o'clock, and I promise to bring the
thief here before eight. Of course, Blackburn
has by this time missed his precious note,
but I don't suppose for a moment he suspects
that anyone has taken it. He is probably
under the impression that he has laid
it down in a place of safety and forgotten
where."
"Don't you think you had better have
some help at hand, in case of accident 1 "
At that moment the door was thrown
open, and Judith burst into the room. I
was so pleased to see her that perhaps I
turned rather abruptly from her father.
Judith evidently caught her father's im-
patient look, and after a few words of
greeting she crossed to where the typewriter
stood, and inserting a sheet of paper started
playfully to tap the keys.
Blushing furiously she handed us the
result of her efforts and fled. The paper
bore but one sentence, "I love Milton Wade
with all my heart."
Hamilton laughed outright, but I had
noticed something that stopped the laughter
on my lips. The "e's" of the sentence were
all smudged.
Telling my friend of my fears that the
thief was his secretary and Judith's lover,
I drew his attention to the smudged e's "
in the two notes. He refused to credit my
belief, but it was out of regard for his
daughter that he so strongly took the side
of Wade. I knew that in his heart of hearts
he believed his secretary guilty, and I felt
deeply sorry for my friend and great
sympathy for Judith.
However, having started on the case I was
determined to go through with it to the
very end, unless my friend positively forbade
me.
Leaving Hamilton I returned home and
seven o'clock found me at 148,
Street, a dingy dwelling with broken and
dirty steps leading downwards to a gloomy
doorway. Looking carefully round I as-
certained that my actions were unobserved,
and crept cautiously down the steps. Arrived
at the door, I stood listening for a moment,
but apparently nobody had been disturbed.
After considering for a while 1 decided to
knock at the door and the moment it was
opened to spring in and chance what awaited
me on the other side.
Giving two sharp raps I waited. A sound
of footsteps came from within, and presently
the door was flung wide open and inside I
sprung. Turning quickly I had just time to
catch a glimpse of a brutal face, scowling at
me from the doorway. Quickly slamming
the door, the giant of a ruffian came at me
with a rush. The fight was terrible for a
while, and I was battered and bruised un-
mercifully, but after a time condition told,
and I had the brute bound to a bed which
D
34
THE MYSTERY OF ROOM 643.
" The more I examined him, ths less I liked his looks."
stood in the room.
Sitting down to regain my breath, I
awaited the arrival of the thief and
Blackburn. Questioning the rogue on the
bed proved useless, the only response to my
queries being scowls as black as night.
My patience was quickly rewarded how-
ever, for exactly at half -past seven by my
watch a tap came at the door. Rising
quickly I stepped across the room, pulling
the door open upon me, thus hiding myself
from the visitor's view.
As soon as he had crossed the threshold
I closed and locked the door. Turning, I
was not surprised at the face which en-
countered my gaze. It was Milton Wade.
He showed some fight at first, but I quickly
cowed him. After all, he was not very big,
and his appearance suggested the poor fool
with no will of his own.
" You miserable cur," I cried, thinking of
poor Judith and the agony she would suffer
made iny blood boil with anger towards
this fool of a creature who had stolen
from the man' who had fed and clothed him.
You rotten beggar ! Even now I've
half a mind to give you the biggest hiding
you've ever had in your life." My " telling
off " of the cad was interrupted by somebody
giving me a terrific punch in the back.
Staggering forward I half fell over Wade,
and it was marvellous why my assailant
didn't take immediate advantage of my
weak position Regaining my feet I turned
to see Blackburn in a threatening position,
and the ruffian on the bed had loosened his
ropes and was crouched forward ready to
spring. Wade sat dazed and dismayed at
the turn things had taken.
Quick as lightning I sprang on Blackburn,
and the force of my rush carried the two of
us across the room to where my blackguardly
opponent disappeared over a waist - high
barrier into an adjoining chamber. I re-
covered myself as quickly as possible, but not
too soon to ward off a blow from the villain
who had a moment before occupied the bed.
My anger thoroughly aroused, I went for
him with a fierceness that half scared him,
and soon he was moaning on the dirty floor
THE MYSTERY OF ROOM 643.
35
Even now I've half a mind to give you the biggest hiding you've ever had,' I cried."
of the still dirtier roum.
Without more ado I gra.sped Wade by the
wrist and dragged him up the steps into the
street above. There I fortunately secured
a taxi.
* * *
As I sat alone in my room late that night,
I was not altogether happy. True, the
mystery had been cleared up and the thief
captured, but somehow I felt sorry that I
had not been on Judith's side in the matter.
When I arrived at her father's office
earlier in the evening, she and Hamilton
were there. It was some time before the
girl could grasp the fact that her lover had
stolen the papers, and when eventually she
did so her grief was intense. Hamilton
looked at me with a dismayed face and
I turned away. What could be done ?
It would have broken the dear girl's heart
to see that miserable creature, Wade,
arrested, consequently he had gone free. I
shall never forget the look Judith gave me
as she shook hands and wished me good-
night, and I wonder now, as I rise to go to
my bed, whether she will ever again think
well of me. My thoughts bring sighs to my
lips.
P^RANCIS FORD, who has now completed the
-•• " Lucille Love Series," in which he plays
Hugo Loubeque, the international spy, has de-
cided to take a month's holiday in Portland,
Maine, where he will visit his family. Judging
from some of the fight scenes in the picture he
will need the vacation. But not as much, by the
way, as will Ernest Shields, the butler, who
deserves a gold medal for the way in which he
was thrown ai'ound bj' Ford.
SPIRIT gum is an adhesive used by actors in
donning false beards, moustaches, etc.
Recently Tom Moore, Kalem's popular leading
man, found that he had run out of the liquid.
Calling one of the numerous small boys who hang
about the Kalem studios in Jacksonville, Fla. ,
he gave him a coin and ordered him to purchase
some spirit gum. Three minutes later the lad
returned breathless and perspiring, but triumph-
antlj^ clutching three fvackages of Spearmint gum 1
a
im.
Adapted from the FLYING A Film hy James Cooper,
Richard Dameron was wont to idealiseTmarriage.
That summer in his forest fastness he wrote the
poetic drama, " Jim." When he had finished it he was
convinced that this heart struggle between a man
and a woman was no mere fiction of his imagination.
There was a real " Jim " somewhere, he felt, and a
"Beatrice" in flesh and blood. More, they needed him.
lAMES BRANDON was a
wealthy man. He had a fine
house, and great possessions,
and the most beautiful and
the most precious of all his
possessions was his wife.
It was business that made James Brandon
wealthy. He had one of the finest brains
in ^commerce, and enormous energy. The
fascination of running a prosperous and
increasing business grew upon him to such
an extent that he began to grudge the hours
he spent away from it — in his home or in
society. Yet he loved his wife. If ever his
conscience pricked him for any neglect of
her he consoled himself with the reflection
that he was making money for her. He
had not learned — then, that money, even
much money, cannot make a woman happy.
James Brandon had a friend, whom he
trusted with his whole heart. They had
been chums in boyhood and at college in-
separable, Brandon had no secrets from
Arthur Lawson, and he believed that he
knew his friend's whole heart. He was
mistaken. Arthur Lawson had a secret
which he hid jealously and in fear. He
loved Beatrice Brandon, his friend's wife.
Lawson was a man of leisure, good-looking,
clever in a way, popular in the society in
which he moved, but more of a favourite
with women than with men.
Beatrice Brandon loved her husband. It
is important that this fact should be stated
definitely, for things were to happen
which might have led, and did lead, James
Brandon to another conclusion. Beatrice
Brandon, then, loved her husband, and,
whatever caused her to act in the way she
did act was not to be explained by the death
of her love for him. It did not die. She
was perhaps piqued, a little hurt, fancyitig
herself neglected, half-believing, it may be
conjectured, that her husband's, love for her
was failing. She was foolish, and her
foolishness led to tragedy.
Lawson had the freedom of the Brandon's
house. He was the friend of the wife as
well as of the husband, and Brandon was
glad to think that while he was engrossed in
business at his office his wife had so pleasant
and entertaining a companion.
For a long time Lawson hid his secret,
and then one evening, when he and Mrs.
Brandon were sitting in the conservatory, he
spoke. He had dropped in to spend an hour
or two, as he often did. He found Mrs.
Brandon alone, and after chatting in the
drawing-room they had gone into the con-
servatory, where it was cool and pleasant,
and where Lawson might smoke if he desired
to do so.
Somehow, though they were such good
friends, conversation that night did not seem
to be easy. There were long silences, and
Lawson could see that Mrs. Brandon's
thoughts were straying. Sometimes she
seemed to forget him altogether, and there
was a look of sadness in her eyes which
moved him strangely.
" Jim is late," he said, after neither had
spoken for some time.
Mrs. Brandon shrugged her shoulders
which gleamed white and beautiful above
her evening gown.
He always is," she said, shortly; and
then, with an attempt at a laugh, she added,
"He might as well be married to the
business."
' Too bad," murmured Lawson. " I don't
see why he can't slacken off a bit. He's
made enough money, surely. Shall I —
speak to him V
" Oh, no ; pray don't. It doesn't matter.
I'm only his wife." Her tone was bitter.
Lawson rose from his chair and took a
"JIM."
37
step towards her. " Only his wife ! " he
repeated in a low voice. "Only his wife,
and he leaves you to mope here alone while
he plans and plans and works and works to
make money. Why, good God ! if I "
" Lost in a reverie, it seemed to him that
the Muses appeared to him."
Mrs. Brandon looked up at him, startled.
He hesitated a moment, and then went on
more calmly.
If I had a wife like you I'd let the
business go hang ! I'd show you what love
is — teach you how a woman should be loved.
I'd give up everything for you — everything ! "
She ought to have stopped him, ordered
him from the house on the instant; but she
did not. The passion vibrating in his voice
attracted and repelled her at the same time.
Oh, can't you see?" he went on. "Don't
you know I love you better than life —
friendship — honour — yes, better than
honour 1 I've fought against it, but it is no
use. I can't help it — I love you — love you —
love you ! "
She was on her feet now, facing him with
heaving bosom and a look in her eyes that
for a moment gave him hope. Then she
turned from him, putting out a hand as
though to keep him back.
" No, no," she cried, with sudden energy.
" I can't — I won't listen to you. It's wrong
— wicked." And she went quickly out of
the conservatory.
But her hesitation had encouraged him.
After a minute or two he followed her.
She had thrown herself on a settee in the
drawing-room, and in a moment he was by
her side, had taken her hand, and was
pouring out a torrent of impassioned words.
She seemed as one fascinated, mesmerised.
Just then she could not have repulsed him.
" Beatrice," he murmured, ' Beatrice —
my darling." His arm stole across her
shoulders.
Her face had been averted from him, but
now she turned slowly, very slowly.
Suddenly she screamed out. There, on the
hearth-rug, not six feet from her, stood her
husband, white-faced and grim, his eyes as
hard as steel and as pitiless.
Brandon had driven home in his car, and
was about to take off his overcoat in the
hall when, through the open door of the
drawing-room, he saw his wife and his friend.
He had entered the room silently and waited.
Even when his wife screamed he spoke no
word. Lawson rose from the settee, and to
do him justice faced Brandon coolly enough.
" Well," he said, " it was as well you
should know. What are you going to do ? "
Brandon looked at his wife and back again
at Lawson. Then he said quite calmly :
'' I'm going to kill you."
Lawson stared, and tried to laugh. "Oh,
come, that's ridiculous."
Brandon went to a cabinet which stood
against the wall, opened a drawer, took out
a case and opened it, disclosing a pair of
revolvers.
" We'll go into the garden," he said.
38
" JIM."
" I shall count three
and we will fire to-
gether. And I shall
kill you. You may
kill me, too — I rather
hope you will."
Lawson realised
that Brandon was in
earnest, but he made
an attempt to gain
time.
But there should
be seconds- witnesses
Besides, a duel in
the twentieth
century — it's
preposterous ! "
'Choose your
weapon," was the
grim ans wer, a s
Brandon held out
the case. Lawson,
with a shrug of
the nearest revolver.
PI
12
\\ WI^M
1
1
83" " ~^
■
p^"'""'""" -' - ^^.^HJH^^^^^^^II
^^^H
■
FiSmitflH
BH
HHH
■
" The publJshei' picked up the manuscript
ill a bored fashion."
his shoulders, took
Brandon took the
other, and held open the door which gave
on to the garden. Lawson, with the perspir-
ation breaking out on his white face, passed
out.
As Brandon was about to follow, ignoring
the woman who stood watching him in an
agony of terror, she ran to him.
" Oh, Jim," she cried, "don't go — oh, don't
go — oh, don't go ! "
He turned upon her sternly. " You wish
him to go free, unpunished. I tell you he
shall die to-night."
" Jim," she cried again, " it's for you I
fear, not for him. Oh, my dear ."
But he had gone, and she dragged herself
to a seat, hopeless, utterly miserable, wait-
ing for the sound she dreaded to hear.
Presently it came, two sharp cracks, almost
together. Her heart stood still with horror.
Was it Jim — or Lawson — or both 1 Unable
to move, she sat there, waiting.
It seemed hours afterwards when the
garden door opened, and her husband came
in and stood before her, stern and relentless
as Fate. She got to her feet somehow, and
tottered towards him, clasping her hand in
her agitation.
Jim, have you ? " She could get no
further, but he understood. He touched the
bell before he answered.
You will never see your lover again,"
he said. Then to the old manservant who
had entered the room, " Peters, pack my
bag, will you ? I'm going away at once."
He followed the old man out of the room,
and his wife was left alone in her misery.
She accused herself bitterly. She had been
mad — .\icked, but she had not meant it.
A little mild flirtation, perhaps, just to
teach Jim a lesson, to let him see that other
men appreciated his wife if he did not. It
would have gone no further than that, and
now — there had come this awful tragedy,
and her happiness was for ever destroyed.
Surely, though, Jim would listen to her ; he
would not go without giving her a chance to
explain. Her thoughts took another turn.
What had happened out there in the garden 1
Fearfully she walked to the door, opened it,
and gazed out. All was still and peaceful
in the moonlight. It seemed impossible
that a man could have been killed there.
Jim came in then. She ran to him and
fell on her knees.
"Oh, Jim," she sobbed, "you're not
going 1 You won't leave me ? "
But there was no yielding in James
Brandon's face, and soon she ceased to plead.
She hid her face in her hands.
"What shall I do?" she moaned. "What
shall I do?"
- He stood looking at her in silence for
what seemed a long time. She did not see
his face soften when he sail I at last :
" Live to cleanse yourself from this shame,
and may God pity you."
Without another word he left her. She
dragged herself to the table, and wept there,
JIM."
39
with her head on her arms in an abandon-
ment of grief. ^
+ * *
Richard Dameron was a poet, with a heart
as simple and pure as that of a little child.
He lived in a beautiful world entirely of his
own imagination. There was no sin nor
sorrow nor tragedy in that world, only high
and noble ideals, kind hearts, good deeds,
and happiness.
Richard 1 'ameron was beloved of the
Muses. They were prodigal of their gifts
to him, and at last one day it seemed good
to them that, as he was a mortal living in a
mortal world, his eyes should be opened to
the re;ilities of life. He must be taught
that the world of his imagination was not
the real world of men and women, which is
so wonderfully and mysteriously woven of
good and evil, love and treachery, happiness
and pain.
Dameron was sitting one summer day in
the pleasant shade of a spreading tree on
the edge of a forest clearing. It was a
favourite haunt of his. Often he came there
to dream, and occasionally to write his
dreams. As he sat there, his head thrown
back, his eyes half-closed, lost in a reverie,
it seemed to him that the Muses appeared
to him. Very real they seemed, and he did
not move or speak, being afraid that if he
did so tlicy would vanish and he would see
them no more. One after another they
came and hovered near him, some smiling
and gay, and others of pensive and serious
aspect.
Then for a space they disappeared, and
far different visions appeared. Richard
Dameron saw the interior of a wooden hut
which might have been the home of a hunter
or backwoodsman. It was a poor enough
little place, and the scanty furniture was
rough and home-made. A big bearded man
in shirt-sleeves leaned against the tible. He
was smoking, and gazing at a photograph in
his hand. His face was very sad. He
looked like a man who had known sorrow.
There came a second vision. Dameron
saw a splendid house, with a porch covered
with lovely flowers. The house was set in
a beautiful garden. As Dameron gazed he
seemed to see inside the house. At a table
there a woman was sitting, and her eyes
seemed to hold all the sorrow of the world.
Then this vision faded like the others, and
Dameron raised himself, feeling like a man
to whom a mystery had been revealed.
What could it mean 1 He did not know, l)ut
he felt an irresistible impulse to write.
Already the story was taking shape in his
mind. He found his pencil and a pad of
paper, and began to scribble with feverish
haste. It seemed to him that some power
greater than his own was making the pencil
" Beatrice Brandon read the poem to the end."
40
'JIM."
"A woman was jjointing and talking excitedly to the chauffeur.
fly over the paper. Never had the words
come so easily. This was the simple story
he set down:
If you go to the lake
An' you follow the road
As it turns to the west
Of the mill,
Till you come to a stake
A surveyor has throwed
Like a knife in the breast
Of the hill.
An' you follow the track
Till you come to a blaze,
By the side of the same
In a limb ;
You will light on the shack.
In the timber a ways.
Of a party whose name
It is Jim.
I have half an idee
Thet, if back you could turn
To the start of the trail
Fer a spell,
Thet a woman you'd see,
Thet a lot you would learn,
Thet the regaler tale
It would tell :
Of a feller too fond,
Of a woman too weak,
Of another who came
To a door
Then an endless beyond —
Lijjs thet never must speak,
An' a man but a name
Evermore.
If you go to the town.
An' you follow the street,
Bj' the glitter an' glow
Of the light,
To a mansion of brown,
Wliere the music is sweet.
An' the lute whis{)ers low
To the night ;
In the dark of a room
At the end of a hall,
Where the visions of gold
Flutter in
There she sits in the gloom.
She, the Cause of it all,
In the midst of her gold
An' her sin.
Never before, he told himself, had he
written anything like this. He could not
understand it ; he seemed somehow to have
been an eye-witness of a tragedy — he who
had hitherto lived in an unreal, ethereal
world of eternal spring.
He took the manuscript to a publisher
next day, and with considerable difficulty
managed to obtain an interview with the
great man himself.
Mr. Bent shook his head at first. "I'm
afraid we can't do any business with you
just now," he said. "You see, Mr. Dameron,
your last volum.e did not go very well, and
to tell you the truth, I don't care to take
the risk of publishing any more poetry yet
awhile."
" But this is really good," urged Damei on,
" quite different from my usual work. Will
you read it? It is quite short."
The publisher picked up the manuscript
and glanced at it in a bored fashion. Pre-
sently, however, his attention was rivetted,
and he read on to the end.
"This is good," he said. "Quite un-
common ; it is like a mystery story. Personal
experience, eh 1 "
" No, quite imaginary — only " — he hesi-
tated— " only — well, I have an odd feeling
that it is a revelation of something or other.
I don't understand it, and 1 can't explain,
JIM.
41
but I simply had to write it."
"Ah," said Bent, thoughtfully. "Well,
I'll publish it ; it will make people talk."
The verses appeared in due course in a
volume with a number of other poems.
One day Dameron found himself in his
favourite haunt again. He had the book
with him, and as he idly scanned the verses
there came over him again that curious
feeling of tragedy. The directions were so
definite and clear —it seemed that they were
clues to lead him to the discovery of some
secret, the solution of some mystery, perhaps
to bring two sundered hearts together once
more.
It was this last idea that decided him, and
he rose with the determination to follow the
clues and see what came of it. The lake, or
at any rate, a lake, was not very far away,
and he remembered with quickening excite-
ment that the road which skirted it ran to
the west of the mill."
A little beyond the mill, just off the road,
plainly visible in the undergrowth — growing
thickly at the foot of the rising ground — he
saw the stake, "like a knife in the breast
of the hill." The simile had a touch of
horror.
Pressing on by a rough track through the
trees he came presently to a big tree, and
there, sure enough, was the ' blaze " made
by some hunter who had feared that he
might lose the path. On yet further, and at
last, there came into view the rough wooden
hut he had seen in his vision. On the
half-open door was nailed the skin of some
small animal, drying in the sun.
Dameron's excitement by this time had
become almost painful. Very quietly he
crept up to the door and entered the hut.
A man — the man of his day-dream — was
there, leaning against the table, gazing at a
leather-framed photograph in his hand.
Dameron longed to see the photograph, but
it was hidden from him, and he did not wish
to reveal himself to the man. He stole
quietly out of the hut.
"I have found the man," he said to
himself, all his senses tingling — ' now for
the woman."
"If you go to the town" — that was what
the poem said. The town, he felt quite
certain now, was the one in which he him-
self lived, but as to the house- — well, he
must trust to guidance for that. He went
back along the trail, skirted the lake, and
entered the town. He seemed to be walk-
ing without his own volition, and he was not
in any way surprised when presently, turn-
ing through the gate of a carriage-drive, he
saw the splendid house and the flower-
covered porch of his vision. Perfectly sure
of himself, he mounted the steps and entered
the hall. A door on the left stood open,
and in the room, gazing with sad eyes out
into the garden, stood — the woman !
Very softly the poet advanced to the
table and placed the volume of verses upon
" He^saw the woman find the stake.
42
"JIM."
it, face downwards, and open at his own
poem. Then he stepped back towards the
entrance, just as the woman turned with a
sigh from the door which led to the garden.
Dameron saw her pick up the book, look
at it in a puzzled manner, and begin to read.
Then he went out.
Beatrice Brandon read the poem to the
end with a wildly beating heart. She never
doubted that it was her own story she read,
and that "Jim" was her husband. When
she had finished reading she summoned
Peters.
Not long afterwards, when Dameron was
sitting by the roadside waiting, a car passed
him. A woman was standing up in the
seat, pointing and talking excitedly to the
chauffeur.
Dameron rose and followed. Keeping at
a little distance he saw the woman find the
stake — the first clue. She had the book
open in her hand, and now set out along the
track which led to the hut. When at last
she came within sight of it she stopped, put
her hand to her heart as though trying to
calm her agitation, and went on. She reachea
the door, pushed it open slowly, and entered.
Was this, then, the end ? Dameron
followed her to the door, and saw the man
with his head bowed in his hands upon the
table.
For some moments the woman stood
looking at him, and in her eyes was a
wonderful look.
"Jim!"
It was the lightest whisper — but the man
heard. He raised his head slowly until his
eyes met hers.
Jim ! " she whispered again, and held
out her arms. " Husband ! "
Dameron saw the look of love and wonder
on the man's face, and he left them together.
"DILLY JACOBS, aged three years, who plays
•*-' in Sterling Kid comedies, and who is the
youngest leading man in the world, enter-
tained a couple of hundred motion picture people
recently, when he directed a scene on the stage.
One of the stage carpenters made him a toy
camera, and merely for the fun of it, Billy was
induced to direct a scene. He conducted himself
according to the best traditions, and demonstrated
that he was well acquainted with the mannerisms
of directors.
'T^HERE is one field in the motion picture
■*■ industry in which there is very little
competition, as Studio Manager, Mr. James
Johnson, of the Blache Company, has discovered.
Recently he wished to find a man to jump from
the top of a six-story building for " The Million
Dollar Robbery." Four different times he had the
camera all set up and grinding away, when the
prospective dare-devils changed their minds on
Hearing the edge of the roof. An acrobat with
a less changeable mind was eventually located,
however, and the last scene was completed.
Actors, doctors and lawyers who find the com-
petition too strong would do well to investigate
this field.
ly /TOTTON picturedom knows no sweeter or
■^^■^ more charming player than Miss Alice
Hollister, Kalem's famous star. It never-
theless seems this player's fate to be cast
principally in roles which show her ils an
adventuress, or, as Miss Hollister her.self describes
it, as a " she fiend."
Recently a visitor to the Kalem Studios at
Jacksonville, who had frecpiently seen Miss
Hollister on the screen, saw the Kalem favourite
in flesh and blood for the first time. After
meeting the actress she — for the visitor was of
the fair sex— studied Miss Hollister in silence
for several minutes and then blurted out :
"Pardon iny curiosity, but I am anxious to
know whether you are as nice as you look or as
mean as you appear in the pictures ! "
WHILE staging a complicated water scene
for a new Blache photo-drama, entitled
" The Mysterious Bride," Madame Alice BJache
narrowly escaped serious injury recently, when a
large glass tank gave way under the pressure of
the water, and scattered broken glass in every
direction.
The accident happened in the Blache studio,
where the tank had been built and carefully
tested for the making of a scene, in which
Kenneth D. Harlan is thrown into the sea in a
sack, and cuts his way to liberty while under the
water. In view of the fact that Annette Kellerman
and Director Herbert Brennon had had a narrow
escape, because of the breaking of a glass tank
last winter, Madame Blache took every precaution
to try to prevent a similar occurrence. But a
flaw in the glass must have weakened it in a
manner impossible to detect with the naked eye,
for scarcely had the camei-a begun to grind when
the side of the tank near which Madame Blache was
standing suddenlj' gave way, and only the rapidity
with which she ran before the flood of water and
shower of broken glass saved her serious injury.
The repairing of the tank was only a matter of
a few hours' work, and the scene was finallj'
completed without a recurrence of the accident.
A Nation's Peril.
Adapted from the 101 BISON Film by Owen Garth.
Clifford, Secret Service man, falls in love with the
daughter of a foreign spy. His rival is the agent of
another country. There is intrigue and fighting on
board ship, and the long-drawn-out feud is continued
when the rival emissaries reach land. The climax
comes when a motor-car containing the spies plunges
over a cliff in the Hawaiian Islands.
OR reasons which will be obvious,
my story must be in the form
of a narrative in which, through
the roundabout source of my
information, lack of cohesion
may in places be noticed. It
affects two states and a group of islands in
the Pacific, which perhaps the reader will be
able to recognise when it is said that the
United States command most of the trade,
and that on account of their fortifications
and harbours the islands have a great strate-
gical value in case of any war operations in
the Pacific.
I am not at liberty to divulge all the
information in my possession — many points
must be left to the reader's imagination, yet
sufficient can be told to reveal the gravity of
the situation at the time when the incidents
related here took place.
It had come to the notice of the United
States Secret Service Department that a
nation, on friendly terms with, yet harbouring
hostile intentions towards the country, was
making earnest efforts to obtain knowledge
of a military and naval nature in I'egard to
a group of islands in the Pacific Ocean. In
fact it was surmised that the T-egation of the
country in question had received instruc-
tions to get plans, etc., of the fortifications,
and William Clifford was detailed to circum-
vent any move in this direction. Because
of his intimacy at the Legation he was well-
placed for the task set him. He had been a
regular visitor for some time : Marie, the
daughter of the Ambassador, was the attrac-
tion, and the fact that this little lady seemed
to prefer the attentions of Clifford aroused
deadly jealous hate in M. Verone, attache at
the Legation, who had pleaded his cause and
been rejected. To make matters worse Verone
had suspicions and Avatched Clifford's every
move carefully.
There had been a ball at the Legation,
at which all had been lightness and gaiety,
but a few days later a message flashed over
the wires instructing the Ambassador so
definitely that to-day there was an air of
great earnestness about the place. A small
party of men and women, secret agents, had
called and were closeted with the Ambassador
and his attache. The subject of the meeting
— as became known afterwards — was the
question of the islands in the Pacific and their
utilization. The plans had to be obtained by
hook or crook, and for special reasons Verone
was to lead the party to carry out the
instruction::.
" You realise," said the Ambassador to his
agents, particularly addressing himself to
Verone, ' that there is a possibility of the
United States Secret Service smelling a rat
and endeavouring to head you off. You must,
however, let nothing hinder you — these
instructions must be carried out to the letter,
no matter what the consequences."
"Clifford is the only one to fear," sneered
Verone, 'and I'll deal with him."
" If violence is necessary it must be
resorted to ; but I would suggest you avoid
all contact with other agents if possible."
" That fellow Clifford has been nosing
round for some time," Verone broke in again,
unable to control his jealous hatred ;"and if
I am not mistaken he is a member of the
Secret Service. If there is trouble at all I
anticipate it from him."
" Well, if you suspect Clifford, keep a close
watch on him," responded the Ambassador;
"but myself I have noticed nothing to arouse
my suspicions," Then turning to the party of
agents he said : You have your instructions.
The ship leaves port to-morrow at four in the
afternoon. Don't fail, and good luck to your
efforts. I think there is nothing more to
44
A NATION'S PERIL.
talk over at the present juncture."
This was a hint that the meeting was
ended, and in a moment the Ambassador was
alone with Verone.
" Now, Verone," he said, as the last of
the company disappeared behind the door,
" this is a chance for you. You must let
nothing stand in the way of obtaining these
plans, and it would be better to get out of
the country as quietly as possible. What
are your plans ? "
"I have formed no definite plans, sir,"
answered the attache,
except to make a
quick dash to get the
information before the
United States Secret
Service is aware
that we have
moved."
That is all
right, but how do
you propose to
cover your move-
ments 1 "
" Well, I think
it would be wise
to disguise the
expedition as a
pleasure trip.
Why not send
Marie with a
chaperone 1 That
would throw dust
in the eyes of any
who had suspic-
ions. The others
of the party could
travel separately.
Marie, her chaperone,
and I could travel
together."
"a good idea. I'll
see that Marie goes
to-morrow. Her aunt
can go with her." The Ambassador rubbed
his hands together with pleasure, while
Verone smiled covertly. This would mean
that Marie would be out of Clifford's way
for a time, and perhaps he then would have
a chance to press his suit again.
But Verone reckoned without the astute-
ness of Clifford and his companions. They
had learned of some uncommon movement
at the Legation and were on the alert.
Before the boat left the port next day
the agents who were to work with Verone
" She seemed to prefer the attentions
of Clifford."
had settled themselves in various parts of
the vessel, while Verone, Marie, and her
aunt had come aboard together. Verone
was chuckling and offering himself congratu-
lations at the way he had hoodwinked the
Secret Service, but his satisfaction changed
to chagrin when, at the last moment, Clifford
and a couple of strangers boarded the vessel.
The boat sailed out into the placid ocean,
and two parties were hiding from one another
in the hope that their intentions had not
been realised. False hopes. That voyage
was to witness a
tragedy and an attempt
which could terminate
in the death of the
principal of one of the
parties.
"IVerone was-
beside himself
with rage as he
watched Marie
and Clifford talk-
ing happily to-
gether — for, of
course, they had
found each other.
He swore dire
vengeance, and he
was not above
carrying his
thoughts into
action. Paul
Verone was not a
man to stop even
at murder was he
aroused and
thwarted, and
now his blood boiled
as he thought of the
upsetting of his nicely
laid schemes.
It was hot in mid-
ocean, the sun beat
down with merciless in-
tensity, and the passengers gasped for breath.
An awning had been erected on deck and
beneath it all the first-class passengers
sheltered, drinking, in their efforts to keep
cool, pints of iced lime-juice, which the
stewards were hurrying round. One man
disdained the protection of the awning —
he waited in the shadow of the wheel-
house, grasping tightly in his fingers-
a little phial of colourless, tasteless-
liquid, and watching Clifford, the Secret
Service man, who sat alone pondering over
A NATION'S PERIL.
45
his plans to circumvent the spies. Paul
Verone watched him for an opportunity to
do him harm.
Presently Clifford called a steward.
" Hi, man, bring me a glass of something
iced, quick," he ordered.
" Eight, sir — a minute."
Verone took in every word. This was,
perhaps, his chance.
The steward passed him and disappeared
down below. In a minute he reappeared
with a glass of lime-juice on his tray. As
he passed Verone attracted his attention.
Say, steward," he said, do you make
out a vessel over there on the horizon V
Where, sir ? " asked the man, looking
round the ocean.
Over there — look," said Verone, pointing
so that the man's back was turned to him.
All the while he was pouring the contents
of the phial he held into the glass. " My
eyes are not too good ; perhaps I have made
a mistake," he continued.
"I can make out nothing, sir."
Oh, no doubt I was mistaken. Thank
you."
The steward passed on and supplied
Clifford with his drink. Verone waited
only till he saw his shadow raise the glass
to his lips, and then with a sinister smile
on his face he hurried back to his cabin to
await events.
When Clifford drank the^ potion so
cunningly administered by Verone its effects
were immediately apparent. The victim
became violently ill and had to be carried
down to his cabin in a state of collapse.
But medical aid on the spot proved the
saving of his life ; and though there was
nothing to implicate Verone in the affair,
Clifford's men set a sharper watch on him.
It was this that led to a dastardly outrage
by the attache.
It was almost dark before he left the
shelter of his cabin, where he had sulked
for hours, after learning that the poison he
had put in Clifford's glass had not been
effective, and further that there was
hope of a rapid recovery for the patient.
However, when the darkness and the slight
chill of evening had driven the passengers
to the saloon, he ventured above, and paced
the deck like a caged animal in sheer rage.
If he knew he was being watched he gave no
sign, but as a matter of fact one of Clifford's
most trusted men was spying on his move-
ments. Circumstances which followed would
suggest that Verone was aware of the other's
presence, and also suspected him of carrying
papers which would reveal Clifford's inten-
tions and plans. The attache's subsequent
action was strange if he had not expected
what he found.
No sooner did the secret service man
step out of his hiding place than Verone
was on him, catching him round the throat
and half throttling him before he could do
anything to defend himself.
The ship was quiet, no one appeared on
deck, and even the officers did not seem to
notice anything untoward, though a death-
struggle was going on near at hand. Verone
was more than a match for his opponent,
and eventually managed to get the papers
he was struggling for. Not a word was
spoken between the two men. They wrestled
silently, each exerting his utmost strength,
knowing he might expect no mercy from the
other. Suddenly Verone seized his antagonist
round the waist, and with a mighty heave
hurled him over the rail into the dark
waters surging round the boat. A slight
splash above the groaning of the engines
was heard as the body cleaved the waters,
then nothing more, only the pitter-patter of
soft shoes on the deck as someone came
running towards the spot.
Verone stood gazing down at the place
where the secret service man had dis-
appeared, when a scared voice at his elbow
asked breathlessly :
" My God, what is the matter with you 1
What has happened ? "
Verone swung round as if he had been
struck a blow, being agitated beyond des-
cription. But as he recognised the man
beside him a sickly relieved smile broke on
his pale features.
"You, Maron ! Did you seel" he
muttered. " Did you see the spawn go
over 1 "
" I saw nothing except that you were
unduly agitated. Who has gone over 1 "
said Maron, one of Verone's men.
"One of the Secret Service men. He was
watching me, so I threw him overboard to
the fishes. But I obtained his papers first,"
Verone responded jerkily.
" Threw him overboard, eh ! Well, good
riddance. But what are you going to do
now ? This affair with Clifford has created
a stir, and now this on the top of it may
cause a deal of unpleasant investigation
46
A NATION'S PERIL.
" He was standing up in the forward motor-car gesticulating wildly."
and trouble, I am inclined to think."
" You're right. The best thing I can do
is to hide till the ship comes to port. Yes,
I know, you shall hide me in your trunk.
They will imagine both of us have gone
overboard, and also Clifford will be thrown
entirely off the scent. When we arrive you
must take your trunk, and as soon as you
A NATION'S PLRIL.
47
are out of sight you will release me. Do
you follow ? "
Yes, I have the idea, but you must get
down without being seen, or the plan will
be discovered."
Come then, at once. We will put it into
execution now, this minute, and delude the
whole lot. Don't forget to do as I have
explained."
This plan was carried through. Conster-
nation spread throughout the ship when the
supposed tragedy became known, but by the
time the vessel reached port the excitement
had died down, and it was generally accepted
that the two men had disappeared overboard
in the dark. If Clifford suspected there was
any connection be-
ittempt
tween the
to poison
the dis-
appear-
ance of
his right
hand
man, he
kept his
opinions
to him-
self.
* +
There
was a
great
bustle
amongst
the for-
eign spies when the
vessel arrived in
dock ; their luggage,
including the trunk
in which Verone
was secreted, was
hustled ashore with all haste and dashed
across to a waiting motor-car. Marie was
forgotten and left to the care of her aunt
and Clifford. The United States Secret
Service man had remained close by the side
of the two women ever since the disappear-
ance of Verone. But this does not insinuate
that he had forgotten, or was neglecting
his charge. Rather the reverse — he was
keeping a sharp weather eye open for any
sign which would reveal the spies and give
any indication of their movements.
He also came quickly off the boat after
instructing his subordinates to keep close and
never lose sight of him.
' The car plunged over the canj^on to
destruction."
The dash for the motor-car by the spies
awakened his suspicions, and he immediately
gave the signal which called all his men to
his side.
' Charter the strongest automobile you
can find," he cried to one. " Hurry, lose no
time, and also bring a policeman with you."
The man saluted and rushed away to
return in a few minutes.
"Jump in," he ordered, and turning to
Marie and her aunt, he said in softer tones :
" Wait for me at the hotel — I shall be there
shortly. I cannot explain now, but will do
so later."
" Drive away," he said to the motor-man;
" follow that large car going up out of the
town over there —
catch her if you
can.'"
The
police-
man
1 ooked
on i n -
quiringly
— in fact
amazed
— but
Clifford
quickly
reassur-
ed him of
the legal-
ity of his
actions.
"Look
here, officer," he
said : that car
yonder contains the
most desperate set
of spies let loose.
They are here to
information of the
must prevent them
and get
and we
I want you with us to arrest
make plans
fortifications,
getting away,
them."
"But your authority for this, sir?"
queried the policeman.
"This is my authority," replied Clifford,
showing a paper revealing his identity.
"All right sir, that's sufficient."
The fleeing car had drawn clear of the
town and was momentarily out of sight of
the pursuers.
" Faster, man ; let her right out. You must
catch that car," cried Clifford.
In another moment they caught sight of
48
A NATION'S PERIL.
their quarry, and Clifford took a good look at
her through his field-glasses. A figure in
the other car caught his attention. " My
God," he cried, letting his hands drop, "it's
Verone. How did he get here 1 "
Verone it certainly was, and he was
standing up in the forward motor-car
gesticulating wildly. The fleers were
making for the hills. The two cars were
spinning along a fine strip of road with the
slightest incline to the foot of the mountains,
and the second car seemed to be gaining ever
so little.
" Speed her up, speed her up," cried
CliflFord. And as he spoke the motor-car
gave a jump forward. The cars began to
draw a little together on the upward stretch.
As it rose higher, the road ran round the
foot of towering crags, and along the edge of
yawning precipices. It was a wild and
dangerous ride — one slight swerve, and the
automobile and its occupants would be
hurled to eternity. But there was no
hesitation — both cars were going at top speed.
Sometimes the turns in the spiral road hid
them from each others' view, but still the
stern chase was not abated a jot. The
pursuers were gaining perceptibly. Verone
began to fear and drew his revolver for
emergency. They were so near now that shots
could be exchanged and general firing opened
without harm being done. They had risen
high above the surrounding country, and the
road had become a mere track, bounded
on one side by solid rock, while the other
side fell straight down into the valley
hundreds of feet below.
Not thirty yards parted the motor-cars,
when a shot striking the spies' driver
caused him to let fall his hands from the
steering-wheel. Out of control, the car
leapt for the edge of the canyon and plunged
over to destruction, carrying all with it.
The pursuing driver pulled up as smartly
as possible, but he had reached the spot
where the fugitives had disappeared before
he could come to a standstill. Clifford
jumped out before the car was stationary,
and peering ever the edge of the precipice
tried to find signs of the unfortunate spies.
There were none — the car and its crew had
dived to complete annihilation.
The Secret Service men stood for a moment
contemplating the terrible end of those they
had been sent to circumvent, then Clifford
sharply ordered their return.
Back to the station hotel, driver, and
go carefully," he said. " We can do nothing
— they have been smashed to atoms."
When Clifford reached the side of Marie
he hesitated to tell her of the fate of her
father's attache and friend, but the girl read
the news in his face.
" Something serious has happened," she
cried in alarm. " What is it — tell me ? "
Yes, something terrible has happened,"
answered Clifford. "It is difficult for me
to tell you, but you must prepare yourself for
the worst. Monsieur Verone is dead, his
companions also."
Verone dead," echoed Marie, and his
companions ! Who were his companions 1
I never knew he had any, except aunty and
myself. But what do you mean by he is
dead? We thought he was drowned Avhen
he was missed from the boat."
" No, he was not drowned. It is a long
tale, which perhaps some day, if you will
let me, I shall tell you. Verone and his
companions lie dead, smashed to pieces at
the foot of the mountains. His motor-oar
fell over the cliffs."
What will poor father think 1 " murmured
Marie.
" He will be sorry, but will say he died
in the service of his country."
Had Verone's expedition been successful
there is little doubt that war would have
resulted between the two nations, but its
failure had the effect of damping the wai
spirit of his country's government. The
affair also aroused the United States military
and naval authorities, who took a keener
interest in the islands afterwards. That the
secret of the fortifications will become
known to another power is scarcely possible
now — they are too jealously guarded.
Clifford, I know, was complimented on his
smartness and pluck, but I cannot tell you
if he is married yet. At any rate, Marie
showed a distinct, interest in him, and the
affair of the Pacific Islands seemed to be
the birth of a pretty romance.
The Voice of Silence.
From the EDISON Photoplay by Richard R, Ridgeley,
Adapted by James Wallis.
Sue, a deaf mute, becomes acquainted with a wireless
operator at Cliff Island and learns to use the apparatus.
Three " crooks " of international notoriety overpower
the operator when trying to communicate with the
yacht on which they plan to escape, but Sue warns
passing ships. They are captured and Sue gets a reward.
JHE majority of people, no doubt,
would have felt that to have
been born both deaf and dumb
would be an affliction too
heavy to bear with any degree
of equanimity, but judging
from her merry laughing eyes and rosy
cheeks, Sue Smith apparently did not share
in this general belief. Sue was the eldest
daughter of her widowed mother, who eked
out a precarious livelihood by taking in
washing and doing the hundred and one
odd jobs required by the better-class residents
of the district.
Although Sue had been deaf and dumb
from birth she was her mother's right hand
in everything, and also looked after her two
impish little sisters, Rosa and Joan. Her
unfortunate infirmity did not in any way
prevent her from being a remarkably pretty
girl.
This little family lived happily together
in a small tumble-down cottage on the coast
near the seaside town of Farnhead, and the
sandy beech in front of their home formed
a splendidly healthy playground for them
all day long. Little wonder that Sue thrived
amid such surroundings.
Sue's only recreation during the few spare
moments she snatched from her duties was
fishing. With her even pleasure served
some good purpose, for the fish she caught
made a welcome addition to the plain fare
their limited earnings could afford. Pulling
out in the leaky old rowing boat that was
kept moored in the creek near the garden,
she would sit as still as a mouse in engrossed
delight over her line, hardly daring to
breathe as some finny monster would play-
fully nose the bait that dangled so tempt-
ingly before it. It was a pretty sight to
watch the girl as this playful sport went on.
Sue's pose was one of eloquent anticipation
and her mobile features successfully expressed
expectation, pleasure or regret, as the desired
captive investigated was hooked or swam
away as the case might be, and when hauling
up a wet, wriggling fish, she made little
excited, inarticulate sounds of pleasure in
her throat.
One afternoon Sue was so wrapped up in
her favourite pastime that she did not notice
the tide wag carrying her farther and farther
away from the shore, until she pulled up her
line and started to row home again. Her plight
was not improved either when, in endea-
vouring to turn the boat about, she lost her
oars. The poor girl was now quite helpless
to save herself. Her wild, terrified appeals
for help brought no response, and as she stood
up and gazed around her eyes could not
sight another sail anywhere as they anxiously
swept the horizon. To add still further to
her predicament and distress, the wind
began to rise, and she could only sit down
and bail out the water that was coming over
the sides, trusting to Providence to keep her
safe.
On and on swept the boat, until it seemed
to Sue as if she would be carried out into
the middle of the Atlantic. Presently she
felt the boat grating upon a pebbly beach,
and was thrown violently to the bottom.
Quickly picking herself up, she clambered
out, and after pulling her craft safely out
of reach of the angry waves, looked about
to try and discover her whereabouts.
Sighting a building with a long wire-
stayed erection in the frojit on the top of
the cliffs, the cold and weary girl slowly
climbed up the narrow pathway towards it.
Sue had never seen a wireless telegraphic
station before, and in some doubt as to the
E
50
THE VOICE OF SILENCE.
"Sue's only recreation was fishing."
manner of reception she would receive from
tho owners of so strange a building, crept
silently to an opened window and looked
through.
Stephen James, the operator in charge of
the big wireless station on Cliff Island,
sighed contentedly as he reached out for his
pipe. He had just got through several very
heavy calls, and now, thank goodness, he
could enjoy a quiet smoke.
Everything seems to come in a mighty
rush to-day," he grumbled to himself as he
looked up from his keyboard and then sat
still petrified with amazement. Visitors to
Cliff Island were few and far between, and
to look up and suddenly discover a seeming
apparition of a girl dumbly gazing at you
from scarcely three feet away seemed to
Stephen to possess some supernatural in-
fluence.
Quickly collecting his scattered faculties,
Stephen queried with a pleasant smile:
Hello, kiddy, and where have you come
from 1 "
Sue darted away upon seeing Stephen
move towards the window, but the big-
hearted operator pursued and caught her up
at the gate and led her into the station with
reassuring words and gentle pats of en-
couragement upon the shoulder.
Seeing her wet and generally bedraggled
condition, Stephen sat Sue in a chair, silently
took off her sodden shoes and stockings to
dry, and gave her some of his own to put on
for the time being. Then he set food and
drink before his strange guest, and watched
with puzzled amusement until the last crumb
had been ravenously devoured. When
Stephen proceeded to question Sue, he was
at first astonished to receive no replies to
his repeated queries, but perceiving from his
moving lips what he wanted, and taking
heart from his kindness. Sue pointed to her
ears and mouth and shook her head.
To her great delight Stephen appeared at
once to understand. " Poor little beggar,"
he exclaimed aloud. "Fancy being both
deaf and dumb. Never mind, youngster,
we shall soon get to understand each other."
By vigorously motioning with her hands.
Sue quickly made her new friend understand
that she had been carried from the mainland
out by the tide and had lost her oars, and
wished to get back again as quickly as
possible. Stephen nodded sympathetically,
and busied himself in making ready to send
THE VOICE OF SILENCE.
51
her safely away. Giving her her own shoes
and stockings, which were now dry, and
providing a new pair of oars, he accompanied
her down to the beach, and after seeing her
safely started on her journey home, walked
back to his post with the satisfied feeling of
of duty well done.
In the meantime, Sue's long and unusual
absence had greatly worried her mother, who
learned from Kosa and Joan that she had
taken the boat out and gone fishing. Her
mind filled with all those anxious thoughts
and premonitions so typical of a mother's
nature, Mrs. Smith was on the point of
instituting a search party, when a shriek of
delight from her younger daughters
announced the wanderer's safe return. Sue
fiew into her mother's outstretched loving
arms, and when the excitement had some-
what subsided she dumbly explained to the
interested family all the details of her won-
derful adventure.
The next day Sue ventured out again to
see Stephen. A friendship rapidly sprung
into being between them, and Stephen
found himself looking forward to the visits of
the shy little girl with a considerable degree
of interest. Even fishing now lost its
previous attraction for Sue, and every minute
she could spare from helping her mother
found her at Cliff Island.
For some time a great drawback to their
intimacy was the lack of a satisfactory
medium of conversation between them, until
an idea suddenly entered Stephen's head,
and seizing pencil and paper he rapidly
wrote, " Can you read 1 " Sue nodded her
head with a bright smile and scrawled in
reply, " Yes, sir." This discovery that she
could both read and write emboldened
Stephen to teach Sue how to use the wire-
less apparatus. She proved an apt pupil,
and in a very short time, to her great delight,
Stephen allowed her to send some of his less
important messages. Little did either of
them think how useful this accomplishment
was going to prove in the near future, and
what a large part it would play in averting
a great tragedy.
* + *
Some six months after Sue's exciting
experience on Cliff Island, Farnhead was
favoured with a visit from three strangers,
who landed one day from the little steamer
that was the only means of communication
between Farnhead and the neighbouring
" Sus's mother anxiously ^waited her return."
52
THE VOICE OF SILENCE.
towns. Probably had the good people of
Farnhead any idea of the true identity of
their visitors, they would not have received
them in so indifferent a manner.
" Big " Tom Currey, ' Slim " Eastman and
Maggie Black belonged to one of the most
dangerous gangs of criminals in the country.
They were by no mean s j ust ordinary thieves —
they were really at the head of an un-
scrupulous and powerfully organized band,
which the police of three continents were
vainly endeavouring to bring to justice, and
which had tremendous resources behind it.
They had just succeeded in effecting a most
daring ba^.k robbery, and in accordance with
a preconceived plan had set out for the
locality in which Stephen James' station was
situated. They had arranged to have a
steam, ya^ht waiting off Cliff Island to pro-
vide them with the means of escaping with
their booty from the detectives who were
hot upon their track.
After landing, the three " crooks " stood
upon the pier discussing the best method of
advising their accomplice of their arrival.
"Tim Cirrigan is waiting for us off Cliff
Island in his yacht," said Maggie Black.
" Now, I suggest that we go out there and
get the operator to send him a wireless
message to pick us up from there. It will
be much safer and more convenient than
making him come here. What do you say,
Tom ? "
" Yes ! I think that is the best plan,
Maggie," replied "Big" Tom. We can go
over in one of these motor boats, and be
safely away in less than two hours. When
we get their, Maggie, you had better go on
ahead to the station and arrange for the
message to go through and we'll follow on
afterwards. Come along, we will start off
at once."
The three worthies experienced no
difficulty whatever in hiring a craft to take
them over to their destination and were
soon speeding on their way.
Stephen James was looking through his
weekly bundle of letters and newspapers,
and in glancing at one of the latter
read a detailed account of the recent exploit
of his coming self-invited visitors and the
large reward that was offered by the
authorities for their capture :
£3,000 REWARD.
For capture of " Big " Tom Curry,
" Slim " Eastman and Maggie Black,
wanted for the theft of securities,
valued at £600,000, from the Provincial
Trust Company. Known to have
started south. Full description as
follows : Maggie Black — height about
5-f t. 6-ins., blonde, generally fashionably
dressed
I wish they would come my way,"
muttered Stephen, throwing down the paper.
I could just about do with that reward,
but capturing criminals isn't my luck."
"Come in," he shouted, as Maggie Black
knocked at the door. At that moment a
message came through for him, and he
turned to the key-board without seeing who
entered. The call was a fairly long one, and
Maggie while waiting picked up the paper
which Stephen had just been reading to
look at. The first thing that caught her
eye was the account of the robbery, from
the consequences of which she and her two
partners were fleeing. The thought that
Stephen had possibly seen it struck terror
to her soul for a moment. Swiftly gliding
to the door she motioned Curry and East-
man inside and pointed to the paper.
I believe he's on to us," she whispered.
Anyway, we cannot afford to take risks
now, so be ready to out him if necessary."
Stephen finished his call, and, turning to
his visitor, asked, " Well, madam, and what
can I do for you"?" Then his glance
travelled over the two men, and almost
involuntarily the cry came to his lips, "Why,
you are ." Too late he saw his mistake.
As he sprang to the keyboard to tap out the
alarm, "Big" Tom and "Slim" darted
forward and closed with Stephen. Back-
wards and forwards they swayed, knocking
over the chairs and table in their violent
exertions ; first one man on top and then
the other. The issue was in doubt until
Slim " pulled out a revolver and snapped :
" Put your hands up, or, by Grod, I'll plug
you full of lead ! " Recognising the foolish-
ness of probably throwing his life away
uselessly by continuing the struggle against
such unequal odds, Stephen sullenly sub-
mitted to be gagged and bound by " Big "
Tom and Maggie.
"You thought yourself mighty clever,
didn't you. Mister Operator'?" jeered the
woman. "But we're just one mark too
wide for you this time. You've got to take
a little trip with us now for the sake of
your health."
Rapidly turning to the other two men
THE VOICE OF SILENCE.
53
" Sue made him realise that she understood."
she instructed, Quick, someone may come
in at any moment. Bundle him down to
the boat. We shall have to keep him with
us until we can find Tim's vessel, or else
he'll split before we can get clear."
Stephen was hurried down to the shore
and forced into the waiting motor-boat,
inwardly cursing his impulsiveness for
getting himself into such a plight, but aid
was nearer than he anticipated.
Providentially, Sue Smith had chosen
this day to pay a visit to her old friend at
Cliff Island, and she arrived at the station
a few seconds after Stephen had been over-
powered and dragged away. Her quick eyes
took in every detail of the struggle, and she
instinctively guessed that something serious
had happened. Rushing to the window she
saw to her horror and dismay a motor-boat
heading away from the island towards Smith
Cove and Stephen lying bound and gagged
in the stern with a man standing over him
with a revolver.
Sue did not stop to consider the whys
and the wherefores of the situation. She
knew of only one way in which to assist
Stephen, and that was by the help of the
wireless apparatus. Seating herself in front
of the key-board, she sent out a general
alarm call :
" Desperate criminals have captured
operator at Cliff Island and are in
motor boat heading for Smith Cove.
Stop them.
"S. Smith."
This done she flew down to the landing
stage to impatiently await the developments
of her action.
Sue's opportune message was picked up
by a passing ship, which immediately put
about and pursued the miscreants.
A stern chase is always a long chase, but
Stephen did not find this thought very
comforting as he watched the pursuing
vessel gradually overhaul the motor boat.
Since leaving Cliff Island he had made
several efforts to free himself, but each one
was frustrated by the watchfulness of his
captors, and had become reconciled to his
fate when he discovered a speck on the
horizon following them. As it crept closer
and closer he saw it was a large yacht and
his heart bounded with new hope. Stephen
took good care not to mention his discovery
to the other occupants of the boat, but a
volley of oaths from Eastman shortly after-
wards intimated that the three rogues had
seen they were being pursued.
54
THE VOICE OF SILENCE.
That's not Tim's yacht," said "Big"
Tom, as he peered anxiously through his
hand at the rapidly approaching vessel.
Somebody's got the tip we're out here. I
expect it's through that cursed operator tied
up there."
In vain were their efforts to outpace the
pursuing yacht. It overhauled them so
quickly that in a very short time they were
compelled to stop and surrender. Stephen
hurriedly explained the identities of the
prisoners and himself to the captain, who
thereupon informed him of the wireless
message received from the ClifT Island
station signed "S. Smith."
Satisfied that his late captors were in
safe hands, Stephen returned to Cliff Island
in the motor boat and tenderly thanked Sue
for her bravery and though tfulness. Then
leading her into the station he sent a
wireless message to the police authorities,
advising them of the capture of the three
criminals and claiming the liberal reward in
the name of his little friend.
Drawing Sue towards him, Stephen
wrote —
" Do you understand 1 I have notified
the authorities that the criminals are
captured and that you are entitled to
the reward "
— and Sue, slowly raising her shining eyes
to his, made him realise that she understood.
'T^HE Hepworth Manufacturing Company are
-*- still requiring strong plots, single and
two-ieel dramas, and single-reel comedies.
While thanking all those who responded to their
last appeal for scenarii, Messsrs. Hepworth
would point out to intending authors that they
have used the word strong advisedly, and a
plot which cannot be so designated does not
stand the least chance of acceptance. Good
prices will be paid.
"O AOUL A. WALSH, who plays Villa in the
-'-*■ early parts of "The Life of Villa" and
other "heavy leads" for the Reliance
and Majestic Companies, was born in New York
City. When fifteen years old he ran away from
home and before he saw New York again he had
visited every continent. He went on a cattle-
ship to South Africa, and after a few months
there worked his way to South America. His
stay in Peru was short but exciting. An
Englishman had started a revolution and young
Walsh joined him. The revolution was brief
and the Englishman was shot. Walsh would
have suffered a similar fate had he been caught.
Some months later the adventurous young man
was in Mexico, where he was a cowboy for a
time, and became a bull-fighter. He was a pro-
fessional toreador at Chihuahua for a year, but
after being seriously injured and spending a long
time in a hospital, he moved to Texas. He
finally landed in New York, where he played in
"Charlie's Aunt," " Simmony Jane," "A
Romance of the Underworld," and " Thai."
He also api)eared in musical comedy, where his
tenor voice was of value. Two years ago Walsh
joined the Biograph Company, of which D. W.
(iriffith was director, and when Mr. Griffith
joined the Reliance and Majestic Comj)anies as
direotor-in-chief, he took Walsh with him.
TAMES J. CORBETT, in " The Burglar and
*' the Lady," produced by the new company,
is in eight reels, as is also " The Sins of
Satan," and a third photodrama, the title of
which is being jealously guarded at present
writing. The six-reel drama is a screen adapta-
tion of Dickens' " The Chimes," by Mr. Blach^,
produced in collaboration with Tom Terries.
An exceptionally strong cast, which includes
"The Charles Dickens' Associate Players," was
used in this production, and the Dickens' atmos-
phere is said to be remarkably true to that of his
famous works.
The presenting of Solax and Blache features
have not been interrupted by the activities of the
new company. Each of these well-known con-
cerns is still producing one featui-e a month and
is adhering to the three-reel policy.
AyflSS MARIE DRESSLER, the famous
-^'-*- American musical comedy actress, will
shortly be seen in a Keystone comedy,
which, both in length and subject matter, is
expected to surpass all previous releases by this
company. Mr. Mack Sennett, managing director
of Keystone's, has been engaged on this subject
with Miss Dressier for some time past. The
film will afford when completed a full evening's
entertainment, and while there will be plenty
of fun in it, it will not be a purely comedy
release, but will also give Miss Dressier oppor-
tunities to show her talent in pathetic and
sentimental episodes.
In order to give her talent full scope, several
buildings were erected in the spacious grounds
of the Keystone Los Angeles establishment, in-
cluding a bank with revolving doors, tile flooring
and large windows, and a house so well con-
structed that it is intended to be used
permanently as a residence. A large amount of
money has been expended on this production.
Frederick the Great.
THE STORY OF HIS LIFE.
Based upon the EDISON Film by James Wallis.
Few monarchs in history have had more eventful
careers than Frederick the Great. His unhappy youth,
the death of his father, the terrible Seven Years' War,
and the final triumph of the Prussian nation — are a few
of the incidents.
His Youth.
EEDERICK, the hero of the
Seven Years' Wur, was born
on January 24th, 1712. His
father, Frederick William, was
a rough uncultivated man,
with a passionate temper that
brooked no opposition, though he had con-
siderable merits as a sovereign. His im-
perious will and coarse associations rendered
him an object of dread and hatred to his
family, and he banished anything approaching
refinemeni' from his Court.
Thus the youth of the Crown Prince
Frederick was passed amid surroundings of
singular unpleasantness.
It was one of Frederick William's pet
ambitions to bring up his eldest son as an
«xact copy of himself, but being endowed
by nature with an acute and refined mind,
it was not surprising to find that Frederick
revolted from the narrow mode of life into
which his father attempted to force him.
When but a boy he was taken from the
hands of the ladies of the Court and placed
under the care of male tutors, his education
being directed solely by his father. This
consisted only of things that were thought
by Frederick William to be practically use-
ful— very little time for amusement was left
him; and in order to make him grow up
strong and hardy he was even stinted in his
food and sleep. As he grew older he was
burdened with an incessant round of military
drills and reviews. Beer and tobacco, his
father's invariable evening solace, were alike
odious to him, and he took no pleasure in
the great hunting parties which were the
King's favourite recreation.
On the other hand, he developed at quite
•an early age an unconquerable passion for
literature and music, which was only intensi-
fied by the violent efforts made to suppress it.
His favourite instrument was the flute,
and his love for playing it on every con-
ceivable opportunity appeared, in the old
king's eyes, a sign of effeminacy that did not
concur with his idea of what his successor
should be like. " Fritz," he would say with
infinite contempt, ' Fritz is a fiddler and a
poet, and will spoil all my labour."
This tyranny and contempt on the part of
his father served only to build up in his
son's mind a feeling of disobedience and
dislike, and various other causes helped to
widen the breach. From contempt the
King gradually grew to detest his heir, and
showed his detestation on every possible
opportunity. Even in public he treated him
with the greatest indignity, and would then
taunt him with cowardice for not resenting
the affronts. The only open friend the young
Prince possessed among the whole Court
was Leopold, Prince of Anhalt-Dessau,
nicknamed " The Old Dessauer."
Frederick William used to settle many
important affairs of the State with the aid
and counsel of an assembly termed ' The
Tobacco Parliament." This was a meeting
of his chosen friends and ministers convened
together to discuss matters over pipe and
bowl. More often than not these gatherings
concluded in a scene of indescribable dissi-
pation and with the greater part of the
members hopelessly intoxicated. Little
wonder that Frederick's intellectual mind
preferred the society of his books and music
to such rough company.
During these sittings Frederick William,
when under the influence of drink and
knowing his heir's repugnance to attend
these meetings, would command his presence,
and openly bait and ridicule him before the
56
FREDEKICK THE GREAT.
This was a meeting of his chosen friends and ministers convened together to discuss matters
over a pipe and bowl."
roomful of people, and also force him to
both drink and smoke.
Come, milksop, be a man ! " was one of
his sneerful commands, as he sat and
watched the Crown Prince's poorly concealed
dislike to comply with his wishes.
Upon one occasion, happening to visit
Frederick's apartments when his son was
giving a secret recital upon the flute before
a few friends, he snatched the instrument
away, and infuriated beyond control, shouted.
Haven't I told you to be a man, you
whelp ! " Seizing the boy by the hair, he
dragged him to a window and would have
strangled him with the cord of the curtain
had he not been prevented by a chamberlain.
Frederick's position in time became in-
tolerable and he resolved to escape from
it by flight, when in his nineteenth
year, but the attempt failed and he was
thrown into prison and his accomplice
was executed before the window of the
room in Avhich he was confined. So
enraged was the King by this action on
the part of his son that more than a year
passed before he would consent to even
see Frederick, and then only a partial
reconciliation was effected.
This brutal treatment had the effect of
forming and souring the Prince's character.
Originally gentle and lovable, his nature
became hard and selfish, and as he grew from
a boy into a man, he became proud, reserved,
and capable of deep dissimulation. He saw
the necessity of conforming, outwardly at
least, to the will of the King, whose favour he
gained by applying himself diligently to the
affairs entrusted to his management. Gradu-
ally, too, he came to perceive the good
qualities which lay underneath the rugged
exterior of his father, who, in his turn,
recognised with pleasure the abilities of his
son. The Prince now obtained a separate
establishment and married soon afterwards
the Princess Elizabeth Christine of Bruns'
wick-Bevern, whom the King had selected
for him. From that time he enjoyed a
larger measure of liberty than had hitherto
been allotted to him— his main reason for
consenting to the marriage, so that he
could without hindrance cultivate his literary
and artistic tastes in the society of friends
of his own choice.
As J'redeiick William's life drew to a
close, he experienced the ill-will of the
Austrian Court, whose firm ally and friend
he had always been, but who in turn had
persisted in regarding him as a subject and
an inferior. This studied neglect and
contempt grew in time offensive and aroused
a deep feeling of resentment within him.
While on his death-bed he receiv^ed a
FREDERICK THE GREAT.
57
message of a singularly insulting nature
from the Austrian Government, and realising
his own helplessness to suitably reply to it,
pointed to his son, with whom he was
completely reconciled, and said with pride
and sorrow, " There stands one who will
avenge me,"
His Accession and First Few Years
OF Reign.
FREDERICK ascended the throne on
May 31st, 1740, at the age of twenty-
eight. In personal appearance he was
rather good-looking, well-made though below
the average height, and with a face possess-
ing great power of expression.
At the time of his accession he was little
known except to a few intimate friends, and
even these had no idea what manner of
monarch he was likely to make. No one
suspected that beneath his previous convivial
and easy-going exterior there lay concealed a
stern, ambitious disposition.
It was thought that his accession would
usher in a golden age of peace, but this
illusion quickly vanished, though some of
the young King's earliest acts seemed to
confirm such a view.
Within the first few days of his reign
Frederick abolished legal torture ; granted
"He would have strangled him with the cord of the curtain had he not
been prevented by a chamberlain."
complete freedom to the press ; declared
himself in favour of universal toleration in
religion ; and demonstrated that he regarded
his own interests and those of his people as
identical by liberally distributing corn from
the public granaries at moderate rates to the
poor of several famine-stricken provinces.
Yet Frederick soon showed that he meant
to rule with the strong hand, as his father
had ruled before him. The power of the
sovereign was practically absolute in Prussia,
and Frederick saw the strength of his
position, and availed himself of it to the full
by taking the reins of government into his
own hands far more completely than
Frederick William had ever done.
Frederick possessed a large share of the
qualities which make a great ruler — a strong
love of order, a very clear insight into men
and things, great administrative capacities,
combined with indefatigable industry, and a
mind capable of forming the most extensive
schemes and of attending at the same time
to the minutest details of their execution.
To these qualities must be added a rare
strength of will and a self-reliance that
never faltered. In addition to being a great
administrator he was at the same time the
most clear-sighted statesman in Europe.
He always knew what he wanted and
usually knew how to get it.
With the mass
of his subjects,
and especially
with his soldiers,
Frederick was
extremely popu-
lar. His system
of government
was doubtless
despotic and pat-
ernal, and at times
even tyrannical ;
but for a young
country that had
to fight for its
existence, a pat-
ernal despotism
is no bad thing,
at any rate when
the despot identi-
fies himself with
its welfare so
completely as
Frederick did. It
maybe questioned
whether under
58
FREDERICK THE GREAT.
any other form
of government
Prussia could
have weathered
the storms of the
Seven Years' War.
At the time of
Frederick's acces-
sion, the political
horizon in Europe
was tolerably
clear, but before
he been on the
throne seven
months, his king-
dom was engaged
in a war with
Austria.
Frederick saw
in the internal
disputes that re-
sulted in conse-
quence of the ac-
cession of Maria
Theresa, the eldest
daughter of the
dead Emperor
Charles VI., to
the throne of
Austria, an oppor-
tunity for aggrand-
isement such as
might never occur
again, and deter-
mined to utilize
it by seizing
Silesia, an Aus-
trian possession
contiguous to his
own dominions,
and reviving
Prussian claims to
four small duchies,
about which there
had been contro-
versies for some generations.
The campaign lasted for about eighteen
months, and is known as the First Silesian
War. The Austrian troops were decisively
defeated at MoUwitz and Chotusitz (Czaslau)
and peace was signed at Breslau, on June
11th, 1742, by which practically all Silesia,
together with the county of Glatz, was
surrendered to the Prussians.
The conquered territory enlarged the
area of the Prussian kingdom by one third,
and increased its population and revenue by
I'll nee Fredei'ick and Princess Elizabeth Christine.
about one half. In addition Silesia was
strategically of immense importance. As
long as Austria held it, it was hardly
possible for a Prussian army to penetrate to
Vienna, while the Austrians could at any
time march without difficulty into the heart
of the Prussian kingdom.
Two years later the Second Silesian War
was commenced, and although the effects of
the first campaign were very disastrous to
Frederick, the later operations went all in
his favour, and the Austrians were success
FREDERICK THE GREAT.
59
ively defeated at Hohenfriedberg, Sohr,
Hennersdorf and Kesselsdorf.
Peace was signed at Dresden on Christ-
mas Day, 1745, and by it, Austria agreed to
recognise the Treaty of Breslau. Upon his
return home the King of Prussia was hailed
by universal acclamation as Frederick the
Great. The result of the First Silesian War
was the recognition of Prussia as one of the
great powers of Europe, while the second
secured her influence in Germany ; they may
also be said in some degree to be responsible
for the greater and more bloody Seven Years'
War.
For the next ten years Frederick was
busy with law reforms and other useful
projects which his country was greatly in
need of after its efforts in the Silesian wars.
At the same time he went on continually
strengthening his army and laying up treasure
year by year, for he knew well that however
peaceful his own intentions might be, Maria
Theresa would never forgive the conqueror
of Silesia.
Prussia and the Seven Years' War.
THE occasion of the Seven Years' War
was the American quarrel of England
and France ; its cause was the de-
termination of Maria Theresa to repossess
herself of Silesia.
Maria Theresa, as the almost lifelong foe
of Fi-ederick the Great, demands some little
attention at our hands. In all respects she
was a worthy antagonist. She was barely
twenty-four years old when the untimely
death of her father suddenly called her in
1*740 to a position as perilous as it was
exalted. But young as she was she showed
herself fully equal to the emergency, and
her own high spirit inspired all about her
with enthusiasm. She was strikingly hand-
some, and combined a most fascinating
manner with a powerful and masculine
understanding. Her energy and determin-
ation never flagged, and her courage seemed
always to rise in proportion to the difficulties
she had to contend with. It is said at one
time Frederick wished to marry her ; but,
apart from their difference of religion, the
pride of the Austrian Court and the
predilection of Maria Theresa herself for
someone else, were insuperable objections to
a marriage which would have altered the
whole course of German and European
history.
In 1756 international relations between
the great powers became very strained, old
ties were torn asunder and the course of
events soon ranged them into two hostile
camps ; on one side stood England and
Prussia, and on the other France, Austria
and Russia, with several of the minor states.
War was imminent, and Frederick, satisfied
that he was about to be attacked by a
coalition, saw his only hope of safety lay in
anticipating his foes, and towards the end
of August he burst into Saxony at the head
of 75,000 men. Meantime war had already
been declared between England and France,
and these two wars, separate at the outset,
soon became blended in one, which is known
in history by the name of the Seven Years'
War.
The first battle was fought at Lobositz,
Bohemia, on October 1st, 1756, where a
well-contested, but indecisive engagement
ensued, in which both sides claimed the
victory. The Austrians, who had advanced
to relieve the Saxon army, were, however,
forced to retreat with their object unaccom-
plished, the Saxon forces were compelled to
capitulate and Frederick took possession of
Saxony. Thus ended the first campaign
of the Seven Years' War — it was not wholly
favourable to Frederick, for by the time the
capitulation was signed the season was too
far advanced for military operations, and
during the winter Austria was enabled to
complete her political and military pre-
parations.
The odds against Prussia when the war
was resumed the next year were tremendous,
although not so absolutely overwhelming as
mere figures showed. It has been calculated
that the population of the states that were
then arrayed against Frederick amounted
to 90,000,000, and that they put 430,000
men into the field in the year 1757. The
population of "Prussia was 4,500,000, her
army 200,000 strong, of which number a
quarter was reciuired to garrison the
fortresses. To counterbalance the disparity,
if his troops were few in numbers compared
with the hosts of the enemy, they were in
quality inferior to none in Europe, and they
were commanded by the finest general of
the age ; also although his country was poor,
so far was it from being burdened with
debt that treasure to the amount of two and
three-quarter million pounds had been
amassed during the peace.
The year 1757 was the most brilliant of
Frederick's life. The later years of the
60
FREDERICK THE GREAT.
A scene from the film.
war were perhaps more glorious — the years
in which, with dwindling resources, he stood
on the defensive against a host of enemies,
keeping them at bay by consummate strategy
— but the events of 1757 struck the
imagination more forcibly. In no other
year did the King gain such great victories :
in no other did he experience so sharply the
vicissitudes of fortune. The campaign opened
for him with the brightest prospects. Enter-
ing Bohemia at the head of a vast army, he
won a great battle before Prague on May 6th,
which seemed to lay Austria prostrate at his
feet ; yet six weeks later he was so crush-
ingly defeated at the battle of Kollin, that
it appeared to be the certain forerunner of
his ruin. He was compelled to evacuate
Bohemia, while his enemies, encouraged by
the defeat of the hitherto resistless conqueror,
closed in upon him from every side.
Austrians, French, Russians, Swedes and
Imperialists, all fell upon him at once. His
position seemed desperate, when suddenly
rising like a lion from his lair, he scattered
his foes by two great victories — the battle
of Rossbach aud Leuthen — each of which
resulted in the total rout of the beaten
army. The former cleared his north-west
frontier and the latter drove the Austrians
back into Bohemia with a loss of nearly
two-thirds of their number. The Russian
army which was overrunning East Prussia
returned home, and the Swedes were dis-
lodged from the few places they had captured
in Prussian Pomerania and were forced to
seek refuge under the guns of Stralsund.
Never had Frederick's reputation stood
higher than at the close of this memorable
year.
The campaign of 1758, if less fertile in
striking incidents than that of the previous
year, brings into prominence the great
strategical qualities on which, far more than
on his battles, the military reputation of
Frederick is based.
In April, 1758, England concluded a close
Treaty of Alliance with Prussia, granted
Frederick a subsidy of .£670,000 a year,
and elected Duke Ferdinand of Brunswick
to the command of the Hanoverian army.
This last item was particularly pleasing to
Frederick, for Ferdinand was an excellent
soldier, and this re-establishment of the
Hanoverian army under an efficient leader,
covered his right flank and saved him from
fear of invasion from that quarter.
Operations were commenced with an
offensive movement, and siege was laid to
FREDERICK THE GREAT.
61
the important fortress of Olmutz, which had
to be raised when nearly completed through
the loss of a great convoy of 3,000 to 4,000
wagons. This loss placed him in consider-
able peril, but marching into Bohemia he
maintained himself there until news came of
a Russian advance into Brandenburg. He
defeated the Russians at Zorndorf on August
25th, 1758, and drove them into Poland.
Hastening back into Saxony, through his
reckless choice of an encampment, Frederick
was attacked during the night and beaten
with severe loss by the Austrian army at
the Battle of Hochkirch, on October 14th,
1758. Re-organizing his army, without inter-
ference from the prudent and timid Austrian
commander, Daun, Fiederick relieved Silesia
which was threatened by a second Austrian
force, and returned in time to save Saxony.
The close of this campaign marks a definite
shape in the history of the war. To all
outward appearance Frederick's prospects
were still fair enough, but the protraction
of the war was telling far more on the
resources of Prussia than on those of the
great powers allied against her. Three
years of the war were gone and the ardour
of Frederick's enemies showed no sign of
abating. Maria Theresa was a great
stumbling block to a peaceful settlement.
Already Frederick was at his wit's end for
men and money. The severe campaigns had
made great havoc in his army, which the levies
from the Prussian dominions were inadequate
to fill, and but for the English subsidy he
could have hardly subsisted at all.
The summer was half gone before there
was any serious fighting in the campaign of
1759, owing to Frederick remaining entirely
on the defensive. Towards the middle of
July, the Russians advanced and took
possession of Frankfort, and were there
joined by a reinforcement of 18,000 Austrians.
Although confronted by an army of nearly
double his strength, Frederick resolved to
fight, and after first gaining an advantage
was completely and overwhelmingly routed
in the Battle of Kunersdorf on August 12th,
1759. For the first (and last) time in his life
Frederick gave way utterly to despair, but
by degrees the prospect brightened and the
inactivity of the victors to follow up their
victory allowed him time to recover from
the eff"ects of his defeat.
When the Russians subsequently retired
into Poland the campaign would have
probably ended had not Frederick's desire
to close it with a victory led him into a
fresh disaster, which resulted in the surrender
of a whole Prussian corps of nearly 13,000
men at Maxen, on November 23rd.
The position of Frederick was now pre-
carious in the extreme, and was one that
called forth all the powers of his genius to
redeem. His constitution was almost
broken down with disease and accumulated
calamities, and now owing to a change of
government England withdrew her support.
For more than two years the king had been
maintaining a mere struggle for existence,
losing ground inch by inch, and the recent dis-
asters exulted the enemy and spread a feeling
of despondency through the Prussian ranks.
But while the downfall of Prussia seemed
impending, matters in Western Germany
had proved much more successful. Ferdinand
had driven the French across the Rhine
but after beating them at Crefield on
June 23rd, 1758, was himself defeated at
the Battle of Bergen on April 13th, 1759,
and was forced to retire. On August 1st,
however, he defeated them again at Minden
and forced them to retreat in disorder.
Fresh misfortunes followed in the early
part of 1860. A Prussian corps was an-
nihilated at Landeshut on June 23rd, and a
general advance was begun by his opponents.
After a series of intricate manoeuvres,
Frederick defeated the Austrians with great
loss at Liegnitz, on August 15th, and on
November 3rd defeated them again at the
Battle of Torgau.
The next year, 1761, was one of marches
and manoeuvres without a single pitched
battle. At no period of the war had the
situation of Prussia looked so hopeless as at
the close of this year — fully half of the
Prussian dominions were occupied by the
enemy, and the army was reduced to 60,000
men. Under these circumstances the loss of
the moral and material support of England
must almost certainly have turned the scale
against Prussia but for a sudden and com-
plete change in the policy of Russia through
the death of the Czarina Elizabeth, who
exercised a personal animosity against
Frederick, on January 5th, 1762. She
was succeeded by her nephew, Peter HI.,
who had long maintained a great admiration
for the Prussian king. On May 5th peace
was declared between Prussia and Russia,
and a month later an offensive and defensive
alliance was entered into. Sweden now
retired from the war, and for the first time
62
FREDERICK THE GREAT.
since 1 7 6 8*^
Frederick took
the initiative.
The deposition of
Peter by his wife
Catherine,delayed
Frederick's plans,
but the new
Czarina confirmed
the treaty of
peace. The Battle
of Burkersdorf,
fought on July
21st, 1762, forced
the Austrians to
retire, and truces
made between the
opposing armies
before retiring in-
to winter qaarters,
ended what
proved to be the
last campaign of
the Seven Years' War.
By the Peace of Paris signed by England,
France and Spain, it was agreed that both
England and France should retire together
from the German war. This withdrawal
left Austria and Prussia face to face. It
was obviously useless for Austria to think of
accomplishing unassisted that which she had
failed to achieve with half Europe fighting
for her, and Maria Theresa, recognising the
inevitable, avowed herself ready for peace.
A treaty of peace was accordingly signed at
the Saxon castle of Hubertsburg on Febru-
ary 5th, 1763, by which both Austria and
Prussia retained the territory they owned
previous to the war.
The results of the seven years' war proved
a great moral triumph for Frederick. Prussia
had not lost an inch of territory in spite of
the vast coalition Austria had formed for the
purpose of destroying her, and her success
had attracted the admiring attention of
(Germany and inspired it with a longing for
national existence. Austrian supremacy was
overthrown and Austria and Prussia were
established as equal powers.
The Close of Frederick's Reign.
THE Peace of Hubertsburg divides the
reign of Frederick into two equal
parts. The first period of twenty-
three years was occupied in gaining for
A scene tioiii the tilm.
Prussia a position among the great powers of
Europe. The second was chiefly devoted to
securing that position and to healing the
wounds the country had received in the
struggle by which it was gained.
Frederick's death was caused by a severe
cold he caught at a review, when he sat on
horseback for six hours in the drenching
rain without even putting on his cloak.
From this chill he never recovered, and he
breathed his last soon after two o'clock on
the morning of August 17th, 1786. He
was seventy four years old and had reigned
forty-six. His was not the fate which has
sometimes befallen great men, of being cut
off by untimely death in the midst of their
labours. He died full of years and with his
work accomplished. He had found Prussia
the weakest and by far the smallest of the
great European powers, and he left her their
acknowledged equal in strength and reputa-
tion. He had broken the Austrian suprem-
acy in Germany and taught the German
nation to look up to Prussia as its natural
leader and had fully justified his designation
of " the Great."
The author desires to express his appreciation
of F. IV. Longman's excellent hook ^^ Frederick
the Great and the Thirty Years' War" for
mueJi, ralnaljle information.
On tfve JScreen
EVAN STRONG
Mr. Strong has for several years been connected with one
of the largest houses in the Film Trade. In his monthly
article this keen observer discusses happenings in the
Picture World and gives his ideas and suggestions which,
supported by such practical experience, prove valuable
and instructive reading.
FEW evenings ago I was drawn
into a theatre — not a first-run
place, but still a picture house
of some standing, at which
ofttimes very good pro-
grammes are given. I did
not go because I wanted to. At the time I
was very busy, but I went to please another
person. What was the result % I came out
sad at the loss of two valuable hours.
Usually I enjoy pictures to the utmost — I
never consider an hour or two in a cinema
wasted, and I am refreshed ready for the
next day's tasks. But on this occasion I
was sick to the soul. I had watched a four-
reel melodrama which had been boosted, as
our friends across the water say, all over the
country. It had all the murderous incidents,
all the blood and screechings of a penny
dreadful — and the end was an appalling
anomaly of the kind which calls for ridicule.
Half the film was padding, the other half
uninteresting novelette. And this picture,
I believe, has had a great run in every large
town and county. Why % Because no doubt
it is an exclusive, ushered in with a blare of
trumpets, and its title so blazoned forth that
people began to talk of it even before it
appeared. But this sort of thing must be
condemned. It spells the debasement of
the cinema, and one can well understand
that there are those who utter unkind words
about the pictures after such a performance.
* * *
TO me the film is a wonderful thing —
the manufacture an art on equal
footing with any other. The good
film teaches things the masses would never
know or understand were cinematography
an impossibility; the good picture on the
screen, as well as the work of art in the
gallery, teaches the beauty of things, and
creates interest in the little-known, there-
fore its debasement in any shape or form is
an evil, and all lovers of the motion pictures
must on all occasions be definite in their
expression of regret when absurd and in-
artistic films are screened. Eisks and
dangers, thrilling feats and daring incidents
have their value in so far, but sheer blood-
thirstiness, murder, reckless shooting and
battery, mere episodes pushed in to bolster
up some action in the picture, is not only
unnecessary but a crime against cinemato-
graphy. Strong words, you say, but you
realise the truth of it, and that is all I wish
to bring home. Perhaps the next time you
see a film of this nature at your favourite
cinema you will not hesitate to suggest to
the manager your displeasure. For you, it
should be remembered, are the true censors
of films; and if you do not make your voices
heard, perhaps some day the power to de-
mand this or that class of entertainment
may be forced out of your hands.
+ + *
IN America, you know, the big film manu-
facturing concerns make a programme
of pictures for every day, and these
pictures are sent to the special exchanges
which supply them to the cinemas. A
cinema fixes with the exchange of a company
for a regular programme by contract, and
once the engagement is made the patrons
have to sit and watch whatever the company
care to make and deliver. This is not at all to
our English taste. We do not want such a
system here, but attempts are being slyly
made to force the thin end of the wedge in,
and some people are only just waiting the
opportunity to force it home. While you
have the power in your hands then use it
64
ON THE SCREEN.
to demand the pictures you want, and
support your cinema manager, who has a
very thankless job when it comes to arrang-
ing his programme. Grive him encourage-
ment and the quality of your entertainment
will not depreciate. He will appreciate
your interest and you will feel a closer
intimacy with cinematography.
FOR some reason or other I have recently
had a spate of inquiries by would-be film
actors and actresses, and one particu-
larly buoyant message from a little girl. It
is marvellous the wasted talent there is in
this country if what I am told is all true,
and I have no particular reasons for doubting
it. Still, all these screen aspirants seem to
have an idea that picture acting needs but
an aptitude for facial contortion, gesture
and imitation, without any special training,
and it is here the great mistake is made.
Screen acting requires infinite pains and
study in training. It is only one in a
million who can go straight away with little
knowledge of the business and act before the
camera. Patient training and weeks of
downright hard work precedes the screen
artiste's debut, and then oftimes the debut
is not only the first but the last appearance.
The most successful actors and actresses in
films are those who have shown ability to
take pains. Their lives are full of honest
hard work — the work of preparation and
study apart from actual acting, and they get
no relief, for picture making goes on from
early morning to late evening — it is a
strenuous business. So I would say to all
you young aspirants: If you are really so
interested, if you really imagine you have
the genius for screen acting, study and
learn ; and if after a few months' hard
gruelling — with introspection — you still
hanker after the glory of appearing on the
screen, and if you still think and believe
you could make good if you have but the
opportunity, then visit the various studios
and make application for a smaller post, but
rest assured you are not going to be treated
as Asta Neilsens and King Baggots before
you have proved your worth.
UNEMATOGRAPHY has come to
I China with force and vigour, and the
Chinese are after making their own
plays. To the Chinaman, our Western
society drama and play is incomprehensible,
as may be well understood and so he is
setting about the manufacture of films
that he and his brethren will naturally
understand. Some time ago an American
went out to China for a firm to make
pictures, but it appears the firm imagined
the yellow men people to be handled as
savages. The gentleman who went out to
make pictures, however, quickly realized
conditions and invited a local dramatic club
to play before the camera. The result was
instant success. He trained the young men
of the club — they were all young men even
for the female parts, because the women
never act in China — and he brought them
to a high stage of film — acting efficiency.
Then something went wrong — not with him,
but the treatment meted out to him by his
firm, and he decided to return to America.
On the eve of his departure a delegation of
Chinese merchants waited on him — they
were the fathers of the boys he had trained.
They wanted him to stay and make pictures,
and the result of the conference was the
formation of a Chinese company for the pro-
duction of motion pictures in China. At
present this gentleman is in America buying
what he needs to start work. He speaks
most highly of Chinese intelligence and
integrity. He says that if they are treated
rightly they are the fairest, squarest men to
do business with he has found anywhere.
They never go back on their agreement, and
never agree to anything they do not mean
to carry out. This is all excellent reading,
but the great point is the advance of
cinematography. This, in fact, is a notable
conquest — the conquest of the oldest civiliza-
tion, which we all imagined had sunken
into irremediable decay.
OWING to the enormous demand for
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CONTENTS FOR OCTOBER, 1914.
VOLUME
No. 14.
FRONT COVER :
Scene from THE ADVENTURES OF MISS TOMBOY (Vitagraph).
ART SUPPLEMENT OF FILM FAVOURITES:
Mr. GEORGE COOPER
Miss KATE PRICE
Mr. CARLYLE BLACKWELL
Mr. ARNOLD DALY ...
Miss ALICE JOYCE ...
Mr. GUY COOMBS
Miss ALICE DE WINTON
Mr. HARRY ROYSTON
FILM STORIES:
HIS LAST CHANCE ...
THE SPIRIT AND THE CLAY (Conclusion) ...
THE SHEPHERDER ...
BREWSTER'S MILLIONS (First Instalment)
ON THE VERGE OF WAR
THE ADVENTURES OF MISS TOMBOY (First Instalment)
THE ACID TEST
ONE OF OUR GIRLS ...
AN ENGLISHMAN'S HOME
THE WIDOW'S MITE
NOTE : These stories are written from films produced by Motion Picture Manufacturers
and our writers claim no credit for title or plot. When known to us, the name of the
playwright is announced.
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.. 65
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Victor
.. 76
Jesse L. Lasky .
.. 81
1 01 Bison
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OUR EDITOR
ON THE SCREEN
WITH THE PLAYERS...
Evan Strong
75
125
128
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Mr. MARRY ROYSTON
(Hepworth)
Picture Stories Magazine.
No. 14. Vol. III. October, 1914.
His Last Chance.
Adapted from the IMP Drama hy Rosa Beaulaire.
A young reporter, given to enjoyment rather than to
hard work, is suddenly called to book. A last chance
is offered him, and with the aid of a friend he plots
to work a "scoop." The "scoop" is successful, but
the plot ends in tragedy. The reporter is arrested
for murder, but the application of the " third degree "
reveals the real murderer. The working of the
story is curious.
^OB EEID walked into the
editor's office with some
qualms. He knew he was on
the carpet for neglecting his
work and feared the result.
That you, Reidl" shouted
the chief over his shoulder.
Yes, sir," replied the quaking reporter.
" I want a word with you. Your stuff is
not up to scratch. You're slacking, and if
you do not improve there are breakers
ahead."
"^ Well "
" Don't make excuses, but listen. I'm
going to give you a chance. If you don't
bring in something good within the next
fortnight, your connection with the 'News'
will be severed."
"I'll do my best."
" You'd better. Don't talk now. Think
it over — and do something."
Reid did not talk, he got out as quickly
as possible.
For a moment Bob thought seriously, but
the mood did not last long. Our young
reporter was not one to give way to
pessimism.
That night he was playing cards as usual
with Tom Wilson, his chum, and a few
choice spirits, at the house of Carl Eitz, the
millionaire, to whom Tom Wilson was
secretary. Ritz was away, and Tom did
pretty well as he liked in his absence.
Play ran high that night and Wilson ran
into a course of bad luck. All his ready
cash disappeared into the pockets of his
friends, and before the grey dawn broke it
looked as if the game must be stopped.
But Tom was not beaten yet — he would
never let the game end before daybreak —
that would be against all convention.
Wait a minute, boys," he cried, rising.
" I'll get some more coin. We can't stop
so soon."
He had the idea in his head of appropriating
some of his master's loose money, for he had
the keys of the safe, and this would not be
the first time he had borrowed surreptitiously
when in a tight hole.
But someone else was watching to take a
hand in the game — the butler, a suave
fellow, but one to whom any sensitive
person would take instant dislike. Ritz
kept him because he did his work well ;
Wilson tolerated the man because he knew
too much.
Tom opened the safe and seized a hand-
ful of notes, when a slight sound caused
him to turn. At his elbow was the smirking
butler with one hand extended ; the signifi-
cance of the attitude was obvious, and
recovering from his first shock Tom thrust
a goodly tip into the grasping paw.
" Quiet, Johnston ; not a word," he said
with one finger to his lips. "Remember,
Ritz must not hear of this until I can put
the money back."
" Sir, I'm as dumb as the grave," replied
the butler in a monotone, still smirking as
he retired.
Tom went back to his chums and the
game continued. It was broad daylight
when the revellers left. Just before the
departure. Bob Reid called Wilson aside and
whispered : "Tom, the chief has sat on me
again; given me a fortnight to make good ;
I'll call this afternoon to talk things over
with you. Will you be in 1 "
" Yes, old man ; any time you like,"
replied Tom.
"All right, then. Good-bye."
"Good-bye."
Bob dashed home, bathed, and burnished
himself up a bit, and dashed off to the office.
B
66
HIS LAST CHANCE.
Black looks met him, and he was glad to get
out and round to see Wilson. On the way
a bright idea struck him. Wilson had
received a notification that Ritz was return-
ing in a day or so. He, Bob Reid, must get
a'j scoop " to reinstate himself at the office.
Why not ? Yes, why not kidnap Ritz with
Wilson's aid — hold him a few days while he,
Bob, filled his paper with stories and then
gave the police a hint where he could be
found. He would win all along the line if
only it could be done.
Bob immediately proposed the scheme to
his friend, but Tom Wilson was dubious at
first.
How do you think we can carry it out 1
We can-
not get
hold of
R i t z
without
his recog-
n i si ng
us?" he
queried.
"Well,
drug his
nightcap
then ,"
said Bob.
"You say
he a 1 -
ways has
a final
drop be-
foreturn-
ing in." 3
"Yes,
perhaps
we could
do that,
but we should have to be very careful.
What do you propose to do when we get
him out of the house 1 "
Drop him in a car and take him to the
old deserted house, over Crag Hill ; you
know, the place we stumbled on about a
month ago when we toured round."
;;Yes."
" Then we'll bind him, place him comfort-
able, and leave him. After a few days we'll .
give the police a sly tip by a roundabout
way and he will be found. It will create
quite a stir, and I shall get a story which
will do me a bit of good."
It sounds easy — and I should like him
otit of the way for a day or two, to give me
" The millionaire was kidnapped and bundled into a motor car."
time to replace the money I have borrowed.'
" Well, then, we'll fix it ; if successful,
and there's no reason why it shouldn't be,
it will put us both right. Are you game 1 "
"Yes, I'm ready."
When does Ritz come home 1"
" To-night."
" Then the sooner we carry the scheme
out the better. We'll do it to-night. You
carry out your part ; drug his drink and
signal me ; I'll find a car and wait till you
let me know all is ready."
* * *
Karl Ritz returned home late in the
evening, had dinner, and dismissing every-
one, prepared for a quiet read and his last
drink.
That
drink
was
drugged.
Wilson
had done
his part. .
Ri tz,
sitting
by the
fire, read-
ing by a
lamp at
his side,
quickly
succumb-
ed to the
drug,and
the two
conspira-
tors had
no diffi-
culty in
carrying
out their arrangements. The millionaire
was kidnapped, bundled into a motor car,
and rushed off" to a deserted house, where
he was placed, securely bound, and left.
Bob got his story in the " News." It was
a great scoop, and Reid was complimented
by the chief. His position was assured, and
progress made possible. Wilson, however,
was very nervous. True, the respite was
useful. He would be able to put matters
straight ; but he had fears. He was not
elated like Bob Reid, and his was the right
presentiment. His chum got a rude shock
late that afternoon.
He was talking in the outer office with
his confreres, talking about his great scoop,
HIS LAST CHANCE.
67
when a rather portly gentleman entered,
followed by a police constable.
" Mr. Reid 1 " asked the rather portly
gentleman.
"Yes, sir, lam Mr. Reid," answered Bob.
'Do you recognise this?" asked the
stranger, producing a small notebook.
Yes, it belongs to me; I had lost it."
Do you remember where you lost it 1 "
So, I'm afraid not."
Well, I am Detective Smoles, and I
must warn you. This morning, we received
a mysterious message immediately after
hearing Mr. Ritz was missing. Following
instructions in that message we visited a
deserted house outside the town. In the
attic we
found a
dead
body —
bound.
It was
the body
of Mr.
Ritz.
This
notebook
was lying
a t h i s
side. '
Bob
gave a
gasp of
horror.
"Dead
— no;
surely
not dead.
He was
not dead
when — "
he cried, stunned by the news.
" I must warn you again, for I must take
you into custody.
I can explain exactly — everything. But
not here. I will come with you," said Bob
eagerly, if shakily.
Bob asked the detective to go to Ritz's
house with him, and the officer acquiesced.
There Tom Wilson, who collapsed almost
at the sight of the police constable, was
interviewed. The two young fellows told
the detective their side of the story, omitting
nothing down to the merest detail of the
reason for the kidnapping.
They so impressed the detective that he
decided on a piece of risky strategy — the
strategy known in the United States as the
"Third Degree."
The brother of the dead man was tele-
graphed for. But he was not allowed to
enter the house or be seen. When he
arrived he was met by the detective, who
explained all the circumstances of the crime
and sought his assistance.
"First of all. Mr. Ritz, I want you to
shave off your beard and make yourself up
as near as possible like your brother," said
the detective. " The story those boys have
told me is too clear and explicit for one to
believe it to be anything but the truth."
"And what have I to do with the unravel-
ling of this mystery?" queried the dead man's
brother,
who was
extraor-
dinarily
likeKarl,
except
for the
beard.
You
will see
present-
ly. Un-
doubted-
ly the
murder
was com-
mi tted
by some-
one who
saw and
knew a
deal.
Perhaps
someone
in your
brother's household. We shall see. I
want you to enter the house without being
seen ; after shaving, sit, in your brother's
chair as if you were at home — in fact, act as
your brother, and await developments. We
shall be at hand, hidden, but watching."
When dusk came on the millionaire's
brother, now clean-shaven and easily to be
mistaken for the dead man, was smuggled
into the house and dressed in some clothing
which made him a perfect double of his
brother. Then he was placed in his brother's
favourite chair and left alone — though the
detective and the two boys Avere hidden
behind curtains.
Time passed without development, but
In the attic we found a dead body — bound."
68
HIS LAST CHANCE
presently the butler came slipping into the
room. At first he noticed nothing The
hidden men held their breath. Was th^s
perhaps the murderer ?
Then a shriek burst from the butler's lips
as he turned his eyes on the chair and saw
wliom he might have thought to be his dead
master.
The poor wretch gibbered and crouched
back as the figure in the chair rose and
pointed an accusing finger at him.
"No, no," he screamed. " I didn't name
to do it— indeed I didn't."
This vvas enough for the detective and
the other watchers. They rushed on the
cringing fellow and held him fast.
All right, I will confess," he cried, seeing
that he had been outwitted and had revealed
his guilt.
I didn't mean to do it. I swear I had no
intention of killing him, but I was mad and
I smashed his head on the floor in my rage."
He told further how he had seen the two
young fellows take the millionaire out of the
house and into a motor car, how he had
followed and entered the deserted house
after they had placed the inanimate form
inside and left. Then he crept in and up to
the attic. His master was regaining con-
sciousness and he offered to release him if
he would pay a large ransom. It was the
money he wanted. He wished his master
no harm, but when he refused his demand
he became enraged. He made the demand
again, and still the millionaire refused to
listen. This made him mad, and seizing the
bound form by the throat he smashed his
head on the floor. The millionaire never
moved again ; and horror-stricken and in
fear, he, the butler, flew from the place and
endeavoured to cover up all traces of his
guilt. When he saw the well-known form
in the chair he thought it was his master's
ghost, and broke down in terror.
The butler's confession was sufficient for
the detective. The wretched fellow was
taken to answer for his crime.
The last thing the detective had to say to
the two young fellows who had placed them-
selves in such a terrible position was :
" Cut yourselves away from the frivolities
you have been accustomed to — they have
brought you within shadow of the gallows.
Had this man not confessed perhaps you
would have paid the penalty of his crime.
And all because you could not realise the
serious side of life. Take my advice, alter
your ways, and thank your lucky stars for
your escape."
Bob Reid and Tom Wilson took the
advice. They do not play cards and revel
now. They are serious men.
-r I u -J 5794 i
1 elephones . -j .03^ ■
Victoria.
All remittances should be addressed to H.R.H. The Prince of Wales, Buckingham
Palace. These and other letters to the Fund need not be stamped.
national Relief Fund.
Treasu,er-H.R.H. THE PRINCE OF WALES.
\ C. Arthur Pearson.
Joint Secretaries: \ Hedley F. Le Bas.
) Sir Frederick Ponsonby. K.C.V.O., C B.
To the Editor.
YORK HOUSE,
ST. JAMES'S PALACE, S.W.
Dear Sir,
We regret to say that the Subscription Sub-Committee of the
National Relief Fu*td has heard of a good many cases in which use
has been made of its name, or of the names of those connected
with it, with the object of securing support for appeals which
are quite unauthorised .
We hope you will be so good as to permit the appearance of this
letter, the object of which is to inform your readers that they may be
assured that any extravagant or grotesque appeals emanate from,
persons who have neither the authorisation nor the support of
this Committee.
Yours faithfully .
C. ARTHUR PEARSON.
HEDLEY F. LE BAS.
FREDERICK PONSONBY.
Aufiust 24ih, 1914.
Joint Secretaries, Subscription Sub-Cominittee,
National Relief Fund.
The Spirit and the
Clay.
From the VITAGRAPH Photoplay hy Mrs.
Adapted hij Bruce McCall.
Hartman Breuil,
Paul 'as a young boy
Paul "Older I
Marie as a young girl
Marie older »
Gallon ...
Emil
Gordon
Paul's Parents
Director
Cast
PAUL KELLY
.. DARWLV K.\RR
AUDREY BERRY
NAOMI CHILDERS
-Mr KLMBALL
REX HITCHCOCK
GEORGE STEVENS
\MLLIAM SHEA and K.\TE PRICE
CAPTAIN HARRY LAM BART
Concluding Instalment.
lUL, absorbed in his work,
scarcely noticed Doctor
.- — '■ Gordon's departare, and his
^ BTg^l patron's passionate outburst
fell on deaf ears. With the
utter 5€lfi.=hnes-= of genius he
had thoagfats only for his art, and regarded
everything and everybody only from one
point of view — as helps or hindrance to the
work into which he had thrown his whole
being. Even his love for Marie had dis
appearad, or at any rate been thrust into the
background. She was no longer his wife,
the object of his hearrs affection, to be
tenderly cherished and protected ; she was
merely a model, indispensable to the suc-
cessful accomplishment of his work. His
anxiety on account of her health had passed
completely from his mind. He forgot that
he had written to his father telling him that
Marie was coming home and that she must
have absolute rest; and he imposed upon her
the mc«t f itiguing task possible — to st^id
for hours at a time posing for the statue
which he was convinced was to make him
famous as one of the world's greatest
sculptors. He accepted her devotion with-
oat question or scruple, never giving so much
as a passing thought to the nobility of her
self-sacrifice.
And Marie, in her great love for him, did
not breathe a word of complaint. Hers was
the love which gives itself utterly to the
loved one, neither asking nor expecting
reward. She knew that the work was
killing her, and the one desire of her heart
was that the end might not come before
Paul had finished the model.
The strain was frightful, and the pain at
her heart got steadily worse and harder to
bear. Her self-control was wonderful —
heroic. Her great fear was that she would
not be able to hide from Paul the agony she
was suffering, and she summoned all her
energies to preserve a calm and unmoved
exterior, which was only disturbed at
intervals when Paul's eyes were turned for
a few brief moments from his living model
to the work growing under his hands.
Often at such times she swayed and seemed
about to fall, but she always made the
supreme effort and stood calm and composed
when her husband's eyes fell upon her again.
It was a wonderful little work of art Paul
was creating, instinct with genius in every
line. Simple in c-onception even to austerity,
it had an arresting beauty; and though it
was only a model, one could see that on a
greater scale it would be a nobly impressive
work-
Paul himself was delighted with it. He
insisted that Marie should admire it, and
in this she never failed him. Her praise
was honey to him, and he never guessed that
the hours thr<High which she stood on the
pedestal were for her a long-drawn-out
agony. He would have gone on working
without c-essation if he could have done so,
and he grudged the time for necessary food
and repc^e. As for Marie, so enfeebled and
70
THE SPIRIT AND THE CLAY,
exhausted was she by the close of her daily
ordeal, that each evening she thought it im-
possible to return to it on the following day.
And every morning her love and devotion
won a new triumph.
face was very grave, very sorrowful, as with
uplifted hand he said :
She was very brave. I honour her. She
has gone to her rest."
Paul stood a moment or two in silence.
" His face was blanched with a terrible fear."
So the tragedy went forward without a
halt, inexorably. Paul was a quick worker.
In three days he had completed his model,
and Marie's terrible ordeal was over.
Paul stood back to admire his work.
There," he said, "it's finished. Come here
and tell me what you think of it."
He was not looking at his wife. She took
a half-step forward, tried to smile; then her
face was contorted in agony, she put one
hand to her heart, swayed a moment, and
fell with a crash upon the floor of the studio.
Paul was by her side in an instant, his
arms were round her. His face was blanched
with a terrible fear.
" Marie!" he called frantically. "Marie !"
But the loving eyes were closed and no
answer came.
Then, laying her tenderly down, Paul
rushed out of the studio to summon
Dr. Gordon. In a few minutes he returned
with him.
A very brief examination sufficed. Dr.
Gordon spared him all reproachment. His
clasping and unclasping his hands, his face
working painfully. Then he said in a strange,
hoarse whisper :
" Dead ! My Marie dead ! And I've killed
her. God forgive me ! "
He fell upon his knees and pressed
passionate kisses on the still, white face.
Paul was bowed down with the weight
of his sorrow and bitter self-reproach. The
realisation of what he had done had been
overwhelming. He saw now, when it was
too late, how utterly selfish and cruel he had
been. Marie's face, as she lay there in the
studio, white and still, was always before his
eyes. He could not shut out the sight, and
he felt himself a murderer, a monster who
had killed his wife with callous, calculating
cruelty. He shunned all human companion-
ship, and sat day after day in the studio,
brooding
Since the day of Marie's funeral he had
not seen the model which had been the cause
of the tragedy. It had been removed from
THE SPIRIT AND THE CLAY.
71
the studio, and he did not inquire by whom.
He felt that he hated it. Then one day
he received a letter stating that his model
for the statue of Fame had been awarded the
prize, and that he was commissioned to
undertake the work.
For a moment he was puzzled, but after a
while concluded that Mr. Galton or Dr.
Gordon had sent the model to the committee.
But it did not matter now. Nothing
mattered. Marie was dead ; he had killed
her. There was neither work nor happiness
in life for him any more ; only bitter grief
and remorse. He crumpled the letter and
let it fall. Tears sprang to his eyes, and
groping his way blindly to a chair he sat
down burying his face in his hands, his frame
shaking with heavy sobs.
It was so that Mr. Galton found him, and
after vainly trying to persuade him to put
aside his grief and find solace in his work,
the good-hearted director went away to
Dr. Gordon, to whom he gave such an
account of Paul's state as to induce him to
make an immediate call at the studio.
When the doctor entered with Mr. Galton,
Paul was sitting listlessly in the chair, on his
face an expression of dull, hopeless
misery ! In response to their greetings he
gave them an indifferent " good morning,"
betraying no interest as to the object of
their visit.
Dr. Gordon and the director exchanged
glances, and then the former, ignoring Paul's
manner, said :
' I've called to congratulate you, Mr.
Ferrier. Mr. Galton tells me you have been
commissioned to do the statue. It's a fine
success for so young a man. It means success,
fame — but there, I always believed in you."
Paul looked at him queerly. " It doesn't
matter now," he said. "I shan't do the work
— I can't."
" Oh, come," was the reply, "that's childish.
Of course you've had a heavy blow ; we all
feel for you ; but you're too much of a man to
knock under. Grieving won't bring back the
past. You must work, man, work — that's
your salvation."
Paul shook his head. " It's no good.
My career is ended. I shall never know
peace of mind again."
Dr. Gordon turned aside to Mr. Galton.
We must do something," he said in a
low voice. This brooding is the worst
thing possible for him. Unless we can
persuade him to work and get him interested
in it I fear he will lose his reason. Can you
suggest anything 1 "
Mr. Galton looked thoughtful. " Well,"
he said, " there's the model for the statue.
The committee sent it back this morning.
The sight of it might arouse him."
"Good. We can try it at any rate. Let's
have it brought in."
Mr. Galton went out and presently
reappeared with two or three of the students
who had been Paul's particular friends.
They brought with them the model.
Paul recognised it with something like a
shudder. It seemed to bring all the pain and
tragedy back again. He turned his back
upon it, but Dr. Gordon put a hand on his
shoulder.
" It's painful to you at first, of course,"
he said ; " it is natural that it should be ; but
you must be strong and brave. You owe
something to the world, you know, and you
must not rob it of your talent."
Dr. Gordon's urging was seconded by
Mr. Galton, and the students too joined in,
begging Paul to undertake the work and not
to spoil his career.
" We are all so proud of you, Paul,"
Mr. Galton put in. "Don't disappoint us
now. Work, my boy, and forget your
sorrow."
They left him then, and he sat for some
time thinking over all they had said. At
last he rose, got his materials together, and
began to work. But he could not concentrate
his attention. His heart was not in his task.
Without the inspiration of the living Marie
he soon found it impossible to continue. He
surveyed with disgust what he had already
done, and in a fit of childish irritation was
about to destroy it ruthlessly when something
stayed his hand. Something ! It seemed to
him that he heard his wife's voice calling
softly, "Paul."
His heart seemed for an instant to stand
still, then beat hard and fast. He turned
slowly to the pedestal on which Marie had
formerly stood for so many weary hours.
She was there ! It was Marie, composed and
erect, in the familial- pose, with arms out-
stretched, in flowing classic robe, her face
calm and serene.
He started forward, but something — her
stillness and impassivity, perhaps something
etheral about her, arrested his steps. He
realised that she was nothing earthly, and
turned quickly to his bench and began to
work with feverish haste, as though he knew
72
THE SPIRIT AND THE CLAY.
he must not waste a moment.
He worked on and on like
one possessed. There was no
sign of weariness in his model
now. Not till daylight waned,
and shadows were creeping
into the studio, did he cease
his labours. Reluctantly he
rose from his bench, and
then, hesitating, and with
a strange look in his eyes, he
moved towards Marie, with
yearning arms held out.
As he approached she
smiled and was gone. The
pedestal was vasant. He
was alone in the studio —
alone with a memory.
Paul stood a moment,
still with that curious look
in his eyes, gazing at the
place where she had been.
Then, letting his arms fall
with a weary gesture, he
turned heavily away.
On the following day the
miracle was repeated, and
Paul worked without inter-
mission as long as daylight
lasted Always as he rcse
from his bench she vanished.
Day after day Marie appeared
with unfailing regularity.
The statue was taking shape,
growing into the thing of
beauty that Paul had imagin-
ed. His face grew worn and
old-looking, the wild look in
his eyes grew wilder, but he worked day
after day as though endowed with a
strength that was super-human .
For some days his friends left him alone,
hoping that he had taken their kindly-meant
advice. The fact that he never seemed to
go outside the house, however, at last began
to cause them serious anxiety, and Dr. Gordon
and Mr. Galton one day decided to pay him
another visit. They entered the studio in
the afternoon, and found Paul hard at work.
He showed no pleasure at seeing them,
and returned only surly answers to their
salutations.
Both were astonished at the progress
which Paul had made with the work.
"My dear boy," said Galton, "it's wonder-
ful; it will be a masterpiece. Don't you
think so, Gordon ? How on earth has he
He realised that she was nothing earthly."
managed to do so much work in the time?"
Dr. Gordon did not answer. He was
looking at Paul. His face was very serious.
"See here, young man," he said, at last,
"you're working too hard. You'll make
yourself ill, or " He did not finish the
sentence, and after a pause he added, You
must give yourself a rest. Come now, put
away your tools ; you've done enough for
to-day."
Paul looked up impatiently, almost angrily.
"I can't stop," he said. " Don't you under-
stand ? I must work while my model is here."
Dr. Gordon started. "Your model!
Where 1 What do you mean V
Paul threw out a hand, savagely. * Why,
there she is — Marie ! Can't you see her ?
She comes every day. She won't stay much
longer. Go away and leave us — do you
THE SPIEIT AND THE CLAY.
73
hear 1 " he cried angrily. ' Go away ! You
are hindering my work."
"But, my dear Paul," said " Galton,
soothingly, "there's nobody here but our-
selves. You're overwrought."
Paul paid no heed, and the two visitors
gazed at one another in consternation. Then,
talking together in low tones, they went out
of the studio. When Paul looked up again
he was alone, and the pedestal was vacant.
"Curse them !" he muttered. "They've
frightened her. She will never come again."
The thought sent him into a frenzy, and
he raged up and down the studio, cursing
Galton and Gordon for their interference.
The work was nearing completion. Some
time to-morrow it would have been finished ;
and now they had spoilt everything. He
ground his teeth in furious rage.
The daily wonder of Marie's reappearance
had had a curious eft'ect upon him. Though,
when she first came, he had known that she
was a vision merely, conjured up by his
imagination and his great need of her, he
had now grown so accustomed to seeing her
in her place in the studio that he had come
to feel that she was indeed his wife, restored
to him in a mysterious manner — why, he
could not understand. The facts that she
always eluded him, vanishing when he made
any movement in her direction ; that she
never spoke to him after the first time, and
never gave any sign of recognition beyond a
tender, wistful smile, did nothing to shake
this belief of his, which had grown stronger
as the days went by. Now the agitation
caused by the visit of Galton and Dr. Gordon,
and his belief that they had frightened Marie
away for ever, was too much for him in his
enfeebled, overwrought condition. If Dr.
Gordon had seen him as he raged up and
down the studio he would have known that
what he feared had already come to pass.
That knowledge, however, was not long
withheld from him. After dinner that even-
ing, Dr. Gordon, with Mr. Galton and one
or two young people, friends and fellow-
students of the young sculptor, were sitting
talking in the drawing-room, when Paul
rushed in. He was still wearing his working
overall, and they looked in alarm at his
contorted face and wild, staring eyes. He
'On his face an expression of dull, hopeless misery."
74
THE SPIRIT AND THE CLAY.
stopped as they rose, and Dr. Gordon, who
took in the situation at a glance, began to
speak soothingly.
Why, Paul, my dear fellow, we are
just ''
Marie ! " Ferrier interrupted fiercely.
My wife ! Where is she 1 What have
you done with her ? You've taken her
from me, curse you ! "
Galton gave an exclamation, but Dr.
Gordon answered kindly but firmly. Calm
yourself, my dear boy. You must not excite
yourself. Sit down and let us talk it
over."
Paul paid no heed. Brushing the doctor
aside with a snarl, he dashed at the mantel-
shelf, seized the bust which Dr. Gordon had
brought from him months before, and
hurled it to the floor, smashing it into a
hundred fragments.
Mr. Galton and the doctor rushed at him,
securing his arms, but now his fury seemed
to have expended itself, and he suffered
himself to be led quietly to a chair. He sat
there, staring straight before him, a look of
horror in his eyes, as though he saw some
dreadful thing. When they spoke to him
he made no answer, perhaps, did not even
hear what they said. Dr. Gordon left the
room, returning presently with a glass of
some liquid.
" Drink this, Paul," he said, quietly.
Mechanically the young man reached out
his hand for the glass and was about to put
it to his lips, when his madness returned.
" No ! " he shouted. " I won't drink it !
It's poison — poison ! I know. You've
taken Marie away, and now you want to
kill me ! "
His voice rose to a scream, horrible to
hear. He sprang up and dashed the glass
down at his feet.
I want my wife," he shouted Marie !
Marie ! Where are you 1 " Before they could
stop him he had rushed out of the room and
out of the house.
Dr. Gordon and Galton, following him
home as fast as they could, found the studio
door locked against them. To their repeated
knocking and entreaties that he would let
them in, he replied rationally enough. He
was all right, he said, and they could come
again to-morrow. He would not open the
door now. With that they had to be
content, and they went away somewhat
easier in mind.
All that night Paul did not close his eyes.
When the first gleams of daylight entered
the studio he determined to try to work on
his beloved statue. All his memory of what
had happened on the previous night had
passed from his mind, and he found him-
self wondering whether Marie would indeed
return. Without her, he knew, the work
would never be finished. Would she come ?
He was bending over the bench when there
came a sound as soft as a sigh.
" Paul ! "
He straightened himself with a jerk. She
stood there again on the pedestal, and she
smiled at him.
" For the last time, Paul," she whispered.
He nodded happily, and began to work
at once. In a couple of hours he had
finished, and surveyed his work with pride.
And, indeed, it was a thing to be proud of.
Paul's whole soul at the moment was full of
the pride of the artist, of the creator.
Always his wife had been second to that,
and she was second now. She stood looking
at him, with a smile in which tenderness,
love and pity were blended. She had given
her life for him, and his need of her had
called her spirit even from the world where
spirits dv/ell. Now her self-sacrifice was
consummated and she could go.
At last Paul looked up, and some realisa-
tion of the tremendous debt he owed her
came upon him. He held out his arms.
" Marie," he murmured, my wife," and
took a step towards her. But as he advanced
she glided away from him, slowly, as though
floating in the air, towards the statue. He
stopped, and as he gazed, still with out-
stretched arms, she reached it, was merged
in it. Statue and model were one.
For several minutes Paul stood there,
staring at the plaster figure into which it
seemed to him to have entered in very truth.
He was as one dazed by the wonder of it.
Then, recovering, he walked unsteadily to
the statue, and began to caress its cold,
plaster face, which, as it seemed to him,
Marie's tender, loving smile yet lingered.
He spoke to it softly, crooning words of in-
coherent tenderness.
The door opened quietly, and Dr. Gordon
came in. He drew himself up sharply and
caught his breath. Mr. Galton, who was
following him, also stopped, and the two-
men gazed at the pitiful, tragic spectacle.
" Poor fellow, poor fellow," muttered Dr.
Gordon. Then he walked across the room
and put a hand gently on Paul's shoulder.
THE SPIRIT AND THE CLAY.
75
'Come, Paul," he said, "your work is
finished now. May Galton and I see it 1 "
Paul turned and said quietly enough, but
with a queer note in his voice : She came
back to me this morning. She's here, in this
clay. I have found her, and with the
warmth of my kisses will restore her to
life." And he kissed the statue passionately.
While Dr. Gordon was wondering what
to say or do, a number of students came
trooping into the studio. The sound of
their voices roused Paul. He stood a mo-
ment or two glaring at them with a face of
fury, and the look in his eyes was that of a
wounded beast at bay. Suddenly he sprang
to a chair, seized it with a shout, and swung
it above his head. As he dashed forward
they fled before him in terror. Dr. Gordon
and Mr. Galton were the last to go, and
when he had banged the door upon them
Paul went back to the statue.
Outside Dr. Gordon and Mr. Galton held
a consultation, and decided that the removal
of the statue was the only chance of saving
Paul's reason, if indeed it was not already
too late. They laid their plans, and after a
time again entered the studio. Dr. Gordon
carried a decanter of wine and a glass. The
wine was drugged.
Paul was seated in a chair. The paroxysm
of madness was over for the time, but he
looked at them suspiciously.
Paul," said Dr. Gordon steadily, I want
you to drink this ; it will do you good."
He poured some of the wine into a glass
and held it out to Paul, who hesitated, then
took the glass and drank off the contents.
Dr. Gordon watched him keenly. He
began to talk very slowly, yawned in the
middle of the sentence, became incoherent,
and presently his eves closed and he fell
back in the chair unconscious.
That's all right," said Dr. Gordon.
Now let's get this thing away before he
comes round."
Mr. Galton opened the door and admitted
half a dozen workmen, who prepared to
remove the statue. The drug, however, was
not so potent as Dr. Gordon had imagined.
The commotion made by the workmen
aroused Paul; he stirred, opened his eyes
and gave a swift glance about the room.
Dr. Gordon and Mr. Galton attempted to
restrain him, but with a wild cry he thrust
them asideand threw himself upon the statue.
Clasping his arms about it in a frenzy he
began to push it before him to the open
window of the studio, looking back at them
over his shoulder as he did so. By the time
they realised what the madman meant to do
he was at the window. Gordon and Galton
sprang forward together, but too late.
Marie, Marie, I'm coming ! " he cried
triumphantly, and sculptor and statue dis-
appeared, crashing to the pavement below.
It seemed an age before anybody moved
in the room. They were overcome with the
horror of the thing. At last Dr. Gordon
leaned from the window and looked fearfully
down. Paul lay there quite still in the
moonlight. All around him were the frag-
ments of the statue which was to have made
him famous.
As Dr. Gordon gazed, it seemed to him
that out of the ruins there arose a gracious
and most beautiful vision. It was as though
the shattered statue had come to life. A fair
and queenly woman stood there beckoning
to Paul.
He looked very peaceful when they found
him, and about his lips there was a happy
smile.
OUR EDITOR WITH THE COLOURS-
Overflowing with enthusiasm for the "cause," our Editor, Mr. Fred J. Jones, last month
laid down the pen for the rifle, having responded to his country's call.
Looking like an heroic picture-actor in his khaki uniform, this worthy son of Mars one
morning bade farewell — only temporarily we trust to his colleagues, the young ladies of the
staff almost yielding to tears; and now, instead of potting picture plays, he is out for " potting "
the enemy.
We hope the record of his noble deeds (and reproductions of his numerous medals ?) will
occupy more than a four-page supplement in some future number, and if that should fortunately
be the case, our regrets at his departure will not have been in vain. Readers of "PICTURE
Stories magazine " will, we feel sure, confirm the parting cheers we gave him on their
behalf, as well as a few lusty ones of our own in wishing him bon voyage.
The latest news is that he is "going strong."
The Shepherder.
Adapted frofn the VICTOR Drama by Owen Garth.
Out in the West life is a big gamble on the rolling plains,
an exciting gamble in which chance plays the greater part.
Wild, sturdy men of primitive passions : men who live for
the day and discount the morrow ; violent, gentle, rugged,
kindly men, whose life is all a romance of struggle and
fight — these are of whom the story treats. It tells of the
hatred of cattlemen for sheepmen, and the sacrifice of a
boy for his mother's sake. It is a hard combat against pride,
and the good in the fellow eventually wins. An outcast,
humiliated by his erstwhile companions, he still has the
love of his mother and his sweetheart to support him in his
hour of trial — and that love leads him aright in the end.
EFF ALBRIGHT let his head
sink on his arms. The dimly
lit room, Albright's special den
in the ranch house, was
solemnly still. The grey head
of the rancher never stirred.
He was dreaming — a sad far-away dream of
the old days when his bonny wife, Madeline,
filled the house and the
surrounding country
with sunlight and merry
laughter. He had been
happy in those days,
as happy as a man could
be ; but the time came
when Madeline's spirit
began to droop, the
loneliness of the vast
valley, far removed from
town or city, only in-
habited by rough ranch-
men, palled on her; she
hankered after the gayer
life, the city from
whence she had come ;
and one evil night she
had slipped away with
her baby boy back to
the city — no doubt she
had gone back there, to
\\\e another life under
another name, but Jeff
could never find her, and the years since had
been a dreary period of mourning, marked
by whitening hair and a soured temper.
Would she ever come back ? Perhaps
she was dead ! JefF had little hope — and he
was weary, weary of life without Madeline.
With a sudden movement Jeff Albright
Mr. J. Warren Kerrigan
in "The Shepherder."
threw off the burden which weighed him
down, and jumping to his feet, turned out
the light and sought his couch.
* * +
A thin streak of light sprang up over the
eastern hills and spread rapidly round the
border line of the range ; red fire followed
in its wake, and soon the morning sun, vivid
and aggressive, burst
into the world. It out-
lined a lonely rider on
a distant spur of the
hills, a horseman who
sat motionless as a
statue and gazed with
eager appreciative eyes
into the valley now
awaking. Faintly borne
to him came the lowing
of the cattle, a small
band of horsemen
dashed out from the
shelter of the low-roofed
house, and the solitary
rider, with a shout of
glee, as if catching the
exhilarating energy of
the cattle-men, set spurs
to his horse and clam-
bered down the ridge.
It was Jack Albright
following the call of
his blood. He had left his mother in the
city, had saddled up and ridden out into the
West. Unwittingly he had stumbled on to
his father's ranch, but he had no idea of his
father, and it was unlikely, even in the
event of their meeting, that their relation-
ship would be revealed, for old Albright
THE SHEPHERDER.
77
had only seen his son as a
baby, and was not given to
talking to any one about his
wife.
Jack Albright made straight
for the house, intending to
apply for a job, and almost
dashed into a pretty girl as
he came round the corner.
His horsemanship was revealed
in the way he pulled up his
steed and saluted the lovely
apparition before him. She
was indeed fetching in her
simple dress, and Jack experi-
enced a slight flutter as he
took in the lithe figure, the
fresh tanned face, and the
mass of rebellious curls.
" Good morning. Miss. I
trust my sudden appearance
did not frighten you 1 " he
cried as the girl drew back a
little. "Can you tell me if I
can find the rancher here?"
" Yes, he is in the house,"
came the reply in a sad voice.
Anita Carew had reason to
be sad. Her father. Buck
Carew, one of the wildest
cattlemen for miles around,
and foreman on Albright's
ranch, had just died. Anita
had loved her father as the
only person belonging to her, despite his
rough wild ways, and now he had gone ;
she was alone, and broken-hearted. Save
for the people at the ranch she had no
friends — her world began and ended in
that valley, and presumably the remainder
of her days would be spent there, for
Albright had m.ade the house her home —
and where else was she to go 1
The sad voice touched Jack's impression-
able heart. He would have endeavoured to
sympathised with her there and then, but he
had no right. His business was to obtain a
job, and so replacing his hat he left Anita
and rode up to the door of the house.
Carew's death had left a vacancy for a
foreman. Jack's splendid manhood and his
superior appearance appealed to old Albright,
and before noon Jack Albright was in the
strange position of being foreman to his
father without either knowing their relation-
ship.
Jack rarely met old Albright in the days
A Scene from the Film.
which followed, but he made a point of
seeing Anita often. Sometimes they rode
out into the hills together ; friendship
ripened into love, and one day Jack took
his courage in his hands and asked her to
be his wife.
The reply was just what one expects
from a woman :
" But ! "
They were out in the hollow of the hills
sheltered from a blazing sun by a few
scrubby trees, which appeared to be punished
for intruding themselves into a grass region.
"But what, dear? I love you — you
love me — there's nothing simpler," said
Jack.
"Yes, but have you considered? You
know many girls in the town, girls who
have position, perhaps money. Can you love
and marry me knowing I am without any-
one in the world, ignorant, poor and
dependent, and without knowledge, except
of the ranch?"
78
THE SHEPHERDER.
" Silly girl ! What has that to do with it?
I love you, Anita ! Isn't that enough for
everything 1 "
"Is it?"
There was no answer, for Anita was being
kissed so passionately that to speak even in
protest was impossible — but, as a matter of
fact, Anita had no desire to protest. Later
she wore a ring and the " boys " knew she
was affianced to Jack.
* * *
The trouble came in a peculiar manner.
Shepherders had come into the valley.
What was more, the " boss " had posted up
a notice outside the wayside saloon offering
a fine price for a good foreman. The offer
was tempting, but the cattle boys treated it
with contempt, for if there is anything a
ranchman detests and despises it is sheep
and their tenders. A shepherder is a
pariah, a thing for sneers and the butt of
ridicule — to become a sheepman is to lose
caste.
In this manner the notice outside the
saloon was received. A crowd of boys
gathered round and were jollying" each
other when Jack strode into their midst.
" What's up, boys ?" he cried in his jovial
voice.
"Going t' be a sheepman, Jack?" came
the chorus.
"A sheepman ! There are no sheepmen
here, surely."
" Sure there is. Look at this ! " said one,
pointing to the notice. Jack looked, and
with a laugh he tore down the paper and
went into the bar.
The next day a letter came for Jack from
home. His mother was ill, she must undergo
a serious operation and had not the money.
If he could, would he help her ?
The poor old mother — of course he
would help her. But could he ? At present
he had not the money to send, and the
need was pressing. She might die if help
was not immediately forthcoming.
Jack groaned in his agony of fear.
A vision of his mother dying flashed
through his head, to be succeeded by
another — the notice offering a big price for
a sheep foreman.
A shepherder ! No, the degradation
was too great. Anything but that. And
yet — he must have the money, his mother
must not die. She should not die if he
could save her. Disgrace or no disgrace,
contempt or not, he would try the sheep
foreman post. It was a sacrifice, but better
anything than his mother to die.
* * +
Jack became the sheep foreman and the
money he sent to his mother. He cut
himself from all who honoured him, yet he
saved her life. For weeks he had not seen
Anita. What did she think of him now, a
shepherder, whom every cattleman despised
and distrusted ? So thought Jack as he
rode listlessly down to the saloon, his head
drooping on his chest.
A group of boys watched him as he came
up, and then turned their backs and walked
off as he held out his hand. The cattlemen
would have nothing to do with a shepherder,
and more, were becoming enraged with the
presence of the sheep.
Jack's head sank lower — the debasement
was hard. If but one had spoken to him !
Jack," said a soft voice at his elbow.
Anita ! Don't you despise me like the
rest ? " There was a harsh, bitter note in
his voice.
" How could I, Jack ? I feel it as much
as you do. I wish I could soften the pain,
dear. Won't you trust me ? Don't you love
me still ? "
Love you, you darling, yes and for ever.
Now I can go on. Now I know you feel
the same to me it doesn't matter about the
others."
And the shepherder went back, with his
heart uplifted and his head no longer
drooping, to find a message from his mother
saying she had recovered and was coming to
stay with him awhile. This again lightened
his heart — he felt he had in the support of
these two women strength to go forward in
the face of any adversity.
+ + *
But the cattlemen had not finished with
him yet. Their hatred of the sheepmen
grew in intensity as the thousands of sheep
came down on the rich pasture, cropping
where the grass was sweetest. Isolated
attacks on the herders began to take place.
Jack had his hands full to control affairs.
He was riding out one evening when cries
in the distance attracted him. Spurring in
the direction of the sounds, he came upon a
couple of cattlemen rounding up and driving
off the sheep, while others were attacking
the herder. He drove straight at them,
putting the aggressors to flight by his
determined action.
" Gruess we'll 'ave to quit this country,
THE SHEPHERDER.
79
foreman," said the battered herder, as he
rose to his feet.
" Quit nothing," said Jack, the light of
battle in his dark eye. " I tell you if anyone
quits, 'twill be those yonder."
" Reckon they'll try to drive us out
anyway."
" Let them try. We should be able to
hold our own. We're going to hold on, I
tell you."
" Well, look out, that's all — they mean
trouble."
Trouble they were concocting. The routed
cattlemen went back with a tale to old
Albright of the attack made on them by Jack,
and a hurried council of war decided that
the sheepmen were to be swept from the
range.
A message to this effect was sent to Jack,
the ultimatum giving him till the next even-
ing to clear out, lock, stock and barrel. He
received it as he was waiting and watching
at the door of his hut for the arrival of his
mother.
* * *
It was dusk on the evening that Jack had
to leave or be turned off the ranch. A hum
of excitement was apparent at the Albright
ranch and a number of horsemen saddled up
and set out, led by old JefF Albright himself.
Anita, who had heard of the ultimatum,
watched the proceedings with misgiving.
A Scene from the Film.
What if he should refuse to leave and they
shot him 1 For they certainly would shoot
if there was any resistance. Fearful for her
lover, she determined to warn him of ap-
proaching danger. A daring rider, no sooner
had the idea entered her head than she j umped
on her favourite mount and galloped off
by a circuitous route to warn Jack of the
cattlemen's intentions. Picking her way
courageously in the growing darkness, she
was able to reach her lover's hut ahead of
the cattlemen. She dismounted behind the
tiny wooden house and listened. Voices
could be heard inside, one her lover's, one —
a woman's ! What could it mean 1 She —
but she had no time to think — the cattlemen
were coming up to the door, and in giving
way to suspicions she had failed in her
mission. It was too late to try and warn
Jack now. The cattlemen, revolvers in hand,
were at the door.
Old Jeff Albright dismounted and thunder-
ing at the door, demanded that the sheepman
should come out,
" Come out and clear out, you sheepman,"
he cried.
There was no answer. The two persons
inside had risen to their feet, the one prepared
with his revolver to defend himself, the other
in amazement and surprise.
"That voice," she muttered. "Jack, that
is your father's voice. Who is it, boy ? "
" It's a cattle-
man, mother dear,
a cattleman who
has allowed him-
self to be per-
suaded by a gang
of cowards whom
I licked the other
day," he said,
raising his voice
so that those out-
side might hear.
Jack walked to
the door and flung
it open as the old
man began thun-
dering his threat
again.
" You've got to
clear out sharp,"
yelled Jeff Al-
bright, as he saw
Jack framed in
the doorway.
"Sharp, d'ye hear]
80
THE SHEPHERDEE.
We're a crowd and our guns are ready.
We're not going to have any hanged sheep-
man on this range. Clear out ! "
" JefF ! " A cry of joy came from the old
woman. Jeff — my Jeff."
" Madeline — you ! What are you doing
in this sheepman's hut?"
" The sheepman's your son, Jeff, our son,
our little Jack."
"What! " shrieked the old man, amazed
in his turn.
" Yes, Jeff", my boy, our Jack." She was
appealing now. " I have been ill, Jeff ; he
has done this to save my life."
Cattle feuds were forgotten in the joy of
reunion. For Jeff — his Madeline had come
back to him. And there was his son, this
fine, daring specimen of humanity — a chip of
the old block. Anita crept into Jack's arm.s
as his mother sank her head on her husband's
shoulder, and it was a wondering band of
cowboys who wandered back to the Albright
ranch house that night.
A FILM adaptation of E. Phillips Oppenheim's
novel, " The Master Mummer," will be
produced by the Edison Company, and
Mary' Fuller will appear in the triple role of
Princess Isobel, her daughter and cousin. Mr.
Oppenheim is a well-known writer of fiction
who possesses a very admirable gift of telling
stories of absorbing interest and constructing
ingenious plots in which are woven attractive
characters. The production will be given in
five reels.
MISS LILIAN GISH, of the Majestic Com-
pany, is a young woman who believes in
using every spare moment of her time to
the best possible advantage. She is a keen
student of literature, with Shakespeare and
Tennyson among her chief favourites. When
she leaves her home each morning Miss Gish
always carries one or more books tucked under
her arm. As she waits in her dressing-room
at the studio or about the stage waiting the
call of the director to play her part before the
camera she applies herself diligently to her work
of reading. The writings of the average popular
shallow novelist have no place in her affections.
"pVONALD CRISP is one of the most versatile
-■-^ of the actors associated with the Reliance
stock companies. He plays anything from
the youthful hero to the villain, and makes an
equally good Western sheriff or convincing sailor
or society man. Mr. Crisp was for some years
with Cohan & Harris, appearing in " The Yankee
Prince," " The Little Millionaire," and other pro-
ductions of that organisation. He worked with
D. W. Griffith at the Biograph Co. before joining
the Reliance, and has appeared in "The Battle
of the Sexes," "The Escape," "Home, Sweet
Home," and other of the big "Griffith" features,
in parts of widely varying characters. He finds
time to produce films as well as to act, and "The
Newer Woman," one of his productions for
Reliance, will be shortly shown in London.
"IY/TANAGER JOSEPH SHEAR, of Solax and
-*■"-'- Blache Features, has returned from
Mexico with Director Harry Schenck,
and a large company of Solax players, including
Miss Vinnie Burns. Miss Burns proudly exhibits
a bullet which ploughed up the ground within
three feet of her, passing between her horse and
the horse of Mr. Schenck, who rode beside her.
The company entered Mexico by way of Eagle
Pass, Texas, and made their way under a strong
guard furnished by General Francisco Murguia,
of Villa's army to Monclova. They not only
succeeded in getting motion pictures of the
Battle of Monclova, but also several hundred
feet of film showing the departure of trains loaded
with troops bound for Mexico City, where the
decisive battle of the M^ar is in preparation. The
stories they tell of the terrible sights they were
compelled to witness easily explains the fact
that no other motion picture company has
ventured into the same locality.
CONSTANCE BENNETT, who plunged into
the icy waters of the East River from the
Williamsburg Bridge, for the Blache
feature, "Fighting Death," has also qualified as
the first woman steeplejack by climbing to the
gilded ball on the top of the Equitable Trust
Building, New York City.
Although still in her teens. Miss Bennett, who
is a pupil of Rodman Law, the pastmaster of
daredevih-y, has probably performed more hair-
raising feats than any woman in the world's
history. In the four-reel picture, "Fighting
Death," she is seen in two of her most sensational
performances — the leap from the great bridge,
in which she was accompanied by Rodman Law,
and the plunge on horseback from a 58-foot cliff
into the ice-fringed waters of Ausable Chasm.
The perils of the horseback leap were increased
by the fact that the horse bore two riders — Miss
Bennett and Rodman Law — and the thermometer
registered zero.
<|f We have secured from the Jesse L. Lasky Feature Play Company, of
New York, the exclusive British rights for insertion of their pictures
in novelette form in the "Picture Stories Magazine."
The public are not yet familiar with the above Company's productions,
but we assure our readers of their sterling value.
We commence with " Brewster's Millions," which will be followed by
many others of equal merit. — Ed.
Brewster's Millions.
THE ROMANCE OF SPENDING A MILLION DOLLARS.
Adapted from the Photoplay Production of the JESSE L. LASKY
Feature Play Cotnpany by Edna Rose Cox.
EDWARD ABELES AS " MONTY BREWSTER."
Instalment I.
Chapter I.
SONTY BREWSTER was a bank
clerk. There were those who
said that he wasn't much of a
bank clerk, and that if bis
gi-andfather had not been
president of the bank he would
have had to get out and look for another
job, with fair prospects of landing in the
street-cleaning department. But, as a matter
of fact, he was a perfectly good clerk, and he
managed to do his work and enjoy life as
well. Some time, it was generally under-
stood, Monty was going to be rich. Obvi-
ously, however, that time was not to come
in the lifetime of old Edwin Peter Brewster.
But Monty did not let that worry him.
He was on terms of friendship, but not of
intimacy, with his grandfather. Too easy-
going to cherish resentment, Monty still
could not quite forget that his grandfather
had never forgiven his father for his marri-
age— that Monty's mother had not been
considered good enough to marry into the
Brewster family. So, though he might
have been able to live with the old man and
•enjoy a good many of the luxuries of life, he
preferred to go his own way and live on the
small salary that the bank paid him.
It is well to get an idea of Monty at this
time. Picture him just about to celebrate
his twenty-fifth birthday ; not bad looking ;
easy-going and careless in his views ; always
leady to take the path of least resistance.
Nothing worried him, because he would not
allow anything to have that effect on him.
In short, he was a good deal like a great
many thousand young fellows of his age.
A common bond had endeared him especi-
ally to one group of young fellows. They
had formed a club, of a sort, and they called
themselves the "Little Sons of the Rich."
All of them were poor ; all of them had
prospects. These prospects were indefinite,
like Monty's. His grandfather had no other
heir, but, as Monty used to say, You
never can tell — he's just as likely to leave
his money to a home for indigent cats."
This was the Monty Brewster, then, who
was helped to celebrate his twenty-iifth
birthday by the other Little Sons of the
Rich. They all liked him. Therefore they
were glad that he had a birthday. And fate
so willed affairs that it was just as the feast
was about to end that an old servant came
to Monty with the news that his grandfather
was dead.
It is a fitting moment at which to begin
the story of Monty Brewster and his millions.
For the old man's death removed Monty
froni the class of those who had prospects.
No longer had he to look forward to a
distant day when he might be wealthy. For
a considerable part of the old man's fortune,
a million dollars, was left to him, without
restrictions of any sort. It was his to do
with as he liked. He was no longer a Little
Son of the Rich — he was rich himself.
Nor had he to wait indefinitely for the
82
BREWSTER'S MILLIONS.
*' ' Seven million dollars !' Monty said. ' Good Heavens ! it makes my million look like chicken-feed.' "
I
moijcy while legal tangles were straightened
out. On the twenty-sixth of September,
three days after his birthday, the executor
for the estate handed him a bulky envelope
that still seemed ridiculously small, for it
contained securities of the most gilt-edged
sort, to the total value of one million dollars.
Chapter II.
SIMPLY can't believe it, Peggy-
there isn't so much money in the
world ! "
So said Monty Brewster. He was talking
to Peggy Gray. In some sort a relation,
she was more — she was Monty's dearest
friend. He had lived most of his life with
the Grays. Mrs. Gray had mothered him
after the death of his own parents, and he
and Peggy had grown up together like
brother and sister. Now he was back, for
a visit, in the house that had been his home.
Since his grandfather's death he had been
staying in the gloomy old house in Fifth
Avenue ; getting back to the Grays' was like
a breath of country air.
You'll soon convince yourself that there
is, Monty," laughed Peggy. "I only hope —
Monty, don't be angry. But mother and I
have worried a little — we couldn't help it.
You're not going to spend your money
foolishly, are you — as so many young fellows
do when they grow rich as suddenly as this?'
I'm going to have a good time ! " said
Monty, with determination. " If that's
foolish, why, I'm going to be foolish ! But,
no, Peggy — I'm not going to be just a waster,
if that's what you mean. And I can tell
you the first thing I'm going to do- I'm
going to see that you and your mother get
some enjoyment, too ! That's one reason
I'm so glad. Peggy ! What's the matter
with you 1 "
There were tears in her eyes.
' I knew you were going to say something
like that — we both did," she answered.
But, Monty, dear, can't you see that we
mustn't take anything from you ? "
" Why not, I'd like to know?"
''Monty — we just can't! We've never
let anyone help us — we've always taken a
pride in getting along by ourselves. We've
got to keep on doing that."
It's absurd," he said, after a moment.
But his arguments failed to move her,
and, moreover, she made him promise not
even to mention the subject to her m^other.
" Well — I'll do as you say," he yielded at
last, grumbling. " But I think it's mighty
BREWSTER'S MILLIONS.
83
small business, Peggy ! Here I've been
looking forward to making things easier for
you — and you spoil half my joy in getting
the money."
You'll see I'm right, Monty," she said.
Then, " Oh, I almost forgot ! Monty,
there's a letter here for you from some
lawyers. It came this morning."
He threw up his hands.
More trouble ! " he said. Peggy, half
the people in New York are sitting up nights
trying to figure some way to get this money
from me ! This is a new dodge. Let's
see it."
But as he read the letter from Grant and
Ripley, one of the oldest and n-.ost respected
law firms in the city, Monty whistled.
I guessed wrong on this ! " he said.
It's another will — looks as if someone had
left me more money. It's my uncle— Old
James T. Sedgwick, my mother's brother.
You've heard of him — the one who always
hated my grandfather so bitterly ! "
More money ! Well, it never rains but
it pours ! " said Peggy. "Monty, you must
go at once to see about it ! "
Chapter III.
THE next day Monty, staggered,
bewildered, dazed by what Mr. Grant,
the lawyer, had just told him, stared
at the attorney in the book-filled office.
Seven million dollars ! " he said. Good
heavens ! It makes my million look like
chicken-feed, doesn't it 1 But why — why in
the name of all that's wonderful, have I got
to be penniless to get itT'
" Those are the conditions named in the
will," said Mr. Grant. " I happen to be able
to explain. Mr. Swearengen Jones, executor
of the will, and your late uncle's partner in
the mining ventures in which they made
their fortunes, has told me of the case. Mr.
Sedgwick hated your late grandfather, Mr.
Brewster. He did not wish you to owe
anything to the late Mr. Brewster. And
perhaps he liked the idea of the task im-
posed upon you. For you will not find it
easy to spend a million dollars as the will
directs "
*' Won't U " said Monty. "I think "
Let me go over the conditions again,
Mr. Brewster. On the twenty-third of next
September, your twenty-sixth birthday, you
are required to prove yourself penniless,
except for the clothes you are wearing. You
mustprovetotheexecutorthatyou are shrewd
and able to look after your business affairs'
You must give sparingly to charity, and
make no endowments. You must neither
give nor lend money to your friends. You
must not be dissipated. And you must
possess, at the end of the year, no assets,
either visible or invisible ! "
" Well, I still think it's easy ! And who
wouldn't trade one million for all that cash?
It makes me dizzy to think of it."
" Don't be hasty," said Mr. Grant. I do
not know what Mr. Jones will require, but
I think he will want you to keep an expense
account, and show some sort of voucher for
the money you spend. And, by the way,
here is another point. You remember that
you must take no one into your confidence ?
You cannot get help by explaining to your
friends what you have to do."
' By Jove — maybe it won't be so easy,
after all ! Won't you wire Mr. Jones and
ask him to explain his understanding of the
conditions, Mr. Grant 1 "
" Yes — a good idea. Come in to-morrow
and I'll tell you."
So, still dazed, Monty left him. All day
and most of the night he was figuring on his
task.
"I'll have to spend an average of
$2,081.12 a day," ho reckoned. " And all
the time the bank will be paying me interest —
I'll have to get rid of that too. I can see
that I've got to work on a schedule. I
wonder what Jones will figure as legitimate
ways of spending money ! "
In the morning he went to the lawyer's
office again.
" Did Jones answer 1 " he asked.
" He did — ^and prepaid the tolls on
his message, I'm sorry to tell you ! " said
Grant with a laugh. " Here's the most
important part of his telegram : Here are
the rules I want him to work under:
(1) No reckless gambling; (2) no idiotic
Board of Trade speculation ; (3) no endow-
ments to institutions, because their memory
would be an invisible asset ; (4) no indis-
criminate giving away of money ; by that I
don't mean him to be stingy ; (5) no more
than ordinary dissipation ; I hate a saint —
so did J. T. S.; (6) no excessive donations
to charity.' "
" Whew ! " said Monty, rubbing his fore-
head. " He's going to hold me right up to
the line, isn't he ? "
Grant made no comment.
" It'sabig gamble !" said Monty, suddenly
84
BREWSTER'S MILLIONS.
"Mr. Sedgwick hated your late grandfather."
But I'm going to try it ! I may throw
away my million and then lose the rest —
but I'll take the chance."
" I wish you luck, Mr. Brewster," said
Grant. And, take my advice — start at
once ! "
Chapter IV.
THAT was good advice. Monty knew
it, and proceeded to put it into
execution.
I don't know any better spenders than
the Little Sons of the Rich," he mused.
The only trouble is that they've never had
enough to spend."
So he gathered them about him.
I'm going to make my money work ! "
he told them. " I'm going to need a lot of
help. You boys go on the pay-roll. Harri-
son, you're going to be my superintendent.
Gardner, you're to be my financial secretary.
Joe Bragdon, I want you for private secre-
tary. Smith, you're a lawyer. I'll make you
my personal counsel. Pettingill, you get
busy with Harrison. I want the finest
apartment in town — and you're to decorate
it after old Nopper Harrison picks it out."
Monty's career as a spender began nobly.
Harrison, however, couldn't please him with
the apartments he selected — they were too
cheap. Monty picked one out, in the end,
at $23,000 a year— it was really $24,000,
but Harrison saved $1,000 by paying the
rent in advance, for which he got no thanks
With Pettingill's help he bought wonder-
ful hangings and furnishings, and pictuies
that great collectors wanted. But he made
private arrangements with all the dealers to
take back everything he bought at a fixed
valuation at any time within a year — re-
membering that he must own none of these
things when he made his final report to
Swearengen Jones. He could buy them,
pay well for their use — and then worry as
to how to get rid of the money that would
come back to him when he turned them
back to the dealers. Still, he was accom-
plishing something. For his dining-room,
for example, Pettingill urged a gorgeous
screen of favrile glass, to soften the over-
head lights. It cost twenty thousand
dollars, and the dealers would pay only nine
thousand to get it back.
It was on that scale that he bought things.
Nopper Harrison and the rest were worried.
'' I know he's a millionaire — but he won't
be one long at this rate ! " said Harrison.
" Hang it — it's rotten to see the old chap !
He's spending his money like a drunken
sailor — doesn't seem to realise that he
hasn't got a bottomless purse. And this
dinner — he's going to try to outdo all the
Sunday paper stories of New York luxury.
That's Mrs. Dan de Mille - well, you know,
she's a good sort, but I don't see why she
should be spending Monty's money."
" Monty's grateful to her for doing it,"
said Bragdon. " She's one of the real society
people, and he says she can give tone —
whatever that is — to these dinners he's
planning to give ! Gold plates — what rot ! "
" He'll ease up pretty soon, I suppose,"
said Harrison. ' It's up to us to see that
he does, anyhow. We're his friends; we'll
BKEWSTEK'S MILLIONS.
85
have to keep our eyes open and try to stop
him from spending his money too foolishly."
Monty himself began, about this time, to
have other things than the spending of
money to bother him. His new found
wealth had introduced nim to social circles
in which there had been no room for a bank
clerk, even one whose grandfather was
E. P. Brewster. Up to this time Monty
had never even fancied himself in love.
Peggy Gray had been almost the only girl
of his acquaintance, and the idea that he
might fall in love with Peggy would have
made him laugh. She was like another
man — his feeling for her was that of a
brother. He was fonder of her than of
anyone he knew, but it was the fondness of
friendship.
But now he was seeing Barbara Drew on
terms of equality that fairly dazzled him.
He had known her, in a distant way, for a
long time. Now they met in an entirely
different way. It wasn't his money, for the
Drews were not poor themselves. It was
only that his money enabled him to move
in her circle, and so to see more of her.
And it angered him that he must make
himself seem a fool in her eyes — for he
understood perfectly that people, seeing him
in the act of burning up a million dollars
without any knowledge of his reasons, were
going to think him crazy or worse. He
couldn't confide in Barbara — the terms of
the will forbade that. And she seemed
already disposed to favour a little English
nobleman, the Duke of Beauchamp. What
would she think of him ? And how could
he take the time he should to court her
when he needed all his time to spend his
money ?
Finally a brilliant idea came to him. He
telegraphed to Jones, asking if he couldn't
marry and turn his property over to his
wife.
"That's not giving it away," he told
himself. 'He ought to fall for that all
right."
Then, as if the whole matter was settled,
he went off to find Peggy Gray. He had to
confide in someone — ^and who should be able
to sympathize with him but Peggy? And
when he saw her, Peggy, with a laugh,
started to rally him about Barbara ?
' I hear all sorts of tales about you,
Monty," she said. If they're true, you're
to be envied. Barbara Drew is a charming
girl."
She had teased him before, only to draw
indignant denials. She rather liked that,
and now, when she saw him flush and look
" He had bought an imported automobile; and deliberately stalled the oar one day in the
path of an oncoming freight train."
86
BKEWSTER'S MILLIONS.
away from her, Peggy felt a sharp little
pain. Had she struck nearer home than she
supposed 1 Peggy, somehow, couldn't con-
ceive of Monty in love ; Monty getting
married ; Monty ceasing to be the friend
and playmate she had always known.
I — guess— I — oh, Peggy — I hope they
are true ! " he burst out, finally. " Don't
tease me, Peggy. Do you think I've got a
chance ? "
For a moment Peggy had to turn away.
This was something she had never dreamed
of. At first a fierce little jealousy burned
in her, and then she caught herself. Of
course, she didn't care for Monty that way ;
he was just a dear fellow and a good friend —
a big brother.
' A chance V she said finally, indignantly.
' Monty, what girl wouldn't — oh, well — yes,
I think you've got a chance."
'I — by George — I hope you're right,"
said Monty. " But a girl like that, Peggy —
why — oh, she won't look at me ."
Have you asked her yet 1 "
No — but I'm going to to-night ! Wish
me luck, won't you, Peggy 1 "
Of course I do," said Peggy, and thought
she meant it.
She cheered Monty up wonderfully, so
much so that he could even laugh at the
telegram he found from Swearengen Jones :
Stick to your knitting, you damned
fool. S. Jones."
Chapter V.
BEFORE Monty proposed to Barbara
Drew, as, despite Jones' telegram, he
meant to do, he had a little business
to transact. He had discovered a new way
of spending money that appealed to him
mightily, because it seemed to him that
Jones would approve of it. Two local
prizefighters were to engage in a match that
night, and because one was a champion, he
was a favourite at long odds. So Monty
immediately commissioned Nopper Harrison
to bet all he could get down against the
favourite. Nopper protested, but in vain.
Your man hasn't got a chance ! " he said,
disgustedly.
That's all you know," said Monty.
" Maybe I've got a tip."
Just before he went to see Barbara,
Harrison called him up.
I placed three thousand — at 5 to 1," he
said.
Was that the best you could do 1 " asked
Monty. " Shucks, I thought you could lay
at least ten thousand. All right."
He had asked Barbara for an appointment
by telephone, and she had been very
gracious in granting it. Probably she knew
what he wanted ; indeed, she would have
been less than observant had she not.
Monty had been wearing his heart on
his sleeve for days and weeks. And
a more experienced man than Monty,
seeing Barbara, would have suspected that
she knew just about how she meant to
receive his proposal. Even the room seemed
set for the occasion. And yet he left her
without having persuaded her to become
engaged to him. That was his fault. He
did not urge her enough.
' Monty, you must give me time ! " she
had said, gently, in answer to his impetuous
declaration.
And, to her surprise, he had been all
contrition.
As much as you want — as long as you
tell me there's a chance — that there's no one
else now ! " he said.
That was not what she wanted at all, and
he ought to have known it. She wanted to
be urged ; to be swept away.
" I do like you — and there is certainly a
chance, Monty," she told him. "But — can't
you wait a little ? "
And he had promised to wait. There
were tears of vexation in her eyes when he
left her. But Monty was happy. It had
been an effort to nerve himself up to the
point of proposing to her at all; he rather
welcomed the respite she gave him.
" She didn't turn me down cold, anyhow,"
he told himself, "and that's something."
He reached the scene of the prizefight
late, but Nopper Harrison had held a ring-
side seat for him.
" Say — it's a great fight ! " said Nopper,
enthusiastically. " Our man's been holding
him in fine style. Look — here they come
for the fifth round."
And less than two minutes later, Monty,
with a groan, saw the man he had backed
slip in a blow that knocked the champion
out and enriched Monty by fifteen thousand
dollars ! Not only that — he still had the
original three thousand !
" I won't undertake to advise you any
more ! '' said the amazed Nopper. ' It's the
biggest reversal of form in years — all the
sharps say so ! Where did you get that tip,
Monty 1 "
BREWSTER'S MILLIONS.
87
You've made a clear hundred thousand — or will have, before the closing ! ' said Gardner.
' Monty, I take oft' my hat to you ! ' "
Oh — chap I know," said Monty. " Here
— give the Kid a thousand, he's earned it."
But Monty had some good luck. Despite
the reverse caused by the unfortunate out-
come of the prizefight, his ledger showed
that he was doing well. This ledger he
kept himself, and no one else ever saw it.
It had columns for profit and loss, but what
most men Avould call losses were Monty's
profits. And after one of his extravagant
dinner parties, which had become the talk
of the town, a great piece of good fortune
came to him. He and his guests had just
left the dining-room when there was a
terrific crash. Startled and dismayed, they
rushed back — to see the table, with its
beautiful china, a mass of wreckage, under
what was left of the twenty-thousand dollar
screen from the ceiling ! It had broken
loose in some fashion.
Thank Heaven ! " said Monty, devoutly.
What?" asked Barbara Drew, sharply.
That we had left the table, I mean, of
course," said Monty. " Suppose we had
been there ! "
His explanation was accepted — and that
night he entered an item of twenty thousand
dollars on the right side of his ledger. The
screen was now so much clear loss — the
dealer could not take back its fragments.
Chapter VI.
BUSY times followed for Monty. To
keep up his average of spending grew
more and more difficult. At first it
was comparatively simple to do it, but soon
he had bought all the things he could find
an excuse for wanting. He was well ahead
of his average, but he could see arid days
coming, in which he wouldn't spend more
than a hundred dollars or so, unless he
devised some new extravagance. He had
bought an imported automobile, and deliber-
ately stalled the car one day in the path of
an oncoming freight train, which reduced its
value, in about five seconds, from fifteen
thousand dollars to fifteen cents.
But this and kindred ways of spending
his money had earned him the reputation as
a fool and a Avastrel. Gossip came to his
ears. All society, it seemed, was condemn-
ing him for a witless young spendthrift.
Barbara, he could see, was getting worried.
He thought her manner was colder. But
Avhat distressed him even more was the
troubled look he detected in the eyes of
Peggy and her mother. They did not
criticise him, but he noticed that they were
BREWSTER'S MILLIONS.
worried and unhappy, and he guessed why.
Even the knowledge that the gossips and
the critics were wrong, and that he had a
reason for what he was doing, failed alto-
gether to deaden Monty's sensibilities. He
didn't like the way people were talking.
They accused him of not having any sort of
a serious purpose in life. So he decided to
go into business. He studied Wall Street
with the aid of Elon Gardner, who was a
broker. He knew that there he could make
an impression as a business man and still
lose a lot of money. Brokers universally re-
spected as sagacious men did that every day.
Buy me Lumber and Fuel," he told
Gardner, when he had made up his mind.
' As an investment 1 " said Gardner, doubt-
fully. "It's all right, but you can get it
cheaper by waiting. It's at the top of a
rise now and it's going to slump."
/' No — as a speculation," said Monty.
On margin — buy me ten thousand shares!"
You're crazy ! " said Gardner. " It's
due to hit the slide any moment."
" I've got reasons — and you'll do as I say,
please," said Monty, a little stifHy.
Gardner yielded, reluctantly. After all,
it was Monty's money. And when Monty,
the day after he had given his orders,
walked into Gardner's office he found
Nopper Harrison and most of the others
there. They looked at him sorrowfully.
He went at once to the ticker. L. and F.
was off a point already.
He waited around hopefully. He saw
his friends gathered gloomily about the
ticker, and he knew by their expressions
that all was going well. He must be losing
heavily with every click of the instrument.
"I was afraid of this — she's going down,"
said Gardner.
Don't worry — I know what I'm doing,
Gardy," said Monty. " Wait till you hear
from me — don't sell, on any account. If
you need more margin, put it up — you've
got the securities. I'm off for a ride — need
exercise."
" You'd better stick right here," said
Gardner, warningly. " No telling what
will happen."
" You've got your orders — don't sell till
you hear from me, if the stock goes clear
through to Australia," said Monty.
Then he went off. As he rode through
the park he responded joyously to the thrill
of the galloping horse. With any sort of
luck he would lose a hundred and fifty
thousand dollars or more. That would
enable him to take it easy for a month. He
enjoyed his ride thoroughly and prolonged
it so that he had just time to change before
going to his club to meet Colonel Drew,
Barbara's father, for lunch. He waited a
minute or two for the colonel, and noticed,
with surprise, that the older men seemed to
have changed in their attitude toward him.
They looked at him with respect. Then
the colonel came in.
Ah, you sly dog ! " he said. " Monty,
why didn't you let your friends in 1 How
much have you made ? Enough to cover a
few of your extravagant doings, I'll warrant."
" What do you mean, colonel 1 " But
Monty knew ; his heart sank within him.^"]
' Why, your drive in Lumber and Fuel,
to be sure," said the colonel. " You sent
it up to a hundred and fifteen ! A clear
gain of five points ! "
Monty summoned a ghastly smile.
Oh — yes — pretty good, wasn't itl" he
said.
"You sold at the top, of course, didn't
you 1 " said the colonel. "It's off now — it'll
keep on dropping."
"Sold? Not a bit of it !" said Monty,
hopefully. If the stock was going down
he might still retrieve his winnings.
H'm ! " said the colonel. I went short
— excuse me a moment while I telephone."
He told his brokers to cover his short
sales and go long — and advised his friends
to do the same. And, as a result, when
Monty went back to Gardner's office he was
the centre of a wildly enthusiastic crowd.
"You've made a clear hundred thousand —
or you will have before the closing ! " said
Gardner. "Monty, I take off my hat to
you ! You're a wonder. She slumped and
I spent a hundred telephoning you. But
she went right back — and she's on her way
up to the skies now."
" Yes — sell at once," said Monty, in
sudden panic.
His quick sale cost him some of his profits
and the respect of Gardner and the le^t.
But on the whole deal, instead of losing a
hundred thousand or more, he won nearly
sixty thousand dollars !
[To be concluded in the November issue].
On the Verge of War
Adapted from tlie 101 BISON Film by Owen Ga?^th.
Few realise the tremendous network of spies which
covers Great Britain in spite ot the War and all it
has taught. Few know the methods and means which
are used for obtaining information, or of the un
scrupulousness and the ingenuity with which the
national secrets are revealed to the enemy. This
story endeavours to throw a light on the methods
of spies, and tells the story of an attempt to steal
important naval plans, which almost succeeded.
lEDEO VILLARD was con-
fronted by a formidable task.
The most resourceful of spies,
he felt that here was a test
of his capabilities, a severe
test which would tax them
to the utmost.
It required thinking over. Pedro went
out into the street and thought, thought
hard, but with one keen eye on all that
passed and happened. The plans indeed
were important, the naval base for the
operations against the country he served was
of the utmost importance. If he could obtain
the plans he was ordered to secure, then
half the value of the base would be nulli-
fied when war broke out. To think that
way was one thing, to carry out what the
authorities ordered was another. Why, he
did not even know, in the first place, where
to turn to look for the plans — and even if
that were clear, there would be the task of
laying his hands on them; and to be sure,
valuable plans, such as these, were not left
lying about here, there and anywhere.
Diable ! That they should press him to
time and threaten him if he failed.
Pedro Villard's steps turned to a meaner
(luarter of the town and presently brought
him to a dirty-windowed cafe. Here he
turned in and met, whom he had expected
to meet, several of those in a similar pro-
fession to his — paid minions of the same
government.
He sat down at the same table, but for a
moment never spoke. The others took no
notice of him.
Several minutes of silence on Villard's
part followed. Then he spoke, but without
looking at his companions.
"Have you heard anything — are you at
workf'
"General information onlyat themoment,'*
replied the one nearest to him.
"Anything useful V
No, but you know the Admiralty is busy,
We must expect a breaking off of negotia-
tions soon."
Any news of the naval bases 1"
'Slight. It appears the Admiralty are
preparing harbour plans. That young pup,
Freeman, has been seen there often. Known
to be rather smart at that kind of work.
He has been to the Admiralty several times
during the last few days. Carries an attache
case always and seems wide awake."
Villard asked no more questions. He was
trying to get a start, a point to work from.
Perhaps in this information.
The arch spy rose without saying a word.
Are you on the " One of the company
was about to ask a serious question, but
Villard wheeled and checked him in time,
making a signal to ensure silence and secrecy.
Then he went back into the street.
Freeman, Lieut. Freeman ! Yes, Villard
knew the man. Only a youngster, yet one
of the cleverest plan tracers in the navy.
Villard had had a disagreeable meeting with
him before. But he, Villard, was a different
person now. A spy has to change his colour
and his character as circumstances demand.
Pedro Villard was a totally different person
from the man who had met Freeman.
The vicinity of the Admiralty proved an
attraction for the next few days. He
watched Freeman enter and leave the place,
and quickly discovered his business. Free-
man was his quarry. He had found out that
the Lieutenant was making a tracing of the
90
ON THE VERGE OF WAR.
naval base so badly needed, but he wished
it had been any man but this stripling. To
know him was one matter, to beat Lieut.
Freeman was another, Villard knew well.
Had he not fallen across the lieutenant's
path before 1 The remembrance was not
pleasant. Villard racked his brains for a
plan to outwit the man he shadowed, but
he made little progress. Evening came and
Villard was no nearer the development of
his plans than before. Casually he dropped
into a small theatre where variety turns
were being given, but he took no interest in
the entertainment till a hypnotist appeared
on the stage. With him he had a pretty girl,
who seemed to be completely under his
influence. This aroused Villard at last, and
before the end of the performance he
managed to send
a note to the
hypnotist, a
bearded man, who
styled himself
Professor Polari,
asking for an
appointment.
Something was
working in Vil-
lard's head. He
waited for Polari's
answer. It came,
giving the name
of a restaurant
not far from the
theatre as a place
of meeting on the
next afternoon.
Villard was up
and watching the
Admiralty early next day. He saw Lieut.
Freeman enter the building, and by a fine
piece of bluflf he managed to follow. Once
inside he was like a cat on the watch.
Presently a door opened near him. He saw
Freeman say good-bye to a grey-haired official
and heard the final remark :
We must have the tracings as soon as
possible — you'll get to work on them at once."
Saluting, Freeman left with Villard on his
trail. tSo he had the tracing in his possession,
thought the spy. But how was he to get his
hands on them.
Lieut. Freeman went along at a quick pace
and finally stopped before a small house in
t'le best parb of the city, let himself in with
a key, and disappeared from sight.
Villard had advanced a little further. He
Once inside, he was like a cat on the watch
took the address for later use, then turned back
to keep his appointment with the hypnotist.
He found the latter awaiting him.
Conversation took a general turn at first,
but after having slyly drawn his man, Villard
entered into the purpose of their meeting.
' Professor Polari," he said in his suavest
tones, ' I watched your performance yesterday
evening and I was deeply impressed by your
powers. Now I could, in work I have before
me, utilise you ability, and pay handsomely
for it. Are you ready to earn a small
fortune 1 "
Yes, I am eager to make money. Theatre
work scarcely provides more than a mere
subsistence. But what is the work 1 " replied
Polari.
" Nothing particularly difficult and not at
all dangerous."
' In that case
I am prepared to
undertake it.
But I must know
the work first."
"Right, listen,
I will explain to
you. A certain
young architect
has some plans
which my firm
want particularly
to see. The plans
are not to be
stolen. We only
desire them in
our possession for
a few hours.
But we must
have them at
once, and get them with the greatest secrecy.
I know where they are. I merely want you
to get them out of the house without
raising a hue and cry, and I think you,
with the aid of your assistant — er "
" My daughter," interposed Polari,
Just so, your daughter, might be able
easily to manage this."
How do you propose to start 1 "
"We must get your daughter into this
young fellow's house. He lives alone with
his mother."
" Hm — that's the initial difficulty. How
do you propose to work after overcoming
that ? "
Then you must use your splendid powers,
professor."
" Yes ! "
ON THE VERGE OF WAR.
91
Remember, the pay is high — the risk
nothing to speak of. What do you say —
fifty pounds now and four hundred and fifty
when the task is successfully accomplished *? "
Professor Polari thought a moment, then
he extended his hand to the spy.
" All right, it's a bargain, and it will not
be my fault if the papers you wish to see are
not forthcoming."
Good ! Here are fifty pounds now. I
will call and see you this evening."
The spy had not mistaken his man.
Professor Polari wanted money. The pro-
spect of earning it easily swept away all his
scruples.
* + *
Fortune in the next few days was on the
side of Villard. Mrs. Freeman had trouble
with her maid, and
Myra, the professor's
daughter," was com-
pelled against her
will to accept the
vacant situation.
How this was man-
aged needs no telling.
This was a simple
matter for so clever
a schemer as Villard.
Now it was Polari's
turn to work. His
wonderful influence
made the girl do his
will, even when out
of sight and hearing.
Everything he willed
she accomplished,
making no mistake.
Lieut. Freeman
quickly took note of
her strange actions. Once he turned sharply
and saw her staring intently at the plans he
was working on. This aroused his suspicions.
When he went out he hid the plans carefully,
but even this was not proof against Polari's
will. Myra found them at a time when she
was repairing a cloak which Mrs. Freeman
intended wearing at a ball the following even-
ing. Still under her "father's" influence, she
sewed them up in the cloak, her fingers
working in the stitching a message in the
Morse code.
It was a great effort on Polari's part. The
spy stood over him and urged him till the
hypnotist collapsed under the strain, but not
before he had explained where the precious
t>lans were concealed and how they were to
The hypnotist and his daughter,
be smuggled out of the house.
When Lieut. Freeman returned he went
immediately to the hiding place, but the plans
were gone. For a moment he was dumb-
founded. He saw visions of himself degraded.
He pulled himself together, however, and
sought Myra. His suspicions rested on her.
There was no direct clue, but the girl was a
mystery. Perhaps she was the tool of some spy.
The lieutenant found her making the finishing
stitches in the cloak, and he resolved on bold
strategy. Tearing the cloak from her hands
he demanded to know where the plans she
had stolen were.
The girl shrank back in fear — she put out
her hands as if to ward off" some danger.
"Where are the plans you have stolen*?
Where have you put them?" cried Freeman,
sternly.
" I _ I _'• s h e
would confess, but
the vision of Polari
came up before her —
he was at work again
impressing his will
on hers. She at-
tempted to resist,
but it was useless.
Worn out and weak,
she swooned under
the effort, and would
have fallen had not
Freeman slipped his
arm round her. Lay-
ing Myra gently
down on the couch
he called his mother,
and then proceeded
quietly to search the
cloak.
When Myra swooned, Polari was straining
his powers to the utmost, and the continual
will-strain was evidently telling on him.
Only under the constant urgings of the spy
was he forced to work. When his medium
lost consciousness the wear and tear was
becoming unbearable. Losing the connection
at the critical moment was the last straw.
Suddenly he collapsed, and when the spy
lifted his head to see what was wrong, he
found that Polari was dead.
With a scowl of disregard and disdain, he
turned away. What mattered the hypnotist
to him now 1 He had learned where the plans
were, and knew that if all went right they
would be in his possession within the next
few hours. He had no more use for his
92
ON THE VERGE OF WAR.
tool — it was perhaps better he had died.
The first thing that Lieut. Freeman did
when he discovered the loss of the plans
was to telephone his chief, who came down
to him immediately. To the grey-haired
chief Freeman explained all that occurred.
' Have you searched the house?" was the
chief's first question.
Xo, but I have a shrewd suspicion that
they are still here, ' answered the Lieutenant.
Give me a few hours and I think I can
find them. No one has left the house since
they were missed and no one has entered.
I think my mother's maid can tell me some-
thing about the matter."
Have you questioned her yet ? "
I commenced to but she was taken ill.
As soon as she is
better I will draw
the truth from her.
In the meanwhile, if
you will allow me, I
will search the place."
" Well, perhaps
that is the best way.
But those tracings
must not leave this
country," said the
chief, picking up his
hat. " You under-
stand, you will 1 e
held responsible if
they do — and that
means " he halt-
ed significantly, then
added: "Don't pro-
long the search. If
the plans have left " Picking up the cloak he
this house we must
be quickly on the trail."
I understand, sir, but I reckon there
will be no need to look outside, except for
the blackguard who engineered the theft,"
replied Freeman, grimly, as he saluted the
departing figure.
Immediately the chief had disappeared,
Freeman lan back to the room where he
had left the maid with his mother. The
girl had regained consciousness, but was not
in a fit state to be interrogated. Picking
up the cloak he looked at the stitching the
girl had been doing when he snatched the
work from her hands. The stitches were
irregular. He looked closer. They were
in black thread, whereas the lining was
white; and instead of even and close together,
they were long and short, after the fashion
of the- -why, it was in the Morse code t
This was interesting, perhaps it would tell
something more, something about the plans,
for plainly a message was stitchtd there by
the girl for some purpose.
Slowly he deciphered the message : At
the charity ball, Mrs. Freeman's cloak."
This was the message which, by means of
telepathic waves, had been conveyed to the
hypnotist before he collapsed, and from himi
to the spy.
Lieut. Freeman gasped as he read. This
was the solution of the mystery. The plans
were no doubt sewn up in the cloak, and
were to be extracted at the charity ball by a.
third pei-son, to him unknown.
Feeling the cloak all over. Freeman found:
the precious plans,
and taking them
from the lining re-
placed them with a
roll of blank paper,
without anyone
knowing. He in-
formed his chief of
the recovery of the
plans, and then
waited. The reat
culprit would be
caught red-handed at
the ball. He would
arrange for that.
* + *
The charity ball
was going to be a
brilliant affair.
Scores of fashionable
people were already
assembled when
his mother arrived.
They were soon swallowed up in the crowd,
but Freeman, handing over his mother to a
friendly circle, doubled back to the entrance
to watch. His mother had worn the cloak
with the code message stitched in it ; the
person who looked for that message, and the
papers it revealed, would be the man lie
wished to capture.
Slowly all the people moved into the
ball-room, and the hall was left practically free
except for a few men who still loitered
there. Taking up a position where he could
watch all that happened in the cloak-room
with the aid of a mirror. Freeman aAvaited
developments.
Presently he saw a figure in evening
looked at the stitching."
Lieut. Freeman and
ON THK VERGE OF WAR.
93
" The pair drew" from Myra the whole sad story of her life."
dress enter the room and run his hands over
the clothing. Holding himself against his
first impulse to rush in and close with the
intruder, Freeman waited and watched
developments. He saAv the thief's gesture
of satisfaction when he fastened on Mrs.
Freeman's cloak, and read the message in
the stitches. He saw the spy rip open the
lining of the cloak and gloat over the papers
he drew forth. Then Freeman gave a
signal and dashed at the spy. Several
secret police appeared from hiding places,
but instead of one man, they found a
number to grapple with, and in ihc melee
Villard broke from Freeman's giasp, and
jumping through a window, escaped. The
hue and cry was raised, but Villard liad a
good start and placed as much distance as
possible between him and his pursuers, who
took some time to pick up the trail. He
raced them to the coast in an automobile,
jumped into a waiting boat, and w as lowcd
94
ON THE VERGE OF WAR
out to a ship lying off shore. No sooner
had he boarded than sail was set, and the
vessel was quickly swallowed up in the dark.
That was the end of Pedro Villard as far
as Lieut. Freeman was concerned. The ulti-
mate end of the spy leaked out sometime
later. Arriving at his destination he was
hilariously welcomed as he waved the papers
which were supposed would reveal the
enemy's naval base, and all particulars
about it. But when those supposed plans
were opened, and only blank paper revealed
(the decoy papers Lieut. Freeman had placed
in his mother's cloak) the demeanour of the
assembly changed. The chief of the bureau
charged Villard with treachery. The smash-
ing of his hopes enraged him. He ordered
the spy's arrest, and the beaten fellow was
hurried away, God knows where. This
only is known : twelve hours later Pedro
Villard ceased to breathe.
The ball was left to itself as far as Lieut.
Freeman was concerned when the spy
escaped. He joined in the chase, and even
endeavoured to intercept the strange vessel
which disappeared into the night. But he
failed, and chagrined, he was forced to
return home. There he found his mother
shaken with anxiety and mourning her
ruined cloak. He tried to sooth her. In
this, so far as himself was concerned, his
appearance was sufficient, but that did not
repair the spoilt cloak.
" Never mind, mother; I'll buy you a new
cloak as a present. Do you know that old
cloak has saved my reputation ? The lost
plans were hidden in it, and that is what the
thief was after when he slashed the lining
so."
" But you got the plans back, boy," cried
old Mrs. Freeman eagerly. She was proud of
her son, and prouder of his position and
progress.
"They're all right, mother. They were not
in the cloak, I had removed them previously."
"Then why did you let me wear the
cloak, knowing it would be cut to pieces'?"
Strategy, mother, strategy. I wanted
to catch that spy. But now I want to see
that poor little girl who was made the dupe
of those infernal scamps. I'd like to know
her story."
"She is in there, boy." Mrs. Freeman
pointed to another room. " Quietly, she is
not thoroughly recovered yet," she ad-
monished.
Lieut. Freeman entered the room where
Myra sat wearily trying to piece together the
events of the past few days.
Don't move, remain where you are,"
he cried out, as she turned. I have not
come to bully you this time."
A wan smile spread over her rather pretty
but sad features.
Mrs. Freeman followed her son to enquire
how the patient was progressing, and the
pair drew from Myra, bit by bit, the whole
sad tale of her life : how she had come under
Polari's influence when young; how he had
treated her as a daughter, though he was
not her father; and how she had been com-
pelled to do his will, though she had
ofttiraes rebelled against it.
Before the recital was concluded, Freeman
entertained a different feeling for Myra. That
feeling in the days to come developed into
something stronger, more defined. But that
is part of another story, not to be written
here. The reader, however, will scarcely
have difficulty in reading the end.
"O UTH ROLAND is the owner of a brand new
-^^ motor car. The irrepressible Kalem
comedienne was on her way to the studio
one morning, where she was to take part in
" The Bingville Fire Department," a Kalem
comedy, when the auto suddenly came to a halt.
Nor could any amount of tinkering induce it to
work.
The usual crowd promptly gathered.
" Trouble?" asked a bystander.
" Yes," curtly replied Miss Roland.
" What power car is it ? "
"Forty-horse," came the answer.
" Well, what seems to be the matter with it? "
Miss Roland glanced at the inquisitive one in
disgust. " Well," she replied, " from the way it
acts I should say that thirty-nine of the horses
were dead."
SALLY CRUTE, one of the Edison "stars,"
has made an impression upon an entire
family of moving picture enthusiasts. She
has received at the studio a dozen America
beauty roses with a note stating that her acting
in the Edison film, " The Powers of the Air" has
wonderfully touched the hearts of every member
of the family. It will be of interest to many
to know that Miss Crute is an artiste of no
mean ability with pen and brush, aside from her
capabilities before the camera.
The Adventures of
Miss Tomboy,
OR, LOVE, LUCK AND GASOLENE.
From the VITAGRAPH Photoplay. Adapted by James Cooper.
This vivacious and clever young lady falls into no
end of scrapes, from which she emerges successfully.
Bunny tries to act the Spartan father, but his good
nature gets the better of him every time, and Miss
Tomboy scores.
Instalment I.
IfHEKE were times when Mr.
Bunny could have found it in
his heart to wish his daughter
had been a boy. In that case
the mad pranks in which she
was continually indulging
would have been natural and proper. It was
right enough that a boy should climb trees,
play baseball, run races and get into all sorts
of mischief. People expected them to do
these things, remarking indulgently that
boys will be boys ; but when girls did them
they had a habit of being shocked and of
declaring that such things were most un-
dignified and unladylike, as indeed they
were.
It occurred to Mr. Bunny every now and
then in moments of thoughtfulness that his
daughter Lillian was too old now for these
things. She was nearly nineteen, and it
was really time that she left off shocking the
proprieties and setting the conventions at
defiance. She ought to settle down into a
staid, well-behaved young lady, as became
her and her father's position in society.
Mr. Bunny, in fact, easy-going and indulgent
parent as he was on the whole, was beginning
to feel seriously disquieted. He lived in
constant fear of what she might do next.
He wished sometimes that his sense of
humour was not so keen. He could not for
the life of him help being intensely amused
at her pranks; and often when he was rebuk-
ing her for something particularly outrage-
ous he spoiled the whole" thing by going off
into fits of laughter. Then the little minx
knew she had him, for he always found it im-
possible to get angry again after that. A pair
of soft arms round his neck, a kiss, and Miss
Tomboy's merry laughter, completed her
father's subjugation, and he could only register
a mental vow to be stern and uncompromising
next time.
Miss Tomboy, in spite of the worry she
caused him, was the apple of his eye. He
was immensely proud of her really, and
delighted in her affection for him. Still, as
she had been born a girl, he did wish she
would not act so much like a boy. Things
were really getting desperate, and the time
would come, he told himself, frowning and
looking very stern indeed, when he would
have to put his foot down.
It was perhaps owing to his fear that he
would never be able to manage his daughter
himself that he began to think seriously of
turning over the responsibility to someone
else. There was Van Alstyne, for instance,
a decidedly eligible suitor; older, much older
than Miss Tomboy, of course, but very
wealthy, and very anxious to marry her
Like many other indulgent fathers, Mr.
Bunny did not dream that his daughter
would seriously oppose such a scheme ; but
there was an obstacle, and that was Cutey.
He and Miss Tomboy had been excellent
chums since the girl's nursery days, and just
lately the idea that they might become moi e
than chums had added to Mr. Bunny's other
worries.
There was no objection to Cutey as a
possible husband for Lillian on financial
96
THE ADVENTURES OF MISS TOMBOY.
grounds : he had plenty of money, but he
was irst such another irresponsible madcap
as the girl herself, and a match between
them was not to be thought of. Mr. Bunny
was very determined about that, very
determined indeed. He must tell Lillian that
she must not be so friendly with Cutey.
Matters were at this stage on the day of
the garden party. Mr. Bunny had entered
upon this function with fear and pertur-
bation. He was afraid of what Miss Tomboy
might do. But for a wonder everything went
off successfully. His daughter devoted her-
self to the entertainment of the guests with
a dignity and charm which delighted his
heart and won compliments from the guests
themselves.
When the last of the guests had gone
Mr. Bunny and his daughter had a little chat,
and he told her how pleased he was with her
behaviour. She was very demure, but there
was a roguish twinkle in her eyes, which
might have warned Mr. Bunny of trouble to
■come. But he did not notice it, and went
off to have forty winks in the shade, leaving
Miss Tomboy alone.
She waited until he had settled down,
and then gave a soft, low whistle.
Immediately out of the trees there came a
smart, good-looking boy, apparently four
or five years older than Miss Tomboy.
His laughing face was alight with mischief.
''S-sh!" whispered the girl, pointing to
the chair at a little distance in which Mr.
Bunny was reclining, peacefully asleep.
^'Doesn't he look sweet?"
Cutey laughed. " I'm dying for a cup of
tea," he said. ' Do give me some."
Miss Tomboy poured out a cup and
handed it to him. They were enjoying
themselves imntensely when Mr. Bunny,
disturbed by a fly which was promenading
over his expansive countenance, opened his
■eyes. He saw his daughter cramming a bun
into Cutey's mouth, and heard her declare
that he'd got to eat it if it choked him.
Cutey negotiated the mouthful after a
struggle, and while the horrified Mr. Bunny
looked on, undecided as yet how to act, he
saw Miss Tomboy brush the crumbs from
Cutey's lips with her dainty lace handker-
chief, after which Cutey paid her a similar
kindly attention. Mr. Buruiy made sure
that they were going to kiss one another,
but they did not.
Instead, seized by a sudden impulse, Miss
Tomboy rushed off across the laAvn to a
swing which was hung upon one of the
trees. She made a charming picture, which
Mr. Bunny was in no mood to appreciate.
He groaned.
Now Miss Tomboy was seated on the
swing, and Cutey was preparing to give her
a start. The girl leaned back in the swing
until her face was very near to Cutey's.
There was invitation in her eyes and her
lips were very tempting. It would have
been hard for any man to resist, and Cutey
did not try. He kissed her.
This was more than Mr. Bunny could
stand. He bounced out of his chair, and in
a rage hurried across the lawn to the culprits.
They were in blissful ignorance of his near-
ness, and before he was able to utter a word
Cutey had kissed Miss Tomboy again. It
must be said that she made no attempt to
prevent him.
"Well," spluttered Mr. Bunny, "of all
the . What are you doing, sir 1 What
the devil are you doing ?"
Cutey trembled. Mr. Bunny looked so
very angry. "I — I couldn't help it, sir," he
stammered. ' You see, I — I "
Yes, I do see. It's scandalous. How
dare you kiss my daughter? Right before
my eyes too ! "
Miss Tomboy burst out laughing. " We
thought you were asleep," she said.
Mr. Bunny spluttered worse than ever.
He nearly choked. 'You're a minx," he
bawled. " I'll lock you in your room. And
as for you, Mr. Cutey, or whatever your
silly name is, don't let me catch you hanging
round here again. I won't have it, do you
hear 1 Off you go ! Clear out."
Miss Tomboy had to submit to a severe
lecture after that, but it was not of much
effect, for next day, as Mr. Bunny was going
off to his club, a friend stopped him.
" That girl of yours is at it again, Bunny,"
he said. " She's playing baseball now, with
the boys "
Mr. Bunny went back to the house,
ordered out his car and -went in search of
Miss Tomboy. He found her, sure enough,
weilding the bat, and shouting to Cutey to
pitch the ball as hard as he could.
Mr. Bunny strode across the field. Cutey
saw him coming and fled.
"Lillian," said the irate old gentleman,
" put down that bat, and come along home
at once."
Protesting vigorously, Miss Tomboy never-
theless ol)eyed. But she was smarting
THE ADVENTUEES OF MISS TOMBOY.
under the humiliation, and Mr. Bunny
thoughtlessly gave her an opportunity to
pay him out. When they reached the car
he ', mechanically climbed in at the back,
leaving the driving seat clear for Miss
Tomboy. She spi'ang in, and started the
car with a jerk which nearly jolted Mr.
fancied himself in his reefer coat, white duck
trousers, and smart yachting cap. Cutey did
his best to give his guests an enjoyable time,
and Mr. Bunny was charmed. There was
yacht racing going on, and he was loud in his
admiration of the white-winged beauties as
they skimmed and flew past the steam yacht.
" She gave a little scream of delight. Trousers, white duck trousers !
Banny out of it. Then, with a sublime
disregard of the speed limit and the rule of
the road, she drove him home. It was such
an experience as made Mr. Bunny wish
that motor-cars had never been invented.
It was shortly after this that Mr. Bunny
became interested in yachting. He had
somewhat relaxed his severity with regard to
Cutey, and that young man found many
opportunities of meeting Miss Tomboy.
Perhaps the fact that Cutey was an
enthusiastic yachtsman himself, and owned a
fine steam yacht, had something to do with
Mr. Bunny's changed feelings towards him.
Mr Bunny, however, was still strongly
determined that his daughter should marry
Van Alstyne. Still he accepted Cutey's
invitation for himself and his daughter to
spend an afternoon and have tea on the steam
yacht which was anchored about half-a-mile
from the shore.
Mr. Bunny dressed for the part, and rather
I've more than half a mind," he said, "to
go in for the sport myself."
"Well, why not?" returned Cutey. "I
know the very boat for you. There she lies."
He pointed to a smart, likely-looking cutter
lying not far away. " She'd have been racing
to-day," he said, " but her owner is hard up.
He'd be only too glad to sell her."
" Oh, Dad, do buy her," put in Miss
Toml)oy.
"Hm," remarked her father, "we'll see.
Is she fast ? "
" Fast !" cried Cutey. "She's a regular
clipper. She can show her heels to anything
in thesewaters. She's acert. for the Club Cup.
Would you like to take the launch and have
a look at her ? "
Mr. Bunny had decided to buy the boat
before he had been on board ten minutes.
He could already see in imagination the Club
Cup in the place of honour in his libraiy. He
fancied himself telling his friends how his
D
98
THE ADVENTURES OF MISS TOMBOY.
yacht had won it. Miss Tomboy was over-
joyed, and Mr. Bunny turned from a conversa-
tion with the skipper to find her and Cutey
dancing madly about the deck.
" Lillian," he said sternly, but he had not
the heart to be angry with her. He firmly
declined, however, to give her permission to
climb the mast.
" Well," she said, " I'm going to learn how
to sail the yacht, at any rate. It will be
heaps more fun than driving a car."
She forthwith set about the conquest cf
the skipper, and had her first lesson in
seamanship that very afternoon. For the
next few weeks she caused her father no
anxiety at all. She was out almost every day
in the yacht, and it was not long before the
skipper declared enthusiastically that she
could handle the vessel as cleverly as he
could.
But Miss Tomboy fell into disgrace once
more. Cutey came to her one day and told
her that he had entered for a swimming race,
and nothing would content her but that she
should enter too.
" But it's only for members of the club —
the yacht club," he remonstrated.
"Well, I'm a member of the yacht club,"
she retorted.
" Yes, but it isn't a race for girls."
" Well, I'm going to swim in it," said
Miss Tomboy decidedly, " and you must
help me."
Cutey surrendered,
after suggesting that
her father might not
like it.
" He won't know
anything about it,"
was the reply; 'and
if he does, I can man-
age him all right."
Unfortunately Mr.
Bunny was one of
the crowd who turn-
ed up to watch the
race. While waiting
on the pier for the
start he missed his
daughter, but con-
cluded that she had
found friends some-
where. Presently
Cutey, in his swim-
ming costume, came
along, and Mr.
Bunny, feeling
particularly cordial to the young fellow just
then, clapped him on the shoulder and
wished him luck. He was so much inter-
ested in Cutey that he did not notice another
competitor slip past him. This competitor
was enveloped in a big ulster and had a man's
cap pulled well down over the eyes. Cutey
escaped from Mr. Bunny, and followed.
The crowd gathered at the point on the
pier where the race was to finish, and Mr.
Bunny was in the front row. As thfr
swimmers approached he cheered and shouted,^
and became so much excited that he was in
imminent danger of pitching head-foremost
into the water.
Presently one swimmer drew away from
the others, and came towards the pier,
cleaving the water with a strong, clean
stroke.
"Beautiful ! " cried Mr. Bunny. "Never
saw finer swimming in my life ! "
It was his hand that helped the swimmer
up the steps.
" Bravo ! " he cried with enthusiasm.
" Magnificent ! Mag "
He never finished the word, for there,,
standing before him on the pier, clad in a.
costume as scanty as any ever seen at
Trouville, was Miss Tomboy herself, his-
daughter !
To say that Mr. Bunny was shocked is to-
give a hopelessly inadequate idea of his
What the devil is this ?' he cried.
THE ADVENTUKES OF MISS TOMBOY.
99
feelings. He was horrified, scandalised.
His jolly old face was one vast blush. What
on earth would people say 1
As a matter of fact people were delighted.
They cheered Miss Tomboy to the echo.
Mr. Bunny struggled for words, but
succeeded only in producing a series of
disjointed and furious exclamations. He
brushed his daughter's attempted explan-
ations angrily aside.
His daughter ! Standing there with all
these people staring at her ! He tore off
his coat and flung it around her. Then at
last he managed to speak.
" Go and — put some clothes on."
For this escapade Miss Tomboy was
sentenced to solitary confinement in her
own room until such time as she should
profess a proper penitence, and give a
solemn undertaking to mend her ways. To
make her captivity the more secure Mr.
Bunny took all her outdoor clothes away and
locked the door of her room, after telling her
that her meals would be brought to her by
the servants.
When you have come to your senses,"
he called, " you can let me know,"
Here was a nice position for poor Miss
Tomboy ! All sorts of fun going on in the
world outside and she was a prisoner in
her room, debarred from any share in it. At
first she hoped that her father would relent,
but as the day wore away she realised that
he really meant to be firm this time. She
hoped that Cutey would find out where she
was, at any rate, then something might
happen. She had great faith in Cutey's
ingenuity and inventiveness.
It was on the evening of the third day of
her imprisonment that she heard his low
whistle in the garden outside. She rushed
to the open window. With a gesture he
imposed silence. He had no desire to be caught
there by Mr. Bunny. He held up something
in his hand, and then threw it so that it
fell in the middle of the room. Miss Tomboy
pounced upon it and found a note wrapped
around a peeble. She read it eagerly.
" Tommy darling,
"The skipper of your father's yacht
has been taken suddenly ill. He won't
be able to sail the boat in the race to-
morrow. Your father has set his heart
on winning, and he doesn't know yet
that the skipper is ill. I've thought of
a splendid idea. Can't you manage
somehow to get out and sail the yacht 1
I'm sure you can win with her, and your
father will be so delighted that he'll
forgive us, and everything will be right
again. Do manage it somehow.
" Cutey."
Miss Tomboy agreed with Cutey that it
was a splendid idea. It would be an
adventure after her own heart. But it was
of no use thinking about it. She almost
cried. The reply which she threw down
to Cutey into the garden was this :
" How can I get out ? My clothes
have all been taken away."
This was a facer, indeed ! Still, Cutey
was a lad of resource. Presently Miss
Tomboy got another note :
' I will bring you some clothes to-
night, and come and meet you in the
morning. We'll go straight away to
the yacht."
An hour passed before Miss Tomboy
heard Cutey's whistle again. When she
went to the window he threw up a ball of
string.
' Pull," he whispered.
She hauled up a big brown paper parcel.
As soon as he saw that she had it safely,
Cutey disappeared.
As Miss Tomboy cut the string of the
parcel she felt some curiosity as to what
Cutey's taste in clothes would prove to be.
She hoped the colours would suit her. She
gave a little scream of delight, all to herself,
when she saw what was in the parcel.
Trousers ! White duck trousers, a navy-
blue reefer coat, a yachtman's white sweater
and the duckiest little stocking cap ! She
tried on the cap first, and found that she
could tuck her curls away in it without
trouble. She put on the other things.
They fitted her splendidly, and she decided
she was rather a nice-looking boy. It had not
struck her before that this was an adventure
in which skirts would be out of place, but she
saw now that it offered the only chance
of outwitting her father, who, though he
would not be on board the yacht, was sure
to be watching the race. She did not want
him to know who was sailing the yacht
until the race was over. If she could
manage to win, she told herself, she would
not care how angry he might be. And
perhaps, as Cutey suggested, he might be so
pleased that he would forgive them both.
Anyhow, it was going to be splendid fun !
Her tree-climbing practice stood her in
good stead next morning. The door of her
100
THE ADVENTURES OF MISS TOMBOY.
room being locked, she had to leave by the
window, and to clamber down into the
garden by way of the porch. Cutey was
waiting for her, and they hurried off together
to the harbour, and were soon on board the
yacht.
The crew welcomed their new " skipper "
enthusiastically, so enthusiastically that Miss
Tomboy wondered whether her disguise
was as good as she had imagined.
There was plenty of time yet before the
race would begin, and Cutey and the
" skipper " had a look round to see that
everything on board, every spar and sail
and rope, was sound and shipshape.
Cutey suggested a preliminary cruise to
try the yacht's paces. The moorings were
cast loose, and the trim little vessel stood
out to sea.
" She'll go well in this breeze," said Cutey.
" By jove, Tommy, won't it be ripping if
you win ! You will win, too ! There's nothing
in the race that can beat this boat to-day.
Your father will be so pleased that he'll do
anything you like."
As Cutey spoke he had a look through
the glasses at the pier-head. "He's there,"
he said. ' Lord ! won't it be a treat to see
his face when he knows who has been sail-
ing his boat ! "
There's the get-ready gun," he said, five
minutes later. ' We'd better get some-
where near the mark."
Miss Tomboy brought the yacht cleverly
about and ran her down towards what
Cutey had called the mark, which was an
imaginary line between the pier-head and a
flag-ship, about a hundred yards out at sea.
The "skipper" managed so well that the
yacht crossed the mark as the startmg-gun
fired, and was first away, heading towards
the first buoy.
" Good ! " said Mr. Bunny, rubbing his
hands, too much occupied in watching the
yacht to notice who was at the tiller.
Miss Tomboy brought into play that day
all the tricks of seamanship she had learned
from her father's skipper, and showed a
knowledge of the tides and currents which
made Cutey regard her with respectful
admiration. She took advantage of every
ounce of wind, and showed the way to all
the other boats in the race.
Three times round the course they had to
go, passing between the pier and the flag-
ship at the end of every round. Mr.
Bunny's heart swelled with pride as mem-
bers of the club complimented him on the
speed of his yacht and the clever way in
which she was handled.
" Who's sailing her?" asked one. "Clever
young chap, whoever he is."
" Young chap ! " said Mr. Bunny. " Why,
it's the regular skipper, the one who always
sails her."
Well, he's grown younger then," was the
reply. ' And he's shaved his beard and
moustache. This chap looks no more than
a boy. You have a look when the boat
comes round again. But somebody told me
your skipper was too ill to race to-day."
" It's the first I've heard of it," said Mr.
Bunny.
When his boat completed the second
round, and shot past the pier well ahead of
all competitors, Mr. Bunny stared very hard
at the trim figure with the natty stocking
cap who was at the helm. He could not
make out who it was at all. He concluded
at last that his skipper, finding himself
unable to take part in the race, had sent
this young fellow as a substitute.
" So long as the yacht wins, I don't care,"
he thought. ' And whoever it is that is
sailing the boat, he knows his business. If
he wins I'll do the handsome thing, by
Jove ! I will."
Throughout the last round his binoculars
were constantly in use. He hardly took his
eyes off" the yacht, and when she passed the
pier for the third time, and the gun fired to
announce that the cup was actually his, he
felt like dancing a hornpipe. He reflected
in time, however, that for a man of his
figure, such a performance would be undigni-
fied in the last degree.
Miss Tomboy, having won the race,
brought the yacht round in a brace of
shakes, and headed her for the harbour.
As she passed the pier-head Mr. Bunny,
making a megaphone of his hands, yelled,
" Come to me, here, when you're ready."
Cutey waved a hand in acknowledgment.
When the yacht was moored, and Miss
Tomboy had received the congratulations of
Cutey and the crew, she said, " Now for it !
I wonder what he'll say."
They got into the dingy and rowed to the
steps at the pier-head. Mr. Bunny was
waiting for them at the top, his face beam-
ing. But when Cutey and the skipper "
appeared, the joy of the victor changed to
the anger of the father. The " skipper's "
hail' had somehow escaped from the cap
THE ADVENTURES OF MISS TOMBOY.
101
and streamed down over her shoulders.
The " skipper " stood confessed as Miss
Tomboy herself !
Mr. Bunny forgot all about the yacht, and
even all about the cup. He positively
danced with rage.
" What the devil is this 1 " he cried.
Aren't you ashamed of yourself, coming
here in those clothes ? And how dare you
leave the house without my permission ? "
" I won the race though, Uad," remarked
Miss Tomboy, with charming impudence.
"I don't care," said Mr. Bunny, furiously.
" I won't stand any more of it. I'll send
you away. I'll "
But Miss Tomboy and Cutey had fled.
Mr. Bunny, thinking the matter over
afterwards, decided that the time had come
for him to put his foot down firmly and un-
compromisingly. Miss Tomboy must be
told that she was to marry Van Alstyne.
{To be concluded).
TITALTER EDWIN, the Edison director, is
* * thinking seriously of enlisting. His
recent experience at the head of the
Prussian Cavalry (?) of "Frederick the Great,"
an Edison two-reeler, released September 7th,
leads him to believe that he could cope with
international situations single-handed. This
sumptuouslj' clad and elegantly mounted body of
cavalry was trotting in a country road to indulge
in a friendh' battle scene when they were
suddenly confronted by a large bull. Several of
the horses became unmanageable, and the column
was speedily routed. Edwin, however, succeeded
in executing a flank movement which put the
bull to fliglit. He is positive that he would be
equallj' successful in real warfaie.
WS. HART, the famous Western character
• actor, has joined the New York Motion
Picture forces in California. He will
be featured immediately in some of the most
important Western dramas written and pro-
duced by Thomas H. Ince. Mr. Hart's stage
experience covers a period of twenty-one years.
Most of this time he gave impersonations of the
rugged men of the country beyond the Rockies.
His earh' reputation was made in support of
such illustrious stars as Modjeska and Rhea.
More recently he delighted theatre goers with
his strong convincing work in the original pro-
ductions of "The Squaw Man" and "The
Virginian." Mr. Hart is Western born, and
many of his characters are studies direct from
life. He will be starred in Broncho, Kay-Bee
and Domino films, and is regarded as a great
acquisition to the forces controlled by Thomas
H. Ince.
A NDY CLARK, of the Edison Company,
-^^- who is being featured in the "Andy"
comedies, is a baseball enthusiast. Just
at this season, when he is not being filmed, he is
usually to be found in the neighbourhood near
the Edison stnidio playing baseball. This is
considered by him to be the chief of all sports.
"lY/TlSS LILLIAN WALKER, the Vitagraph
-*--*■ motion picture star, whose porti-ait ap-
peared in our July number, was born in
Brooklyn, N.Y., on April 21st, 1888. She is of
Swedish descent, the name Walker being the
Americanised version of her family name, Wolke.
She was educated in the Brooklyn public schools
and the Erasmus High School. Her first position
was as a telephone operator. Later she became
a professional model, and from that she drifted
on the stage, her first engagement being in "Tho
Little Organ Grinder," in which her fellow star,
Maurice Costello, was the leading man. Her
next theatrical engagement was in comic opera,
from which she entered vaudeville. Travelling
soon grew tiresome, so she again worked as a
model. While thus engaged she applied to the
Vitagraph Company for an engagement. She
was accepted, and her first picture was playing
opposite Mr. Costello in a drama entitled, " The
Inherited Taint." She was exceptionally suc-
cessful, and since her rise to stellar honours has
been rapid and sure. She has appeared in almost
two hundred pictures, her best effort being as
Miss Tomboy in " The Adventures of Miss Tom-
boy." In this she accomplishes much which
even great screen ai'tistes will never attempt.
It is a marvellous performance.
Throughout the world Miss Walker is known
as "Dimples," a nickname honestly earned.
She is an excellent swimmer, a fearless horse-
woman, a splendid automobile driver, and an
exceptional dancer.
T^O you like coffee ? Drop in at the Edison
■*— ' studio any afternoon and have a cup with
Miriam Nesbitt. When j'ou are invited
in you will find the coffee-pot steaming merrily
over an electric stove, presided over by a [jovert}'-
stricken widow or a radiant society beauty —
according to the part that the hostess happens to
be playing that day. But alwaj's there will be
the charming Nesbitt personality — and unsur-
passable coffee.
The Acid Test.
From the VITAGRAPH Photoplay. Adapted hy James Cooper,
The story shows how a self-sacrificing wife endured
the crucial test of misfortune which her millionaire
husband employed to discover whether she had
married for love or money, and how in the result
the heart of her husband was won.
RACE ASHTON had come to
the conclusion that she must
marry money. She wanted
money indeed much more than
she wanted to be married.
She had no desire to give up
her freedom, to change the life which was
so pleasant to her for one, which, however
solid and substantial its advantages (if she
married the right man), would certainly
have its drawbacks as well.
It will be seen that love did not enter
into the lady's calculations. She looked at
the matter, as she would have said, sensibly.
Some people, as a matter of fact, would
have said she was cold-blooded. Certainly
there was no excess of sentiment about her.
She considered the case, for and against
marriage, as calmly and dispassionately as a
man of business weighs the advantages and
disadvantages of a projected investment.
And she made her decision, as has been
stated.
Money she must have. She had expensive
tastes, loved beautiful clothes and the
pleasures of society. The small fortune left
her by her father was growing smaller, for
the income proving insufficient for her, she
had drawn upon the capital. The state of
her finances had begun to be a source of
anxiety, and after much thought she could
see only two alternatives — a marriage or
severe economy. Therefore — marriage.
She had an abundance of suitors. Her
beauty and charm were undeniable, and
wherever she went she always had her
bodyguard of men. Several, she knew,
were in love with her, and only waiting an
opportunity to speak. She herself was
heart-whole, and much too sensible to allow
herself to fall in love with any man without
being first assured that his financial status
was satisfactory. And as she mentally ran
over the list of the men who were accustomed
to dance attendance upon her, she decided
that none of them came under that category.
There was Jack Huston, for instance,
who was coming to call for her presently to
take her to the Lotus Club ball. He was a
pleasant enough fellow in his way, and was
her devoted slave. But life with him Avould
be at best only genteel poverty.
She had got so far in her thoughts when
there came a knock at the door of the
boudoir, and her maid entered with a visiting
card and a big cardboard box. The card
(xrace acknowledged with a shrug of her
beautiful shoulders. It was that of Mr.
Jack Huston himself. The maid cut the
string, opened the box, and produced a
wonderful bouquet of roses. Grace looked
at them without interest, selected one or
two to wear, and went down to the drawing-
room, where Huston was sitting. She
acknowledged with a little smile his com-
pliment upon her appearance, thanked him
for his gift without enthusiasm, and suffered
him to put her cloak over her shoulders.
Then they went out together.
A taxi-cab was waiting, and in a few
minutes they had arrived at the Lotus Club.
If Huston had imagined that his privilege as
her escort carried any proprietary rights he
was quickly undeceived, for Grace was soon
the centre of a group of men begging for
dances. Huston found himself only one of
the crowd, and on the outskirts at that. He
looked on jealously while she talked and
laughed with the others. His chance came
a little later, but he did not get much
satisfaction out of it. Instead of the three
or four dances for which he had hoped, she
only promised him one, and he scribbled his
initials disconsolately in the latter half of
her programme.
" I think you might have spared me more
than one,'"' he said, in a low voice. ' I have
been looking forward to this ball, and I
thought " he paused.
" Yes, what did you think?"
THE ACID TEST.
103
" Well, I thought I might have had the
supper dance at any rate."
Grace laughed. " Oh, well, you know, I
can't give everyone the supper dance. You
should have asked before. First come first
served."
But I wanted to talk to you, and now I
shall have no chance. It makes me mad to
at arm's length for so long, had determined
on this night to push matters to a crisis.
And this one, when they were sitting on a
settee in one of the ante-rooms after the
dance, began to make love to her with a cool
assurance which seemed to say that he had
no fear of a refusal.
She decided that the best thing she could
"Wherever she went she ahvaj's had a bodyguard of men."
tsee all these other men round you."
Grace glanced round to make sure that
nobody was within earshot, and Huston
went on in some agitation.
" Look here, Grace, I must speak. You
can't hold me off any longer." He gripped
her arm. " Can't you see I "
He let go her arm with an impatient
exclamation as Grace's first partner came to
claim her. The newcomer took in the
situation at a glance.
" Hope I don't intrude," he said with a
laugh. " It's our dance, Miss Ashton."
Vastly relieved, Grace took his arm, and
they went off to the Itallroom, while Huston,
cursing inwardly, betook himself to the
smoke-room.
Grace's new cavalier, however, proved as
embarrassing to her as Huston had been. It
seemed as if all the men whom she had been
playing off against one another, and keeping
do was to affect to treat his proposal as a
joke. She astonished him by bursting out
laughing.
" How well you do it," she said merrily.
" You must have practised a lot."
He sprang up with an angry protest on his
lips — a protest which remained unspoken.
As he had interrupted Huston's avowal, so
he himself was now interrupted. One of the
M.C.s approached, accompanied by a man
Grace had never seen before.
"Miss Ashton," said the M.C.,"'lAvantto
present Mr. Marston to you. You've heard
of him, I daresay."
Grace had heard of him. The whole town
had heard of bin', and had been talking of
little else for days. He was a mine owner,
and had come from somewhere out West. He
wasamillionaire several times over, a bachelor,
and according to popular report, he was
looking for a wife. He was the catch of the
104
THE ACID TEST.
season. People said he had roughed it in his
early days, but he had the manners of a gentle-
man and the look of a man who generally got
what he wanted.
What he wanted now, it seemed, was to
talk to Grace Ashton. The M.C. had gone
back to the ballroom, and Grace's late partner,
who had stood glowering at them fora minute
or two, had also disappeared. The millionaire
wasted no time.
Let's sit down and talk," he said, and led
her to the settee from which she had risen
on his appearance.
Grace's mind had been working rapidly.
She determined to be very nice to Mr.Marston.
I meant to get to know you," he said.
I saw you when you first came. I'd have
got somebody to introduce me then, but I'm
not a dancing man. I suppose you are very
fond of it? You can send me off when your
partner comes, you know."
Grace smiled and handed him her
programme. "You may have the next,"
she said. There happens to be a vacant
place."
That's charming of you." He wrote his
initials. "And shall we sit it out?"
If you think you won't be bored," laughed
Grace.
Not I. There's more danger of that for
you. You see I'm not much used to this
sort of thing. It's a good many years since
I went to a ball. I've had other things to do."
Yes ? " she said interrogatively, when he
paused, but he did not tell her then what
other things he had done. Instead, looking
at her with a smile in his eyes, he said : " I
wonder if you'd give me one of those roses."
Considering that he had known her only
about five minutes, the request was a little
unusual, but there was a simplicity and
directness in his manner which quite robbed
of any suggestion of oflfence. Rather to
her own surprise, Grace found herself handing
the rose to him.
' And now," she said, " in return for that,
you must tell me something about your life
out West. It must be awfully exciting. It
must be a better life for a man than the life
led by most of the men I know. They play
games, and flirt, and gossip at their clubs, and
these things fill up their days. They are
not the men who do things."
There was a subtle flattery in this to which
Marston was not insensible, any more than
he was to the look of admiration in Grace's
eyes as she spoke the words.
Marston was a strong man, and a clever
one. In his dealings with men he had
seldom met his match ; where women were
concerned, however, any society butterfly
could have taught him many things. He
trusted Grace absolutely, and fell an easy
victim. During the rest of the evening he
took every opportunity of being with Grace,
and when she announced her intention of
leaving, he begged her to let him drive her
home in his car.
Huston had not appeared to claim his
dance. Grace had indeed almost forgotten
his existence. If she thought of him at all,
it was with a fervent hope that he would not
cross her path again that night.
No such luck ! She was just leaving the
cloakroom with Marston when Huston came
in with a number of other men. His face
was flushed, his hair rather disordered, and
he was talking loudly. Suddenly he caught
sight of Marston and Grace, and walked
towards them scowling.
You're not going home already 1 " he
said to Grace. " What about my dance ? "
Grace turned her back on him and said
something to Marston. The millionaire
looked at Huston.
" Yes," he said coolly, " Miss Ashton is
going home under my escort. Have you any
objection ? "
Huston blustered. " Yes, I have," he said.
She came here with me, and I'm going to
sec her home."
" That is for the lady to decide," retorted
Marston.
Huston attempted to thrust Marston
aside, but the mine owner put out an arm
and forced him back. Don't make a
disturbance here," he said. " I don't think
you are sober."
Huston was furious. He clenched his
fists and would have rushed at Marston, but
the other men held him back, and he ground
his teeth with a curse as Grace went off with
the millionaire without casting a look in his
direction.
* * *
In a week Marston's engagement to
Grace was announced. It caused some
excitement at the Lotus Club, and Huston
bore, with an ill grace, the chaff" with which
he was unmercifully overwhelmed.
Marston, who had been made an honorary
member of the club, recei\ed the conventional
congratulations from everybody except his
great friend, Ned Connor, who declared
THE ACID TEST.
105
roundly that Grace was a heartless flirt, and
had set her cap at Marston because of his
money. The millionaire, however, would
not believe it, and angrily refused to hear a
word against the giil. He was, so Connor
declared, infatuated. Marston went off in
a rage with his best friend, and more in
love with Grace than ever.
They were married. Grace Ashton had
succeeded. She was now Grace Marston,
wife of a millionaire.
Part H.
IT was on their honeymoon that Marston
began to have misgivings. His wife
seemed to care little for his society,
and to welcome any opportunity to escape
from it. She treated him coldly and
received his protests with airy indifference.
He lavished his wealth upon her, bought
her expensive presents, and did everything
he could think of to please her. She
accepted all this as her due, but never
thanked him by so much as a loving word
or look. He might as well have married an
iceberg, he told himself bitterly.
One day, when her ignoring of him hadbeen
more than usually plain, he recalled what
Ned Connor had said. Ned had warned him
not to marry her. He had said she was
heartless, and only wanted his money. Was
it true 1
Marston had taken a house in the town
where he and Grace had first met. They
went back there after the honeymoon. He
had hoped that when they were in their own
home Grace would be different, but she
plunged headlong into a whirl of gaieties.
His part, she let him see plainly, was to make
plans for her amusement, to pay the bills, and
to be ready to accompany her when an escort
was required. He, who had been accustomed
to rule men, was now expected to be trotted
about as the slave of a woman. That he
loved her with his whole heart and soul only
made his slavery the harder to bear.
They went one night to another ball at the
Lotus Club. Giace flirted outrageously, and
with Huston of all men. Marston thought
it was time to interfere, but at his first word
she turned her back on him and walked off
with Huston.
Mrs. Marston made the mistake of judging
her husband by the standard of the other
men she knew. But he was made of
different stuff. There came a time when he
decided to put his wife to the test, to see if
it was really only his money she wanted, or
if he himself had any place in her affections.
His wife had expressed a wish to see a
new play, of which the whole town was
talking. He promised to take her, and as
he would be occupied in town until the
evening on important business, it was agreed
"And now in return for tiie rose, you must tell me something of j'our life.'"
106
THE ACID TEST.
that she should meet him at the theatre.
Marston was there early, but though he
waited about in the entrance hall until half-
■an-hour after the play had begun, his wife
did not appear. At last he gave up hope
and went home.
Grace was not in,
and in answer to his
enquiry, her maid
told him that she
had gone out to a
bridge party and
would not be home
until late.
He showed no
sign of feeling when
the maid gave him
the information, but
afterwards in his
own " den " he de-
cided that he would
stand it no longer.
How he wished he
had heeded Ned
Connor's warning.
It was then that
the idea of testing
her occurred to him. He could not even now
believe that she was utterly indifferent to
him. This night should decide it.
" So youVe come back," he said, when
Grace returned some hours later. Had a
good time ? "
Grace was drawing off her gloves. ' Pretty
fair, thanks," she answered, coolly.
'' I waited for you at the theatre."
" The theatre?" she rejoined, wonderingly.
Why, of course — with a laugh — I forgot."
His face darkened. " It doesn't strike
me as amusing," he said.
There was a knock at the door, and the
maid entered with a telegram, which she
handed to Marston and withdrew. He
opened it and gave an exclamation.
What is the matter 1 " asked Grace.
The look on his face had scared her.
He handed her the telegram.
Mine petered out," she read. " Plant
seized by creditors."
What does it mean? "she asked anxiously.
It means that 1 am ruined," he answered.
Good God ! Every penny I have is in the
mine. Everybody thought it was worth
millions."
I le had expected her to weep, to reproach
him, to do anything, in fact, .rather than
Avhat she did do. She sat down at a desk,
opened a drawer, took something from it,
and wrote for a minute or two. Then she
stood up, and, still without looking at him,
held out a slip of paper.
'' What's this 1" he asked, as he took the
ii
He handed her the telegram."
paper.
" A cheque," was the reply. " I have a
little money of my own, you know. Not
very much, I'm afraid, but perhaps it will
help. I want you to take it."
But — but — hang it ! I can't."
Isn't it of any use 1 "
Oh, it's not that — but all your money —
it's splendid of you, but "
" Do take it. I — I want to help."
He nearly took her in his arms and
confessed then and there, but she still kept
her back turned towards him, and he put the
cheque in his pocket and went out of the
room.
Next morning he announced his intention
of going to Colorado to see if anything
could be saved from the wreck. She showed
no sign of emotion as she wished him luck
and gave him a cold cheek to kiss.
The days passed. After a week she
received a telegram from him :
"Everything lost. Absolutely ruined."
She broke down then, but whether her
grief was for her husband's sake or her own
it would have been difficult to say. But when
he came back she went to him as he entered
the room and kissed him of her own accord,
for the first time since they had been
husband and wife. Again the impulse
THE ACID TEST.
107
■came to him to confess, but the test had
not gone far enough yet.
He began to talk to her about their future.
They would be poor — very poor. He would
have to start all over again. He would
make another fortune, he declared, but there
would be hard times first.
' We must give up this expensive house,"
he said. ' ' We shall have to go into cheap
apartments for a time, and I must look for
work. It will be hard for you — very hard.
It isn't quite fair, perhaps. Are you willing
to share my life? You can have your
money back if you like, j'ou know."
She had another surprise for him. Turning,
she threw her arms round his neck and
burst into tears.
Oh, Tom, don't be so cruel," she sobbed.
It's your money now. I'll go with you
anywhere — I want to go."
Marstou could have sung for happiness,
but he held himself in.
They found their cheap apartments, and
Grace set about making their rooms com-
fortable and home-like with an enthusiasm
which she had never shown for the palatial
house they had left. Marston was delighted,
and the days that followed were the happiest
he had ever known. He had hard work to
keep up the deception.
One morning after they had eaten their
frugal breakfast, and Marston had started
out, as he told her, to look for work,
Grace went into the town to do her
modest shopping. She was returning when
she passed Jack Huston, who was standing
on the pavement by the side of a big motor-
car. She did not see him, but he saw her,
and jumping into the car, bade the chauflTeur
keep her in sight.
Grace had only been indoors long enough
to remove her hat when there came a knock
at the door. She opened it, and Huston
walked in, without waitingfor an invitation.
She was so taken aback that at first she
could not find words.
So this is where you have hidden your-
self," he said, looking contemptuously about
the room. ' You don't seem to have made
much of a bargain, after all. You'd have
done better to have married me."
" I don't agree, Mr. Huston," Grace
retorted. I married a gentleman."
Huston winced at that. " Well, I don't
want to quarrel," he said. "Look here,
Grace, this is no place for you. I can't
fancy you as the wife of a poor man. Come
away with me. My car is at the door. I've
come into a fortune since I saw you last. I
love you, and I can give you every luxury,
everything you can wish for. What do you
sayr'
Marston, outside, strained his ears to hear
Grace's reply. He had seen the car waiting
in the street, and had rushed upstairs and
put his ear to the door, in time to hear
Huston's infamous proposal. What would
be Grace's answer*?
" You brute ! " he heard her say. ' How
dare you make such a suggestion to me !
You coward ! To think your money could
make any difference. Why, I'd rather be
poor with my husband than rich with any
other man in the world ! He's worth
ten thousand of you ! "
Marston heard a curse and a scream, and
burst into the room to find his wife struggling
in Huston's arms. Red flames seemed to
dance before his eyes. He sprang at the
scoundrel and in a flash had him by the
throat, in a grip of iron. He would have
shaken the life out of Huston there and
then if Grace had not stayed his hand.
" Let him go, Tom," she begged. ' He's
not worth it "
Certainly he did not look worth much as
Marston, exerting all his strength, flung him
across the room. He looked a still more
contemptible object when, a few seconds
later, he picked himself up and, edging as
far away from Marston as he could, slunk
out of the room.
Marston turned to his wife. " I've a
confession to make," he said. And then he
told her, looking into her eyes.
" I nearly confessed a score of times," he
said, " but I'm glad I went through it after
all. I know now that you're true gold."
She put up her arms and diew his face
down to hers.
" Tom," she whispered, " I love you."
It was some minutes afterwards that he
said, " We can go back home now."
Giace looked round the shabby little
room, and laughed rather wistfully.
"I should like to come back here some-
times," she said softly. " It was here that
I learned to be happy."
One of Our Girls.
Adapted from the FAMOUS PLAYERS Production
by Wm. Orchard.
An American girl pays a visit to her French
relatives, amazes them with her antics, saves the
reputation of her cousin, and marries the hero
after the exposure of the villain.
ES, the maid always screams
when the butler kisses her."
Comte de Crebillon bowed,
with a deprecatory gesture, as
he made the explanation to
the two gentlemen who had
run into the garden from the house on hearing
a piercing scream. The Comte smiled indul-
gently, and the alarmed guests, with apologetic
remarks and broad
■■|^^H|^BBM grins, turned back to
^^^fjR^^^H| the house. 1 he Comte
f "v ^^H watched them for
several moments,
then the studied smile
died from his face,
and he turned back
in the direction of the
house, remarking
gloomily :
" Well, that was a
narrow escape. Never
mind, the old well
Captain Gregory. covers the secret for
ever."
The Comte de Crebillon had cause for
anxiety. Ever since he had married Julie
Fonblanque for her large iloi he had been
haunted by the vision of his real, but secretly
married wife, who, in a crazy fit, had thrown
herself down the well with a piercing scream.
It was suicide, yet the Comte knew only too
well that he was lesponsible for the death of
his wife. Ever since he had determined on
marrying Julie Fonblanque he had caused
his real wife to be incarcerated in a cottage,
with a vile, drink-sodden woman for keeper,
and under his instructions drugs had been
administered to his victim until the poisons
had shattered her reason. Then one evening,
with the party in his house, his wife suddenly
appeared, having in some way evaded her
keeper, and in the garden beside the old well
had confronted her husband and spoken
bitter, haunting words. Then the final
paroxysm and the sound of the splash. Ugh — [
The Comte was glad to enter the ballroom
again, even though he experienced another
unpleasant surprise when the visitor from
America, pretty Miss Kate Shipley, said to
him saucily, We are engaged."
" Congratulations," he murmured insin-
cerely. " Is it the lucky British captain ?"
" Yes," retorted the
girl. "And I shall
have the man of my
choice, too. That's
even luckier."
The Comte winced.
The allusion to his
matrimonial venture
had touched him on
the raw, for it was an
open secret that his
wife, Julie, had loved
her cousin Henri, and
only the pressure of
her parents had com-
pelled her to marry
the Comte.
Kate Shipley had come all the way from
America to attend the wedding of her French
cousin, and the breezy, free and independent
manner in which she expressed her opinions
had endeared her to some members of her
cousin's family, and had amazed and shocked
others, including the Comte, who believed in
the principle that girls should be seen and not
heard. As athletic as a Eoman gladiator and
as bold as a Sikh warrior, Kate's physical and
mental qualities shone out radiantly against
the background of effeminate-looking males
and doll-like women. Awake at five, dumb-
bells and Swedish drill at five-thirty, coffee
at six, swimming at a quarter past, and Kate
was ready to face the world from any vantage.
She was even suspected of boxing on the
quiet in her little private gymnasium, and a
The Villain— Comte
de Crebillon.
ONE OF OUK GIRLS.
109
few claimed that
Kate aspired to
the white woman
championship of
America.
"Ah, the British
captain will tame
our pretty Ameri-
can visitor," con-
tinued the Comte
somewhat acridly.
" The British beat
their women, eat
large beefsteaks,
and say ' damn '
every minute.
I've heard all
about them."
" Does Captain
Gregory look as
if he performed
all those thing?"
asked Kate, with
dangerous quiet-
ness.
Ah, ma cherie, it is my little joke," retorted
the Comte diplomatically, as he moved
amongst his guests.
The Comte's fears returned as he caught a
peculiar look from Dr. Girodet, an old friend
of Julie's family. He had been one of the
men attracted to the garden on hearing the
scream, and in the meantime had turned the
subject over in his mind.
Do you know, Comte," he said, address-
ing Comte de Crebillon, " I have a fancy that
the cry we heard came from the well."
" Keally," said the startled Comte. " I
fancied myself that it was one of the maids
of whom the butler is very fond."
'' The cry was too piercing," replied the
doctor, shaking his head. " I have a mind
to have that well sounded."
"Ah," said the Comt, " I think it is
unnecessary."
Dr. Girodet was as good as his word.
While the gay friends of the chateau were
welcomed in on the following night to a gala
ball, several men, under the direction of the
doctor, had brought the corpse of the drowned
woman to the surface. The Comte, who
had heard of the matter, had gone into the
garden to think his position over. He feared
no danger, for even the discovery of his wife's
body would bring no crime home to him, for
she was absolutely unknown to anyone in the
vicinity, and no one in their wildest dreams
"Good morning."'
had suspected the Comte of a previous
marriage. It was while he ruminated that a
silent little procession, headed by Dr. Girodet,
traversed the gravelled walk to the gate.
"My suspicions were correct," said the
doctor to the pale-faced Comte. " It was
some poor deniented creature who sought
death in your well."
The Comte, unable to trust himself to
speak, merely bowed his head as the little
procession passed. AVith a supreme effort
he pulled himself together and walked back
to the house, and the first thing he did was
to pour himself out a large glass of port, which
he drained to the bottom.
" Heavens ! " he muttered, as the colour stole
back to his face. " What shocks I am under-
going. I wonder if that interfering doctor
has any suspicions "
The wine had restored his courage and he
sought this wife's room. Here occurred anothei-
shock to his nerves, for Julie, with her back
to the door, was kissing a photograph with
transports of passion. The Comte hardly
believed it was his own, and hecreptupbehind
his wife to ascertain the cause of her
happiness.
A glance satisfied him. The portrait was
that of Julie's cousin, Henri. With a
mocking smile the Comte reached out his
hand for the portrait.
" Madame, when a woman marries," inter-
no
ONE OF OUR GIRLS.
]iosed the Comte, "she gives up all her old
loves."
" I hate you," replied Julie desperately.
' My coufcin was the one I ought to have
married."
Perhaps so," replied the Comte, coolly
taking the photo from her hand with a jerk.
In this life few people can get what they
want."
' I have already warned your cousin Henri
that he must meet me at the point of the
sword if he pays any further attentions to my
wife," continued the Comte. ' I never fail
to kill my man in a duel, and Dr. Girodet
knows that, for he has asked me to spare
your lover."
Julie burst into a passion of weeping, and
the Comte, feeling very virtuous as the
injured husband, withdrew. For several
minutes Julie allowed her tears to flow, then
she commenced that dangerous operation for
a woman — to think.
Julie turned to her writing material?, and
after many attempts she compiled the
following letter :
" My darling Kate,
"I can bear this misery no longer. I
am going to Henri, who loves me truly.
Tell mother and father — I cannot. I
know you understand and will not
despise.
Your heartbroken
"Julie."
When a few minutes later this note was
handed to Kate, that girl determined ta
rescue her French cousin from her impossible
position. Although Kate sympathised with
Julie over her ill-starred passion for Henri,
she still believed that if only Julie would
conquer her feelings, there was still a
possibility of a calmer matrimonial career.
Yet, here was Julie wrecking her whole life
by one false step.
Kate rushed out and encountered at the
gate her aunt's carriage, waiting to take the
old lady out for her daily shopping expedition.
Time was important, and without hesitation
Kate entered the carriage and told the
coachman to drive her to Henri's address.
The coachntan, thinking his mistress had
changed her mind and that Kate was using
the conveyance herself, drove off immediately.
Madame Fonblanque's face, as she stood
outside the gate a few minutes later, was a
ONE OF OUR GIRLS.
HI
study of perplexity, bordering on despair.
At this moment the Comte de Crebillon
came in view. He eyed his perplexed
mother-in-law with surprise, and in reply to
his unspoken question she said :
Now I can't go shopping, for Julie has
taken the carriage."
The Comte started. "Did she want to
do any shopping to-day 1 " asked the Comte.
I suppose so, but the tiresome girl might
have told me," said mamma, as she turned
back into the house.
The Comte
remained where
he was for sev-
eral moments,
then he turned
back and went
down the road
at a quick pace,
and his steps led
him in the direc-
tion of Henri's
lodgings.
"I think I
know the kind
of shopping you
are indulging in
to-day," mur-
mured the
Comte to him-
self. "But I
don't want you
to make a fool of
y ourse If — it
would spoil the
family settle-
ments."
He arrived at
Henri's lodgings,
and without in-
forming the
servant he went
straight to
Henri's rooms. There was the sound
of a woman's voice, and as the Comte
pushed open the door there was a flutter of
skirts, and as he entered and faced
Henri, he was just in time to see another
door closing rapidly.
To what am I indebted for the honour
of this visit 1 " demanded Henri, coldly.
Can you askV sneered the Comte,
looking round him.
I still ask," retorted the young man.
' Well, my virtuous friend," continued
the Comte, "I have reason to believe that
Dumb-bells at five-thirty.'
my wife is here, in your apartments.
Perhaps you will be kind enough to inform
her that I wish to escort her home again."
Julie, in the other room, behind the door,,
quaked at the steely sound of her husband's
voice, and it was all Kate could do to prevent
her cousin from collapsing. It was certainly
an awkward position for both women, and
Kate, seeing the condition of Julie and
wishing to save her further suffering, resolved
on a bold stroke.
" He will kill Henri," moaned Julie, in
despair.
Hush," mur-
mured Kate,
placing her hand
over Julie's
mouth. " He
will hear you, if
you do not keep
quiet."
There was a
diversion in the
other room by
the arrival of
Captain John
Gregory, wha
had an appoint-
ment with
Henri. The
Captain and the
Comte bowed to
each other, and
the latter again
turned to Henri
with the remark:
Perhaps you
will be kind
enough to call
my wife, sir."
Seeing that
the young man
made no at-
tempt to meet
his wish, the Comte turned to the door of
the ante-room, with the remark :
" Perhaps my wife requires some
assistance."
It was at this moment that Kate carried
out her plan of self-sacrifice. Pushing Julie
into a corner behind the door, Kate marched
out and faced the astonished men.
There was a tense silence for several
moments. After the first surprise the
Comte turned to the Captain with a sneering
smile :
" It seems I have made a mistake. It is
112
ONE OF OUK GIKLS.
not my wife, and I apologise.''
The Captain turned a little
pale. It was a cruel moment
for him, but he bore the shock
silently. The Comte turned to
leave the room, but he could not
miss a parting shot.
Miss Shipley, pray do not use
my wife's carriage in your future
intrigues."
" Stay."
It was the Captain's voice. The
Comte turned interrogatively.
You have insulted this lady
by using the word intrigue. Please
apologise."
There was a disagreeable smile
on the Comte's face as he retorted :
" I thought the evidence was
strong enough even for an obtuse
Britisher."
The Britisher took a Britisher's revenge.
With a quick swing of his arm he struck the
Comte on the cheek, and when the Comte
recovered there was an exchange of
cards and a mutual invitation to get up
early in the morning and settle the little
trouble with lead.
There was more trouble when Julie and
Kate arrived home. Mdme. Fonblanque had
heard of the proposed duel between Captain
Gregory and the Comte de Crebillon. The
outraged lady sought her niece and pro-
ceeded to deliver a lecture.
What's this disgraceful thing I hear?
The Comte and Captain Gregory to fight
— over you."
That's all right, auntie. The Captain is
as good a shot as the Comte."
" Well, I never. Is that all you have to
say in excuse of your conducf?" ejaculated
Mdme. Fonblanque, thunderstruck.
But Kate slipped away unconcernedly,
although there was a pathetic little droop of
the lip when she thought of the reproachful
look in the eyes of the Captain when she
had emerged from her hiding place in
Henri's rooms.
" These American girls," sighed Mdme.
Fonblanque, " they do what they like."
The duel took place the next morning,
with Dr. Girodet and two seconds in
attendance. Dr. Girodet had a twinkle in
his eye when the men were placed opposite
each other, at twenty-five paces, with pistols
ready cocked.
The signal was given. Two shots rang
Tlie Comte's demented wife.
out, and the Comte de Crebillon fell to the
ground. The seconds saluted ceremoniously,
and congratulated each other on a well
conducted function. Dr. Girodet went to
the wounded man.
All, a fatal spot," said the doctor, feeling
for the wound. "You have only a few
moments to live. Have you anything on
your mind that you would say before you
go?"
The Comte did not feel quite so bad as
that, but he was terrified, and who will
contradict a doctor? Immediately he heard
the words a trembling seized him, and he
gasped out :
' Yes, I have a confession to make."
" Very well, lill take it down," replied the
doctor.
" The woman who met her death in
the Fonblanque well was my legal wife,
Sylvia de Crebillon. She was partially
insane through the use of drugs, which
I confess having caused to be
administered.
"[Signed] Comte de Crebillon."
" Very good," continued Dr. Girodet.
" We have you at last. You have been
tricked. The injury you received is slight,
and there is not the least fear of your dying
— not just yet." The doctor turned to
several uniformed men who had just arrived
on the field. " I think the services of these
men are needed more than mine."
The resuscitated Comte rose to his feet
with a bound, but it was no use. A second
later he was handcuffed and led away.
ONE OF OUR GIRLS.
113
The amazed Captain Gregory hardly knew
what to make of these unexpected develop-
ments until Dr. Girodet made him wiser.
The clever doctor also hinted to the Captain
that he must not mind the appearances of
the incidents in Henri's room, and the
oi^cer nothing loth went back to the house
to seek out Kate.
He found a note on the table for him
which the Captain opened eagerly.
" I can't explain things, so if you
won't believe in me don't follow me.
"K.S."
" P.S. If you do believe in me, you
fighting Britisher, I am in the
conservatory.
" Kate."
The Captain immediately went to the
conservatory and sought out the wilful,
beautiful girl who had made havoc with his
heart. He spied her hiding behind a large
fern, and he hurried forward Avith a touch
of his habitual shyness. The girl's smiling
face peering from between the ferns re-
assured him, and becoming suddenly bold
he caught her in his arms.
So you do believe in me ? " said Kate
softly, a few minutes later.
Yes," replied the Captain, " I am too
good an Englishman to risk my life for a
woman that isn't worth fighting for."
And that is how our girl became Mrs.
Gregory.
Meanwhile the guilt of the Comte de
Crebillon being secured by his own
confession, his marriage to Julie Fonblanque
became, in legal terras, "null and void,"
and it did not help the Comte to bear his
imprisonment any easier to hear that Julie
and her cousin Henri had at last been united.
SEVERAL interesting additions have recently
been made to the list of celebrities appear-
ing in the Mutual Girl Serial, which the
Dominion Exclusives Company are handling in
this country. British audiences should be par-
ticularly interested in the scenes in which Sir
Arthur Conan Doyle, the author of " Sherlock
Holmes," and Lady Doyle are introduced. Sir
Arthur is asked to assist in the discovery of
" Our Mutual Girl," who has been abducted, and
confers with Mr. W. J. Burns, the famous
American detective, as to the best means of find-
ing her. Mr. and Mrs. August Belmont, prom-
inent leadei'S in New York society, Ysaye, the
famous violinist, and Jimmy Britt, one-time light-
weight champion of the world, are other interest-
ing people who have been persuaded to pose for
the camera by Mr. Jack Noble, the energetic
producer of " Our Mutual Girl."
CLAIR WHITNEY, of the Blache Company,
who was a clever dancer before entering
the realms of motion pictures, was presented
with a large and magnificent silver cup recently
for her delightful interpretation of the tantalising
tango at the Grand Central Palace, U.S.A. Her
partner was Arthur Backrack, and their demons-
tration was convincing proof that they are as
much at home on the waxed floor as they are
before the camera.
A T it again ! Once again Dick Neill's athletic
-^*- ability brings him into the limelight.
Ever since he broke his shoulder in " The
Charge of the Light Brigade," the Edison
directors have been very careful not to give him
a chance to risk his neck again. In " The
Counterfeiters," an Edison single-reel drama,
however, he makes his escape from the third
floor of the house in which he is imprisoned, by
descending a rope hand over hand for 200 feet.
Then, having summoned the police, he returns
to his prison V)y climbing the same rope. Mean-
while Sally Crute wrestles manfully with the
loose end of the rope, and succeeds in holding it
out from the house and preventing Neill from
bumping against the wall. After completing
the picture he felt so sore that he at once took up
training again, and is now in such great physical
shape that he guarantees to climb the same rope
with one hand held behind his back!
RUTH ROLAND, the famous Kalem comedi-
enne, who appears in "jWanted, an Heir,"
a neM' comedy, has a coloured servant
whose husband died recently. According to
Miss Roland, the man had formerly been a
preacher in the African Methodist Church.
"According to Marilla," said Miss Roland, "he
failed to satisfy his flock during the first year of
his ministry, whereupon a committee requested
his resignation."
"Look here!'' demanded the preacher.
" Whut's de trouble wid mah preachin' ?
Doesn't I argufy?"
"You sho does, brother," replied the spokes-
man.
" Doesn't I 'sputify concerning the Scriptures?"
" You suttingly does," admitted the other.
" Den whut's wrong ? "
"Well, brudder," replied the head of the
committee, " hit's dis way : You argufies an'
you 'sputifies, but you doesn't show wherein !"
E
An Englishman's
Home.
Adapted from the B. & C. Film, which is founded on the great
Wyndham's Theatre Play by a far-seeing and talented author,
who chooses to he known as ''A Patriots
"I appeal to my fellow-countrymen to uphold the
honour of their land. Every man we can raise is
needed in this great struggle of giants I am
not exaggerating when I say that England stands at
the crisis of her fate. She depends on her young
men now, and I know they will not fail her in her
need." Field-Marshal Earl Roberts.
ERMANS!" said Brown scorn-
fully. " We shall never see
any of them here, you may
bet your boots on that ! "
Brown was just an ordinary
Englishman, in comfortable
circumstances. He bad lived in snug security
so long that he could not believe himself,
his family, and his property in any danger
from a foreign foe. Indeed, he had almost
come to believe in the impossibility of war.
England was at peace, and did not want to
quarrel with any other nation. Why should
any other nation, then, want to quarrel with
her ? The idea was preposterous.
Sometimes he may have been vaguely dis-
quieted on reading in the papers about the
rapid increase in Germany's naval power, and
the marvellous perfection of her immense
army. But these things, after all, he told
himself, were entirely Germany's business :
they could not concern him. England had a
fleet, too ; it cost a lot to maintain — too
much, he thought — and it was quite power-
ful enough to make Germany think twice or
three times before attacking this country,
even if she ever had the idea of doing so,
which Brown did not for a moment believe.
As for the talk of a citizen army, whose
task it would be to defend the shores of
England and the homes of Englishmen, that
was nothing more than moonshine. If there
was no possibility of England being attacked,
where was the need of a citizen army ?
Brown'.i logic was quite conclusive to him-
self, as to thousands of other Englishmen.
The Browns of the country regarded the
Territorials with an amused indulgence.
Amateur soldiering was no doubt a pleasant
enough game for those who liked it. There-
fore there was no reason why men should,
not learn to shoot, form fours, right wheel,
and all that sort of rot if they wanted to,
but there was no call upon the general body
of citizens, quiet, law-abiding men, to
sacrifice time and comfort for these things.
No call at all. To keep the lawn in good
order and to grow roses was much more
useful work — so the Browns believed.
Brown had many an argament with young
Paul Robinson about this. Robinson did
believe in a citizen army ; he was convinced
of the reality of the German menace. It
was no mere taste for soldiering that had
induced Robinson to join the Territorials,
but a strong sense of duty, and he and
thousands of others all over the country
were drilling, shooting, and making them-
selves into efficient soldiers against the day
when the trumpet call would ring out — To
Arms !
But they were only the thousands ; the
millions were Brown and his like, who went
blindly on with their business, their gardens,
and their games, incredulous of danger, and
completely misreading the signs of the times.
Brown and Robinson had been having one
of their arguments on this Bank Holiday
morning. The house was full of young
people. Brown's daughters and their male
admirers were full of innocent fun and good
spirits. They were bent on spending an
enjoyable day ; and since a thick fog made
golf and tennis impossible, they were going
to make themselves as happy as possible
indoors playing Diabolo, or any other game
AX ENGLISHMAN'S llOMK
115
' Men had climbed the telegraph posts and cut the wires
which might suit their inclinations for the
moment.
The fog which had overhung the North
Sea and the East Coast of England for a
fortnight had rather upset Paul Kobinson's
arrangements too. He had intended to
spend the day at target practice, but that
was impossible under the circumstances.
His disappointment was keen, but after the
argument with Brown, which had closed
with the latter's
contemptuous dis-
missal of the
German danger, he
went away to the
headquarters of his
battalion, hoping
that the fog might
yet clear away so
that he could get
his target practice
after all. As he
walked down the
garden path one of
the young men he
was leaving cried
out to him :
"Well, Paul, you
are a mug ! Fancy
spending a Bank
Holiday practisinj^
rotten shooting ! "
heed, and the
Browns and their
guests, becoming
absorbed in the
deep mysteries of
Diabolo, soon forgot
all about him and
about the Germans
as well.
The fun was
going fast and
furious when there
came a dramatic
interruption. A
thundering knock
at the door brought
the game to an
abrupt conclusion,
and before the
merry party had
recovered from
their surprise a
number of men in
uniform walked
into the room. The leader, a bearded giant,
addressed Brown in the voice of a man
accustomed to command. He asked him
questions about the surrounding country,
how far it was to the nearest town, where
the railway station was situated, and whether
there were telegraph and telephone offices
in the village.
Overawed by the officer's manner. Brown
gave the required information while his
Paul paid no
" Brown's little daughter had a revolver presented at her head.
116
AN ENGLISHMAN'S HOME.
daughters and their
admirers looked on
wondering. When
the questioner
turned away and
began to speak to
his companions,
Brown thought it
time to assert his
dignity and his
rights as a free-born
Englishman. Who
the intruders were
he did not know.
He had the average
Englishman's ignor-
ance of military uni-
forms, and supposed
that these were
Territorial officers,
or perhaps Regulars
engaged in some
manoeuvres in the
neighbourhood. They spoke good English.
Anyhow, that they should walk into his
house as though it belonged to them filled
him with resentment.
" Look here," he said, I don't know who
you are, but you take my advice, my man,
and stick to the road. You Tommies are
all very well in your place, but remember
that an Englishman's house is his castle ! "
The men laughed, the leader most heartily
of all. With a curt word or two of thanks
-«*>'
" An oiHcer with a drawn sword seemed to be indicating the
direction of advance."
^K^v^f
^- ^J-'^^-^
J 2 1 ■ <- '5* ■ ■• .^
Hi^Sfe;-- ^i;^
" You have killed one of my men.
they filed out of the house and went away.
Robinson, returning to Brown's house
from another direction, saw them leave, and
seemed very much puzzled and worried by
Brown's account of their Adsit and the
questions they had asked.
I believe they are foreigners," he said
presently, but Brown ridiculed the idea,
declaring that Robinson had Germans on
the brain.
But Robinson was uneasy, and determined
to get to the bot-
tom of the mystery.
An hour or two
later, to Brown's
anger and astonish-
ment, the men came
back again. They
entered the house
without ceremony,
but this time Brown
got in the first
word. The picture
of outraged dignity,
he faced the
bearded officer.
' I insist upon
having your name,"
he said, " and the
name of your
absurd corps. Now,
sir ! "
From his superior
You must pay the penalty." height the officer
AN ENGLISHMAN'S HOME.
117
looked down upon
his questioner, and
replied calmly :
I am Prince
Yoland, in com-
mand of the Black
Dragoons of his
Imperial Majesty
the Kaiser ! "
The German
smiled to see the
effect his amazing
words produced.
Brown gasped, and
exclamations of
astonishment and
dismay broke from
the other members
of the party.
Another officer
came up quietly and
stood by the side of
his leader. He held
a revolver in his hand.
Hands up ! " barked Prince Yoland
suddenly, and at the word Brown's hands
shot up above his head. If he had been
able to look round he would have seen that
his family and his friends had also obeyed
the command. They were giveu sternly to
understand that they weie prisoners.
Prince Yoland calmly took pos^session of
the place, making it his headquarters.
Officers came and went with reports and
instructions. The countryside, they said,
was absolutely quiet. The spies were doing
their work thoroughly, the people of the
district took no notice of them, and the
authorities were quite unsuspicious. There
was nothing to obstruct the onward mai'ch
of the troops. Men had climbed the tele
graph' poles and cut the wires.
Poor Brown was bewildered. Why had
not the news of the German landing been
flashed along the wires as soon as they
reached the coast *? Suddenly he remem-
bered with a shock that the telegraph and
telephone system had not been working for
days, owing to a strike. The rest of the
country must be in utter ignorance of what
was going on.
Kobinson had been right after all. The
invasion he had feared was now an actual
fact. But if Brown had begun to realise
this, some of those in his family circle were
still incredulous in the presence of the very
Germans themselves ! A young fellow
" Setting fire to the place out of sheer, M'antoii lust of destruction."
named Sn ith, engaged to Brown's daughter,
even tried to extract some fun from the
situation. The Germans ignored his feeble
witticisms, but when he said something
about this making prisoners of harmless
citizens being all rot," Prince Yoland
remarked siguificantly :
" Where I come from none of the citizens
are harmless. They are all soldiers."
Smith pondered, and so did Brown. They
had both sneered at the idea of a citizen
army. It would have been useful now !
Brown gained some experience during the
next few hours of the way in which an
invading army behaves to the people of thn
invaded territory. He and his family and
guests were made to understand that they
were the servants of the Germans, and that
they must do immediately what they were
ordered to do. If they showed any unwilling-^
ness they were brought to a more submissive
frame of mind by the most terrible threats.
The Germans did not hesitate to be brutal
even to children, and Brown's little
daughter was treated roughly and had a
revolver presented at her head because she
was not ready enough with her answers.
When the elder daughter, though trembling
with terror herself, ventured to remonstrate
with Prince Yoland about the brutality of
his men, he only said :
" Madam, they are hungry and must have
food. This is war — and war is not gentle."
Brown was even yet unable to realise the
118
AN ENGLISHMAN'S HOME.
full gravity of the situation. It seemed so
unreal, so absolutely impossible. It was
lilce a nightmare, and presently he would
wake up ! But meanwhile the nightmare
continued. When he saw the Germans
damaging his house, his furniture, and his
beloved garden he became exasperated, and
did what the ordinary man does in times of
] cace when he sees his belongings assailed.
I'll have no more of this nonsense,"
he cried. ' I'll go and fetch a policeman ! "
Poor little man ! The utter futility of
what he was about to do never struck him.
lie would have gone to the police if a
drunken man had entered his garden and
started to destroy his rose trees, and so he
went to instruct the village constable to
arrest a German army I
But the constable was nowhere to be
found. Everywhere he saw German soldiers.
Thoy seemed to be preparing to march.
A score or so of officers were standing in
a group. One of them was looking through
field-glasses, and another, with a drawn
sword, seemed to be indicating the direction
of the advance. There was a general air
of bustle and excitement.
When Brown got back to his own house,
still in a pitiful state of bewilderment, he
found to his relief that the Germans had
left.
They've gone," Smith cried, as Brown
appeared. " It's all right now. It's none
of our business. Let's have some fun." He
sat down at the piano and began to play a
rollicking music hall air.
Paul Robinson, who had by this time
formed a clear idea of what had happened,
rushed into the room in time to hear Smith's
words.
"Are you all mad 1 " he shouted, beside
himself with anger. " The country is
coming down like a house of cards, and you,
and thousands like you, are saying it's none
of your business. All you think about is
having some fun. Oh, my God ! "
He dashed out of the house, sprang
on his bicycle, and rode like the wind to
the headquarters of his regiment.
There came from somewhere outside the
crackling of rifle fire, and while the Brown
household were staring at one another in
dismay, the door was burst open and in
rushed a number of soldiers — scores of them,
filling the house. They were British this
time, and at a sharp command from their
officers the men took up their positions at
the windows and doors, and began firing as
rapidly as they could. From outside came
answering volleys. Here and there a man
fell.
At this poor Brown lost his head entirely.
What on earth were these men doing to his
house 1 Wasn't an Englishman's house his
castle ? He rushed up to an officer and
positively screamed at him :
"Is this a madhouse let loose? Stop!
What right have you in my house "? If you
must play this fool's game, go outside and
do it in the public road ! "
The officer looked at him with contempt.
You are a civilian," he said. ' You can't
lift a finger in defence of your house or
your country. It's a pity you did not earn
the right, instead of cursing those real
patriots who are doing their best."
Brown slunk away abashed. He was
beginning to learn his lesson, and it was very
bitter.
There was a tremendous roar, followed
by a crash. It seemed to Brown that the
house rocked to its foundations and then
split into fragments. It was not as bad as
that, but the damage done was considerable.
The Germans had trained a gun on the
house, and their shells soon made the place
untenable for the British, who evacuated
it, leaving Brown once more master of his
own house, and that house a ruin.
By this time he was in a pitiable condition,
and raged up and down like a madman,
calling down bitter curses upon the heads
of the men who had done this thing.
The roar of the guns had ceased, and
presently somebody came to tell Brown that
the Germans were coming back again. He
sprang to the window and saw a number of
them entering the garden. In a frenzy he
snatched up a rifle which had been left behind
when the British retired, brought it to his
shoulder, and fired. He laughed savagely
when aGerman soldierfell. His joy was short-
lived, however. The men burst into the
house and seized him before he could turn
away from the window. They dragged him
brutally before the captain. Brown's
pleading and the appeals of his daughters
and guests were brushed rudely aside.
" You have killed one of my men," said
the captain, savagely. 'You are not a
soldier. You have no right to defend your
house. You must pay the penalty ! "
Quiet enough now, his face wearing an
expression of pained bewilderment, poor
AN ENGLISHMAN'S HOME.
119
Brown was seized by a couple of soldiers,
dragged into the garden, and placed against
the house wall. There was a sharp word of
command, a volley rang out, and Brown
fell, shot through the heart — the man who
would not believe.
Fortunately there were others who had
believed. The news of the German invasion
reached in time the general commanding the
district. Mustering all his forces, he made
a rapid march, defeated and routed the
Germans, and made prisoners of all who
were not killed and wounded. Those who
had remained at Brown's house were taken
by surprise. They were amusing themselves
by setting fire to the place out of sheer
wanton lust of destruction, when the British
surrounded the house and took every man
prisoner.
The great invasion had failed, but it had
taught Englishmen a lesson. Poor Brown,
shot in his own garden like a dog for daring
to defend his home, had not died in vain.
MAURICE GEORGE WASHINGTON
COSTELLO was born in Pittsburg, Pa.,
on Washington's Birthday, Febrviary 22,
1877. His father was Thomas Costello, born and
raised in Ireland. His ancestors, three generations
before, came from Spain. His mother was Helen
Fitzgerald, also boi-n and raised in Ireland. Her
ancestors are pure Irish, as far back as can be
traced.
Maurice Costello's parents were married in
America. His father died when Maurice was
two years old. The mother still lives. He has
two sisters but no brothers. He was educated in
the public schools at Pittsburg. Going to work
when about 11 years old, as a printer's devil, he
never had a chance of attending cither high
school or college, being compelled to support the
family.
When he was about 16 years old he commenced
to appear in amateur entertainments. His first
professional engagement was with the Davis
Stock Company in Pittsburg early in 1897. He
continued with that organisation for three years,
playing everything from the smallest parts to
the most important characters. His first pro-
fessional work with a company recognised as the
most successful stock company in America gave
him training such as few actors ever receive.
Possessing an enviable reputation as a stock
actor, Mr. Costello was engaged with the Boyle
Stock Company in Nashville, Tenn. ; the Spooner,
the Columbia and the Gotham Stock Companies,
in Brooklyn, N.Y. ; the Yorkville Stock Com-
pany in New York City, and Summer Stock
Companies in Wildwood, N.J. ; and Fall River,
Mass.
Six years ago he played a few extra parts with
the Vitagraph Company of America. The crude
cameras and projecting machines of that period
and the style of motion picture acting did not
seem to agree, as there was a terrific jerkiness in
all pictures. Mr. Costello evolved the "slow
motion" style of acting which is now used by
every pictoiial star of importance in the entire
world. This new style of acting attracted the
attention of the Vitagraph Company, and he was
engaged as their first leading man. His excep-
tionally varied theatrical experience soon gained
for him an enviable reputation in pictures. His
only motion picture engagement has been with
the Vitagraph Company of America; he is still
in their employ and heading their list of stars.
In addition to acting he directs all his own
pictui'es.
* * *
In December, 1913, he headed a company of
Vitagraphers sent round the world. This trip
required nearly a year and pictures were taken in
every country visited. The trip pi-oved the most
successful of the several similar trips made by
other concerns, for Costello's ability as an inven-
tive director surmounted many of the obstacles
which have been the undoing of the other similar
companies. His rei^ertoire numbers about 300
dramatic plays and more than 1,000 photo plays.
Prior to entering the dramatic profession, Mr.
Costello was well-known as an all-round amateur
athlete. He is an enthusiastic automobilist and
boxer, a Mason, and a member of the Greenroom
and Screen Clubs.
Mr. Costello was married to Mae Tresham, a
non-professional, and has two daughters, Dolox-es
and Helen Costello.
Neiu York Morniiig Telegraph,
12th April, 1914.
NOTHING much will be heard of the Cinema
in Germany for a long time to come, as
news from Holland suggests that the
business is almost dead.
Military films are very popular throughout
Holland just now, and the troops are specially
encouraged to visit the cinemas where mobilisa-
tions and war ofieratioas are being shown.
The Widow's Mite.
Adapted from the THANHOUSEB Film hy Edoiiard.
Pained that he is unable to make his teacher a
birthday present like the rest of the scholars, the
little son of a washerwoman places a valuable pin,
found by his mother in a blouse sent to be washed,
in the teacher's satchel. The pin is lost, and suspicion
falls on the teacher, who breaks off her engagement
in consequence. The 'plucky little fellow, however,
confesses tearfully to what he has done.
T is a strange little village,
Farn bridge: a line of straggling
cottages, with a number of
fairly wealthy houses on the
outskirts, together with
middle-class homes. It has
no industry to keep it alive. All sorts of
people settle there because it is pretty in the
neighbourhood. In the middle of the village,
flanked by an open space, stands the school-
house, where all the children, who cannot
go to the neighbouring town, make their
initial studies. Later the better class
people send their boys and girls to the
higher schools in Burnford.
Mrs. Alger, whose husband was a
prosperous manufacturer in Burnford, sent
her twin daughters to be taught by Miss
Hall at the village school. Billy Badgley,
whose mother was the washerwoman, and
the little son of the curate, went also,
together with the grocer's girl. There was
little class distinction. All the children
loved their teacher whole-heartedly. She was
a woman to be loved by others also. A slim
figure, with masses of brown-golden hair
Avreathed round a sunny, intelligent face,
Mary Hall attracted attention from the first,
and then wound herself round the heart of
any man who found himself in her company.
So it was with Nolan Gaue, the young
uncle of the Alger twins.
Their meeting came about in the most
unconventional manner. Nolan had come
down from the city, where he led the usual
pretty gay life of the young man with
enough to spend. He intended a few days
holiday, and being a great favourite with
the girls he was perforce made to accompany
them to school the very first day of his stay.
No use to protest that schools made him
shudder — the twins would have nothing.
Do come. Uncle. We shall see so little of
you, being at school all day," they cried as
they curled round him.
And if I come, it is only ten minutes'
walk, and you will be quickly swallowed up
by the other scholars. What interest is
that for me?"
Oh, well," said one, ' I think you'll find
it very interesting. We have an awfully
pretty teacher."
Cheeky puss ! Do you think to draw me
with the promise of seeing a pretty teacher'?"
" Do come. Uncle," chimed in the second
twin ; " we'll introduce you, and I'll bet you
a box of chocolates you fall in love ! "
Oh, so it's chocolates you're after, not
my company. Anyway I'll come just to
enjoy your discomfiture when you see your
chance vanish."
" Hurrah, come along then ; we must go
now."
Laughing and chafing, they went to the
school, Nolan somewhat interested to know
what the twins' idea of feminine beauty was.
At the school door there was no sign of
their teacher.
" She's inside. You must come in and be
introduced," said the girls.
In they went right up to the front of the
class, the girls holding Nolan's hands as if to
prevent his escape.
"Teacher, please we've brought our
Uncle Nolan to introduce to you," cried the
bolder.
Uncle Nolan flushed slightly and lost his
self-control somewhat as Mary Hall turned
on him a pair of twinkling blue eyes, and
with the slightest inclination of her little
head murmured a " Good-morning."
"Er, good morning," responded Nolan,
and the twins smiled behind their hands.
" Would you care to take a chair for a ;
THE WIDOW'S MITE.
121
moment'? I must open the lesson," said Mary,
waving him to an uncomfortable looking seat
at the side of her desk.
" Yes, thank you — that is, I should like to
watch the lesson, if I may," answered the
visitor, haltingly, as he took the proffered
seat. He was hoping she would continue
to talk to him. The twins were right —
she was indeed pretty. Of course, it was
all rot love at first sight and that sort of
thing. But he wished he could remain
self-composed — his fingers were a nuisance
and his hat would be all out of shape by the
time he got over his nervousness. Anyway,
the twins should have the chocolates. It
was worth it. He threw a glance towards
them. The were chat-
ting confidentially be-
hind the teacher's back.
Little scamps ! No
doubt he was the
subject, and they weic
laughing at him.
" Pardon me, I'm
afraid you must just
watch and listen,"
Mary broke in on his
thoughts, flashing a
merry smile at him.
" Oh, yes ; I'll imag-
ine I'm at school again,
only it will be more
pleasant than my actual
experiences at school,"
he answered, inanely.
The lessons pro-
gressed. The twins
were more intent on
their uncle than their
studies, and Nolan Avas
uncommonly interested
in the teacher's move-
ments, more so than in
her efforts to inculcate knowledge into the
heads of the youngsters. Once he looked
up and caught the twins grinning and
whispering surreptitiously, while one pointed
a finger at him ; another time little Billy
Badgley stared at him with an encouraging
smile. It was certainly both pleasant and
uncomfortable. He was glad he had come
if only that it pleased the twins, but he
felt very strange and awkward : somehow
it was a sensation he had never had before ;
and when, as the teacher placed her hand
on the desk near him, he felt an almost
irrepressible desire to seize it and kiss it —
"Billy
he only restrained this folly by calling him-
self a blithering idiot.
The lessons for the morning were over.
Nolan rose, but he made no attempt to
move. He waited, like the twins, to say
"good-day" to Miss Hall. That "good-
day " was not said inside the school-house,
but somewhere near the Algers' house,
Avhere Mary left the trio to go her own way,
after acquiescing in the hope that "he " and
" she " might meet again.
* * *
Poor Billy Badgley toddled to school in
bare feet. It was summer, and Billy hated
the restrictions of boois and stockings; also
Mrs. Badgley found it saved quite a con-
siderable outlay to let
her pride and joy have
his own way as to
footgear.
Though Billy had his
way in this respect, he
was not happy this
morning. It was
teacher's birthday, and
while Billy would liked
to have shown that he
remembered the aus-
picious event, as others
no doubt would, he had
not a present, or the
means or the oppor-
tunity to get one.
Moodily he took his
seat, and as the other
scholars went one after
another to the desk
with a birthday gift
e ach — chocolates,
flowers, and the like —
a big lump rose in poor
Billy Badgley's throat.
He wanted to cry, but
manfully struggled to hold back his tears.
It was a gallant fight — the tears would
well up in his eyes, and at last he could
restrain himself no longer. He buried his
tousled head in his arms on the form and
cried as if he were the most miserable
little boy in the whole world.
The sound of the choking sobs attracted
the teacher ; she saw Billy's shaking form,
and realising what was the matter ran down
and took the mite in her arms.
" Why, Billy, what is the matter 1 " she
asked soothingly.
For a moment Billy could not answei',
122
THE WIDOW'S MITE.
" Oh, Mrs. Badgley, what a beautiful pin.
then swallowing his sobs he n\uttered :
I love you much as the rest, teacher,
but I ain't got nuffin' to give you."
I know, Billy; but what does that
matter 1 Don't cry, little man. I tell you
what, Billy, I'll come and see you and mamma
at home after school, just for my birthday."
' Will you true, teacher ? " said Billy,
looking up eagerly. It was an honour for
teacher to visit his humble home.
Yes, Billy, soon after school," she
answered to reassure him, at the same time
remembering she had promised to go to the
Algers' that evening, particularly to see her
fiance, for friendship had quickly developed
into love between Nolan and Mary, and
already she wore a pretty diamond ring on
her finger.
That same day Mrs. Alger had sent a deal
of laundry for Mrs. Badgley to operate upon,
and the honest washerwoman, sorting out
the garments, found a beautiful pin in one
of the blouses. Intending to return the pin,
which undoubtedly was a valuable one, she
stuck it in her blouse and went on with her
work till her pride, Billy, returned from
school. Shortly after Billy came someone else,
but instead of blustering in like the widow's
mite, this second person politely knocked.
That's teacher," ejaculated Billy as he
made for the door. " It's her burfday, so
she's coming to see us."
Good gracious, lad ! Did you ask her
to come, on washin' day, too 1 "
Billy had no answer for his mother's cry
of alarm — he was too busy opening the door.
' Come in, teacher, please," cried Billy,
and Mary Hall stepped in, lively and jolly
as her wont, particularly when visiting the
homes of her poorer pupils.
" Good evening, Mrs. Badgley.
Up to your eyes in work, as usual,"
was Mary's cheerful greeting.
"Yes, miss. You rather flustered
me. Billy didn't say as you was
comin'," said the widow, wiping
her hands on her apron.
" So, you young scamp, you
kept my birthday visit a secret,"
said Mary, shaking a finger at Billy.
But Billy, now perched on a chair,
did not seem to mind the ad-
monishment much or take it
seriously.
At that moment Mary's eyes
caught the brilliant pin stuck in
the widow's blouse.
"Oh, Mrs. Badgley, what a beautiful pin,"
she cried, for, like all young vromen, she
liked pretty ornaments, though few came
her way.
" Yes, miss, I found it in a blouse. It
doesn't belong to me, indeed," said Mrs.
Badgley. " Would you like to look at it,
miss ? " holding it out to her.
" Thanks. Oh, isn't it a beauty. Wouldn't
I like one like this. But — well, I have not
got one, that's all." And Mary laid the pin
down on the table as she turned to look
at something else the other side of the room,
which the widow had to show her.
This was where Billy entered into action.
The pin was within his grasp, the teacher's
satchel was also lying on the table. Billy
connected the two articles. Teacher had
said she would like it ; it was her birthday
also. Then why not? And so he slipped
the pin into the satchel, and sitting on the
edge of the table, looking as innocent as a
lamb, said nothing till the "Good-bye " came ;
but in his heart he was shouting with pride
and joy. It was a clever achievement,
cunningly executed, and successful. That
was little Billy Badgley's idea.
+ * *
When Mrs. Alger discovered the loss of
the precious pin she was ready to accuse
anyone of theft. Then suddenly she remem-
bered it might be in the blouse she had sent
to the wash. Calling Nolan, she rushed him
off down to Mrs. Badgley. That good lady
was not prepared for this second visit, and,
to be truthful, was not well pleased with the
interruption. Still she had to be respectful
— Mrs. Alger was one of her best patrons.
" Mrs. Badgley," cried the newcomer, out
THE WIDOW'S MITE.
123
of breath — she and Nolan had hurried —
have you found a gold pin in one of my
blouses *? I have lost one and I am sure it
was in my silk blouse."
Sure, I have, marm," replied the washer-
woman, her hand going to her breast where
She had previously put it. I stuck it in my
blouse, intendin' to return it, marm. Why,
where is it? I had Oh, of course, teacher
called in, and noticin' it, I showed it to her.
she must have put it down somewhere here,"
continued Mrs. Badgley, searching on the
table.
Little Billy under the table quaked. He
and he alone knew where the pin was, and
now there appeared to be some trouble over it.
It's not here," continued Mrs. Badgley,
after hunting high and low in the most
impossible places; "perhaps teacher took it,
absent-minded like."
She must have taken it if she was
the only one here," chimed in Mrs. Alger
angrily.
Don't talk like that till you are sure,"
broke in Nolan, in defence of his sweetheart,
though he had a strange feeling of doubt.
Who else could have it, then ? No one
else has been here, Mrs. Badgley says."
Let us go and see before we cast stones,"
answered Nolan, feeling annoyed at the
situation; and off the two went again to find
Mary, followed some way behind by the
washerwoman, desirous of clearing herself.
Billy left alone, shook with fear. They
had accused his beloved teacher of stealing
the pin — and it was his fault. Misgivings
of queer forms filled his infant heart — he
tried to imagine the consequences, but, poor
little fellow, he failed. Visions of convicts
^ i^^
"iLittle!Billy, under the table, quaked."
he had once seen flooded his mind, and
climbing on a chair to look in a mirror he
beheld himself in convict garb. Unhappy
mite, he gave way to his fears, and for the
second time that day his puny frame shook
with weeping. Bitter weeping too, for he
had only worked to make someone happy,
and instead he had brought evil.
Mary, on leaving the washerwoman's house,
wandered slowly in the direction of the Alger
house, but by a roundabout way. The twins
were watching for her, and espying their
teacher a long way off flew to meet her. At
the same time Nolan and Mrs. Alger came
hurrying up from the other direction.
The three awaited them.
Mrs. Alger was out of breath and out of
temper. " Mrs. Badgley tells me you have
taken my valuable pin," she shrieked at
Mary.
" I taken your pin ! Ridiculous ! " replied
Mary haughtily.
" No, no. Mrs. Badgley merely said you
had it in your hands last. She thought you
had taken it in mistake," put in Nolan.
" Do you imagine, also, that I took the pin
away 1 " inquired Mary of her flurried fiance.
" Oh, no; certainly not — not intentionally."
Nolan wished to explain himself, but Mrs,
Alger prevented him.
" I will have you searched," she cried, and
called to a passing policeman, to whom she
said :
This person, I believe, has taken a
valuable pin of mine. Search her bag,
please ! "
" Do you mind. Miss ?" said the constable,
laying his hand on the satchel.
"Look through it if you care to," answered
Mary, impatiently, angry at the
accusation, and disgusted with her
fiance for his suspicions.
The eonstable went through the
{ satchel, and his fingers closed
"■ round the pin, so slyly placed there
I by Billy.
J Mary gasped with amazement.
Mrs. Alger gave a suppressed
cry of joy, and threw a glance of
" I told you so " at Nolan, who
looked as if he would like the
earth to open and swallow him.
Mrs. Badgley, who had arrived in
time to see the pin drawn forth,
muttered in dismay, " I'd never
have thought it."
Mary stood aghast, too surprised
124
THE WIDOW'S MITE.
to say a word. No doubt Nolan took the
silence and the expression on Mary's face for
guilt and fear of arrest, for he stepped over
to her and whis| ered, " Never mind, I will
see they do not arrest you."
'You, too!" was all .Mary could say to
this added insult, then taking the enga'^oment
ring from her finger she thrust it into Nolan's
hand with a look of unutterable disgust.
He stood gazing at the symbol, scarcely
aware what to do with it, M'hen a pitter-
patter of bare feet canie from down the road.
The policeman had disappeared, and the twins
had been carried off a little way by their
mother as if she feared contagion. The
pitter-patter came nearer and resolved itself
into little Billy running for all he was worth.
"I did it," he cried from afar, and
continued to cry as he came near. ' I did
it — I put the pin in teacher's bag for a
burfday present."
I'm sorrwy, teacher. I 'ad nufhn' to give
you ; an' I didn't think it was stealin'."
Tears were coming into Billy's eyes again,
and Mary, as she had done before, snatched
him up in her arms.
Nolan crept round.
" Forgive me, Mary, dear. I knew there
must be some mistake,"' he said ingratiatingly.
"Who made the mistake? " was the swift,
unrelenting answer.
Well, you would not listen to me, would
you ? "
I do not listen to those who can think
Ijad of me."
' But I never "
' You did. It was not love, but pity that
made you endeavour to protect m.e from
arrest." Mary was sarcastic — could afford
to be now.
Yet pity is akin to love — and is there
reason why Billy should have all of both 1 "
But Mary only mixed her bonny hair with
Billy's tousled locks till she felt an arm steal
round her waist. Then she sat Billy down
and turned on Nolan with all the anger of a
disappointed woman. She raked him fore
and aft with a broadside of the bitterest
words she could find — her eyes flashed fire ;
but Nolan stood it all, and placed a neat
shot when chance made it possible. Event-
ually Mary capitulated ; and Billy, seated on
the top step of the Algers' house, enjoyed
himself immensely as Mary's face hid itself
somewhere between Nolan's shoulder-bone
and his collar.
'ITTALLACE REID, who has just joined the
» ^ Reliance and Majestic forces, is the son
of Hal Reid, the playwright and one-time
film producer. On his own account, he is athlete,
author-actor and the youngest director in film-
dom. Mr. Reid towers to a height of six-feet
two-inches. Surveying in Wyoming, poetry,
newspaper work, acting, and collaborating with
his father in writing and staging plays, gave the
young college graduate a great deal of interest-
ing experience. It was out of sheer curiosity
that he started to learn the motion picture
business. Four years ago he went to the Selig
Company as assistant camera man. Soon he was
playing juvenile leads. This led to the Vitagraph,
the "American," and the Universal. Since
joining the Mutual, he has staned in "Arms
and the Gringo," and " The Citv Beautiful."
^ I ^HERE is encouragement for youthful
■*- scenario writers in the success of Miss
Anita Loos of San Diego, California. This
young lady — she is only eighteen — has written
many film plays for the Majestic and Reliance
Companies. She was discovered by D. W.
Griffith when the latter was chief producer to
the Biograph Company.
'TT^HE Edison Company is producing a film of
1
the well-known play, "My Friend from
India." This piece had a very successful
run in New York City, and Walter E. Perkins,
who took the leading role in the legitimate
production, will also play the same part in the
film version, which will be in three parts.
JAMES O'NEILL, a Blache Star, graduated
from the University of Pennsj^lvania as a
dentist, where he was a fellow student of
Fred Mace. James O'Neill, of Solax and Blache
features, soon went the way of the footlights,
and rose so rapidly to fame that his career as a
Thespian would make an interesting book of
manj' pages.
Although well rememliered for his work in
" An American (ientleman," with Rose Stahl and
Helen Ware; in " Up York State," with David
Higgins ; and in " The Men of Jimtown," with
Howell Hansen, James O'Neill scored his great-
est stage success in "The Burglar," bj-
Augustus Thomas, in which he starred for ten
years. As a motion-picture star he received
immediate recognition, and has been appearing
in Solax and Blache photo-dramas for the past
two vears.
On the iscreen
EVAN STRONG
Mr. Strong has for several years been connected with one
of the largest houses in the Film Trade. In his monthly
article this keen observer discusses happenings in the
Picture World and gives his ideas and suggestions which,
supported by such practical experience, prove valuable
and instructive reading.
HE war has not done what the
prophets toM us confidently it
would do. On the contrary,
it has proved a spur to the
film trade. Reports from all
over the country show extra-
ordinary success, and those who could only
see black clouds hovering over the hot izon at
first have been forced to the conclusion that
a,t least those black clouds have silver linings.
There is cause for optimism, but there is also
the need for effort to maintain enthusiasm in
the cinema. It must not be forgotten that
the fillip to cinematography in Great Britain
is to some extent due to the sudden output
of topical war films which aroused the
patriotism of the public. The time will
come when the war picture will be nauseating,
and then it is that the cinemas will have to
face the great fight. When that day comes
it is to be hoped the public will realise that
support of the cinema is support to one of
the greatest industries in the country, which
has at the moment an opportunity to
entrench itself against foreign competition.
Particularly should the cinema-goer remember
that Germany has for years dumped enor-
mous quantities of films in Britain, and is
even now endeavouring to keep her footing
on the market by sending subjects through
Holland, Italy and Scandinavia, under
different trade marks. It is up to the
British trade to kill the German cinemato-
graph business in England, and thus make
room for British manufactures. German
films are not of the best quality. Now and
again an exceptional film has come over.
The British and American, French and
Italian, are much superior to the general
stuff" turned out of German factories; but
the Germans, with their peculiar methods,
had captured a large slice of the cinemato-
graph trade here to the detriment of the
home market.
* + *
DO you realise what support of the home
market means 1 It means the
support of British workmen; and the
most patriotic thing to do at the present
moment is to spend as far as you can, but
see that what you spend goes into the
pockets of your countrymen. Beware that
when you go to the cinema your money is
not flowing into the pockets of your country's
enemies. Go to the cinema as often as you
can, but impress on your manager that you
only want to see films produced by English-
men, England's Allies or Neutrals. He can
get them, and will get them if you ask him
to.
* * *
IT did not take our Editor long to decide
that the "Call" was directed to him
personally, and so he went straight away
and is now at X (as the papers say). I am
sure readers of ' Picture Stories Magazine "
will join with me in wishing him the best of
luck, a brush with the enemy and a
triumphant return. The cinema trade has
given a host of fine fellows to the country's
service in this day of trial. We know they
will do their duty well, for they are all
sturdy, sterling fellows, of unquenchable
spirit. So here's to them again, and to our
patriotic Editor and the men who have left
our staff to take up arms in the cause of
justice and right, which the Allies are
fighting.
126
ON THE SCREEN.
SOME interesting stories are being told of
camera-men at the front, or rather
attempting to get to the front. I was
in Brussels myself just before the Germans
entered, and I made friends with a party of
half-a dozen camera-men who were held up
in the capital. Several of these made a
burst away to get pictures of the fighting at
Haelen, but though they got in the firing
line, and actually took pictures, a bullet put
one of the cameras out of action, and when
the men got back to Brussels the police
destroyed all their negatives.
There is little likelihood of us ever seeing
any actual war pictures. Extremely stringent
measures are being taken to prevent cameras
getting within miles of the fighting. It is
alike in Belgium and France, only in the
latter country the government have allowed
a couple of operators with the troops. It is
a moot question whether this refusal of
facilities to the cinematographer is wise or
not, yet I am content to let the authorities
know best, and indeed, I hardly see what
good will be done by revealing all the
terrible incidents of battle. We shall learn
enough of the devastating effects of war
from the pictures we shall certainly see of
the ravaged, burned countryside. I have
seen enough with my own eyes to realise
the awfulness of war, but what I have seen
is trifling to the stories I have heard from
British, French and Belgian friends who
have been in the m.iddle of the fighting.
Germany has a deal to answer for, and she
will answer for it on her knees. If the tales
of rapine which I have had recounted to me
are one tithe true, then Germany and the
Germans deserve no mercy. Cinema-goers !
boycott everything German, either from
Germany or handled by Germans.
* * +
ONE of the most unhappy eff"ects which
is to be traced to the outbreak of
hostilities is the postponement of the
Kinematographic Exhibition which was to
have been held at Olympia in September.
This exhibition was to have been arranged
on a grand scale, and would have been the
means of bringing the general public into
closer touch with the inner side of cinemato-
graphy. We were promised, also, visits
from a number of prominent artistes, and
cannot but regret that they have had to be
held over. We hardly know the film
players well enough. If we are theatre
patrons we know our favourite actor or
actress intimately. Not so our screen
favourites — these we never see in the flesh,
and perhaps we form some very crude ideas
of their personalities. For instance, we
scarcely realised what a rational and wonder-
fully interesting person Miss Florence Turner
is until we shook hands and talked with her
at the Glasgow Exhibition at the beginning
of the year. So it is with others, we do not
know and get the right interest in them until
we see them. This postponed exhibition
would have afforded an excellent opportunity
of meeting some of the " stars " of the
profession. It is a pity that it could not be
held. But perhaps in January — I hear that
it is quite probable that the exhibition will
now take place early in the new year.
* p *
ONE very gratifying effect of the war
has just come particularly before my
notice. Previously a large number of
firm.s who handled films placed their printing
orders abroad, chiefly in Paris — I mean the
printing of films. Naturally, they have
found this is no longer possible, and all such
work once done abroad has now to be
executed in Great Britain. It is unfortunate
that France should be hit in consequence, as
in our trade fight we are out to assist our
brave ally, but France must,, under the
condition of things, wait till campaigning is
over in the land, then she will capture a
vast amount of the manufacturing orders,
which hitherto went to Germany. It will
be a rejuvenated and reinvigorated France
that will rise above this war, and she will
find that Britain will help her with trade as.
well as with troops and sympathy.
In another direction the war will put new
life into the British film interests. Owing
to the impossibility of producing on the
Continent, many firms have notified their
intention of producing over here. Great
Britain has been sadly overlooked as a
producing country, though the possibilities
are great. Perhaps circumstances will
bring about a proper recognition and
utilisation of these possibilities, it would
mean the building up of a great industry
and the foundation of smaller industries for
the needs of the great one. Let us hope the
golden era of British cinematography is about
to open.
N
0 doubt many cinema-goers are con-
sidering retrenchment in their
favourite form of amusement. It is
ON THE SCREEN.
127
to be hoped, however, that they will think
twice before cutting out the cinema in their
pruning of expenses. Retrenchment on
the part of theatre patrons now would cause
a grave injury, in that it would demoralise
the trade which has an opportunity of
establishing itself firmer than ever. Cine-
matography and its many ramifications
employs a vast number of people, and if it
should come that theatres had to reduce
staffs on account of poor patronage, the
misery this would bring about would recoil
on the whole vast business. Therefore I
would implore you to put in appearance at
the cinema as regularly as ever. You need
have no fear that there is or will be a falling
off in quantity or quality. All the studios
are working at top speed to produce feature
films. This season will bring out some of
the best efforts of the cinematographic art,
and you should not miss them.
CINEMATOGRAPHY has given of her
best to the country, in this, her hour
of need. Hundreds of fine young
fellows have answered the call, and are now
at the front or in training. They have
poured out from the theatres, from the
offices and from the studios, many of them
sacrificing everything in their intense
patriotism. You also, patrons of cinemato-
graphy, can do something, can show your
patriotism even if you cannot fight. In
theatres all over the country appeals are
being made for the various funds which
have as their purpose the amelioration of
destitution. Hundreds of theatres are
devoting their proceeds to one or another
fund. From Glasgow alone over a thousand
pounds have been given to charity. This
means money right out of their pockets, it
means the money you spend for an evening's
amusement. Is it not, then, worth sup-
porting the cinemas to the utmost when they
are doing such good work? Go to the
cinemas, go more often, not less often !
* * *
But the picture houses have not stopped
at this. They are proving invaluable re-
cruiting agencies, and further, they are
making appeals which should touch the
heart of everyone. Particularly opportune
is the appeal being made in the picture
halls for cigarettes for the soldiers. You
devotees of Lady Nicotine know what it
means to be without a smoke. You must
realise the delight of a puff to a brave
Tommy who has been fighting all day.
Cinema proprietors are asking you to drop
one of your packet of ten in the general
box to be forwarded to the troops. Will
you be so niggardly as to ignore the appeal ?
Of course not. I knew you would not,
you will be free with your doles, and not
only single ' fags," but whole packets and
bundles will tumble into the pile which is
going to bring solace to hundreds of tired
out or wounded fighting men.
+ * *
THEY are beginning to squabble in
America over a matter which we
have long settled here — the question
of the long or ' feature " film. They are
coming to reason over the water and are
beginning to understand that we are right.
A picture is not a 'feature" because it is long,
for the majority of long films are padded
films, and we do not want them. What we
want and what we have decided and im-
pressed on the trade we will have, is a
concise story with life and sustained interest
in it. Americans are demanding the same.
They have put up with what the producer
thinks they want long enough, and arc
asking to be studied. Perhaps one day they
will take another hint from us and follow
our ideas of a progi'amme worth sitting out.
+ * *
THIS month sees an innovation in the
"Picture Stories Magazine," the price
being raised to fourpence. This in-
crease is dictated by the enormous rise
in expenses, particularly the papers on
which this magazine is printed. Fourpence,
after all, is not an excessive price to pay for
a magazine of the nature of this one. There
is no other journal supplying the want that
"Picture Stories Magazine" is supplying.
When readers realise this I am sure they
will not cavil at the price. They will go
on buying and reading the magazine because
they want and like it, and they will intro-
duce it to their friends who have not yet
been fortunate enough to see it. Readers
will have noticed too that the quality has
improved. Our birthday number brought
numerous congratulations from up and
down the country. This has been the aim
of the Proprietors all along — to improve
and always more improve the journal and
its contents. You will admit our success
so far, and you will help us to achieve
further success.
With the Players
^ITITALTER LONG, the Reliance leading man,
' ' while playing a crook in a recent Reliance
detective drama, had a genuine compli-
ment paid to his make-up. The company was
making several scenes in Santa Monica and a
short intermission had been given for lunch.
Long, in his crook make-up, went into a small
restaurant. The proprietor ej-ed him all over
and refused to serve such a suspicious looking
character, and as the actor was starting to leave
the cafe he ran into the arms of a waiting police-
man. It seemed that the restaurant-keeper had
'phoned the police the moment after Long had
put in an appearance. Explanations followed
and the "crook" was permitted to return and
eat his lunch in peace.
T^AVE THOMPSON is to appear in the
-*— ' Thanhouser productions again after being,
for abovit twelve months, Cast Director at
the New Rochelle Studios. His well-built figure
has been missed during the time in which he
merely arranged the stages, placed the right
people with the right producer, superintended
the "make-up" of the artistes, ordered the cos-
tumes, wrote up new property lists, directed the
scenic artists, and secured people for the next
day's work. The foregoing was Mr. Thompson's
employment each day, after which he had
" nothing to do until to-morrow," unless some
belated producer showed very plainly that he
wasn't finished. Several of the "Big" produc-
tions have also been staged and rehearsed by Mr.
Thompson, whose enthusiasm for the pictures is
unlimited. He is one of the veteran Thanhouser
players, born in Liverpool, whose future work in
Thanhouser Films will be watched with interest
by many people who will remember him in
former days. He appears to advantage in " The
Pendulum of Fate," taking the role of "The
Banker."
CHARLIE BENNETT, we hear from the
Keystone studio, was educated for the law.
He used to go play-acting at night, though
his parents little suspected his duplicity. He
got his start with Edwin Booth. To father and
mother Bennett all actors were lost souls, so
Charlie felt obliged to keep his eminent connec-
tions in the profession a profound secret. He is
one of many people now famous on the boards
or in the film who began their career more or
less surreptitiously. To-daj% Bennett is one of
the most popular and one of the cleverest
members of the all-popular Keystone group.
"jV/TR. HARRY ROYSTON, the actor who
i-TX figures at the commencement of this
number, is an experienced pantomimist of
the old school, and was for many years the
principal comedian to Mr. Fred Karno.
He generally acts the part of the villain in the
films, having especial talent in this direction. A
man of herculean proportions and terrific
strength, no encounter or struggle can be too
fierce for him, and some of the fights put up by
"Our Harry" still stand unsurpassed in the
annals of film history.
The greatest thing he ever did was his " Bill
Sykes" in "Oliver Twist," everybody agreeing
that such a splendid and life-like rendering of
this difficult part had never before been witnessed.
Mr. Royston is now engaged in portraying the
important part of "Dennis" in Hepworth's latest
production, " Barnaby Rudge." When this all-
English film is finished it will be found that Mr.
Royston has greatly added to his own personal
laurels.
MISS ALICE UE WINTON, whose portrait
appears in our art supplement, is the very
latest recruit to the picture world in
general and to the Hepworth Manufacturing Co.
in particular.
A West End actress of great repute, her name
is already familiar to the public. A skilful and
experienced actress, she has all the necessary
attributes for a successful picture player; and
now that she will constantly be appearing in the
wide and unfettered field which the camera offers
for her art, there is no doubt of her scoring a
series of big successes.
The two principal parts which she has hitherto
played are those of "The Faithful Governess,"
in "One Fair Daughter," and "The Collier's
Wife," in " A Throw of the Dice." In the latter,
her impersonation was effectful and forceful to a
degi-ee, and caused the critics to welcome her as
a great acquisition to Pictureland.
Miss de Winton is, by the way, a bit of an
authoress, and both of these two stories emanated
from her pen.
"Picture *'
ORDER FORM. ^ StOtJeS^
v3/ MAGAZINE
To THE PUBLISHER, Z)fl/^ 1914
DUCDALE STREET WORKS, CAMBERWELL, S.E.
Dear Sir,
Please send me " Picture Stories Magazine," post-paid for twelve months, commencing
from issue, for which I enclose remittance, 5/6«
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Yearly Subscription for Abroad, 6/- Post Free.
Sons of the Empire ! !
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The Book of the Scout Movement!
Boy Scouts
and whal ihey do
/tlustraced
Imperial Scout Exhibition 1915
Approved Publication,
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tKn Historical Record.
56 Illustrations, and
Bound in Cloth.
PHOTOGRAPHS
Including Handsome Full-sized
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CHIEF SCOUT.
2ND EDITION NOW READY !
ENTITLED—
BOY SCOUTS
AND WHAT THEY DO."
With an Autograph Introduction by the Chief Scout.
Scouts at their Arts and Crafts, lllu^rated.
1/6
OF ALL
NEXT.
BOOKSELLERS.
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elephone: 3820 Hop (two lines). Telegrams: "Advapost, Camber, London.
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Printed and Published by OLDFIELDS CAMBERWELL PRESS. S.E.
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No. 1 5.
MAGAZINE
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Pidure Stories Magazine.
(Illustrated Films Monthly).
CONTENTS FOR NOVEMBER, 1914.
VOLUME ill. No. 15.
FRONT COVER :
Scene from THE BASILISK (Hepworth).
ART SUPPLEMENT OF FILM FAVOURITES:
Mr. W. H. WEST
Miss DOLORES COSTELLO
Miss HELEN COSTELLO
M. MAX FIGMAN
Miss ALMA TAYLOR ...
M. EMIL GREGERS ...
Miss ANNA NILSSON ...
Miss MARY PICKFORD
Kalem
Vitagraph
Vitagraph
Famous Players
Hepworth
Danmark Films
Kalem
Famous Players
FILM STORIES:
THE PASSING OF DIANA
HIS AMBITION— AND ITS ATTAINMENT...
THE ADVENTURES OF MISS TOMBOY (Conclusion)
BREWSTER'S MILLIONS (Conclusion)
FATHER'S FLIRTATION
AT THE FOOT OF THE STAIRS
THE SCALES OF JUSTICE
THROUGH FLAMES TO FAME ...
THE BASILISK
THE GOOD OLD DAYS
THE CALL OF THE DEEP
Vitagraph
Evan Strong...
Vitagraph
Jesse L. Lasky
Vitagraph
Rex
Famous Players
Danmark Films
Hepworth
Evan Strong
Dania Biofilm
PAGE
129
137
MO
147
156
162
167
173
183
189
191
NOTE : These stories are written from films produced by Motion Picture Manufacturers
and our writers claim no credit for title or plot. When known to us, the name of the
playvA/right is announced.
SPECIAL ARTICLES:
BY THE EDITOR
ON THE SCREEN
WITH THE PLAYERS...
AN APPEAL FROM OUR BEST AUTHORS...
Strong
194
t95
198
199
PICTURE STORIES MAGAZINE is printed and published by The Camberwell Press, Dugdale Street
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Editor will not guarantee their safety. When stamps are enclosed he will endeavour to return them.
MSS. should be typewritten.
Another Premier
^ Prize Won.g^
Supplied by the Puzzle King to —
Mrs. COLLINS.
52, Baker Street,
Eton, Bury, Lanes.
Clean Slate — New Cottage Roof,
which won a Premier Prize in " Pear-
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Its application is perfectly simple, easy, and cleanly, so
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V ith the p o^pect of a lengthy winter and the present
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REMARKABLE TEST OFFER !
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Leading Institutions, Clubs, and Factories are delighted at
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It should be added that "Anthranite " is completely harm-
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Readers wishing to take advantage of the .>-pecial test offer
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In ariswering advertisements please mention Picture Stories Magazine.
Miss DOLORES COSTELLO
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Miss HELEN COSTELLO
(Vitagraph)
M. MAX FIGMAN
(Famous Players)
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(Hepworth)
M. EMIL GREGERS
(Danmark Films)
Miss ANNA NILSSON
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Miss MARY PICKFORD
(Famous Players)
Picture Stories Magazine.
No. IS. Vol. III. November, 1914.
The Passing of Diana.
From the VITAGRAPH Romantic Photoplay hij H. Von Wentzel.
Adapted by James Coover.
A story of love and jealousy, and how an artist
succumbs to the wiles of his beautiful model, who
meets with a tragic fate.
Cast
Rodney Miiler
Geoffrey Brooke
Cleo
Eva
T comes to four pounds, fourteen
shillings, and eleven pence
half-penny, "said the landlord,
' and I should be very glad
if you would pay it to-day."
The landlord looked as
though he would be surprised as well as
glad. He glanced about the studio with
some contempt. He had not much opinion
of artists, and had rather doubted the
wisdom of letting the place to Eodney
Miller at all. He would never have done
so but that it had remained a long time
vacant, and he had despaired of getting a
tenant. For some time the young artist
had paid his rent regularly enough, but now
the account had been running considerably
longer than the landlord liked. There were
artists, he had heard, Avho made piles of
money by their pictures. He could not
understand how people could be such fools
as to buy them, but there it was. However,
Mr. Miller was not an artist of that sort.
So far as the landlord was able to judge, he
had not a penny to bless himself with. The
landlord was inclined to think the young
man had been starving himself for some
days. But that was not his business. He
wanted his rent.
Rodney Miller looked at the bill in a
scared fashion. He made a pretence of
casting up the items to see that the total
was correct, though even if he had succeeded
in knocking off the pounds and leaving only
fourteen shillings and eleven pence half-
penny, the settlement of the account would
still have been beyond his power.
It's all right," he said, presently. " I
shall have the money in a day or two. I'm
•expecting to sell a picture."
JAMES MORRISON
ANDERS RANDOLF
DOROTHY KELLY
,.. • MARIE TENER
"Hump ! " said the landlord. " I shouldn't
bank much on that." He looked round the
studio again, and it was evident that he
doubted whether any picture there, or the
whole of them together, would realise the
amount of his account.
"it won't do," he went on. "I must
have the money to-day. I've waited long
enough, and I can't live on promises. I
want the money, or I must ask you to find
other lodgings."
With that he went away, leaving Rodney
Miller staring at the bill, with his heart
somewhere down in his boots. He had
taken this place with such high hopes— had
been sure that his undoubted gifts would
soon carry him to success. But the dealers
would scarcely look at his work, and his
little store of capital had gradually diminished.
It was a case of everything going out and
nothing coming in. Only a few shillings now
stood between him and destitution — few
shillings and a few pictures.
Well, he would not despair yet. He
would try again. He believed in his pictures,
and it might be that he could induce a dealer
to purchase one of them if he tried very hard.
A guinea or so might persuade his landlord
to let him stay a few days longer.
He carefully wrapped up one of the
canvases and went out. The dealer to
whom he submitted it was not anxious to
speculate. He admitted the merit of the
picture, which was a decidedly clever study
— the head of an old man.
" It's good enough," said the dealer. " I
don't deny that, but then, you see, nobody
knows you. Now, I daresay in ten years'
time, or five for the matter of that, I may
be willing to give you quite a good pric^
B
130
THE PASSING OF DIANA,
You are Circe herself,' he cried."
for a little thing like that, but now — well,
Mr. Miller, it wouldn't pay me, and that's
flat."
It was no use attempting to persuade
him, and Rodney was about to wrap the
picture up again when the dealer said :
" Look here, I'll tell you what you can
do. Leave it here and I'll show it in the
Avindow. If it sells you pay me a commission ;
if it doesn't — well, there's no harm done."
It was a chance, at any rate, and Rodney
left his picture, which the dealer at once
gave a conspicuous place in his window.
The result was far and away better than
either the artist or the dealer expected. It
so happened that Geoffrey Brooke, a cele-
brated African explorer, who had recently
returned from an expedition, was wandering
about the city that day, renewing his ac-
quaintance with picture-sellers, dealers in
antiques and curios, and people of that sort.
Brooke was an enthusiastic collector, he
knew a good painting when he saw it, and
it was a hobby of his to patronise clever
young artists whose work showed promise.
He was passing the shop when Rodney's
picture caught his eye. Both subject and
workmanship attracted him, and he went
into the shop to examine the canvas more
closely. His appreciation was so evident
that when he inquired the price the dealer
promptly doubled the figure he had first
intended to ask. The explorer paid cheer-
fully, and after praising the picture highly
asked some questions about the artist.
Having effected the sale, the dealer had
no hesitation in telling the purchaser that
the artist was a young man, with plenty of
talent, bound to win success sooner or later,
but at present quite unknown. Mr. Brooke
asked for his name and address, and having
received the information, called on Rodney
without loss of time.
The young artist at that moment was
anticipating the humiliation of confessing to
his landlord that he had not the where-
withal to settle his account, and wondering
where an earth he was to sleep that night
THE PASSING OF DIANA.
131
Suddenly there was a knock, and the land-
lord himself appeared, hinging the door
wide.
" It's come," thought Rodney.
But the landord stood aside. " Mr.
Geoffrey Brooke," he announced, and there
came forward a big, burly man, whose face
was tanned from long exposure to tropical
suns. He stepped forward with a smile and
hand outstretched.
"Mr. Rodney Miller?" he said.
That is my name," returned Rodney,
taking his hand.
Mr. Brooke came to the point at once.
I've just bought your picture. It's good —
very good. You'll get on. I'm interested
in young artists, and thought I'd call and
see if you have anything else I might care
to buy."
As he spoke he began to wander round the
studio, stopping to examine the picture?,
finished and unfinished, which were scattered
about the place.
"That's a nice bit," he said, standing before
a landscape which stood on an easel. " I'll
buy that. What's the figure 1 "
Rodney stammered out something. He
could not believe his good fortune.
Before the explorer left he had bought the
landscape and two other pictures, and Rodney
was able to settle with his landlord and leave
himself in funds sufficient to keep him for
some months.
The explorer had taken a fancy to the
artist as well as to his Avork, and he set
himself to make Rodney Miller the fashion.
Buyers began to come along, and the young
artist soon had more commissions than he
knew what to do with. He had to get a more
commodious studio in a more fashionable
quarter. Society, which had known nothing
of him and cared less a few weeks ago, made
much of him now that Brooke had taken him
up. Wealthy art patrons recognised his
gifts, and, what was better, bought his
pictures. His studio became a fashionable
resort, and his private view " days were
society events. Thanks to Brooke, he won
success, not exactly in a day, but in a sur-
prisingly short space of time. Such sudden
fame would have turned the heads of some
young fellows, but Rodney Miller had some
modesty and plenty of common-sense, and
success did not spoil him.
He got to know Brooke very well indeed,
and the more he saw of the explorer the more
he liked him, and their friendship grew.
Having seen his protege securely established,
Brooke had gone off to take a holiday, as
he expressed it, and see what civilised
countries looked like. He had been wander
ing about Europe for three or four months,
when one morning Rodney received a letter
from him. It was dated from Paris, and
informed Rodney that the writer had married
a charming girl. " I have to leave her, worse
luck," he wrote, " for I'm off to the Congo.
When I come back you must come and see
us and make my wife's acquaintance."
The letter amused Rodney. It was just
the sort of impulsive thing, he told himself,
that Brooke would do — to go and get married
and then rush off to the other end of the
world. Rodney wondered what his wife
thought of it, and what she was like.
He had, however, other things to think of,
and soon forgot Mrs. Brooke. His mind just
now was full of a picture he was going to
paint. It was to be a picture of Circe, the
temptress, who destroys the souls of men. He
had been trying for weeks to find a model.
None of his regular models would do for the
part. The Circe he hoped to fiind must be
beautiful and cruel, passionate and pitiless,
with allurement in her face and merciless
laughter in her eyes. He advertised, and
interviewedscoresof models, professional and
amateur, but without finding the Circe he
wanted.
One morning he was almost ready to
despair. The applicants had been more than
usually impossible. He began to wonder if
there was in the whole town anybody who
came within reasonable distance of the model
he was looking for. Then, the very last
of the applicants, came one who was different
from all the rest. Beautiful as an angel,
was his first thought when she sat in the
chair opposite him. Her eyes held him from
the first moment. They were not the eyes
of an angel though. What were they ? He
could not tell, and gave up wondering. They
were the eyes he wanted, and when she
smiled he knew that he had found his Circe
at last.
That smile stirred him strangely, and he
could hardly compose himself to ask the
usual questions. It appeared that she was
an artist's model. She had seen some of his
work, and was very anxious to pose for him.
He was flattered, and it was arranged that
her duties should begin at once.
When she had attired herselfin the costume
132
THE PASSING OF DIANA.
he had designed and taken up her position
in the studio he could not repress an
exclamation of delight.
'You are Circe herself," he cried. "I
never hoped to find anybody so — so exactly
what I had imagined."
She smiled at him, a strange, slow smile
which was wonderfully sweet and alluring.
It was with a curious feeling of intoxication
that he began to work.
The days went by almost as in a dream.
They did not talk much, and the picture
enough, but I cannot do any more to it. Comol
and look." I
And she came, walking slowly and grace-:
fully in the trailing robe which left her lovely;
shoulders bare. She stood close to him,j
looking at the picture. I
Oh," she murmured, "it is too beautiful]
— much too beautiful."
" No," he whispered ; " no ! She is not
nearly so beautiful as you — you " i
His hand touched her shoulder, and the;
touch sent a tremor through his frame. 1
*' She sang tender love songs of a bye-gone daj'.
made progress. One day he asked for her
name.
Oh," she said, what does that matter 1
Call me Diana— just that."
As he looked at her beautiful shoulders and
superb figure he thought the name suited her.
But then her eyes and her smile — no, she was
Circe. He turned to his canvas again and
worked on, well content.
There came a day when he threw his
brushes and palette to the floor. "It is
finished," he cried. " It is not half beautiful
Suddenly she turned^ and murmuring, I love
you, I love you " threw her white arms round
his neck, and pressed her burning, passionate
lips to his. '■
And he was sure that he loved her. Who ,
she was he had never been able to find out. She '
was certainly no ordinary artist's model, for |
sometimes an elegant motor-car was in wait- '
ing for her at the studio to take her home i
when work was over for the day. Rodney, '
after the day when she had declined to tell '
him her name, had made no attempt to
THE PASSING OF DIANA.
]33
penetrate the n>ystery with which she chose
to surround herself. It was enough for him
now that he loved her and that she loved
him.
The car was waiting for her this afternoon,
and as he was holding the door open for her
a boy came up with a telegram for him. It
was from a friend and patron, Mr. Henry
Warren, reminding Kodney of his promise to
spend a week-end at l.ldenhurst, Warren's
country place. " My daughter, Eva, is long-
ing to see you," the message ended.
Let me see it," said Diana, and without
thinking he handed her the telegram. She
read it with a frown on her face. " Of course
you won't go V she said.
Oh, yes, I think so," he answered. "Why
not ? "
For all answer, Diana crumpled up the
paper and threw it to the ground with an
angry exclamation. It was only when Rodney
picked up the telegram after the car had
driven away that he guessed at the cause of
her anger — " My daughter, Eva, is longing
to see you." He was not ill-pleased at the
thought that Diana was jealous.
* * *
Rodney, who was now a painter of import-
ance, had no difficulty in finding a purchaser
for his Circe. The picture was bought by
a famous art dealer, who announced his
intention of making it the chief attraction in
a forthcoming exhibition.
Rodney accepted Mr. Warren's invitation,
and found the week-end at Eldenhurst so
pleasant that he required very little pressing
to extend his stay. He would have found it
difficult at first to say what made his visit ^o
enjoyable. His host was kindness itself, the
place was a paradise of sylvan beauty, and he
could paint to his heart's content. A nd there
was Eva. She reminded him of a wild rose.
She was shy, sweet, and charming. He caught
himself once thinking that the contrast
between her and Diana was the contrast
between the pure, fresh air of a spring
morning, and the close and enervating
atmosphere of a ball-room. lie blamed him-
self for the thought, but it came to him again
and again as the beautiful summer days went
by.
He drew crayon sketches of Eva in her
cool summer frock and bewitchitig sun-bonnet,
and in the evenings she sang tender love-songs
of a bye-gone day, accompanying herself on the
harp. And there came an evening wh( n he
hadtoask himself fairly and squarely whether
it was Diana or Eva ihat he loved. That
night he proposed to Eva and was accepted.
On the day he retuined to town he found
Diana at his house waiting to see him.
You have been so long away," she said
reproachfully. ' I thought you W' re never
coming back. I don't believe you love me
really."
Rodney was silent for a little, then he told
her that he had made a mistake. He had
never really loved her, and now he was
engaged to someone else. He said it as gently
as he could, but even to him itsounded brutal.
There was a terrible scene. !She clung to him,
weeping and beseeching, and when he dis-
engaged her arms and turned away she
opened her bag and took out a tiny jihial.
Slie had it almost at her lips when he saw
her, and snatched the phial away with a cry
of horror, fehe left him then.
The day you marry Eva Warren I shall
die," were her parting words, spoken with
such intensity that he was convinced that
she meant what she said.
A day or two later Brooke, who had
returned earlier than he had anticipated,
called to look him up, and Rodney feeling
the need of a confidant, told his friend of
the scrape in which he had got himself.
Brooke laughed at his fears.
" Never take women seriously, my boy,"
he said, giving Rodney a hearty slap on the
back. " Laugh at 'em. That's the way to
treat women."
But then he did not know Diana.
* * *
It was about a week later that Rodney
accepted an invitation to dine with Brooke,
and he Avent to the house wondering what
bis friend's wife would be like. The ex-
plorer welcomed him effusively, and took
him to the drawing-room.
" My wife will be here in a n>inute or
two," he said. "I'm sure you two will like
each other. 1 haven't told her who's comnig.
I ju.•^t said you were an old friend. She'll
be delighted to know it's Rodney Miller, the
famous artist."
Rodney laughed, and Brooke turned away
to speak to a servant. Rodney had his back
t) the door. Some slight sound caused him
to turn, and there, quite close to him, was —
1 'iana ! She recognised him at the same
instant. She gave a gasp and started back,
her lips moved, but no sound came from
them. Her face looked iii a moment drawn
and haggard, and there was fear in her eyes.
134
THE PASSING OF DIANA.
Rodney was startled too, and gazed at her
in bewilderment. What on earth was she
doing here 1
Brooke's hearty voice broke in. "Ah,
there you are ! Diana, this is Mr. Rodney
Miller, an old friend of mine, and a fine
artist. He shall paint your portrait — by
the Lord he shall ! "
Rodney could not help shuddering, but
Diana made a desperate effort, and began
chattering away in quite a natural manner.
Fortunately, Brooke noticed nothing, and
they went into dinner. Rodney was in
torment, and when presently Brooke said to
his wife, "We must go to the Turner Gallery
to-morrow and see Miller's new picture,
Circe,' " he felt as though he must scream
aloud. That picture— the temptress in all her
voluptuous allurement — was Brooke's wife !
He would recognise her in a moment. It
was horrible to think of.
(' Brooke went out of the room to see to
the wine, leaving his wife and Rodney
alone.
There was no time for more. Brooke
returned, and they talked once more of
unimportant things. At last Rodney felt
that he could stand it no longer. The meal
was only half over, but he feigned a sudden
illness, and got away. Brooke was all
anxiety, and would have seen him home,
but Rodney begged him to go back to his
wife.
The artist was at his wit's end. To let
the picture remain in the gallery for Brooke
to see was not to be thought of. Yet how
could it be prevented 1 The gallery was to
be opened to the public to-morrow. At last
Rodney determined to go to the dealer who
had bought the picture, and beg him to
withdraw it from the exhibition.
He acted upon the determination, but
the dealer declared that such a thing was
quite impossible. He refused to consider
the proposal for a moment. In despair
Rodney went home. He found Diana there.
He told her of his failure, but she refused
to accept it as final.
" The car was wedged between two huge masses of rock."
You must get the picture back at any
cost," .-he breathed across the table.
I cant," he answered, hopelessly. ' It's
impossible."
You must ! "
You must go to the gallery to-night j
yourself, and get the picture," she said, i
" You must. I daren't let my husband see j
it. Oh, promise me you will go." '
He promised, though what he would do I
THE PASSING OF DIANA.
135
when he got to the gallery
he had not the least idea.
When Diana had gone
home he took his case of
painting materials and
went out. At the gallery
he found a sleepy com-
missionaire on guard, and
explained that he had come
to touch up his picture a
little, before the exhibition
opened. The commission-
aire offered no objection,
and declining his offer of
assistance, Rodney passed
through into the great
silent gallery. He knew
where his picture was
hung, and turning on the
electric light he found a
pair of steps, and placed
them in position.
Diana's face, Diana's
eyes, looked at him out of
the canvas. It was truly
a wonderful likeness.
Brooke must not see it.
But to get the picture
away now was impossible.
The commissionaire would
not let him pass with it.
There was only one thing
to do — he must destroy it,
slash out the face which
he now hated. Slowly he
produced from the case a
long, keen-bladed knife.
No ! He could not do it. This was his
masterpiece, the finest work he had ever done.
He would not destroy it. He had thought of
a better way. With feverish haste he got
out his palette, his brushes, and his colours,
and with a few skilful touches he had made of
it a different face. It was still beautiful,
still alluring, still Circe, but no longer
Diana. Satisfied that the picture could now
safely meet Brooke's eyes, Rodney packed
up his case and left the gallery, waking the
sleeping commissionaire to bestow a tip
upon him.
Brooke was loud in his praise of the
picture next day, and Diana, when her
husband was not looking, grasped Rodney's
hand and gave him heart-felt thanks. Only the
dealer who had arranged the exhibition had
any complaint to make, and in reply to his
protest, Rodney said :
Diana's battered lifeless body."
" If you are not satisfied I am willing to
buy the picture back."
The dealer said no more about the matter.
+ + *
Rodney saw little of Mrs. Brooke during
the days that followed. He began to think
that that chapter in his life was closed, and
to look forward to happiness with Eva. He
and Eva had met the Brooke's once at an
evening party, and it seemed to Rodney
that Diana was very charming to the girl.
If he had seen her change of expression
after Eva had left her he Avould not have
felt so sure that everything was right. Diana,
indeed, had all she could do to disguise her
jealous hatred of the girl. She was deter-
mined to prevent Eva's marriage to Rodney,
and recked nothing of what her own fate
might be.
But the days flew past and the eve of the
136
THE PASSING OF DIANA.
wedding arrived. On the following day
Rodney would be married to another woman.
The thought was torture to Diana, and she
determined to act. She ordered the car to
be brought round, and drove to Rodney
Miller's house. He was not in. She wrote
a note, folded it, and placed it in a vase of
flowers on his writing table, where he could
not fail to see it. Then she went on in the
car to Eldenhurst, a few miles out of the
town. Eva was willing enough to go for a
run in the car with her.
When Rodney Miller returned to his
house he found Mrs. Brooke's note. This
is what she had written :
" By the time you receive this note
I shall have gone to my Maker. But
not alone — I shall have taken her with
me — the girl you love."
" My God ! " gasped Rodney, with white
face and staring eyes. What a fool he had
been to think such a woman could forgive
or forget. Already the girl he loved might
have fallen a victim to her jealous fury.
But there might be a chance to do some-
thing. He ordered out his car and started
in pursuit. Fortunately there had not been
much time lost, and he reached Eldenhurst
soon after Diana and Eva had started away.
He followed in the direction which they
were said to have taken. At a place where
the road was under repair, the workmen
told him that a car with two ladies had
gone by only a few minutes earlier.
There was something wrong, they said. One
of the ladies had called out to them, frantically
begging them to stop the ear, but it was
going too fast for that.
Rodney hastened on with a chill fear
growing at his heart. Suddenly he realised
where they were, and where Diana was
making for. This road, growing more and
more rough, led only to an old, disused
stone quarry. Diana, with Eva as her
captive, was driving to a terrible death. At
last, far ahead, he saw the car. It was
swaying dangerously from side to side, and
he caught a glimpse of a struggle as the car
di>appeared round a corner. His own car
was doing its utmost. It was hopeless to
think of overtaking the other. It was
horrible to think of Evabeing dashed to death
while he was powerless to save her. He shud-
dered, but kept on. He turned the corner and
saw the car again. It had almost reached
the edge of the quarry, and involuntarily he
lowered his eyes.
What was that lying by the side of the
road 1 He pulled the car up with a sudden
jerk, sprang out and bent over the prostrate
figure.
" Eva," he called. " Eva, darling. Speak
to me."
The girl shuddered, opened her eyes.
"Oh, Rodney," she cried, and burst into
tears.
They found Mrs. Brooke's car wedged be-
tween two huge masses of rock, and Diana's
battered, lifeless body far below.
Brooke and everybody else, even Eva,
thought that Diana was insane when she
took that terrible leap. Rodney Miller
could have thrown some light upon the
matter, but he kept his own counsel.
T7DWARU BOULUEN, of the Edison Com-
-'— ' pany, wliose slimness makes him eligilile
foi" certain character parts, tells a story of
a letter received from an elderly lady expressing
her desire to adopt Edward with the intention of
bringing him up to be a model young man.
Boulden declined the offer without informing
her just how many years he had been old enough
to vote.
A REPORTER was interviewing Edison, "And
-*^*- you, six-," he said to the inventor, "made
the first talking machine?" " No," Mr.
Edison replied, "the first one was made long
before my time — out of a rib."
— E.i'press Overseas Mail.
A HAIR(BREADTH) ESCAPE.
\ LADY bather got out of her depth the other
■^^- day at Margate. Her screams were
answered by a well-known picture-actor of
the " Daring" type. A few strokes carried him
to the spot, and he reached out a muscular arm
to grip the poor lady, who was just about to
sink. But her frantic struggles just at this
moment dislodged her bathing-cap, which soon
floated away, carrying with it her wig.
"Oh, save my hair !" she cried. "Save my
hair ! "
"Madam," replied the gallant rescuer, hauling
her in, " I love saving life, but I am not a
hair-restorer. "
— Pictures and^Pidurcgoer.
His Ambition— and its
Attainment.
By Evan Strong, and accentuated by Sys.
IS cognomen was John Wyllie,
but he quickly became 'John
Willie." "What's in a name?"
you may say, having read a
little ; well, a great deal some-
times. For instance, if you
repeat John Willie half a-dozen times rapid-
ly you will obtain a very good idea of what
our new 'star" was like. Long, gaunt,
always with a furtive look over the shoulder,
as if he feared his wife was running after
him — he was the sort of fellow who reminded
one of a yard of curdled milk. He walked
on two legs like the rest of us, but his stride
was more like the prospective jump of a
kangaroo arrested half-way through by
cramp. He had a voice which reminded
one of a musical frog suffering from an
attack by a poodle driven m.ad by a double-
headed eagle
John Willie was under-assistant at
Twillings & Co., the first house in the town
for underwear
and ladies'
confectionery,
as the adver-
tisements ran.
His duties con-
sisted of bow-
ing to fish-
wi ve s and
playing on
their flattery
by addressing
them some-
what as
follows : "
"Goo'-morn-
in', madam.
What can I do
for you t'day,
madam? Nice
line here in
woollen
No. Perhaps
this I would
interest you — ver' cheap. Not any thing
like them in town. You'll take a pair,
madam? Thank you, madam. And the
next, please 1 Nothing more to-day ■? Thank
you, madam. Elevenpence-three-farthin's.
SIGN. Your change, madam. Thank you.
Goo'-mornin.'"
I believe he had got to saying this by
heart, because he invariably started with
the woollen — and ran down the list with
every refusal. However, this was not hi»
only task — sometimes he would be sent out
to a customer, and such occasions provided
an excuse to dash off to the theatre and
feast on the posters and programmes with
gnawing envy in his breast as he thought of
the waste of fulsome flattery and printer's
ink on individuals less worthy of note than
himself. For John Willie had a great
opinion of his artistic qualities. He aspired
to the stage. Oft when trade was slack he
would draw to the corner and dream and
dream of
himself as
" Piazzo " out-
singing Caru-
so, of the
storming ap-
p 1 a u s e of
millionaires
and million-
airesses, fete-
ing and lion-
ising, and so
forth, till a
voice sounded
in his ears :
"Miking
again, John
Willie! If I
catch you once
more, once
more only, out
you go. The
next time a
week's notice
Yes, mam ! What can I do for you?"
138
HIS AMBITION— AND ITS ATTAINMENT.
on the spot, so take note."
The sword of Damocles
held over his head only fired
his zeal to perfect himself
ready to launch into the
' star" world. The radiance
of his dreams blinded him
to all else in life. He would
attain to that which he knew
he was fitted above all others.
oThe Saturday came when
John Willie drew his salary
as usual — they called it salary
at Twilling's, so much more
respectable, you know — and
went out to deny himself
supper that night and to
feed on biscuits all day
Sunday to be prepared with
his fee for the singing master
on Monday. An opera
singer he would be, and so, free of
work on that eventful day, he hastened to
his first lesson. He never got beyond the
first lesson — as a matter of fact he never
got through it. His first attempt was some-
thing between the growl of a lion with the
toothache and the screech of unoiled hinges
of a badly hung door. The master having
pocketed the fee, was so astounded at the
volume of sound which hit him full in the
drum of the ear, that in the excitement of
his discovery he seized a handy music-stand
and struck Willie such a thwack on the top
of the head that his jaw went to with a jolt
which made the windows rattle in harmony.
John Willie in that moment communed
with more "stars " than he ever would,
even supposing he rose to the very heights of
his ambition. And he did not relish the
firmament, but his zeal was dampened not a
bit; in fact, the subsequent friction at the
affected area tended to inflame it — the
ambition, of course.
Though he came to realise that singing
had its disadvantages, Willie still clung to
the idea that he would be an actor, naturally
at Drury Lane, or other great houses. He
went straight away to a dramatic school :
two evenings a week after eight o'clock — fee
five shillings for twelve lessons; perfection in
histrionics guaranteed.
He paid his fee again and recited a verse
from " The Charge of the Light Brigade,"
which Tennyson appears to have written
for this purpose. That was enough .
As his vocal organs got to work the school
"Made friendly advances."
fell on him like one man — and told him he
lisped (he did when they had finished with
him). Now a man who lisps cannot be an
actor. Fancy hearing your favourite
dream" appealing: "Fliendth, Roman th,
counthlymen, lend me your earth ! "
So the dramatic master told him to go
down to the shore, put a fair size stone in
his mouth and practice intoning the roaring
of the waves, and all the murmurings and
mumblings of the waters.
But as there was no shore anywhere near
Willie's home, he hied himself to the river
and there endeavoured to follow out the
master's instructions, with the result that he
soon decided that the laurels of the stage
were not for him.
Willie lived a life of death — suspended
animation they call it — for the next few
days. All his hopes were shattered, all his
ideals were cast to the muddy street, the
starry firmament dissolved into a Milky
Way, and sour milk at that. He thought of
everything but suicide, but eventually re-
signed himself to an eternal repetition of
" Goo'-mornin,' madam," etc.
Then the hand of fate intervened. So
long turned against John Willie, it now
reversed to stroke his face gently and
benignly.
It happened that he was sent one morning
down to Shrimpswing Street, near the fish
and fruit market, on an errand for the firm.
Round a stall at the corner of the square a
great crowd was bandying a red-faced
woman who stood determined behind a pile
HIS AMBITION— AND ITS ATTAINMENT.
139
of wonderful white-heart cherries.
The saleswoman, however, did not appear
particularly eager on sales. She stood, arms
akimbo, shouting, Nar then, whatcher all
scranging round fer, block'eads 1 " and " If
yer don't 'old back a bit I'll swipe some on
yer."
Willie was very astounded at this pro-
cedure on the part of the person who
depended on the desires of the passers by
for her existence. He went in to have a
closer look — at the cherries — when a thun-
derous voice roared near his right ear, " Hi,
make way; let him in. This is a good type!"
Willie was about to turn and expostulate
with the owner of the roar when the sales-
woman asked his requirements. The cherries
were interesting. Willie inquired the price.
Sixpence a pund," was the reply.
" My, that's dear, ain't it 1 "
" Orl right then, we'll give um ter yer ;
'ere y'r, I don't think."
"A'right, hold yer wool on, missus," said
Willie; ' give me a penn'orth, and don't try
to push those behind on me — I know yer
game ; give me some from the good'uns here
in front."
This brought forward an expression of
goodwill from the lady, who called Willie a
pet name, something like "red-headed
pocket-pickin' monkey's brother," and at the
same moment, a burly and beery individual,
presumably the husband, rolled across and
made friendly advances, first knocking
Willie's hat off — not missing his head.
And so Willie came to the fulfilment of
his desires. It was a film scene played in
the market in which various types were
required, and Willie was a revelation.
Later, the film company, whenever they had
similar scenes to take, employed Willie often.
His activities were very strenuous, insomuch
that he never received less than a dozen
punches in the head every week, was smitten
to earth half-a-dozen times, three times
thrown into the water, besides being
swamped with whitewash, slung into rubbish
heaps, etc., etc.
But what did this matter when he had
achieved all that he aspired to — to be an
artiste, a film actor, a dramatic hero !
This activity, however, did not coincide
with Messrs. Twillings, and Willie found
himself with the much promised sack.
Did this worry him *? —not a bit. Had he
not become an actor ?
T7ARLE WILLIAMS, whose portrait appeared
-*-' in our supplement of March last, was born
in Sacramento, California, on the 28th of
Febtuary, 1880. Agustus P. Williams, his father,
was one of the early settlers of California, having
first lived in Boonville, Mo. His mother was
Eva M. Paget, of the family of that name from
Cincinnati, Ohio.
James Paget, the famous actor of an earlier
generation, was the uncle of Earle Williams and
tho only member of the family who ever
entered the theatrical profession. When Earle
was a boy at college his uncle was always
advising him never to go on the stage.
But in spite of all that his uncle said, he in
after years started in that profession. He re-
ceived his education at the Oakland Public
Grammar and High Schools, afterwards he at-
tended the Polytechnic College of California, but
left before he obtained his degree.
His first situation was as office boy, which
position he filled during the time between school
and college.
In 1901, he obtained his first theatrical engage-
ment as utility man with the Baldwin-Melville
Stock Company in New Orleans.
Among his engag'^ments on the legitimate
stage were "The Man on the Box " and "The
Chorus Lady," in which he played heavy parts
with Henry Dixie and Rose Stahl respectively.
In Mary Mannering's "Glorious Betsy" and
" The Third Degree," he played juvenile. He
played his last theatrical engagement with
George Beban in "The Sign of the Rose" in
vaudeville. During the summer of 1911 he went
down to the Vitagraph Company to get a summer
engagement, and has stayed there ever since.
His splendid stock training and possessing
ideal qualifications for a motion picture actor he
soon held an enviable position in the motion
picture world. In the following pictures he has
gained great successes: " The Christian," "Love's
Sunset," "Vengeance of Durand," "Memories
that Haunt," " Lovesick Maidens of Cuddleton,"
"The Dawning," "The Red Barrier," "Two
Women and Two Men," " The Bond of Music,"
"The Test of Friendship," and "The Thumb
Print."
He likes a good heavj' part or a strong dramatic
lead best, such as Carl in "The Vengeance of
Durand."
His hobbies are motor-boating and photo-
graphy. He reads a good deal, mostly old
classics and strong playwrights.
The Adventures of
Miss Tomboy,
OR, LOVE, LUCK AND GASOLENE.
From the VITAGBAPH Photoplay. Adapted by James Cooper.
The further pranks of Miss Tomboy, aided by her clever
fiance only serve to aggravate the already exasperated
Bunny, whose resourcefulness is wonderful, and yet he
concedes to the lucky pair.
Miss Tomboy ...
Her Father
Cutey ...
Van Alstyne
The Commodore
Director
Cast:
LILLIAN WALKER
JOHN BUNNY
WALLY VAN
CHARLES WELLESLEY
A MOTOR-BOAT ENTHUSIAST
WILFRED NORTH.
CONCLUDING INSTALMENT.
UTEY'S hopes of softening Mr.
Bunny and inducing him to
regard him as a prospective
son-in-law sank below zero.
He had built very much upon
the successful result of the
yacht race, supposing that the winning of
the Club Cup would have put Mr. Bunny in
such good humour that he would have been
unable to refuse his daughter anything. He
soon found out his mistake. Mr. Bunny,
when he reflected that it was to his rebellious,
madcap daughter he owed the success of his
yacht, almost brought himself to the point
of wishing that he had never bought the
vessel at all. Cutey had confidently expected
forgiveness for Miss Tomboy and indulgence
for himself ; instead of which Mr. Bunny
was furiously angry with his daughter and
had nothing but abuse for poor Cutey, who,
he was convinced, had persuaded her into
the escapade. On the pier, after the yacht
race, he had been positively rude; and but
for the fact that he was Miss Tomboy's
father, Cutey would have found it impossible
to keep his temper. As it was he pocketed
the humiliation, and was more than ever
determined to marry Miss Tomboy, whether
her father liked it or not.
Cutey, as has been said, was a lad of
resource and not easily cast down. He knew
quite well that love laughs at many other
things besides locksmiths, including angry
fathers, and he soon shook off his depression.
A talk with his friend, the Commodore of the
Yacht Club, contributed largely to raise his
spirits. The Commodore had been the
confidant of many love-lorn youths in his
time and was always ready with sympathy
and advice.
"Why don't you elope?" he asked.
"No good," replied Cutey gloomily. "She
wouldn't. Besides, I cannot manage to get
a talk with her now to try to persuade her.
The old man is always about, and he hates
the sight of me."
The Commodore put on his considering^
cap. Presently he made another suggestion :
Take her for a run in the Paula.' Daddy
cannot interrupt your conversation there,
and perhaps you'll be able to fix things all
right."
That's a good idea," Cutey agreed ;.
adding doubtfully, ' if it can only be
managed."'
Have a try," said the Commodore. No
place like a yacht for courting. Why, in my
young days — however, that's another story.
Well, here's luck."
It may have been in consequence of the
Commodore's good wishes, but whether it
was or not, luck certainly did favour Cutey.
Next day he called at Mr. Bunny's and
found that gentleman and his daughter in
the garden. Mr. Bunny had succumbed tO'
the heat of the day. He was lying back in
a garden chair, with his hat tipped over his
eyes and his hands loosely clasped upon that
THE ADVENTURES OF MISS TOMBOY.
41
Mr. Bunny had hoisted himself into the passenger's seat and was holding on like grim death."
part of his anatomy which he sometimes
humorously called his waist.
Miss Tomboy was eating an apple with
manifest enjoyment. The sudden appearance
of Cutey caused her some alarm.
Father's awfully angry with you," she
whispered, "if he sees you here, he'll "
Oh, he's sound asleep," interrupted
Cutey, also in a whisper. " He'll never
know. I say, cannot you come for a trip in
the yacht with me ? I want to have a talk.
We'll be back in an hour or two."
" Oh ! " gasped Miss Tomboy, " I'd love
it ! But " — with a doubtful glance at her
parent — ' do you think he is really asleep 1 "
For answer, Cutey stepped lightly over to
the recumbent figure and raised the hat from
Mr. Bunny's features. It was evident that
he was blissfully unconscious of any plot
against his domestic peace.
Get your things on," said Cutey; and
together they left Mr. Bunny to his slumbers,
his dutiful daughter turning and m.aking a
grimace at him as she reached the verandah,
which ran along the garden front of the
house.
It might have been half an hour later
that Van Alstyne strolled into the garden.
He had hoped to find Miss Tomboy there,
and his disappointment at finding only her
father was considerable. Mr. Bunny's
slumber was profound, and Van Alstyne did
not disturb him. He took Miss Tomboy's
A^acant chair and soon fell asleep himself.
Mr. Bunny was the first to awake. He
stared at Van Alstyne in bewilderment for
a minute or two, wondering how he had
come there and where on earth that madcap
daughter of his had got to. Then he rose
from his chair and went to arouse his friend.
"Hi ! wake up ! wake up ! Where's that
gill got to, I wonder 1 She was here a little
while ago."
Van Alstyne yawned and stretched himself.
" She was not here when I came," he said.
I came hoping to see her, but I found only
you, and as you were asleep I followed your
example."
"I suppose she's gone indoors. Let's go
and see."
But they did not find Miss Tomboy there,
and when Mr. Bunny heard from the servants
that she had been seen to leave the house
with Cutey he said things about that young
man which were quite unfit for publication.
" I don't like that young man," said Van
142
THE ADVENTURES OF MISS TOMBOY.
Alstync viciously. " He is a nuisance. Why
do you allow him to come here 1 "
" I don't," retorted Mr. Bunny, " but he
comes all the same. I've told him if I catch
him hanging round here I'll kick him into
the street, and — and he laughs at me."
You should not have gone to sleep," said
Van Alstyne.
Mr. Bunny fumed. " I've had enough of
it," he said. " I won't be laughed at by my
own daughter. She shall marry you as soon
as we can fix things. I'm determined she shall. "
' Good," was the reply. ' I am quite
agreeable. Only where is she 1 She may have
eloped."
"Damnit! Soshemay." The idea startled
Mr. Bunny. " We must find them," he said.
" Perhaps they've gone yachting or something. "
Somewhere about this time Miss Tomboy
and Cutey were arriving at an understanding
on board the "Paula." Miss Tomboy had de-
clared to Cutey that she would never marry
anybody but him, and that forty fathers should
not make her change her mind. As for Van
Alstyne, she said she hated the sight of him.
Cutey slipped a ring on the third finger of
her left hand.
" My ! What a beauty ! " she cried. Then
we — we are engaged 1 "
I guess we are, ' said CuLey. Now kiss
me."
" I wonder what father will say," ventured
Miss Tomboy several minutes later. Cutey,
who was w^ondering too, did not reply.
When Cutey had seen the yacht safely
moored he and Miss Tomboy prepared to face
the music. Landing at the pier from the
dinghy they met Mr. Bunny and Van Alstyne
at the top of the steps.
The irate parent ignored Cutey and turned
angrily upon his daughter. " What does this
mean 1 " he cried. '' How dare you behave
in this disgraceful way 1 "
Miss Tomboy actually laughed ! "It's all
right," she said, ' we're engaged ! " and she
held out her hand so that her father could
see the ring.
" What the devil ! " Mr. Bunny exploded,
his face purple with rage. " Engaged ! Of all
the impudence ! Don't talk such nonsense to
me. You'll go along home at once, and Mr.
Van Alstyne shall go with you." Then,
aside to Van Alstyne he said, " For goodness
sake, take her away and pop the question at
once."
If ever Cutey felt inclined to kick his rival
it was then, as Van Alstyne walked away
with the reluctant Miss Tomboy, bestowing
upon Cutey a supercilious smile.
" You wait ! " muttered Cutey to himself.
" You wait ! "
Van Alstyne's triumph was short-lived It
is difficult to make a proposal of marriage
when everything you say is turned into
ridicule, when the girl will not even let you
hold her hand, and asks commiseratingly if
you are in pain when you are trying to put
into words the tenderest sentiments. Van
Alstyne's suit did not prosper, and, to crown
all. Miss Tomboy insisted upon spoiling their
tete-a-tete by adding to the party two girl
friends who happened to come along.
At last, in sheer despair, Van Alstyne left
them and went to tell his troubles to Mr.
Bunny. Together they decided that this
business had got to be settled right away.
" I'll see," said Mr. Bunny, with immense
decision, "if I'm to be flouted like this by a
bit of a girl ! I'll show her who's master."
Presently Miss Tomboy appeared, saucy
and cheerful as ever, greeting her father and
Van Alstyne as though nothing had happened.
Mr. Bunny adopted new tactics. Instead
of flying into a rage with her, he kept him-
self well under control, and curtly announced
his decision.
" You shall marry Mr. Van Alstyne
to-day."
Miss Tomboy looked at her father for a
moment or two, and then burst out laughing.
" Don't talk so silly, father," she said. " You
forget I'm engaged to Cutey."
Mr. Bunny kept a firm hold upon himself.
" You can't be engaged without my consent.
I say you shall marry Van Alstyne to-day.
You'd better go and make] your preparations.
We shall expect you at three o'clock."
" Well," said Miss Tomboy, coolly. " I
shan't be ready by that time, nor in a year,
nor a century. I'm going to marry Cutey,
and you may as well make up your mind to
it. As for marrying Mr. Van Alstyne, I'd
rather be an old maid and keep cats for ever
and ever. There ! " She threw up her
head defiantly, and walked away.
" I don't believe she likes me," remarked
Van Alstyne, plaintively.
" Oh, she'll come round," was Mr. Bunny's
reply. " You don't understand women.
Firmness is what they need — firmness."
But Van Alstyne still seemed dubious.
Miss Tomboy realised that her father was
in earnest this time. Matters had come to
a crisis, and it was time to put into operation
THE ADVENTUEES OF MISS TOMBOY.
143
a little scheme which had been discussed
between her and Cutey, to meet just such an
emergency as this. She scribbled a note :
" Cutey, dear,
" Father has put his foot down. He
says I'm to marry Van Alstyne to-day.
But I want to marry you. I shall be
on the pier in an hour. Have every-
thing ready, and we'll go to Newport
in the 'Paula,' and be married at once.
Yours always,
" Tomboy."
She sent the note to the Yacht Club by
her own maid, who was in her confidence,
and entirely sympathetic.
Cutey, in a state of great excitement, told
his friend the Commodore what was afoot.
" Good lad," said the Commodore. " By
gad ! It makes me feel young again. Off
with you. Let me know if I can help at all.
Can I run you to Newport in the motor
boat? She can do forty an hour or so.
That would be something like an elopement
now."
" No, thanks," said Cutey. "The 'Paula'
will do us very nicely. It's awfully good of
you though."
" Righto ! Lord ! I'd give something to
see old Bunny's face when he knows you're
married." The Commodore chuckled.
Cutey hurried away to get things ready,
and he was waiting at the pier steps with
the dinghy when Miss Tomboy appeared,
breathless with running. In five minutes
they were on board the yacht, and in five
more they were under way.
Miss Tomboy believed she had got away
from her father's house unobserved. In
this, however, she was mistaken. Van
Alstyne, mooning around the house, had
seen her slip out of the garden gate and
hurry away down the road. His firdt
impulse was to run and overtake her, but
he was doubtful as to the reception he might
get. Then he thought of informing Mr.
Bunny but reflected that that would mean
losing sight of the girl. He decided to
follow her.
She led him along at a good rate, and he
soon saw that she was heading for the pier.
From a safe distance he watched the meeting
between her and Cutey, and saw them get
into the dinghy, which at once pulled away
in the direction of the yacht. He cursed
himself for his stupidity in not having
stopped her as she left the house. There
was only one thing to be done now. He
hurried off to tell Mr. Bunny what he had
seen, and to demand that that gentleman
should take action at once.
To say that Mr. Bunny was angry is to
give an absurdly inadequate idea of his
feelings. He went almost frantic with rage,
and vented some of it upon Van Alstyne.
" Why the devil didn't you stop her 1 "
he demanded. " You say you want to
marry her and you let another man carry
her olF under your eyes. Of all the silly
idiots ! "
" It's no use going on in this fashion,"
Van Alstyne returned angrily. What's to
be done 1 That's the question."
"Done ! " cried Mr. Bunny. " Why fetch
'em back, of course. There's that steam
yacht of mine, the 'Arrow' — she's faster
than the ' Paula.' They've got a good start,
but we might do it if we're smart."
Mr. Bunny had not hustled so much for
years as he did during the next half-hour.
Van Alstyne had all he could do to keep
pace with him as they hurried down to the
pier. Every now and then Mr. Bunny
broke into a run, and he arrived at the pier
steps out of breath, but even more angry
than he had been when they started. The
Arrow ' was moored about a hundred yards
from the pier, and in response to Mr.
Bunny's hail and frantic waving, a boat put
off from the yacht. Very soon the owner
and Van Alstyne were upon the deck. The
skipper met them with a salute.
"Get underway at once," said Mr. Bunny.
" We've got to overhaul the ' Paula.' "
The ' Paula ' ! " said the skipper wonder-
ingly. ' Why, she's been gone half-an-hour
Or more."
" I don't care if she's been gone half a
day," replied Mr. Bunny, with asperity.
" You've got to catch her. You're faster
than she is, ain't you 1 Very well, then."
The skipper asked no questions. He gave
his orders in a sharp, sailorly fashion, and
pretty soon the "Arrow" was doing all she
knew, going full steam ahead after the
' Paula."
Cutey and Miss Tomboy, imagining them-
selves safe from pursuit, were already
deciding what they should say to Mr. Bunny
when they returned from Newport and faced
him as man and wife.
"Of course, he'll be angry at first," said
Miss Tomboy, ' but he'll soon come round.
He won't be able to unmarry us, anyhow,
and I believe after a time he'll come to
144
THE ADVENTURES OF MISS TOMBOY.
think the whole affair a good joke. He has
a, sense of humour, Dad has."
' Well," returned Cutey, " I hope you are
right, but he doesn't seem to have seen the
joke so far. I wonder if Van Alstyne has
•a sense of humour too," he added viciously.
I owe him one for the grin he gave me
when he walked off the pier with you. I
don't think he'll feel like grinning when we
see him again."
He's a beast," said Miss Tomboy heartily,
but we needn't worry about him any more.
Oh, Cutey, isn't it just lovely, running off to
be married like this. Do you know, I've
-always wanted to elope. Wouldn't it be
exciting if they chased us 1 "
she can. We can't grind another yard out
of her. Hold on though ; I've got an idea."
He dashed along the deck and disappeared
into the wireless cabin. In a few minutes
he returned, full of excitement.
'" We'll beat them yet," he cried. " I've
sent a wireless to the Commodore, asking
him to get to us in his motor boat."
" But can he do it 1 " asked Miss Tomboy.
Won't the ' Paula ' reach us first 1 "
" Not if the Commodore gets the message
promptly. His boat can fly, simply fly. We
shall be at Newport and married before the
'Arrow' can get anywhere near the place."
Meanwhile the "Arrow" was making good
progress, and Mr, Bunny and Van Alstyne
"Just before they started they had seen an aeroplane rise in the air."
Cutey was gazing astern. " By gad," he
said suddenly, " that's just what they are
doing, I believe." He snatched up the
binoculars and gazed earnestly at a steamer
far behind them. Cutey dropped the glasses
with a gesture of despair. ' It's your father's
yacht, the Arrow,' coming along like the
very deuce i She'll overhaul us long before
we can get to Newport."
" But surely." urged Miss Tomboy, in great
agitation, we can do something. Can't you
tell the skipper to put on more sail or
something 1 "
Cutey shook his head. " She's doing all
counted on a speedy end to the chase. The
'Arrow" was within a mile or so of the
" Paula " when a motor boat flew past them.
She cut through the water at such a rate
that she seemed to leave the yacht standing
still.
" By jove ! " exclaimed Mr. Bunny, " that
chap is moving. Wonder where he's off to ?
Hullo ! what's wrong with the ' Paula ? "
Mr. Bunny might well ask that question,
for the "Paula" had ccme almost to a
standstill. As he and Van Alstyne gazed
through their glasses, they saw the motor
boat run alongside the yacht. Two figures.
THE ADVENTURES OF MISS TOMBOY.
145
a man and a girl, descended a ladder over
the " Paula's " side, and get into the motor
boat, which immediately started off again at
full speed.
Mr. Bunny swore, and Van Alstyne joined
him with much heartiness. But Miss
Tomboy's father was not beaten yet. The
^' Arrow" carried a motor boat too, and in
less time than it takes to tell it was over
the side, and with Bunny and Van Alstyne
aboard was doing its best to overhaul the
Commodore's flier. They soon saw, however,
that they stood no chance whatever. It was
then that Mr. Bunny astonished his friend.
"We'll get an aeroplane," he said, "and
catch 'em that way."
"A what ! " gasped Van Alstyne.
"An aeroplane. A friend of mine close
l)y here has two or three. He'll get us to
Newport in no time, and we'll be able to
stop their little game."
' I'm not coming," said Van Alstyne
decidedly. " I'll go back to town and wait
for you."
"Afraid?" sniffed Mr. Bunny con-
temptuously. Faint heart never won fair
lady, you know. Still, if you won't
Well, here we are."
He had steered the boat inshore and now
ran her alongside a little pier. They
scrambled out and by good luck found a
motor car waiting at the entrance. Mr.
Bunny struck a bargain with the chauffeur
to drive them to his friend's place, half a
mile away. He found the aviator quite
ready for an adventure, and very soon Mr.
Bunny had hoisted himself into the
passenger's seat and was holding on like
grim death. The airman started the engine,
the machine ran along the ground for a few
score yards and then rose in the air.
In the Commodore's motor boat they had
not been asleep. They had seen the other
motor boat start away from the "Arrow"
and had seen it make for the shore. It was
Miss Tomboy's quick wit that divined the
reason for this.
'I do believe," she said in amazement,
father is going to get an aeroplane. Mr.
Thomson's place is somewhere there, and
he's always asking father to take a trip with
him. Now he's going to do it."
'Oh, well," said the Commodore, "if he's
going to fly after us, we might as well go back
home. We don't stand an earthly."
Cutey chimed in. Don't you believe it.
We'll fly too A friend of mine at Oyster
Bay has one of those flying boats, a hydro-
plane, or whatever you call it. Why, there
it is now, on the slip-way, ready to start."
That's a bit of luck," remarked the
Commodore, ' if only your friend is there."
He was They hailed, and Cutey's friend
hurried to the water's edge, listened to their
tale and entered into the game with
enthusiasm. He could carry two passengers
with ease, he said, and Cutey and Miss
Tomboy were in their places before you
could say " knife." The seaplane skimmed
along the surface of the water and presently
rose gracefully, cleaving the air like an
enormous seabird, and Miss Tomboy gave
a little gasp of delight. She was sure no
girl had ever had so exciting an elopement.
Just before they started they had seen an
aeroplane rise into the air over the land.
When they were fairly on the way Cutey
looked back. The aeroplane was now fairly
near them, and Cutey thought he could
make out Mr. Bunny's figure in the
passenger's seat. The old man had some
pluck, anyhow, he thought.
Mr. Bunny saw them, too. For a moment
he forgot where he was, forgot that he was
suspended precariously between the sky and
the water. He leaned forward, let go his
hold upon the supporting uprights and shook
his fist furiously at the seaplane. As he did
so he ov^erbalanced and pitched, head fore-
most, out of the machine.
Cutey gave a cry of horror. Stop ! " he
shouted. " Farman, stop ! He'o fallen out !
Good God ! he'll be drowned ! "
"Who"? What on earth's the matter V
said Farman. " What's all the row about?"
"Mr. Bunny — Tomboy's father — just
pitched head first out of that aeroplane. For
heaven's sake, let's go down and pick him
up. There he is — hooray ! "
Cutey's relief was so great that he waved
his hat and cheered like a schoolboy. Mr.
Bunny was fortunately able to swim, and
though when they descended on the water
close by him he was puffing and grunting
like some asthmatical sea monster, he was
really little the worse for his startling
experience. He clambered with some difficulty
on to one of the floats of the seaplane, and
was thus conveyed to terra fir ma.
What was to be done now ? Would Mr.
Bunny do the graceful thing and give the
runaway pair his blessing ? Or would he
insist upon Miss Tomboy's going home at
once. He seemed to be in some doubt
C
146
THE ADVENTURES OF MISS TOMBOY.
himself as to the best course to adopt.
Perhaps he realised that he cut rather an
undignified figure in his dripping clothes.
Miss Tomboy made the first advance.
' Why, daddy," she said, laughing, " you're
wet ! "
It was not a particularly tactful speech
under the circumstances, and it made Mr.
Bunny angry — so angi'y that he ordered her
to leave Cutey at once and come home with
him. But that was not at all to Miss
Tomboy's mind, and she tried other tactics.
Presently she had the satisfaction of seeing
a smile dawn and spread all over his
expansive countenance. Still he refused to
relent, until Miss Tomboy saw Van Alstyne
hurrying towards them in a motor-car.'
" Here comes that horrid man again," she
cried. " I won't marry him — I won't, so
there I "
Ml'. Bunny gave in then. " VVell," he
said, if you won't, you won't, I suppose.
You'd better go on and finish yiur pro-
gramme. Take care of her, Cutey, my boy.
You'll find me at home when you come back.
Off you go ! "
And Mr Bunny himself lent a hand to
push off" the seaplane and watched it rise
into the air. Then he turned to Van Alstyne
and burst out laughing. Alstyne, hoAvever,
quite failed to see the joke. He had no
sense of humour.
[The End].
" "l^fOW I'll show 'em some fine pictures,"
■*■ ^ said a British soldier in France as he
started operating a machine gun with
the coolness of a cinematograph operator.
TT was in a Scottish picture-house, and two
-*- men were agreeably surprised to find a cup
of tea and a biscuit given them free bj' the
management at four o'clock.
Half-an-hour later one of them broke the
silence. "We've seen a' the pictures now,
John," he said, " we may as well go out."
To which John, after a minute's thought,
replied, "You can go if you want to. A'm
stayin' to dinner."
— Idealetter.
Tl OBERT CONNESS comes from a family
-*•*■ long known in the annals of the American
stage, his stage connection having been with
the Frohmans in " The Prisoner of Zenda,"
"Colonial Girl" and "The Bachelor's Baby,"
and has starred with Mary Mannering, Blanche
Walsh and Hedwig Richer.
Mr. Conness made his first appearance before
the camera in the Edison studio about five years
ago, and will long live in the minds of the motion-
picture public for the excellent dramatic tech-
nique displayed in such Edison films as "His
Daughter," "Children Who Labour," "Church
and Country," and " Van Bibber's Experiment."
Having been engaged in a large theatrical pro-
duction Mr. Conness was compelled to forsake
his screen delineations for a brief period. He
lias returned to the Edison Company, and will
again bring gladness to the hearts of his
admirers by displaying the versatilities and
dramatic accomjilishments for which he is famed.
'TT^HEY were producing the court scene in a
-*■ big picture. The player who took the
role of the prosecuting attorney was fiercely
cross-examining one of the witnesses for the
defence .
" Repeat the words the prisoner used," he
thundered, pointing his finger at the trembling
witness.
" I-I'd rather not," said this individual,
timidly, "they were hardly fit words for a
gentleman's ear."
"Ah !" exclaimed the lawyer, "then whisper
them to the judge."
"p UTH HENNESSY, ingenue lead with the
-*-*- Essanay Company, is a good swimmer.
She goes through the water like a mermaid,
but a short time ago she was nearly drowned
inf enacting a water scene with some girls who
could not swim. They seized her, and being
twice Miss Hennessy's size they weighed her
down for the third time. Timely assistance of
the men in the scene saved a very popular young
lady, who is thankful to be alive to-day.
'TT^HE "star" appeared at the studios one
-*■ morning with her dainty finger smothered
in bandages.
"What have you done to your finger?" several
of the other players asked simultaneously.
" Oh, just reckless driving ! "
" Motor?"
"No — nail '."said the stai as she closed the
door of her dressing room.
Brewster's Millions.
THE ROMANCE OF SPENDING A MILLION DOLLARS.
Adapted from the Photoplay Production of the JESSE L. LASKY
Feature Play Company by Edna Rose Cox.
EDWARD ABELES AS " MONTY BREWSTER."
CONCLUDING INSTALMENT.
Chapter VII.
^UT luck couldn't keep turning
away from Monty. Within a
week of his coup on the stock
exchange, which silenced a
good deal of the talk about
him, a bank in wliich he had
a deposit of more than $100,000 failed,
owing to mismanagement, and it seemed
most unlikely that any of the money would
ever be recovered — or, at most, a beggarly
ten or fifteen cents on the dollar. Monty
had money in other banks, and he hoped
that one of them might fail. He needed
cheering up at this time, for he had managed
to offend Barbara Drew by his plainly
marked objections to the attentions of other
men to her. She had returned his Christmas
present to him, and had managed to avoid
him. When he called she was not at home,
and even Peggy, to whom Monty had gone
for sympathy, had been unable to cheer him
up.
The failure of one bank affected others.
There was no panic, but people were uneasy,
and it took little to start rumours about
other institutions. The one that finally had
to bear the heaviest fire was the Columquit
National, of which Colonel Drew was
president. It seemed as stable as a rock,
but a run started. Other bankers, seeing a
chance to push Drew to the wall, refused to
help. And so, suddenly, Monty was con-
fronted with a crisis. For Colonel Drew,
swallowing his pride, begged his help.
" Monty, my boy," he said, " this run is
senseless. If you will, publicly, increase
your deposit, I think the run can be stopped."
Monty was torn between his desire to
help Barbara's father and his fear of
Swearengen Jones. For to deposit a great
sum in a bank that was on the verge of
failure was likely to seem to Jones a delib-
erate attempt to evade the conditions of his
uncle's will. If the bank failed and the
money was lost, there was more than
an even chance that Jones would refuse to
hand over the money to him. Monty fought
out his battle with himself. For a moment
he was tempted to do it, and let Barbara see
how she had wronged him. Then he stiff-
ened his lip.
" I'll do it. Colonel," he said. " But —
Barbara must never know."
Amazed, the Colonel promised his silence.
Within ten minutes, in the face of the
frightened depositors, Monty opened a bag
and took from it great rolls of bills —
thousand-dollar bills encasing much smaller
ones, for effect. The run stopped at once.
Such a proof of confidence was enough.
The bank was saved.
It was to Monty's credit that he would
not profit by the chance to win Barbara's
love. He still loved her : loved her, despite
her recent coldness, better than ever. But
he wanted to win her, if win her he did, on
his own merits.
Colonel Drew, however, could not quite
understand the situation. He had always
been fond of Monty ; Brewster's action in
saving his bank had given him a paternal
feeling toward the young man. Like every-
one else, he knew how Monty was going
through his money. But he felt that, after
all, Monty was only sowing his wild oats.
And when he learned that Barbara was
giving a party to which Monty had not been
invited he was furious. In his anger he
forgot his promise to Monty, and told her
how much they owed him.
At first Barbara was touched. She was
ready to be reconciled, for she felt that
Monty had done this on her account. Had
he come to her then, humble, suing for a
restoration of the favour she had so caprici-
ously withdrawn, they might have become
148
BEEWSTER'S MILLIONS.
engaged. But that was not Monty's way.
He knew that he had done nothing to merit
her disfavour: he was not prepared to go
down on his knees to her. They met at a
dinner at Mrs. Dan de Mille's. Mrs. Dan
was still acting as Monty's social guide and
mentor,
" Let's kiss and make it up, Babs," sug-
gested Monty.
That wasn't the idea at all. She stiifened
at once.
"I don't think I quite understand," she
said, to lead him on.
" Well — I'm sure I don't ! '" he said. " I
don't know what I've done — but I supposed
that you must be over your tiff by this
time "
And then Barbara made a great mistake.
"I suppose you thought so because of
what you did for my father! " she said. "I
suppose that's why you've waited until now
to beg my forgiveness "
" What?" He interrupted her sharply.
"I haven't begged your forgiveness, because
I've done nothing to require it ! And, as to
what I did for your father— you were not
supposed to know of that."
Oh, you knew very well I'd learn of it!"
she said. "I must say "
' Please don't say anything more," he
said, with a new note in his voice. 'I think
I understand your feeling."
Chapter VIII.
THAT marked the beginning of a new
stage in Monty's wild year. His
friends noticed a wilder recklessness
on his part — a desire to spend money even
madder than before. Monty was fighting to
get over his infatuation for Barbara. She
had revealed herself to him at Mrs. Dan's in
colours he had never suspected, and the
experience embittered him. He heard, now
that his ears were open, many things that
had never come to him before. He dis-
covered that many of Barbara's friends
thought that she had been holding him off
on account of his extravagance; that she was
determined not to commit herself because
he seemed impelled to spend his last cent.
As the weeks passed Monty began to
realise more fully than ever the difficulty of
spending a million dollars. And, too, his
distress over the trouble with Barbara wore
on him. His health began to be affected.
He had little to cheer him. One loss of
sixty thousand dollars, for instance, though
it represented so much of his task accom-
plished, hurt him. For Nopper Harrison,
his trusted friend, had been betrayed into
taking some of his money. He had specu-
lated with it, intending to share the profits
with Monty — and he had lost. Manfully,
he confessed what he had done.
' It's your fault, in a way," he said. " I
don't mean to whine —but have you any idea
of the temptation"? You trusted me abso-
lutely— and I've betrayed your trust, Monty.
I've got to get out."
Get out he did, despite Monty's attempts
to make him stay. In vain Monty assured
him that the money did not matter; that he
had never meant to do anything wrong.
I'm going West — going to look for gold,"
said Harrison. " I've discovered my own
weakness^and I'm going to try to straighten
out the kink. Don't worry, Monty. It's a
good thing to find out such things about
yourself before it's too late."
So he went, with Monty's money, which
he had finally been induced to accept, to
stake him. Monty felt that he had lost,
for the time, at least, one of his truest
friends. And it was a time when he needed
all his real friends, for his acquaintances
were beginning to despise him. They fore-
saw a time when he would be poor, and they
all wanted, when the day came, to be able
to say, ' I told you so ! "
Monty played ducks and drakes with his
health — and paid the price, at last. Just
before the date of a gorgeous and wildly
expensive ball, for which, among other
things, a Viennese orchestra had been im-
ported, he broke down completely. For a
month he was fiat on his back, saving money,
which even the charges for an operation for
appendicitis did little to offset. And when,
after a luxurious convalescence in Florida,
he was able to begin really spending money
again, summer was almost at hand.
'' I need a yachting cruise to set me on
my feet," he told his friends. And so he
chartered, at enormous expense, the Flitter,
the finest steam yacht available, and invited
a party to sail the seas with him. He plan-
ned to be gone until August — to leave him-
self about a month in which to clean up the
spending of his million. On September 23
he had to make his report, and to be penni-
less.
Mrs. Dan de Mille and Mrs. Valentine,
the wife of one of his oldest friends, were to
chaperon his party. Peggy Gray was to be
BREWSTER'S MILLIONS.
149
" ' I've stood enough of your interference,' he shouted. ' Keep off ! ' "
a guest, though he had been unable to induce
her mother to come. Joe Bragdon, Reggie
Vanderpool, Dr. Lotless, who had seen him
through his iUness, and his sister, Isabel,
Dan de Mille him.self, to the universal sur-
jirise (since he and his wife were supposed
to be on terms of formal acquaintanceship
only, and there had been rumours of a
friendly divorce), Paul Pettingill, Subway
Smith, and one or two others, made up the
party. These, Monty knew now, were his
real friends. He was beginning to get over
his love for Barbara Drew. Things he heard
before he sailed helped. She had said that
no girl would be safe in marrying him ; that
he was just throwing his money away. And
Barbara, plainly, had a very high regard for
money.
Chapter IX.
ON the Flitter, as she ploughed steadily
eastward, everyone was happy.
Monty, to his surprise, found that
Dan de Mille, whom everyone accepted as a
cipher attached to his brilliant wife, was a
most likeable chap.
Oh, no one ever sees that I'm crazy
about Dan," said his wife. " I jump around
a lot, and I keep on the go — but I always
come back to him — and he's always there,
waiting for me. He's quiet — I'm lively.
But he's the best fellow that ever lived."
" I believe you," said Monty, heartily.
I'm awfully glad, Mrs. Dan. Do you know
— I've always liked you, of course, but now
I like you better than ever ! "
■' That's a real compliment, Monty," .she
said. " Do you know, you're a rather blind
person. Since I've been seeing more of
Peggy Gray I wonder how you ever came to
Iiang around Barbara Drew."
He flushed.
" Peggy's a good sort — the best ever," he
said. " She's just like a sister to me."
"Oh, is she ■?" asked Mrs. Dan, with a
curious look and a smile.
Peggy hers' If seemed happier than she
had at any time been since Monty had
inherited his million.
"You're more like the old Monty," she
told him, smiling up at him as they leaned
over the rail, watching the setting sun.
That brought him a twinge of bitterness.
He knew that what she meant was that he
was taking things quietly; that he was
spending no money. And he could not tell
her that the only reason was that he had no
opportunity. But he did feel more at peace
with himself, and he realised that his career
as a spendthrift, despite its justification, was
having an insidious eff^ect tipon him.
" If I kept this up much longer," he told
himself, "it would have a pretty bad effect
on me."
On the yacht Monty cemented his friend-
ship with many of the party. Nothing had
more to do with this than an incident in
mid-ocean, when, at the ri?k of his own life,
150
BREWSTER'S MILLIONS.
he jumped into the sea and held up a sailor
who had been knocked overboard, until aid
came. He had been the only one to see the
man go over, and the sailor's gratitude for
Monty's act was touching.
But the halcyon days on the yacht could
not last. They finally reached the other
side, and then ensued a carnival of spending
money that seemed to Peggy a veritable
saturnalia. Monty hoped to rid himself of
a good deal of money at Monte Carlo ; in-
stead, to his despair, he won no less than
forty thousand dollars ! But that was only
a temporary set-back. He more than made
up for it. Once Peggy saw, crowning a hill
over a lake, a villa of rare beauty.
" What a lovely placel" she exclaimed.
Monty hited it for two weeks — at a cost
of more than a hundred thousand francs.
He thought of a motor tour — and hired half-
a-dozen brand-new cars of the finest make,
in which he conducted a pilgrimage through
Italy. In Milan he chartered La Scala,
and, since it was not the opera season, was
required to pay a fabulous price to assemble
a company for a performance of "Aida."
And Peggy, though she enjoyed this, hap-
pened to say that it was a pity that, with so
many empty seats, the poor people might
not have been admitted.
Fine — we'll give them another perform-
ance to-morrow night !" said Monty. And,
despite her protests, he did it. But time
was flying, and Monty was beginning to grow
nervous and restless. The strain was telling
oil him. He was never content to stay long
in one place. One reason was that a sudden
change in plans always meant added expense.
But the others could not know that, and by
this time it was plain to all of them that
the greatest fortune would soon be dissipated
if Monty kept up his pace. They knew how
much he had inherited; they knew also,
approximately, how much he was spending.
" That boy's going broke," Dan de Mille
told his wife and Peggy Gray. " I suppose
it's none of my business — but I like him.
And I've figured things out. He won't last
the year out at this rate."
The others were talking, too. Gradually
a sentiment was growing up among Monty's
guests that they should, whether he liked it
or not, save him from himself. But he knew
nothing of this talk, and he was in the best
of spirits when the yacht turned towards
Egypt. Alexandria, where he had letters to
English residents, gave him a chance to
entertain lavishly and spend more money.
But there he had a quarrel with Peggy
that was to lead to serious consequences.
The other women had talked to Peggy. She
had been reluctant to speak to him, and had
even felt that it was disloyal to join the
discussions about his extravagance. But
here she was forced to speak.
"Peggy," he said, "you've got to take me
on trust. I can't explain myself, even to
you; but I know what I'm doing."
" Monty — nothing can excuse such wanton
waste ! " she said. " If you were doing
something useful with your money — if you
were giving it to charity ! But this — oh,
it's wicked ! Won't you, if you're as fond
of me as you say you are, try to please me T
But he could give her no satisfaction, of
course, and she was hurt. Even the best-
balanced of us have moods of wildness and
recklessness. And such a mood now seized
Peggy. Monty had irritated her ; she
thought, wrongly, that he had not taken her
seriously. And, just because she was so
sane, so well-balanced, the imp of perversity
that got hold of her soon obtained entire
possession. Though, on the surface, she was
the same old Peggy, she was really only
waiting for a chance to get even with Monty,
to worry him half as much as he had
succeeded in worrying her.
Chapter X.
AT one of the entertainments ashore
with which Monty's new-found friends
in Alexandria tried to repay his
lavish hospitality on the yacht, one guest
stood out among all the others. This was
an Arabian Sheik, Mohammed by name, and
a very great man indeed in his own part of
the world. He wielded tremendous influ-
ence, and though Monty and the rest of the
party heard that his character was far from
being spotless, they were also told that he was
practically immune from any punishment.
' Of course, if he jolly well went too
bloomin' far, he'd get scragged," one of the
Englishmen explained. " But they give
him a pretty long rope — because governin'
a country like this means usin' the bally
natives, you know. And it isn't like a
British colony, Egypt isn't. It's Turkish
territory, really — and we rule through the
Khedive. So don't offend this black
bounder — because he's really a howling swell,
accordin' to their lights."
Mohammed amused the party of Americans
BREWSTER'S MILLIONS.
151
greatly ; and, in return, most of them
amused him — especially the idea that men
let their wives appear in public with their
faces exposed — though he knew enough of
English ways to be used to this. But one
member of the party didn't amuse him at
all. That was Peggy. From the moment
he first saw her his eyes never left her.
You've made a hit, Peggy," said Monty.
Our coloured brother there seems to think
you're just about right."
That's his privilege," said Peggy, tossing
her head. And at once the little imp of
mischief whispered in her ear. She heeded
him, and the next moment she shot a
ravishing glance at Mohammed.
I say — don't do that, Peggy," warned
Monty. He's not one of us, you know —
he may misunderstand."
I can look after myself, thank you," said
Peggy, defiantly — and hunted up Mary
Valentine to tell her the joke.
But Peggy had overshot the mark. For
Mohammed did misunderstand. And within
half-an-hour he contrived matters so that
Peggy was presented to him. And then,
with all the throng about her, he made an
impassioned declaration, and invited her to
become his wife !
Here — I'll answer him, Peggy ! " said
Monty, indignantly.
I'll answer him myself ! " she said.
Oh, noble Sheik — it is not the custom
among us to woo a woman so. You miist
come to the yacht — there I will answer
you."
But the answer will be yes 1 " he begged.
" Why not 1 " said Peggy, archly — and
escaped.
It was all a joke to her. But she reckoned
without Mohammed. He took her seriously.
And the next afternoon, to her dismay, he
actually came aboard the yacht, with a
number of his dusky retainers, and explained
that he had come to take her home with
him.
Still she thought he was joking — admired
him for being able to do it. But Monty
was standing beside her. He saw the look
in the Arab's eyes, and placed a protecting
arm about her. In a moment Mohammed
stepped forward.
Dare you to lay a hand on my promised
hride, dog of a Christian ? " he asked, fur-
iously. "Come."
He took Peggy's hand, and in a moment
she understood — and drew away shrieking.
" Don't you dare touch me ! " she cried
Monty — I was a fool — oh "
Monty had been prepared for just that.
The yacht's crew were ready. And in a
moment Mohammed and all his letinue
were being forced back into their boats.
Monty, when they were gone, turned to see
a repentant Peggy. But he was angry now.
He forgot how much cause he had given her
to be piqued.
" Don't play with fire again," he said,
shortly.
Only Monty believed that there had been
real danger, however, even then. But that
night was to bring the others proof that
they were wrong. Monty, after a late party,
was alone in a dark part of the deck. He was
near Peggy's state-room, as a matter of fact.
He was lost in thought, figuring as to how
he stood in his tilt with his million. And
suddenly he felt a stunning blow. Had it
struck him full, his life story would have
ended on the spot, but it was a glancing
blow, that left him half-unconscious. Dimly,
unable to move, he saw dark forms swarming
over the side — saw them burst in Peggy's
state-room door. In vain he tried to cry out,
but it was not until they had emerged,
carrying a white figure, that he was able to
move.
Then he did cry out and arouse the crew.
But it was too late to prevent the Arabs
from carrying Peggy over the rail and into
one of their boats. All he could do was to
help Captain Perry to get boats over, to call
the crew and the passengers out, and to
start the searchlight. Then with Captain
Periy directing the gleam and pointing to
the boat that contained Peggy herself — the
Arabs had three boats — Monty started in
pursuit, with Joe Bragdon in the boat that
he himself commanded.
The searchlight was the thing that saved
them. With its aid the boat from the
Flitter, driven by the trained oarsmen of
the crew, went three feet to the Arabs' one,
and in a few moments Monty, pistol in hand,
could see Peggy's white form, with a huge
Arab standing over her, knife in hand.
" Stop ! " cried the Arab. " If you come
nearer she dies."
Even as he spoke a shot cracked out.
The Arab fell into the water, carrying
Peggy with him. But Monty was equal to
that emergency. He was overboard in a
irioment. Before the others realised what
had happened he had reached Peggy,
152
BREWSTER'S MILLIONS.
who had come out of her faint as she struck
the revivifying water, and was swimming
back to the yacht with her.
Chapter XI.
ALEXANDRIA and the exciting events
that had transpired there had been
left behind. And on the Flitter,
headed northward now, and crossing the
Bay of Biscay, a little council of war had
gathered to discuss the actions of Monty.
I've never had such a good time," said
Dan de Mille, " but for his own sake we've
got to stop Monty. He's mad ! This last
freak to extend the cruise to the North
Cape is the limit. He'll land in New York
a pauper ! We've got to make him turn
and sail for America."
' How ? " said Captain Perry, whom the
men of the party had taken into their
confidence. "If Mr. Brewster tells me to
take the yacht to the North Cape or the
North Pole, I'll do it. I agree with you,
but I'm obeying orders from my owner."
"Still, you're the commander," said
Subway Smith. " You've even the right to
put Brewster in irons if you deem it right."
" Yes — but there's no chance to make it
right."
" Listen," said de Mille. " Monty has
said that any of us can leave the yacht at
the most convenient port. Well — we're all
agreed that Boston is that port. Captain —
you heard him say that. So, unless you get
special orders from him countermanding our
request, you would take us to Boston,
wouldn't you ? "
" Yes, sir — I can agree to that."
All right," said de Mille. Do us a
favour. Captain. Stay away from Brewster's
cabin — and we'll guarantee that you get no
orders from him. 1 'o you understand 1 "
" I won't deny it — I do," said Perry. " I
don't like it, gentlemen — and yet — well —
I'll do it."
Monty awoke on the morning following
to iind de Mille and Pettingill in his cabin.
" Monty," said de Mille, "we're here on an
unpleasant errand. There — well, the fact is,
there's been a bit of a mutiny. You've got
to stay in your cabin here — because we've
decided to go home. The Captain has your
orders to take us to any port we name —
and we've named Boston. Also we're going
to keep you from reaching him and counter-
manding those order '."
What Monty said at first may not be set
down in print. But he calmed down
Will you marry me to-morrow morning ?' he asked. ' Early ! it's my birthday.' "
BKEWSTEE'S MILLIONS.
153
presently, and appeared resigned to his fate.
I'm your prisoner, then 1 " he said.
"Well— I'll just bet you, de Mille, that I
get loose when I want to."
I'll take that bet for a thousand," said
de Mille, " provided you don't get help."
" Kight," said Monty.
But though, after his first outburst,
Monty took his imprisonment lightly, it was
really a crushing blow. Even when his
guards grew seasick his smile was forced.
The man who asked to be delivered
from his friends was right," he said, bitterly.
For this meant that he would be obliged,
after reaching New York, to rack his already
wearied brain in an eftbrt to discover new
extravagances that would support the
scrutiny of Swearengen Jone>\ He had
counted on getting rid of nearly forty thou-
sand dollars by the extension of the cruise
to North Cape. Now he would have to
spend the extra money the trip would have
cost, and he would also save the money for
the last month of the yacht's charter — since
he would be in New York with more than
a month of the time to run.
Damn the luck ! " he said.
But fate, which had dealt Monty so many
blows, was stirring herself to aid him. Up on
deck the captain looked anxiously at his glass.
There's dirty weather coming," he said.
I've heard of the glass acting this way in
the Pacific — but it's not Atlantic weather."
And his predictions were justified. For
the dirty weather the captain had antici-
pated turned out to be a hurricane of tropical
violence. The Flitter- was not meant for
such weather. But she would have weathered
it all right had it not been for an
accident — the breaking of her shaft. Monty,
in his cabin, with the door locked, learned
of this disaster when the terrific rolling and
pitching changed in character, proving that
the yacht had lost steerage way, and was
being buft'etted helplessly by the huge seas.
And it was Peggy who remembered him
and came to let him out.
On deck he greeted a frightened crowd
that was trying to put the best possible
face on matters.
"Well !" he said, "if you'd let me have
my way this would never have happened ! "
But he did not rub this in — being a good
sport. And for the first time since he had
inherited his million he forgot about money.
For it was plain that the situation was full
of peril — and he was thinking of Peggy, and
of the mother who was waiting for her in
New York.
The Flitter lay helpless in the raging storm.
More than once it seemed that her end was
at hand. But the storm abated as quickly
as it had arisen. From the moment of the
lessening of the wind they had relief; within
six hours all danger was past.
" Thank (xod ! " said Captain Perry,
devoutly. " Ladies and gentlemen — I've
seen bad weather, but I never came closer
to losing a ship. And now — well, we've
got to rig up sail and get down to the
Canaries, somehow. We've been blown out
of the steamship lanes — and we're in for a
week or so of drifting. It looks like calm
weather, too."
Once more he was right. And Monty,
with a hundred thousand dollars still to
spend, began to think he was going mad.
For they got nowhere. He had to get to
New York, and day followed day with no
apparent chance that they could. The
others could not understand his impatience
to get back to New York now.
" It's not so long since you Avanted to go
to North Cape — and now you're worrying
about getting to New York ! " said Peggy.
He couldn't explain. But, at the last
moment, when it seemed to him he had
been driven to the limit of his endurance, a
tramp steamer was sighted.
"Thank Heaven!" he cried. " Signal her
to take us in tow, captain ! "
"You're mad!" said Perry, aghast". ' That
would mean salvage — it would cost you a
hundred thousand ! "
" I don't care — do it ! " said Monty.
But Perry refused, absolutely.
"it's a waste of money," he said. We
may be slow, but we'll make land safely."
" Then I'll do it myself ! " cried Monty.
With a spring he reached the box of signal
flags. He knew the code, and in a moment
he had hoisted the signal that appealed for
help. The others tried to drag it down,
but he held them off with a revolver.
" I've stood enough of your interference!"
he shouted. " Keep off" ! "
" Let him alone," said Perry, with a groan.
"They've seen the signal — that does it. He's
got to pay now."
Chapter XII.
IT was the twenty-second of September,
and Monty and all of them were back
in New York. He was the mock of all
but the few loyal friends who had been on
154
BREWSTER'S MILLIONS
the yacht, for now everyone knew that he
liad gone through his million, and was
practically a beggar. The salvage he had
had to pay had left him only a few thousands;
these he had managed to spend in the few
■days since his landing. No remonstrances
had checked him. De Mille had done his
best ; it had been in vain. And now, with
the million spent and his receipts ready for
Jones and the lawyers, Monty had gone
back to the old home with the Grays. He
had sold all his clothes to a junk dealer ; he
■owned nothing but the one suit. In his
pocket he had about fifty dollars. Peggy,
with tears in her eyes, met him — and
wondered at his jubilant air.
'Cheer up, Peggy ! " he said. " It's been
a nightmare — but to-morrow I begin a new
life — or, rather, I go back to the old one.
I'm going to be the same old Monty
Brewster again ! "
" The old Monty ! " she said softly. "Oh
— if that is so, it's worth all the money
you've thrown away."
Something in her voice made him look at
her. He took her hand.
Peggy ! " he said. "Look at me. Don't
you believe in me 1 "
Slowly, timidly, she raised her eyes to his.
Oh — I do — yes, I do!" she cried, joyfully.
Monty — you've changed since we came
home — since yesterday ! I do believe you're
going to make a fresh start and be happy
—money or no money."
I am!" he said. "Peggy — if you be-
lieve that — could you — would you — ^dare I
ask you to share it with me ? Oh, I know
I've been a fool — I was blind — I went off
after a girl who isn't fit to tie your shoe-
laces. But it's yo\i I've loved — always."
She stared at him incredulously. But his
eyes convinced her.
Monty ! " she said, " Oh, my dear — how
long it took you to find it out ! Monty —
I'm glad you're poor — glad — glad ! "
For a time there were no words between
them. Then Monty started.
Will you marry me to-morrow morning?"
be said. "Early"? It's my birthday— and
I want to make this fresh start with you."
For a moment she hesitated. Then :
Yes, I will," she said, bravely.
* Fine ! " he said. " Just one more burst
of extravagance, dearest. We must cele-
brate— I've got enough to hire a car and
have a good quiet dinner all to ourselves."
" Monty!" she said reproachfully. "Your
last cent "
" I've got prospects." he said, gaily.
" Several jobs — and — oh, lots of things ! "
Not to tell her his news was the hardest
thing he had ever had to do. But he man-
aged it, and he wore down her objections.
They had a glorious time ! What newly
engaged couple could not forget even poverty
and a lost million.
But that night, when he took her home,
he found a message from Grant and Ripley
that frightened him. It summoned him to
their office. They were waiting for him.
" My boy," said Grant, " I've got terrible
news. I haven't told you before, because I
felt it could do no good, and I've hoped for
the best. But for three weeks we've had no
word from Swearengen Jones ! He has con-
verted all the estate of Mr. Sedgwick into
cash — and he has totally disappeared."
It was a bolt from the blue. Monty stared
at them.
"Then — there will be no millions'?" he
gasped. ' I've thrown away the substance to
grasp at a shadow 1 "
"I'm afraid so, "said Grant. "We've waited
till the last moment, hoping that he would
clear up the mystery — he's a bit of an eccen-
tric. But out in Butte, Montana, they're
worried about him. They think he's met
with foul play. It may be that he will turn
up yet^but "
" It's all in the game," said Monty. " I've
got my health — and I'm going to be married
in the morning. Thank God, I can still go to
work."
Not a word of reproach for them. That
was Monty. His million and Swearengen
Jones had brought out the real stuff in him,
after all. He exulted in the knowledge that
Peggy trusted him enough to marry him in
spite of everything. And not once, though
when he had asked her he had expected to be
richer than ever when she became his wife,
did he think of backing out or even of wait-
ing. He had been tried in the fire — and the
flame had only tempered him.
But when the morning came and he saw
her he felt that he was free to explain to her
at last — and he did.
"You see, I had a reason for my folly, dear,"
he said. "And I wasn't brute enough to ask
you to share my poverty."
"Ah, but I'm going to ! " she said. " Some-
how I knew you were in the right all the
time, Monty. I trusted you ! "
Joe Bragdon and Elon Gardner had made
BREWSTEE'S MILLIONS.
155
all the arrangements. And now they ap-
peared and said the minister was waiting.
And so Monty and Peggy were married.
Monty rejoiced at being able, at last, to tell
these friends who had stood by him why he
had acted as he did. He was soothed by their
sympathy; and while Dan de Millewas apolo-
gizing and promising him a job, there was a
commotion in the hall. Into the room strode
a tall man with all the marks of a Westerner.
In his hand was a satchel.
" What's this ? " he shouted. " Too late for
the wedding, hey? Well, nevermind ! Here's
your wedding present, my boy ! There's
seven million dollars in that bag — in the
finest securities and certified checks you ever
saw ! "
It was Swearengen Jones. He had indulged
in a lifelong fondness for melodrama. But no
one, least of all Monty, reproached him.
'You're all right, my boy — and you've
won a girl in a million, if she trusted you
after the way you've had to act ! " he said.
But your time is com.ing. I've told the
papers the whole story — and from being
yesterday's fool you'll become to-day's idol ! "
[The End].
A NITA STEWART, who plays the principal
-*^*- part in the Vitagraph Picture, " Shadows
of the Past," was born in Brooklyn, N.Y.,
on February 17th, 1895. She attended Brooklyn
Public School No. 89, and graduated as the
youngest member in her class. She next went
to Erasmus High School, and while there studied
vocal music and piano under the direction of
Mrs. Henry Gunning, mother and teacher of
Louise Gunning, the operatic star.
While attending High School Miss Stewart's
personal beauty was utilised by several New
York artists, who employed her as a subject for
calendars and high-class pictorial lithography.
It was through her brother-in-law, Ralph Ince,
that she secured her first position with the
Vitagraph Company. For the first six months
she did little other than extra work, but was
learning the rudiments of the picture game from
the ground up, as Mr. Ince naturally took a
strong personal interest in her professional
achievements.
Her first part of any importance was the lead
in " The Wood Violet," and she made such a
profound impression that a second picture, "The
Lost Millionaire," was written for her, and in it
she again achieved wonderful results. Later, a
third picture, "The Treasure of Desert Island,"
was written for Miss Stewart, and again she did
exceptionally well.
One of her greatest professional accomplish-
ments was in the lead in "A Million Bid." Her
exceptional performance in this five-reel picture
made her a Bioadway star in one night. Miss
Stewart's advancement as a moving picture
actress has been rapid and sure, and she now
ranks as one of the most stable and dependable
ladies of the Vitagraph Stock Company. She is
as effective in corned}' as in tragedy, and can
switch from light to heavy roles at a moment's
notice. It will be remembered that we made a
feature of her portrait in our May number.
Tj^ UGENE PALLETTE, the leading man with
-'-' Reliance and Majestic Films, is a striking
figure at the Western studio. Deciding at 16
that he wished to be an actor, and meeting with
strong opposition from his father, he ran away
from home and worked for two years in the
logging camps of Louisiana. Later, he carried
the chain for a surveying outfit through Montana
and South Western Canada. Then he went to
Texas, where he worked as cattle puncher. After
a year of ranch life he travelled about, giving
exhibitions of rough riding at horse shows and
carnivals. Since striking Los Angeles, he has
played with the Universal, the Kay Bee, the
"American," and is now appearing in romantic
pictures of Western life, under the generalship
of D. W. Griffith. He is good looking, an all-
round character actor, and a superb horseman.
He is also a powerful swimmer, and a month ago
was appointed municipal life guard at Venice, a
beach resort near Los Angeles, and has already
saved four persons from drowning.
' ' A ^T^HO is the other young man who frequently
' * plays opposite Miss Ostriche in Princess
Films ? " is a question which has been
asked several times. Nolan Gane is his name,
and in " Too Much Turkey " he and his charm-
ing partner are seen to great advantage. This
fine looking young player created quite a sen-
.sation in New York theatrical circles a few years
ago by playing the part of a real star when but
thirteen years of age in the production " From
Rags to Riches." Mr. Gane has also played with
Orloft', the great Russian actor, and it is said
that he is one of the most talented juvenile lead-
ing men among American photoplayers to-day.
His clever acting in the Princess productions
has already won for him many admirers on both
sides of "the pond," in spite of the fact that he
has been in "pictures" but a com parati rely
short time.
Father's Flirtation.
From the VITAGRAPH Comedy Photoplay by Edwin Ray Coffin.
Adapted by Bruce McCall.
The all-conquering Bunny, with his enthusiasm for the
ladies, finds himself in an awkward predicament, but —
as usual — after many humorous doings, emerges
scathless.
Cast :
Bunny ...
JOHN BUNNY
Mrs. Bunny
FLORA FINCH
Betty
MARY ANDERSON
The Widow
LOUISE BEAUDET
Agnes ...
KATE PRICE
Landlady
KARIN NORMAN
jOLIDAYS were over, and Betty
was going back to college. Her
parents, Mr. and Mrs. Bunny,
were inasad way about it. Mr.
Bunny tried to take the matter
philosophically. He puffed
away furiously at his big calabash pipe, and
told his wife between the puffs that it was
ridiculous to take on as she was doing,
' The girl must go back," he said. " She's
got to be educated, hasn't she 1 Very well
then, what's the use of crying about it ? "
You may talk," sobbed Mrs. Bunny,
but you feel just as badly about it as I do,
only you smoke and I cry — I can't help it."
Huh ! that's the worst of a woman,'
grunted Mr Bunny.
But even he was rather affected when Betty
camein — impulsive. loving-hearted Betty, who
threw her arms about her father's neck,
smothered him with kisses, and shed copious
tears.
'Dash it, Betty," said Mr. Bunny, " don't
cry like that. You're taking all the stiffening
out of my shirt-front."
Betty dried her tears and her mother
followed suit. Between them they got Mr.
Bunny into his enormous overcoat, and
clapped his hat on his head. Mother and
daughter managed to put a fairly good face upon
the matter up to the moment of parting, when
both dissolved in tears once more. The train
took Betty away, and Mr. Bunny took his
wife home, and did his best to comfort her.
You've got me, my dear," he said
plaintively.
Mrs. Bunny stopped crying. " Yes," she
retorted, ' and sometimes I wish you'd go
away to school instead of Betty."
Mr. Bunny could not think of anything^
effective to say.
It was about three weeks later that a letter
came from Betty begging them to pay her a
visit.
" You have promised so often," she wrote,
"and you never come. All the other girls'
parents pay them visits and give them a good
time, and I insist that you do so too. 1 can
get a room for you in the boarding-house where
I stay. I won't take any refusal, and I shall
expect you early next week."
" Well, my dear 1 " asked Mr. Bunny, after
his wife had read the letter aloud.
" We're going," she said, adding : " I shall
expect you to be on your best behaviour."
"My love," said her husband, with a toui^h
of reproach in his tone, " ain't I always on
my best behaviour 1 "
"I rem.ember once or twice still, I
shall be there to look after you. I shall see
that you don't get into mischief."
It was with no joyful anticipation, on Mr.
Bunny's part, at any rate, that they set out
upon their journey. His troubles began at the
very outset. Mrs. Bunny stepped briskly
into the railway carriage, leaving her husband
to follow with the hand luggage. The gang-
way was barely wide enough for him to pass
through sideways, but he made a frontal
attack upon it, with a bag in each hand, and
got nearly wedged in. He tried other tactics,
and succeeded in forcing the passage with
great difficulty and considerable loss of
breath.
" Do you know, my dear," he said to his
wife later, "I believe I must be getting fat."
FATHER'S FLIRTATION.
157
Perhaps you are a trifle portly," she
•answered.
" That's it," said Mr. Bunny. " Portly—
that's the word."
Betty did not meet the train, but she was
•watching from the window of the boarding-
house, and when they came in sight she
rushed out to meet them, and bustled them
into her sitting-room.
Oh, I'm so glad you've come," she cried
•enthusiastically. " We'll have such a time.
I do want father to enjoy himself."
" Your father," said Mrs. Bunny severely,
will be under my eye."
The landlady — a cold, austere-looking
woman — was introduced, and preliminaries
(having been arranged, led Mrs. Bunny away
to show her the room prepared for her. Mr.
Bunny, who, with a huge cigar in his mouth,
had been wandering up and down the room,
■was left alone with his daughter.
" Poor old dad," said Betty. " He shall
have a good time, he shall."
Mr. Bunny kissed his daughter, winked
solemnly, and said :
Look here, Betty, you're a good girl.
I'm going to take a stroll round the town,
iust to see the place, you know. Don't tell
your mother."
Betty laughed. " I won't say a word," she
said, " but mind you don't get into mischief."
Mr. Bunny went out chuckling to himself.
To escape even for an hour from his wife's
watchful eye and rather sharp tongue gave
him a pleasant sense of freedom. And there
was no harm in a quiet stroll.
Alas for good intentions ! He had not
gone far before he forgot all about them and
about Mrs. Bunny as well. It was a woman
who proved his undoing, as has happened
often enough before, and to men made of
sterner stuff than Mr. Bunny, who had a
roving eye.
She was a smart little woman too, as pretty
as apicture, Mr. Bunny thought. She stepped
briskly along, and in passing threw him a
sidelong glance and a roguish smile.
That smile went straight to Mr. Bunny's
susceptible heart. He turned and looked
after her, and then — was it accident or
design 1 — she dropped one of the parcels she
was carrying. Gallantly Mr. Bunny ran to
her assistance.
Thank you so much," she said sweetly,
giving him another smile which prompted
him to suggest that he should carry her
parcels for her.
She accepted gratefully, and Mr. Bunny
was promptly constituted light porter. He
was enjoying himself hugely, and no thought
of Mrs. Bunny crossed his mind.
The little woman chattered away, and so
captivated him that when they reached the
house where she lived and he had handed over
her parcels, he found courage to ask if he
could call upon her that afternoon.
"Oh, yes, do," she answered, so cordially
that Mr. Bunny was convinced he had made
a conquest. What a charming little woman
she was ! None of your silly, giggling
girls, but a smart, sensible woman of the
world. He walked away with a jaunty air
and a sense of exhilaration which made him
feel almost a boy again.
He was in the mood for adventures that
morning, and adventures came his way.
With his new youthfulness he looked with
indulgent eyes upon a party of four young
fellows, wonderfully arrayed in fantastic
clothes, who were dancing along the pave-
ment and seemed remarkably joyous about
something or other. They were shouting at
the top of their voices something which
Mr. Bunny guessed to be a college war cry.
" Rah — rah — rah — rah ! "
Mr. Bunny, who felt not a day older than
these merry lads, recalled many such mad
doings in his college days, and sighed be-
cause those days were over. He followed
them, and forgetting that he had put on
flesh in recent years, wished that he could
wear clothes and a hat like theirs, and go
dancing and shouting through the streets.
One of the young fellows turned and saw
him following, called out something to his
companions, and in another minute the
jolly quartette had surrounded him and
were dancing about like wild Indians.
They had probably expected that Mr.
Bunny would be angry, and when he too
began to laugh, and even to dance, they were
delighted.
" He's one of us," cried one. " He's a
real ' Rah-rah boy ! ' "
" Rah — rah — rah — rah," roared Mr.
Bunny, cutting capers with astonishing
agility. Suddenly he stopped and held up
his hand to command attention.
" Boys," he said, solemnly, " I must have
some ' Rah-rah ' clothes too."
" You shall," they cried in chorus, and
linking arms, two on either side, they led
him to a big outfitter's shop and marched
him up to the counter.
158
FATHER'S FLIUTATION.
" He somehow got into the garment.
'' I want some ' Rah-rah ' clothes like
these fellows are wearing," said Mr. Bunny.
The assistant stared.
" It's all right," said one of the young
men. " He's one of the boys. Fit him
out."
The assistant smiled, and looked critically
at Mr. Bunny. " It's rather a large order,"
he remarked.
Don't you try to be funny, young
fellow," said Mr. Bunny, severely. " Trot
out the tape measure."
To cut a long story short, Mr. Bunny
was with some difficulty accommodated with
a suit of some light striped material, with
black braid round the edges of the coat, the
sleeves, and the legs of the trousers. It
was very much like a suit of pyjamas, and
when a hat and tie had been found to match,
his appearance was certainly startling. He
paid the bill and went out with his new
companions, proving himself
one of the boys indeed by
standing drinks all round.
Time slipped away, and at
last so did Mr. Bunny. He had
forgotten all about lunch, but
he had suddenly realised that
it was about time to go and
keep his appointment with the
lady whose squire he had been
in the m.orning. He did not
tell the " Rah-rah " boys where
he was going, but slipped away
when they were not looking.
He would have preferred a
different costume from the one
he was now wearing, but there
was no time to go and change.
He felt a little self-conscious
as he walked through the
streets, but nobody seemed to
think his appearance was any-
thing out of the ordinary until
he reached the house to which
he was bound.
Two ladies had just come
out and were descending the
steps as he was about to
ascend. One of them caught
sight of him, and cried out to
the other :
" My word, Marie ! Isn't
he the limit 1 Did you ever
see the likes of that?"
" Sakes ! " exclaimed Marie,
and shrieked with laughter.
" It must be the clown from the circus.
Ain't he fat 1 "
It was true that Mr. Bunny's glaring
clothes rather exaggerated his bulk, but
Marie had no right to reproach him on that
score, for she was no midget herself. Mr.
Bunny, however, ignored the ladies, went
up the steps, and rang the bell.
His acquaintance of the morning welcomed
him effusively.
" You dear man," she said. " Do you
know I felt sure you wouldn't come 1 "
" Couldn't keep away," he rejoined, with
an ardent glance.
The lady sighed, and dropped upon a
settee. " Men," she murmured, "are such
deceivers. One never knows whether they
are to be trusted."
Mr. Bunny also took a seat, very near the
lady.
" You may trust me," he said. I
FATHER'S FLIRTATION.
15^
wouldn't deceive you. Do you know," he
added, " I took a fancy to you the first
moment I saw you."
The lady sighed again and smiled. How
you do go on," she said. " I like your suit."
Mr. Bunny surveyed himself complacently.
Yes, rather smart, I think," he said. Then
edging still nearer to the lady, he murmured,
" You're awfully pretty. I'd like to kiss
you. Would you mind — ^just one ? "
The lady held up her finger, frowning
and smiling at the same time in a most
bewitching way. " You naughty, naughty
man," she said, and would probably have said
more if there had not been a ring at the
door bell at that- moment.
" Some ladies to see you, m'm," said a
maid, putting her head between the curtains,
and Mr. Bunny's charming friend left him
alone.
* * *
If Mr. Brnny had enjoyed himself, his
wife's experiences had not been so pleasant.
She was not at all pleased with the room
which had been allotted to her. She con-
sidered that her daughter's apartment was
uncomfortable and badly furnished, and she
quickly formed a very unfavourable opinion
of the landlady.
" Pack up your things, Betty," she said.
" We'll find somewhere else to stay."
" I should think," said the landlady,
spitefully, ' judging by some people's man-
ners, that my house is a good deal better
than some people have been used to."
" If you mean me," retorted Mrs. Bunny,
hotly, "let me tell you that I consider you
a vulgar, impertinent person. I shall take
my daughter away at once. Manners,
indeed."
" P'haps you'll pay me what's due," said
the landlady, " if you've got the money,
that is — -which I doubt. Then you can go
and welcome. I have only gentlefolk in my
house."
Mrs. Bunny deigned no reply in words,
but she paid the money, and the landlady
walked off with her nose in the air, making
further withering remarks about "' some
people."
Their belongings were soon packed, and
Mrs. Bunny and Betty left the house. The
landlady stood at the door to see them off,
and there was another wordy battle on the
steps.
Two ladies who were passing the house
stayed to listen, and learning that Mrs.
Bunny and her daughter were seeking
apartments, suggested their own boarding
house.
Mrs. Sweet will just love to have you,"
said one of them, that very " Marie " who-
had been so amused by the spectacle of
Mr. Bunny in his Rah-rah " clothes.
The four ladies walked off together, and
it was their ring at Mrs. Sweet's door bell
that had interrupted Mr. Bunny's love
making.
That gentleman presently heard a voice
he knew only too well. He peeped cautiously
between the curtains, and there in the hall,
within a few feet of him, saw to his dismay —
his wife and Betty. He heard his wife say
that they wanted rooms, and waited to hear
no more. A hurried glance round showed
him a door on the other side, and he wa&
through it in a moment. He saw stairs,
and sprang up several steps at once.
Reaching the top, he opened the first door
he came to, and found himself in a bedroonu
He had made his escape only just in time.
Mrs. Sweet showed her callers into the
drawing-room, and looked round for Mr.
Bunny. He was nowhere to be seen, and
excusing herself for a moment, she hurried
out into the hall. Not a sign of him was
visible, and much puzzled, she returned tO'
her new guests. After a talk about terms
she led the way upstairs, and Mr. Bunny
was scared almost out of his life by the
sound of their voices and footsteps ap-
proaching the very room in which he had
taken refuge. Without a second's hesitation
he dived under the bed, and lay there
quaking. He heard his wife assuring
Mrs. Sweet that the room would suit very
nicely. Then the landlady went away.
" I wonder where on earth your father
is," said Mrs. Bunny. " He's up to mischief
somewhere, I'll be bound, leaving all the
worry and work to me as usual. As soon
as you have unpacked, Betty, you must go
and look for him. I won't have him
wandering about a strange town alone."
"All right, mother," said Betty. " I won't
be five minutes unpacking. You lie down
and rest. I'm sure you're tired."
Her mother obeyed, and presently Betty
went to search for the lost one. Mr. Bunny-
was in a pretty predicament. He was
almost afraid to breathe, for the least
movement might bring disaster. He had
never been so uncomfortable in his life, and
wished with all his heart that he had
160
FATHER'S FLIRTATION.
never set eyes on Mrs. Sweet.
At last he felt that he could not stay there
another moment. The room was so silent
that he thought his wife must be asleep.
Stealthily he worked his way from under the
bed. He was nearly clear of it when Mrs.
Bunny stirred and sat up. Her husband
shot back again, but he had forgotten his
caution. Mrs. Bunny heard a sound, and
scrambled off the bed. She saw, protruding
from beneath it, a foot and part of a gaily
striped trouser leg. With a shriek of terror
she rushed out of the room, and poor Mr.
Jiunny heard her screaming over the landing :
" .Mrs. Sweet ! Mrs. Swet-t ! There's a
threw a shawl round his head, hiding his face
as much as possible. He opened the door.
Nobody wasin sight, and he hurrieddownstairs
and out at the front door.
But his luck was dead out. Two ladies
were mounting the steps, and catching sight
of the extraordinary apparition, one of them
screamed out.
That's mydress — mynewdress ! Thieves !
Help !
Both ladies made a dash at Mr. Bunny,
who turned in desperation and fled back
into the house again. He dared not go
upstairs, and he dashed through the first
door he saw. He found himself in the
" They pushed him into the drawing-room."
man under my bed ! Mrs. Swee ee-eet ! "
Then he heard her scampering down the
stairs, still screaming at the top of her voice.
Evidently he could not stay where he was.
He made a dash, skipped along the landing
and got into another room.
The whole house was in commotion.
Women were screaming, ' Fire! Burglars'
Murder ! " He heard people running up the
stairs. What on earth was he to do 1 He saw
something lying on a chair, picked it up, and
had an inspiration. It was a lady's dress, and
-evidently its owner was of a substantial
figure. He somehow got into the garment.
kitchen, and the old black cook let out a
series of blood-curdling yells which sent him
flying out again by another door. He was
now in the servants' quarters. He burst into
a room where the scullery-maid was doing"
her hair. She, too, began to yell, and truly
by this time Mr. Bunny's aspect was enough
to scare anybody. He did, however, manage
to induce her to be quiet for a moment, and
then he threw himself on her mercy. A
gift of money secured her services, and she
helped him to escape by way of the window
while, so it seemed from the noise, the whole
household was banging at the room door.
FATHER'S FLIRTATION.
161
The girl was loyal. She declared that she
had seen nobody, an assertion which sent
the black cook into a fury.
Why," she screamed, " ah done seed it
wid my own eyes ! It come a-seootin'
through de kitchen right inter this yer room."
However, it was plain that, nobody else
was in the room now. Mr. Bunny was by
this time clear of the house, and running
down the street as hard as he could pelt, with
Marie's skirt held up clear of his ankles, and
a crowd of men, boys, and women shouting
and laughing at his heels. He ran like a hare,
but he was caught at last in the outstretched
arms of a burly policeman. His struggles
were vain, and his subsequent explanations
•confused and unsatisfactory.
He was taken into custody, and entered
the office of the inspector at the moment the
owner of the dress was reporting her loss to
that functionary.
Mr. Bunny's entrance caused a sensation.
The inspector and constable went into fits of
laughter, and Marie cried out :
Why, there it is ! He's got my dress on.
Well, of all the impudence ! "
By this time Mr. Bunny had unwound the
shawl from his head and face, and had begun
to take the dress off as well. As he handed
to Marie her property she burst out laughing.
Why, it's the gentleman we saw going
into the boarding-house this afternoon."
Mr. Bunny explained that it was all a joke
on his part, and any lingering doubt which
Marie may have felt disappeared when he
pressed upon her a generous monetary com-
pensation. As she refused to charge him the
police had no option but to let him go. The
sound of their laughter followed him into
the street.
He had only got a short distance from the
station when he met his wife and Betty coming
in search of him. They had been about to appeal
to the police, and were so overjoyed to find
him again safe and sound that even Mrs.
Bunny forgot to ask awkward questions.
They led him away in triumph, a chastened
and penitent captive.
As they reached the p'ace where Betty
had been staying, Mr. Bunny was about to
turn in there, but they informed him that
they had found another boarding house. He
Went on willingly enough, but when they
reached the street in which Mrs. Sweet's
house was situated he became restive and
nervous. When he found that they were
going to take him in there he flatly refused.
He sat down on the steps in front of the
house and declined to move.
" But why 1 " asked the astonished Mrs.
Bunny. " What's the matter 1 "
" I don't like the look of the place," he
said weakly. ' I'll go to a hotel."
"Oh, that's nonsense," snapped his wife.
" You're coming in now."
And in he had to go. They pushed him
into the drawing-room and ran away to
fetch Mrs. Sweet. But that lady found
him first. She came into the room by
another door, and as soon as she saw him
flung her arms around his neck and kissed
him soundly.
"Don't do that — you mustn't," spluttered
Mr. Bunny. " Look out — get away. I tell
you — she's coming."
He pushed Mrs. Sweet away just in time.
Mrs. Bunny and Betty, talking excitedly,
burst into the room.
" This is my husband," said Mrs. Bunny.
" I thought he'd got lost, or run over or
something. I've been in such a way about
him."
She embraced him affectionately. Mr.
Bunny had not such a kissing in one after-
noon for years. He threw a scared, beseech-
ing look at Mrs. Sweet over his wife's
shoulder. He could see that the landlady
meant to make trouble. She shook her fist
at him and looked furiously angry. He was
in for it now. Stay ! There was one
chance. Praying that his wife might not
see, he thrust a hand into his pocket, took
out a crumpled handful of dollar bills, and
handed them over Mrs. Bunny's unconscious
shoulder to Mrs. Sweet.
Mr. Bunny had never known this sort of
thing fail with landladies, and it did not
fail now. Mrs. feweet took the bills,
glanced at them, and smiled knowingly.
Mr. Bunny breathed again.
TTELEN HOLMES, whose work in railroad
-^ -*■ dramas has won for her the title of "The
Daughter of the Railroad," will shortly be
seen in another railroad drama, " The Lost Mail
Sack." As a result of the experience she has
gained in railroad stories, Miss Holmes can run
a locomotive, operate a telegraph transmitter,
or couple a cai' as good as any railroad man.
"The Lost Mail Sack" shows the charming
Kalem star in an unusually strong role.
D
At the Foot of the
Stairs.
Adapted from the REX Film by Owen Garth.
A husband discovers his false wife's love for another man but does
not suspect her plan to elope. The new maid — a tool of thieves — is
treated kindly by the husband and hesitates to assist in an expected
burglary which occurs simultaneously with the wife's departure, but
the maid's faithfulness to the husband asserts itself and she
shoots the lover, at the same time driving the burglars from
the house and eventually taking the place of the cast-off wife.
The Husband
The Wife...
The Maid...
The Friend
Cast
ROBERT LEONARD
... FLORA GARCIA
ELLA HALL The Stool Pigeon ...
...ALAN FORREST The Detective
The Crooks
HARRY CARTER
LLOYD INGRAHAM
JIM MASON
BRUCE MITCHELL
pB LEONARD married for love,
at least he thought so, but his
wife, Lydia, might have been
sentimental in the early
wedded days ; though now,
after a couple of years, the
situation palled on her. Luxury had been
her real object in marrying Leonard, the rich,
very rich business man. She had thought
wealth the all-to-be-desired in life. She had
learnt the truth. Even every luxury she
desired did not reconcile her to her rather
over-bearing, masterful husband, whose
daily life seemed to be a fight for gold, and
more gold. The pair drifted slowly apart
till he left her to her own devices and
buried himself in his work.
When things get to this pitch in married
life it is dangerous — for the woman. The
danger appeared in its usual form to Lydia.
She was handsome, in a dark, somewhat bold
style; ^he liked pleasure and revelled in the
complimentary attentions of men. Thrown
into a life of gaiety outside her husband's
sphere, she met one man who, by his gallantry
and attendance, became her knight-errant ;
she came to dream of him as a brave knight
who would rescue her from the gilded castle
prison, and he was only too willing to play
his part — it suited his temperament, for to
Wilbert Romaine a woman in an ordinary
situation had no attraction, while intrigue
was as the breath of his nostrils.
Kingsmount, where the Leonards lived,
had grown to fame on account of the very
rich people who took up their abode there ;
it became also notorious for a gang of crooks
who were attracted by the wealth of the
place and fattened on the spoils of their
clever schemes. Engineered by a brilliant
scamp, whose dupes, drawn from all classes,
walked in fear of him, these schemes were
ingenious, and always original. Never was
the same trick played twice, which accounted
for the difficulty in tracking the gang down.
The crooks had a great plot on now, no less
a one than to rob wealthy Bob Leonard's
safe — a full one, no doubt, as they reckoned.
But to crack the crib" as ordinary burglars
was foreign to their ways — they could aflFord
to disdain such crude methods. First they
must have a spy for information— a traitor in
the house who would open the doors to
them when they came, and make their
task easy.
And in that way little Ella Hall came to
serve in the Leonard household. How she
came to act for the gang is impossible to say :
that she was in their clutches and forced to
do their will was obvious. For weeks they
had waited their opportunity, then it came :
the Leonards' advertised for a maid, and
Ella was forced to apply for and accept the
situation.
Poor little girl, frail as a field flower, and
as pretty ; a sad face, wreathed in fluffy fair
hair, she had seemed the one to play such a
part — no one would have suspected her
duplicity. So much the better for the
"crooks."
Bob Leonard had just come down from
AT THE FOOT OF THE STAIRS.
163
his study with his face hard set and angry
fire in his eyes. He glared at his wife who
had just come in and stood by the hall table
tugging nervously at her obstinate gloves.
I saw that fellow Komaine accompanying
you home,"cried Bob. " Have I not said that
you should avoid him ? Haven't I objected
to your being in his company ? Is my word
to stand for nought to you ? "
" Why should I avoid him 1 " petulantly
answered Lydia, turning to face her husband
and brave him. " Wilbert Romaine is
intelligent and interesting. He moves in the
best circles. Why should I deny myself the
pleasure of a talk with him ? "
Because I object. That should be
sufficient."
The maid who had entered the hall
crouched back and listened with blanching
face as she heard the high-pitched words.
If I obeyed all your injunctions I should
do nothing," retorted Lydia.
Better that than you should disgrace
yourself and my house."
What disgrace is there in talking with
a friend, who happens to be a gentleman ? "
Gentleman ! Your notion of a gentleman
is distorted." There was the utmost scorn
in Bob's voice. Little Ella, peeping out from
a recess, let her eyes fall on him in admiration.
Romaine had tried to kiss her once when he
called for Mrs. Leonard. He disgusted her,
and she felt towards Bob, as he spoke, as to
one who championed her against one who
had insulted her.
' To link your name with that fellow's is
to court scandal," continued Bob, half turning
to go. I forbid you to speak to him again,
and if I find him com.ing' here I shall kick
him out of the grounds ignominiously."
I shall do as I like," pouted Lydia, half
in tears.
'' You will do as I bid you," flung back
her husband, as he went towards his study,
or you will regret the consequences."
Lydia shrugged her shoulders when his
figure disappeared, and the maid came out
of her hiding place to help her mistress, but
she lingared a moment at the foot of the
stairs to gaze wistfully at the retreating
figure of her master before she relieved
Mrs. Leonard of her wraps.
Little Ella had been deeply attracted by
the brusque man — her master — during the
short stay in his house. She contrasted
him with those who ruled her. She admired
him for his strong, straightforward qualities.
and became sick at heart when she remem-
bered the base purposes for which she had
entered the house - the spying which she
had been forced to do and which would
result in his injury. She was thinking of
these things as she attended on Mrs.
Leonard, and a shudder ran through her •
frail frame. To-night they were coming —
the thieves — she had prepared the way for
them, discovered the combination of the
safe and informed them. She trembled
with fear and disgust, and her trembling
attracted Mrs. Leonard's attention.
" What is the matter with you, Ella"?"
cried Lydia, as the maid let her cloak slip
to the floor. Then catching sight of the
drawn, pale face : "Are you ill V
"Oh, no," stammered Ella, "not ill, but I
had a queer feeling at the moment. I dou't
know what it was. It has passed now."
The poor girl smiled bravely.
Mrs. Leonard's mind worked rapidly.
" You look unwell. You had better take a
rest," she said. Lay my things away, put
out my thick travelling costume and then
go to bed. I shall not want you any more."
"Yes, madamc. Thank you," answered
Ella, glad to escape, and snatching up
her mistress' coat and hat sped away.
Mrs. Leonard smiled. That was one
danger out of the way. If her husband
only went to bed early the course would be
clear. She had no compunction, no regret
in what she was going to do. Her husband's
stern commands and restrictions, the evapo-
ration of her ideals, led her to the step
without a pang of remorse. Wilbert
Romaine would come for her soon after mid-
night. She would run away with him to a life
of romance and gaiety — all that was denied
her under the stern roof of this cold, dis-
appointed husband of hers. She would be
free of all trammels. With Wilbert she
would live life as it came, and there would
be no one to say " nay " to this or that
which she might desire to have or to do.
* * *
Masses of black clouds rolled across the
sky and blotted out the light of the moon.
Kingsmount had gone to rest for the most
part. Bob Leonard's house was uncannily
quiet, wrapped, it seemed, in a death slumber.
Not a light appeared in any of the windows,
not a sound awoke echoes throughoutthe large
mansion. All appeared heavily asleep ; but
two women were wide awake, waiting,
waiting, each for the hour which would
164
AT THE FOOT OF THE STAIRS.
bring them creeping downstairs for a purpose
which they wished no one else to know.
In her room Mrs. Leonard, fully dressed,
with a dark veil over her face, her hand bag
packed with all her valuables, listened for
the stone at her window which Avas to warn
her that her lover had come to carry her oflf.
Ella, the maid, lay awake on her bed,
clad in her serving garb, tossing uneasily
from side to side, striving to think a way out
of her horrible position. To betray the
man who had been kind to her was abhorrent,
her whole being recoiled from it, but some
influence held her on the course she had
taken, some indescribable sensation which
came not from her repulsion or her fear,
something which she could not explain. She
might just sleep and
forget, ignore the
men who would
come stealing up
to the house at the
appointed hour, and
brave their revenge.
This was in her
heart to do. Yet
she could not sleep
— that intangible
something compel-
led her to lie there
.awake and wait.
Wearied and ner-
vous from the med-
ley of unpleasant
sensations which
swept over her, she
jumped to her feet
and looked at the
clock. It wanted
five minutes to
twelve ! Her confederates — the gang
she hated and loathed — would be under the
window, and she should be there to open
the way for their vile outrage. For a
moment she hesitated as if making up her
mind, then she moved towards the door
with pale, set face. Turning the handle
silently she stepped out on to the landing
and groped her way slowly towards the
stairs. Down she crept, now and then
halting to listen if there were any sounds of
movement behind her, and hearing none,
moved on again till she reached the hall.
A spot of light flashed across the far-side
window. They were there ! She knew
they would be at the window — had it not
all been arranged. Yet that spot of light
Where is the
gave her a shock. All her courage ebbed
out, her self-control almost broke down, and
she wrung her hands in dismay. Her eyes
were fixed on the dread window; the dim
outline of a man's face, unrecognisable,
showed there, and then a hand, seemingly
from nowhere, beckoned her imperiously.
Impelled forward, she fumbled with the
catch and noiselessly raised the lower portion
of the window, then stood back as three
men stealthily clambered through and into
thp hall.
' Where is the safe, girl 1 " whispered one,
who appeared to be the leader, seizing Ella's
wrist. Lead us to it, and no games."
And he half drew a revolver from his pocket.
Ella shuddered, and pointing across the
hall, led the man to
the small private
room where Bob
Leonard kept his
money. The two
other men followed
like cats into the
room, neither utter-
ing a word.
"The combina-
tion, quick ! " asked
the leader, giving
the girl's wrist a
sharp twist.
The pain caused
her to utter a
smothered cry.
" None of that —
the combination of
the safe ; sharp, or
it will be worse for
safe, girl ? " you ! "
In fear, tlla told
him under her breath, giving a nervous
glance towards the stairs.
" Here, take this gun and watch while we
get on with the business," said the man,
thrusting his revolver into Ella's hands, and
leaving her on guard.
As she waited a slight sound reached her
ears. Someone was descending .the stairs !
She turned to the burglars with a shsh "
of alarm. They stopped their work and
waited breathlessly.
Nearer and nearer the steps came. Ella,
whose eyes had become accustomed to the
darkness, saw a female figure come round
the turning and begin to descend the lower
flight. A gasp of surprise almost escaped
her. It was Mrs. Leonard, dressed to go
AT THE FOOT OF THE STAIRS.
165
out and carrying a bag !
The burglars huddled back
numbed.
Mrs. Leonard dropped her bag
gently on the hall table and went
to the door. Ella breathed again.
Perhaps her mistress was going out,
and if so the intruders could
escape before they were detected.
But what was her purpose in going
out at this time of night 1 Had
she some clandestine meeting —
w^th Romaine, for instance ! The
thought flashed through Ella's mud-
dled brain like an electric flash.
She forgot her awkward dilemma,
andin her newly-awakened curiosity
crept forward a little. Still she
could not see her mistress, but slic
heard the bolt softly slip back and
the door gently open. A whisper
from Mrs. Leonard reached the keen
listening ears :
" Wilbert, Wilbert, are you
there 1 "
A curse escaped the chief burglar
as a man's voice answered in a
guarded undertone :
" V^es, I am here. Are you ready,
darling ? The car is waiting. Let
us get away as quickly as possible."
" Yes, Wilbert, I am ready to
go, to go anywhere with you, dear ; but
come in one minute — softly — I must see
your face once."
Oh, that inconsequence of woman, even in
the most desperate situation ! Here was a
pair of would-be runaways, each a social
criminal, whose safety depended on their
rapid flight, walking into the danger of
discovery at any moment simply for a
woman's whim.
The man entered and took the woman in
his arms. They lingered a moment, and
Lydia, breaking away and becoming very
serious, whispered :
" My bag, Wilbert ; bring it, please ; it
is on the table — but careful ! "
Ella saw the pair now as they came, a
blurred mass in the darkness, to the centre
of the hall. Motioning to the men behind
her to get back into hiding, she crouched
down beside the head of the stairs, her
heart throbbing with rage. She felt at this
moment something more than regard for
her master; and his betrayal, the first act
of which was being enacted before her very
The strong, rough man and the frail serving girl
understood each other."
eyes, emboldened her, and filled her with
almost uncontrollable anger. She could
have sprung forward and denounced the
pair, particularly Wilbert Romaine, the man
who had insulted her, and whom she hated.
Yet she held herself in check and waited,
her finger itching at the trigger of the
revolver she still held in her hand. Her
mind worked rapidly. To denounce the
pair would be to arouse the household, and
bring about the discovery of the nefarious
work she and her confederates were engaged
in. But her master must be saved the
disgrace about to fall on him. For her
mistress she did not care — if her mad action
would recoil merely on her nothing would
matter much. It would not besmirch her
name alone, however — Bob Leonard would
feel the disgrace also. He must be spared.
Ella, crouching by the stair head, hei- eyes
ablaze, had the feelings of a tiger-cat defend-
ing her young. She would shoot, as a last
resource, the man who would injure her
master, and seek whatever escape from the
penalty of the crime that might present
166
AT THE FOOT OF THE STAIRS.
itself when the critical moment arrived.
Wilbert Romaine had reached the table
and his hand was groping for the bag.
" Where is "
Those were the last words he uttered ;
a revolver shot cut the sentence short. A
strangled scream, and the thud of a falling
body, told that the bullet had taken effect.
And Ella gazed at the still smoking weapon
in her hand, dimly realising that she had
pulled the trigger and the consequences
thereof.
The report of the revolver created con-
sternation amongst the intruders who had
come to steal. Ella, recovering her self-
possession, lan to them, urging them to
remain in hiding. Bob Leonard, aroused
from his sleep, threw on a dressing-gown
and dashed down the stairs. At the same
moment a policeman from the beat outside
the house rushed in through the open door.
When the light was switched on by the
master of the house a strange sight met his
gaze. Lying dead acioss the table was
AVilbert Romaine ; at his side and bending
over him a policeman ; shrinking away from
the body, horror-stricken, was Lydia ; while
little Ella, the revolver still clutched fast,
came creeping out of her hiding place.
For a moment no one spoke.
Is he dead, officer'?" at last Leonard
said.
Yes, sir, quite dead — instantaneous, I
should say," replied the officer. " Have
you any idea of how it was done "? "
"None."
"And the lady, sir."
Leonard threw a withering glance at his
wife. She dropped her eyes in shame. Filled
with horror and grief at the tragic death of
her lover, she ( ould utter no word.
Another police officer joined the little
group.
Please 1 shcithiin. I heard a noise,
and thinking it was a thief, I fir-ed." It
was Ella IJall, half-shy, half-brazen, who
spoke.
" You, gill ! " cried Leonard.
Yes, sir ; I — I could not sleep. I laid
awake, and hearing a noise in the hall I took
the r^evolverand ciur.edowri. Seeing a dark
form in the hall, I fired."
Leonard looked deep into the girl's eyes
for a moment, and he fancied he read some-
thing else there — the mute look of devotion
told him more than the words. Turning to
the police officers who had been making
notes, he said :
"Carry the body to that ante-room and
lock the door." Fortunately he intimated
a room on the opposite side from where the
burglars were crouching in fright. ' It is a
ease of misadventure, which I can explain.
You can report to your superiors," he con-
tinued, "and I shall see that no one leaves
the house till the morning."
The officers carried out his instructions,
for Leonard, as a Justice of the Peace, was
a man to be obeyed. When- they had re-
moved the body and left the house the
master bolted the door carefully and pre-
pared to return upstairs. For a moment
he paused and glared at his wife, who stood
like as one turned to stone. With a savage
gesture he cast her off from him, and turn-
ing to the little girl at the foot of the stairs
he threw her a glance which repaid her for
her great sacrifice. The two, the strong
rough man and the frail serving girl, under-
stood each other.
When the hall was clear Ella switched
out the light, and going to her late confeder-
ates— for she had finished with the gang —
ordered them quickly from the house.
" Not until we have something for our
trouble," hissed the leader.
" There are five chambers still unfired,"
said Ella suggestively, " and if you do not
hurry I shall use the revolver again."
The men knew she meant it ; they felt
that as she had not hesitated to tire in the
first instance, so she would scarcely have
much compunction to do so again — and they
hurried out.
Not until then did the brave girl give
way, and dropping the revolver on to the
table from her trembling hands she dragged
her weary body, shaken by dry sobs of
physical and mental relief, up to her own
room to sleep off the horror of that night at
the foot of the stairs.
It was a new woman who awoke next
morning — a woman into whose heart the
light of love had come.
The Scales of Justice.
Adapted from the FAMOUS PLAYERS Film hij Wm. Orchard.
A woman is wrongfully accused of murder, and the warrant
for her arrest must be signed by her lover, a District
Attorney, who is called upon to prosecute. He throws up
the case, and then comes the final scene when the real
murderer is denounced in court as he tries to escape.
Cast
Robert Darrow
Edith
Alice
Frank Dexter ...
Walter Elliott ...
Old Russell ..
PAUL McAllister
JANE FEARNLEY
CATHERINE LEE
HAROLD LOCKWOOD
HAL CLARENDON
MARK PRICE
|ES, this is the eternal story of
two men and a woman, with
its tale of disaster to each of
the parties.
It began when Robert
Darrow resigned his position
as junior partner in the city firm to take up
the post of District Attorney of Russellville.
It was a great rise in the world for the clever
young lawyer, and his many friends admitted
that he deserved his success. Those who
witnessed the installation ceremony — for
Darrow's district in the United States
covered an area about the size of Wales —
never forgot it. Thousands of people lined
the streets and cheered the District Attorney
on his way to the Court House, where he
took the oath to dispense justice and punish
wrongdoers without fear or favour. Then
there was a reception in the evening, and
Robert Darrow received the congratulations
of his friends and acquaintances. Darrow's
head was quite unturned by all this success,
but the words of congratulation he prized
most of all in the great throng were those
of a woman.
Edith Dexter had known the young lawyer
before he became the District Attorney of
Russellville, for he had acted the part
of peacemaker between the young widow
and her grandfather, Phillip Russell, the
biggest landowner in Russellville. Five years
previoiisly Edith, as a girl of eighteen, had
foolishly wedded a young man whose taste for
alcohol had furnished her grandfather with
a legitimate excuse when he forbade her to
have nothing to do with Frank Dexter. Old
Russell had a more eligible match in his eye
for Edith — his protege, Walter Elliott, who
was his right-hand man in the office and the son
of an old and esteemed friend. 1 Idith had
refused this young man and married Dexter,
with the result that her grandfather had
disowned and disinherited her.
A fatal accident had cut short Dexter's
career about four years later, and Edith
found herself a widow with her little
daughter Alice, and nothing but destitution
staring her in the face. She had had a few
business dealings with Darrow and, hardly
knowing why, she had poured her troubles
into the ears of the young lawyer.
Darrow promised to help her and sought
an interview with Edith's grandfather. He
pleaded her cause eloquently, and at the
dramatic moment ushered in Edith and her
child. Even then things would have been
doubtful were it not for the diplomatic
intervention of little Alice, who climbed on
a chair and patted her grandfather's face
caressingly. The grim old countenance
relaxed, and Darrow retired, knowing that
he had won.
* * *
" Mr. Russell," said Elliott unhesitatingly,
" I want to speak to you on the subject of
Edith. Perhaps you have noticed "
' Yes, yes," replied the old man warmly.
" I have noticed, too. Remember, my boy,
it is my dearest wish that you marry
Edith and share the fortune I shall leave her.
I know that Darrow calls too often, and I'll
speak to Edith to-night."
The young man retired with an anxious
face. He had good reason for his anxiety
to marry Edith as quick as he could, for he
168
THE SCALES OF JUSTICE.
"A long, lean arm grasping|a^knife."
knew that his resources were at a low ebb
and his credit worthless. Unknown to his
benefactor, he frequented night clubs, where
he lost more money than he could possibly
earn. He had to raise it somehow, and he
had helped himself liberally to the contents of
the safe. Old Russell had discovered the
first of the deficits from his books, but never
suspected the real culprit. In his anxiety
for expert help he telephoned to a friend, a
chartered accountant.
"Is that Walcott ?" asked the old man.
I believe one of the clerks is robbing me.
I can't tell Elliott — he's too sympathetic.
I want you to go over the books with me at
my own home, as it is too infernally hot here
in the office. You can come over to my
house this evening. Thank you."
The old man went home — taking the
account books with him — and prepared a
table on the verandah where he and his
friend could work in the cool of the evening.
Outside the verandah was a thick clump
of bushes, and beyond this again was the
beautifully laid out garden in which Russell
delighted to entertain his guests.
This evening the visitors included a group
of intimate friends : the wife of old Walcott,
Darrow, and sevei-al of Edith's friends.
Russell looked anything but pleased when
he saw the marked attention that Darrow
paid to Edith, and when the lawyer left her
to speak to another party the old man went
over to his granddaughter.
" Edith, I want you to keep your party
away from the verandah to-night. I'll be busy
with Walcott, and," continued old
Russell with emphasis, " stop en-
couraging that Darrow. You're
going to marry Elliott."
If Edith had made a mistake in
marrying Frank Dexter she was
under no illusions regarding
Elliott. She cordially detested
that young man, and her grand-
father's repeated reproaches worked
the young woman into a paroxysm
of temper.
I shan't marry him," she burst
out."
You shall," retorted her grand-
father, getting angry in his turn,
and placing his hand threateningly
on his granddaughter's shoulder.
You made a matrimonial mistake
before, and I must see that you do
not make another."
" I hate and despise Elliott,"
replied Edith, passionately. "Sooner than
be his wife, I'd kill myself with this" — this
proved to be a knife which the angry young
woman pulled from her bosom.
The old man turned away rather pained.
You should not carry knives about you
like that," he remarked coldly. " I hope
you will, please, put it away on the first
opportunity."
Two people witnessed this painful scene
from a distance, one being old Walcott's
wife, and the other Elliott. Mrs. Walcott
was frankly scandalised, but Elliott retired
with a grim sn\ile on his face.
That young man was very uneasy. In
the first place, he knew why Walcott was
summoned to the house, and the culprit,
wishing to try and cover his defalcations,
crept to the table on which the books were
lying, and taking out his penknife manipu-
lated a few entries in the day book. He
had just finished this little job to his satis-
faction when he looked up to find the
horrified face of old Russell gazing into his.
Phillip Russell dropped into his chair
with a groan. It was a bitter disillusion-
ment.
' You are the thief who has been robbing
me, your benefactor."
There was no reply, for Elliott retired
with ashen face and bitter hate in his heart.
The old man, leaning his head on his hand,
gave himself up to his grey thoughts. There
was no need now to look for the thief — he
had caught him red-handed, and nothing
remained but to find out the extent of the
THE SCALES OF JUSTICE.
169
losses. In his pre-occupation he did not
hear the rustle of the bushes behind him,
nor see a long lean arm grasping a knife
hovering at his side. The ghostly hand was
rigid for a moment, then plunged sideways
and old Russell fell forward with a groan.
He managed to stagger to his feet and
totter round to the side door to call for
assistance. Here his strength failed him,
and he collapsed on the steps just as several
of the horrified guests ran towards him.
But their assistance was too late. Old
Russell was dead.
There was an excited gathering round the
old man's body, and Darrow, who had
rushed up to render assistance, said sternly :
" Who could have done this deed ? "
Elliott, who had just joined the throng,
turned to the District Attorney as he pointed
to Edith.
" I believe she murdered Mr. Russell, and
still has the knife on her person. You have
the authority — search her."
For a second there was a deep silence as
the throng looked on the working face of
Edith. ' I did not do it," she gasped. " How
could you 1 "
The District Attorney looked at her for a
moment. The charge having been deliber-
ately made, he had no option but to search
her. He moved forward as in a dream.
Permit me," he said, drawing Edith
towards the shelter
of the doorway.
He emerged agaiu
a few minutes later
with a strange fixed
look on his face.
You are mis-
taken," he said,
turning to Elliott ;
she has no knife."
But ten minutes
later, when in a
secluded part of the
garden he took out
of his pocket the
knife he had taken
from Edith, there
was a bitter look
on his face as he
murmured :
And you, Robert
Darrow, promised to
dispense justice
without fear or
favour. You
promised to hold the scales of justice
even."
It was not that Darrow l)elieved that
Edith had killed her grandfather ; he was
convinced there was some ghastly mistake,
but as a lawyer he knew the damning effect
which the possession of a knife on such an
occasion and the previous quarrel would
have on any matter-of-fact judge and jury.
Yet there was a mystery somewhere ; and
although a horse-stealer named Crump, who
had been arrested in the grounds, was
charged with the murder of Phillip Russell,
this chaige fell through for want of evidence,
and Crump was then charged with a previous
offence of horse steahng and sent to prison.
Yet Crump could have told a great deal
al out the murder of old Russell, but fear
held his tongue silent.
There was still an atmosphere of suspicion
about Edith which was carefully fo-tered by
Elliott, who had also introduced a private
detective into the house in the guise of one
of his friends. This individual followed up
every clue ; and one day during Edith's
absence he ransacked the young woman's
wardrobe and came across a gown with a
piece of the neck torn away. This he
fetched to Elliott, who on seeing it immedi-
ately proiiuced the missing piece.
' I found this in old Russell's hand after
She has a knite. Search her,' cried Elliott."
170
THE SCALES OF JUSTICE.
he was stabbed," said the young ruffian.
The detective snapped at it, and as he
■conipaied it with the rent, a smile of triumph
spread over his face. " There's no doubt
about the guilt of this woman. If we only
found the knife the case would be complete.
I'm going to apply for a warrant for her
arrest."
Meanwhile Darrow had sought out Edith
and begged her to tell him all she knew
about the matter.
" I don't know," replied the young
woman tearfully.
'There is a
teirible niistake
somewhere."
I know there
is some terrible
mistake," replied
Dairow ; then a
note of tender-
ness crept into his
voice as he added,
marry me, and
we will fight it
out together."
"JS'o, no," re-
plied Edith
quickly. "Elliott
and others still
suspect me. I
will not marry
you with this
stain on my
name."
Darrow sighed.
' I'm coming over
this evening," he
said. " You must
try and remem-
ber everything
that happened on
that dreadful
night, and we can
perhaps straighten out the tangle."
But on his return visit that
Darrow experienced a surprise.
He was met in the garden by the detective
and Elliott, and the former in his quick way
said :
Mr. Darrow, I've prepared a formal
application for the arrest of Mrs. Edith
Dexter — will you sign it?"
I hope your evidence is correct," said
the District Attorney coldly.
Yes, it is," replied the other rapidly.
Here's a piece of cloth, torn from her gown.
" Marry me, and we will fight it out together."
evening
found in the old man's hand. Of course I'd
like to wait till I've found the knife, but
there's no time to waste — she knows I'm
wise, and is getting ready to leave now."
"Impossible," replied Darrow, sharply.
" She has an appointment with me."
"Perhaps," retorted the other; "but if
you don't believe me, you can see with your
own eyes. She is coming along."
It was true. Edith, dressed, carrying her
travelling case and pulling her little
daughter, Alice, along with her in an
agitated manner,
suddenly con-
fronted them.
She started and
looked confused.
"There you
are," said the
detective; ' now
will you sign the
warrant 1 "
Darrow took
the fateful piece
of paper in his
hand, well aware
that Elliott's eyes
were searching
his with cynical
curiosity. There
was silence for a
moment, broken
only by the deep
breathing of the
captured woman.
Then Darrow
took a fountain
pen from his
pocket and signed
the warrant.
The arrest
aroused enormous
interest, and
what wounded
Darrow more than anything was the state-
ment by the local paper that he, being
District Attorney, would have to prosecute
for the State. " Kobert Darrow, popular
young District Attorney, conducts his first
murder case to-morro^Y," ran the wounding
paragraph. But it was true, and Darrow
passed many weary hours wondering how he
could shield the woman he loved and yet be
true to his oath.
He paid several visits to the prison to see
Edith, who, as a privilege, was allowed to
see little Alice for an hour each day.
THE SCALES OF JUSTICE.
171
The child brought sunshine to more than
her aching mother's heart, for further down
the white- washed passage was another
prisoner who never seemed tired of watching
the little visitor. Several times Crump —
for it was he — allowed a smile to spread
over his grim face when Alice proffered him
flowers between the liars of his cell ; and
one day, when the visitor had departed.
Crump sank back on his rough bench with a
sigh, murmuiing, "If I had a kid like that
to love, I'd never have been here."
judge, I cannot prosecute this woman.
Despite the strong circumstantial evidence
against her, I believe her innocent, and I
hereby resign my office as District Attorney."
There was a murmur liehind. " Lunatic,"
whispered one. "Fool," said another, but
again there was a dramatic interruption. A
child's feet pattered up along the benches.
It was Alice, wildly excited, and waving a
piece of paper in her hand.
"It's for the judge," called out the little
child.
He made a wild dash for liberty."
The morning of the trial arrived, and
Edith was put into the dock. Then came
the witnesses who saw the painful scene
between Edith and her grandfather in the
garden. It seemed a clear case, and every-
body was settling down to a verdict of
guilty when the District Attorney rose to
his feet. Everybody expected the usual
appeal to convict the prisoner, but when he
did speak those in court could hardly credit
the evidence of their ears.
' Your honour," he said, addressing the
The paper was taken from the child's
hand and given to the judge, who read the
contents aloud :
I seen the murder of old Philip
Russell and the kid's mother is innocent.
I was skeered to tell before bekus the
man who did the job said he would put
the blame on me and his word would
go further than mine.
Bill Crump."
"Where is this Bill Crump?" asked the
judge, looking around.
172
THE SCALES OF JUSTICE.
Almost, as if in reply to the question, the
horse-thief was ushered in between two
guards. He was immediately sworn, and
asked to tell what he knew. Crump
possessed a rough eloquence of liis own, and
he graphically described the scenes of the
murder of old Russell, as seen from his
hiding-place in the bush.
'And who is the murderer 1 ' asked the
judge at the conclusion of the horse-thief's
narrative.
" lie is here ! " replied Crump, turning
his eye on the people around.
Point him out," commanded the judge
quickly.
Crump's arm shot out with sudden force
and an accusing finger pointed to the ashen-
faced Elliott.
' There I "
The cowering man rose to his feet and
made a wild dash for liberty. But he had
only got a few yards when restraining arms
were thrown round him. He spent that
night in Edith's cell.
* + *
Several weeks later no one would have
recognised in the happy wedded couple who
left the church the haggard-faced pair of
three weeks back. Edith's only regret was
the resignation of her husband's great
position, and she told him so.
" You sacrificed too much for me."
No," replied her husband. 'You taught
me a greater truth than I could find in all
my law books. And the greatest of these
is love."
"P UTH STONEHOUSE was to jump from a
-'-* cliff' in one of Essanay's pictures, "Sun-
bonnet Strings," which is to be released in
the near future, and Richard Travers was to
catch her in his arms. Ruth jumped, but she
came down much faster than Travers calculated,
and as a result they both went tumbling down the
hill. She struck Travers' bruised shoulder, which
he received in an automobile accident recently,
and he was unable to withstand the weight.
The camera man kept on grinding when he saw
the pair rolling down the hill, so has a rare piece
of negative. Ruth was buried in gravel up to
her waist when she finally stopped rolling, and
Travers kept on going until he was almost in the
lake. They both escaped without serious injury.
Tj'RANCIS X. BUSHMAN is an enthusiastic
-*- bird fancier, and at the present time has a
collection of more than two hundred
feathered songsters. Mr. Bushman spends much
of his leisure among the birds, and is constantly
acquiring new specimens. Many of his friends
from all parts of the world send him birds, and
he is declared to possess one of the best collec-
tions to be seen outside a " zoo." By the way,
he still clings to his 1910 little white straw hat,
and wears it around the studio between scenes,
although plenty of "millinery" is at his
command in his dressing room.
/^ M. ANDERSON, the famous "Broncho
^^ • Billy," had a narrow escape in a most
hazardous ad venture which nearly resulted
in the loss of two lives. He had tried to save
the life of Marguerite Clayton, who was tied
securely to a broncho which broke away from a
hitching "post and dashed for dear life down the
mountain trail. Anderson mounted his calicO'
pony and started in pursuit. For miles the two
horses went as fast as their legs could carry them,
until Anderson finally caught the bridle of the
runaway horse and brought him to an abrupt
stop, throwing the horse, Anderson and Miss
Clayton on to the rocky road. Both were pain-^
fully injured, but were able to continue work in
a few days. Mr. Anderson has written a scenario
around this wild ride, and entitled the picture,.
" Broncho Billy's Wild Ride."
pvOLORES AND HELEN COSTELLO,
-'-^ daughters of Maurice Costello, are already
following in their father's footsteps and
taking to picture acting. Quite apart from the
reflected talent of their distinguished parent,
thej' are really clever little actresses. Such
scenes as they already appear in are taken after
school is over, but they will soon abandon school
life for they are going on a world tour with the
Vitagraph Co. Thej' are both fearless of the
water, though non-swimmers, and both of them
possess boy's bikes, being daring riders. In their
magnificent home at Flatbush they get all the
benefits of country life, and ai-e the adoration of
their parents. Dolores (the one most like her
father) is eight, and Helen, who resembles Mrs.
Costello, five years old. We are sure our readeis
Mill be pleased to see in our present supplement
the portraits of these handsome and talented
children.
MARY FULLER, the particular bright star
of the Edison Company's constellation,
says she is not going to marry a meml er
of the companj'— or anyone else, in fact, at
present.
Through Flames to
Fame.
Adapted hij Given Garth from the DANMARK Film Drama,
A tale of dogged perseverance that from threatened poverty,
by strenuous effort, wins through to honour and reward.
Malice and vengeance are ranged against the hero, and
elements themselves conspire to his defeat, but he triumphs
in the end, aided by the bravery and devotion of a woman
whose sympathy he had awakened.
Cast
The Lighthouse Keeper
Miller and Innkeeper ...
The Girl of the Lighthouse
A Farmer
His Wife
Tom, their only Son ...
VERY emigrant sets out to the
new world with the hope in his
heart that riches will be easy
to acquire and that the path of
life will be thereafter ever
smooth. Many fail to realise
their hopes. Anticipation is not backed up
by determination, and they find that it is the
same old struggle all the world over, and
success comes only to him who sets out not
only with desire but with resolute intention,
determined, whatever obstacles fall across his
path, to surmount them and fight onward till
his aim is achieved.
Tom Milton left home for America carrying
a vision of a cosy old farm tucked away in a
sublime valley, where mother and father, both
aged and incapable of much further effort,
clung to their home with that superb tenacity
which is characteristic of those born and l)red
on the land and of the land. Things had
been going bad. A couple of years and the
further struggle would be impossible for the
old people. Tom decided on a bold course
— a bold bid to ensure his parents' comfort
in their old age — and on landing in the new
world across the ocean he set about realising
his desires with such assiduousness that spells
success.
After trying one or two things Tom at last
found work which suited his temperament
and promised advantage. He entered the
customs service and was entrusted, with
others, the work of detecting and preventing
Mr. RASMUS OTTESEN
Mr. P. S. ANDERSEN
Miss EMILIE SANNOM
Mr. CH. L(|)WAAS
Mrs. BIRKEROD SCHIWE
Mr. E. GREGERS
smuggling, which was so common some years
back on America's coasts. As the months
passed Tom's work brought him to the notice
of his superiors. Once or twice he was
entrusted with small special missions, which
he carried through satisfactorily, and perhaps
it was natural that he should be oflFered a
chance on the difficult task which now
presented itself to the officials.
Off duty one day, Tom. was suddenly
called to his chief's office to receive orders.
Scenting a special ' job " he presented him-
self at the desk with alacrity.
" You have done very well, Milton, since you
have been attached to us," said the chief,
looking up at the lithe figure and eager face
before him ; and I intend to give you a
chance on a private mission, which, if
successful, will be advantageous to you."
" Yes, sir; I shall be most wilh'ng to under-
take any task. I am sure I shall do my best
to carry it out successfully," i-eplied Tom,
beaming all over his face at the idea of his
luck.
" I know you will, I know you will do
your best, Milton," responded the chief; "but
I must warn you it is no light task, and
there may possibly be a grave element of risk
about it."
" So much the better, sir. I shall be
the more anxious to work cautiously."
" Yes, you will have to be most cautious.
If the people you will have to run down get
wind of your mission, the game, from our
174
THROUGH FLAMES TO FAME.
" In the dusk he followed him to the old Mill."
point of view, is lost, and it may be you will
suffer at their hands. By all accounts, that
is judging by their actions, they are dangerous
men."
" I am ready for the work, sir."
Tom's eagerness caused a flicker of a smile
to run across the chief's features.
' Well, let me explain the position. We
have been aware that dynamite is being
smuggled into the country along the coast
around here, but where and how we have not
the faintest idea. We know it is going on —
and on a fairly extensive scale, but our
suspicions lead us nowhere. Men who will
smuggle dynamite are men who will be
dangerous, and headquarters realising this
is a one-man job, and a serious one, have
offered a big reward to the man who can trap
the smugglers. The reward is 3,000 dollars.
It is worth trying for."
Three thousand dollars ! " ejaculated
Tom, his mind calling up a vision of his old
home.
' Yes, that is the reward. If you bring
the smugglers to book it is yours. Do you
think you can manage the mission 1"
If it is possible to track them down, I
will do it, sir," cried Tom confidently.
' All right, then, hereareyourinstructions,"
handing the revenue man a paper. " Adopt
what course you like, but keep in close touch
with n.e, and summon all help you want
immediately you get your quarry in sight.
Good luck to you."
" Thank you, sir/
said Tom, saluting
his chief as he turned
to go
Three thousand
dollars ! The reward
astonished him.
The magic figures
burnt in his brain
as he walked down
the street, oblivious
to all that was hap-
pening around him.
Three thousand dol-
lars. Why, that and
his little savings
would enable him to
cross the ocean and
ensure his parents'
home for the rest of
their lives.
A shadow spread
over his face The
day before he had received a letter from his
mother. It told him the old people were
hard pressed and required help. Well, here
was the chance. He would earn that reward
if it were possible for human being. Three
thousand dollars — £600 ; nearly £700 with
his savings ! Why, he would be able to settle
down on the old farm and build it up till it
was flourishing once again.
Gloom was chased from Tom's mind. The
reward was his. He almost felt the coins
jingling in his pockets as he walked along.
* * *
In the next day or so Tom shuffled out
of anything which might betray him as a
revenue man. He mixed freely with the
fisher folk and the country people, and
incidentally hejird a deal of gossip which he
stored in his mind for future use. He was
always about, and hoping to hear a dropped
word which might put him on the right
scent frequented Mulroyd's bar, down by
the old jetty at High Point, which stood at
the head of the bay and gave its name to
the sturdy lighthouse standing a mile from
the shore, on a large rock, to warn seafarers
of the dangerous coast thereabouts.
Mulroyd, the owner of the bar, was one
of those furtive creatures, sullen and silent,
who smoked on end, and seemed to be always
looking for someone or something over his
shoulder. Besides the bar, which was a
flourishing business, he owned a large mill
THROUGH FLAMES TO FAME.
175
across the fields from the village, in a spot
which was little frequented. He not only
owned it but worked it himself, and no one
but Mulroyd ever visited it. This at first
aroused Tom's curiosity. He determined to
watch Mulroyd on one of his excursions to
the mill and see if there was any secret
in the place. One evening in the dusk he
followed him, but discovered little except
that once inside Mulroyd locked the door
and began moving something about, exercis-
nig, it seemed to the listener outside, great
care.
Somehow Tom felt that Mulroyd and his
tavern were well worth keeping an eye on,
and so he bearded the proprietor one day
and asked him for a job.
" What can you do 1 " grunted Mulroyd,
running his eyes over Tom's sturdy limbs.
" Well, I'm used to field work and can
carry on in a mill," answered Tom.
Don't want no mill hands about here."
Then perhaps you can give me a job in
the^bar?"
Done any bar tending ever *? "
" Yes, I'm pretty used to many things."
" Humph — think you could take on here
and handle this place? "
" Yes, I'm certain I could."
"Then you can start, butdon'c commence
any hank, or out you go sharp."
I' Trust me."-
"Get your apron on then. I'll see you
fixed first. Got some business to do. If
you can manage it'll
give me a chance."
Tom congratulated
himself on the ad-
vance he had made,
but he discovered no-
thing for a couple of
days to arouse sus-
picion. But about
the third day there
were rapid develop-
ments. The light-
house keeper and his
sister came asho'e
and visited Mulroyd.
They met as old
friends, and seating
themselves round a
table a little out of
the way, the two
men laid their heads
together, while the
girl soon tired of
their confidences and left them to join in
the dancing.
Tom waited on the pair assiduously, trying
to hear their conversation. Scraps fell on
his ears as he came behind them with the
drinks they called for.
The lighthouse keeper, Thomasson by
name, a big, burly fellow, had important
news for Mulroyd, and Tom gathered from
the few words he caught that they were
comrades in a none too honest enterprise.
Jansson's lugger will lay off the coast to-
night," he heard Thomasson say.
"Carrying anything 1 shsh, be care-
ful," replied Mulroyd, becoming aware of
Tom at his elbow.
" Who is that fellow ? '' asked the light-
house keeper, as the new barman retreated
again.
" Oh, I think he's all right. Came round
here looking for a job and I put him on to
mind the bar. Quite safe, I should say, but
it's best to be careful."
"Any good for our job, d'ye think? We
could do with a lift. There's too much stuff
accumulating at my place. Some of it must
be brought ashore to-night."
Tom caught the words " must be brought
ashore to-night,'' as he sidled up to the pair,
and that strengthened his suspicions. But
he could not wait for more. Kitty
Thomasson dashed up to him and endea-
voured to attract his attention. Intent on
his work he took little notice of her, and
" ' Keep your dirty money,' she cried. ' I want none of it.'
176
THROUGH FLAMES TO FAME.
returned behind the bar to think.
After a pause Thomasson spoke again.
We could do with a sti'ong fellow like
that chap to help us to-night. There will
be a lot to do. Do you think we could
take him along Avithout much risk 1 "
' We could, perhaps, without letting him
know too much," replied Mulroyd. " We
can tell him the tale."
Call him over and see if he is willing to
come."
Righto. Hij come here a moment,"
shouted Mulroyd, turning and calling to
Tom, who obeyed the command at once.
" We've got to get over to the High
Point Lighthouse to-night to change material
and take stock," said the bar-keeper to Tom.
We shall want a hand. Can you come
along ? "
Yes, certainly, when you like," answered
Tom.
Get ready now then ; we'll get of! at
once."
Tom discarded his apron^ and the four,
for Kitty accompanied the men, went out
and down to the quay where Mulroyd's
launch was moored. Lagging behind a little,
Toni managed to scribble a few words to his
chief. This he despatched by a waiting
confederate. But he reckoned without
Kitty, who, attracted to him, was watching
all his movements, and who, becoming sus-
picious when he despatched the note, warned
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V
1
COPEHHAOEN
1
" Inch by inch she crawled along towards the end.
her brother of what she had seen.
The three were in the launch when Tom
came to the water's edge.
" Never mind to-night," cried Thomas«5on,
as he pushed off. We can manage our-
selves, no doubt. We'll pick you up another
time."
Tom stood dumbfounded as the launch
moved out of the harbour. They evidently
suspected him, and if their night work was
what he imagined it was, they would now
be on their guard against him.
For some time he stood thinking out his
next move. He decided on a bold course.
If Mulroyd and '1 homasson were the smug-
glers, the sooner he could discover conclusive
evidence the better. If they were engaged in
legitimate business, there could be no harm to
them in him knowing what it was. He would
follow them to the lighthouse, and by pre-
arranged signals inform the revenue men,
who would soon be on the spot for any
emergency. It was a risk, but it was the
only useful course.
A dinghy attached to a vessel alongside
provided means to get to the lighthouse.
Tom leapt in, and unshipping the oars began
to pull out with strong strokes. The launch
had arrived at the lighthouse before he
determined to follow, and the two men were
engaged in other business as the dinghy sped
across the bay, so that its approach was
unobserved
* * -x-
True enough, Jans-
son's lugger was
lying off the coast
that night. Closely
reefed she was diffi-
cult to see from a
distance, but Thom-
asson knew her
whereai;outs; and
after Kitty had been
landed at the light-
house, the two men
set out again for the
lugger, from which
they quickly loaded
up. As quickly they
returned to the light-
house, and landed
the cases they had
obtained, hiding them
away in a cellar
scooped out in the
rock itseM at the
THROUGH FLAMES TO FAME.
17:
base of the light-
house. Then they
retired to Thomas-
son's little parlour,
which led out on to
the gallery, from
where the lighthouse-
keeper could assure
himself that the light
was in working-order.
Grog and cigars
preceded the division
of notes, which ap-
parently had been
paid over to the two
men. Kitty was
present, and Thomas-
son evidently
thought it policy to
offer her a portion of
the reward. But she
pushed tlie notes
aside with a gesture
of disgust.
" Keep your dirty money," she cried ; " I
want none of it. Oh, you need not fear
1 shall ' peach' on you," as Thomasson
sprang up with an oath and stood over her
threateningly. " Your business is your own
affair. I want to have nothing to do with it.
At the same time I have no intention of
betraying you."
You'd better not. I'll stand no nonsense,
my girl," snarled Thomasson, resuming his
seat.
" It is not your threats that will keep me
quiet. I have other reasons," replied Kitty
calmly.
By this time Tom had reached the light-
house and he quickly clambered up on to the
gallery where he could get a view of the
persons in the parlour.
" You'd better go and have a look at the
lamp," suggested Thomasson to Kitty.
Why don't you go yourself 1 " was the
reply.
" Because I have something important to
say to Mulroyd," returned the lighthouse-
keeper.
Yes, just look at the light, while your
brother tells me what he has to say," put in
Mulroyd coaxingly.
"All right ; get on with your business
quick," said the girl, rising to go. "But don't
imagine I'm going to remain up in the top
gallery long to suit you."
Tom, who was crouching against the wall.
" Across the bay a boat was speeding."
saw the girl make towards the door, and
looked round for a way of escape should she
come out on to the gallery. A ladder to the
lamp gallery offered a way, and he hastily
mounted and stowed himself out of sight.
For some few moments he listened and,
hearing no sound, straightened himself up
and began to consider what was to happen
next. It was a ticklish task he had set
himself. Was it worth it % His hand stole
to his pocket and he drew out a much-creased
piece of paper — his mother's letter, in which
she referred to the need of help in the old
home. As he was reading a stealthy figure
crept round the lamp, and before he was
aware of it Kitty had snatched the letter
and dashed off.
Here was a predicament. To follow her
would be useless— he would be discovered.
If he stayed where he was she would doubt-
less bring the nien folk along, and
But he worried himself needlessly over
this. Kitty had conceived a sudden liking
for the brawny fellow, and she had snatched
the letter more from inquisitiveness than
anything else. Running inside the lamp-
house she straightened the piece of paper out
and read. The message it conveyed touched
her warm, impulsive heart. She took the
letter back to its owner.
" I'm sorry I snatched your letter," she
said meekly, holding the crumpled piece of
paper out to Tom. "Will you, please, take
178 ■
THROUGH FLAMES TO FAME.
it back ? "
"Thank you. You
are kind, but why
to one who is Tres-
passing?" said Tom,
interested in the girl
Avho acted so curious-
ly, and whom he had
a good look at now.
"I don't know.
Interest, I suppose.
I read the letter and
thought you would
like it back. I am
so lonely here, so
friendless — I should
like you to be a
friend ! " ' •-
Tom was frankly
taken aback by this
unconventional ap-
peal, but he felt too
that he would like
to be a friend of this
wild beauty, and he extended his hand.
" That's settled then, we're friends," said
Kitty, as she took his hand. " But you
must get away from here, or perhaps there
will be danger. My brother will be sure to
come up a little later to see to the lamps.
Come in here while I go out to see if the
way is clear." And the girl dragged him into
the lamp-room as she spoke.
Wondering at the time Kitty remained
on the upper gallery, her brother came out
of the parlour to see what was the matter.
He saw the girl looking over the lamps, and
he saw, also, what made him emit an oath
and dash back to his comrade — ^Tom's face
in the light between the flashes.
" That fellow of yours has followed us,"
he cried. " He's in the lamp-room with
Kitty."
" What ! Is that skunk tracking us ? "
yelled Mulroyd, springing to his feet. "We
must nab the pair of them before they have
a chance to split."
Steady, there. This job must be done
softly," said Thomasson, restraining his
excited companion. Follow me — quietly.
We must grab Kitty first and get her away,
and lock that spy johnny up here till we can
deal with him in our own time."
The two had reached the top gallery when
Kitty came out of the lamp-room to see if
the way was clear for Tom's escape. As she
came round the gallery she ran unwittingly
The escape from the death trap.
into the arms of the waiting men. They
seized her, and Mulroyd, clapping a hand
over her mouth, held her fast despite her
struggles, while Thomasson sprang forward
to the door of the lamp-room, and slammed
it before Tom realised that anythnig
untoward had happened.
With a shout of triumph the lighthouse-
keeper fastened the door on the outside, and
Tom was left a prisoner, while the two
smugglers — for smuggling was the busines-.
the two were secretly engaged in — carried
Kitty down to the launch and off to the
mainland.
It was still pitch dark when the launch
reached the quay, and the smugglers were
able to hurry the girl across to Mulroyd's
desolate mill, and imprison her there safely
without anyone being the wiser. Satisfied
she would be secure there till they chose to
release her, they returned to the tavern to
refresh themselves. The wind had freshened,
and angry, dark clouds were scudding over
the skies as they stumbled over the fields on
their way back. They sought the shelter of
the tavern gladly, and endeavoured to restore
themselves to equanimity with liberal doses
of rum.
* + *
Left to himself Tom looked about for the
best thing to do in the circumstances. He
had been in so many awkward situations
this evening that his present position did
THROUGH FLAMES TO FAME.
179
not worry him considerably. First he must
find a means of signalling to the shore,
thus letting the revenue men, whom he had
warned by the note, know where he was.
They would be on the look out. The lamp
provided the only means of signalling, but
he had no knowledge of its manipulation.
That it could be flashed to the mainland he
knew, but how this was managed he had
not the faintest idea. AnyhoAv he did the
best thing in the circumstances — he tried ;
and after a deal of fumbling, more by luck
than judgment, directed a flash shorewards.
Having accomplished this to his satisfaction,
he started a tour of inspection. Going
through the several rooms he found nothing
to incriminate the inhabitants of the light-
house, but descending into the basement he
stumbled on a trap door Avhich led by a rope-
ladder into a dank cellar.
The thunder had begun to roll overhead
when Tom left the lamp room, and the wind
was whipping up the waters to fury. Now
and then a streak of lightning lit up the
rock and the sturdy building upon it, but
this did not deter him in his search. Down
in the basement Tom heard the waves dash
with violence over the lighthouse rock, and
the crash after crash of the thunder which
roared in a continuous roll overhead. For
a moment he hesitated, reflecting that his
comrades, even if they recognised the signifi-
cance of the light flashing shorewards, would
be unable, in such weather, to render him
any assistance. Then he stepped resolutely
on the rope ladder after fixing the trap-door
open and began to descend. He had almost
reached the bottom when the door snapped
to, the shock precipitating him to the floor.
The ladder was fixed to the centre of the
■door and his weight on it had been sufficient
to break the catch which held it open, and
he was now a prisoner in the vault. All
eftbrts to escape were hopeless — his weight
on the ladder when he climbed up to force
the door open rendered his attempts useless
— he was trapped like a rat in a hole.
Kitty, left alone in the dark, dreary mill,
was overtaken with fear. She clambered
up into the uppermost chamber, and finding
a window looking out to sea, strained to see
any sign of what was happening at the
lighthouse. The storm frightened her. She
shrank back as each flash of lightning lit up
the countryside, the quay, and now and
again the High Point rock.
As the first faint lights crept up in the
east a little of her .usual courage came back
to the frightened girl. She groped about
in the tiny room at the top of the mill to
see what she could find, or to discover a
possible means of escape. Of escape, how-
ever, nothing oftered a chance, but she found
an old telescope used by Mulroyd to watch
the sea when the smuggling boats were
about, and this enabled her to inspect the
lighthouse closely. For some time she
watched the lightning ■ playing round the
rock, then as a terrible fork of electricity
darted down from the sky she staggered
back with a cry of alarm — the lightning had
struck the lighthouse, and a mass of dense
smoke rose from the spot. Presently the
smoke rolled away, and she saw that the
lighthouse was afire, for tiny shoots of flame
were spurting out from the side where the
lightning appeared to have struck. A
horrible concern for the man she knew to
be in the lighthouse seized her. She must
get out to help him ! Again she sought
round the mill for a way of escape, but
there was no exit open. Stay, there was
one way — but that was perilous ; the chances
were that even if she got out of the mill
that way she would be dashed to death on
the ground. But it was worth trying—
anything was better than being shut up
helpless there.
The great wings of the mill were stopped,
but she could remove the brake and crawl
out to the utmost end of one of the wings
and trust to luck in a jump when it came
near the ground. The idea fascinated her.
She took one more look at the burning
lighthouse, and then, rushing to the brake
on the wings, eased it considerably, so that
when she crawled out on to the one
horizontal from the axle, her weight would
carry her slowly down to the ground. One
thing she miscalculated — the effect the
movement would have in releasing the brake
altogether.
Gathering up her short skirts, Kitty
climbed out over the axle on to the great
wing which stretched out parallel with the
ground. Inch by inch she crawled along
towards the end. It bore her weight till
she was more than three-quarters of the
way, then slowly it began to move. Still
she continued crawling, the wings gather-
ing momentum every inch. She had just
reached the end as the wing carrying her
came near the ground, when the brake
180
THROUGH FLAMES TO FAME.
The djnamite . . . hurled masses of rock against the door . . . making the two men prisoners."
released entirely, and the wings flew round
suddenly, shaking off her hold and throwing
her several yards to the ground. A few
moments she lay half-stunned, bur the in-
tensity of her purpose revived her. Though
severely shaken she picked herself up and
raced towards the quay, where she jumped
into the first boat and pulled with all her
strength to the lighthouse.
Tom, unaware that anyone was on the
way to rescue him, tried every means to
find a way out of his dismal prison. Un-
successful, he took it philosophically, and
Avith the aid of matches had a look round.
In a corner he discovered several square
boxes, and closer investigation caused him
to put out his matches. It was dynamite.
This was the smugglers' store-room, and he
had stumbled on it by chance, though he
appeared to have little hope of using the
evidence he had found and so win the
reward which meant so much to him and
his people. Of a sudden an idea seized him.
In his pocket he had a huge general utility
knife, in the back of which was a strong
gimlet. If he could fix this firmly enough
in the wooden ceiling and so hang the end
of the rope ladder by it that he could
relieve the end attached to the trap-door,
he might be able to force an exit. It was
a plan worth trying. It took some time to
carry out, but he was urged on by the tiny
wisps of smoke which stole in through
cracks in the ceiling. Wondering what this
could mean, being oblivious to the fact that
the lighthouse had been struck by lightning
and was burning, he worked with renewed
energy, and finally managed to move the
trap-door sufficiently to get his head through.
The room above was full of smoke — he
realised with a flash that the lighthouse
was afire, and a chill struck his heart as
he remembered the dynamite in the cellar. In
haste he wriggled through the opening he
had forced, and fought his way blindly out
on to the lower gallery. The flames licked
him at every foot of his passage, and he
gasped for breath. But at last, blinded and
choking, he reached the open air, and
pausing a m.oment, looked round for means
to get away from the rock. Across the
l)ay a boat was speeding, its solitary occupant
pulling with might and main. He hailed
it desperately. The rower half-turned in
answer, but never ceased pulling vigorously
a second. It was Kittv. In a few minutes-
THROUGH FLAMES TO FAME.
181
she was alongside the landing steps.
" Jump in quick," she cried, not waiting
to exchange greetings or ask questions.
. "There is dynamite in the basement. It
might blow up any moment."
Tom did as he was bid, and taking the
oars rowed furiously avA'ay from the death-
trap he had so narrowly escaped. They did
not speak to each other until the boat was
half-way across the bay. They watched the
burning lighthouse with fascination. Of a
sudden a thick black column rose from the
base of the rock, and there was a terrific roar, a
^reat shaft of flame lept upward, enveloping
the whole building. The dynamite had
exploded, the noise drowning even the
terrible voice of the storm. The lighthouse
seemed to sway a moment, then the whole
structure collapsed. The watchers in the
boat were held spell-bound at that moment.
Tom. had ceased rowing, but a huge wave,
caused by the explosion and the collapse of
the lighthouse, recalled him to his senses.
He grasped the oars again to steady the
boat which was caught in the swirling waters
and tossed hither and thither like a piece of
matchwood, but through the agency of
Providence was not overturned.
It was all over. Kitty, who had not
removed her eyes from the rock which had
been her home for years, turned to her
companion :
"Thank God, I whs in time," she cried,
and Tom re-echoed
the sentiment,
though he did not
speak. He was too
intent on reaching
the mainland.
Willing hands
were ready to assist
the much-tried pair
when they came
alongside the quay —
men of the levenue
service, who had been
aroused by Tom's
signals from the
lighthouse and
alarmed by the sub-
sec^uent fire and
explosion. Tom
explained all that
had happened in a
few words.
' But now to catch
the smugglers," he
concluded, " wherever they may be."
"Perhaps Mulroyd's tavern will reveal
them," said one of the revenue men.
" Or the mill," put in Kitty, bitter with
her experiences.
" We'll search the tavern first," cried
Tom, leading the way, with one arm round
Kitty. Somehow the two tacitly admitted
their indebtedness and sympathy for each
other.
But the smugglers were not found at the
tavern.
* * *
When Kitty escaped from the mill the
violent wind drove the wings round at a
terrific speed. The axle, unoiled, became
overheated, and soon the wood on the
primitive axle - box began to smoulder.
Aroused by the terror of the storm, Mulroyd,
who, with the lighthouse keeper, had drunk
himself into a stupor, got up to look out of
the window. The grey morning light revealed
a sight which sobered him in a trice. The
windmill wings were flying round at a terrific
rate and smoke was issuing from the topmost
\vindows.
" The dynamite," he screamed, awaking
Thomasson. " The dynamite — the mill is
afire."
What's the matter with the dynamite,
you fool 1 " muttered Thomasson, still under
the influence of the grog.
" I tell you the mill is afire. We must
The trials of the old folk.
182
THROUGH FLAMES TO FAME.
save the dynamite or it will be blown up,"
cried Mulroyd again, shaking his comrade
roughly. "Jump up, man, and come along,"
he continued, as Thomassorr roused himself.
We may be in time yet."
Thomasson, half comprehending that what
Mulroyd said was serious, got up and
followed his comrade out of the house. As
they came in full view of the mill they
could see the little flashes of flame round
the axle of the wings. They hastened their
steps, and soon were running their hardest
across the ploughed fields. Around the
foot of the mill Mulroyd had built up a pile
of rocks which gave the structure a solid
appearance. These were to cause the
downfall of the smugglers, for rushing into
the place after Mulroyd, Thomasson, still
under the influence of the grog he had
consumed, madly seized a small case of
dynamite, and carrying it to the door hurled
it outside. The wind of the explosion blew
the door to, and the dynamite when it went
off hurled masses of the loose rock against
the door, rendering it impossible to open
it from the inside, and making the two men
prisoners.
Prisoners in a burning mill with a store
of dynamite ! Mulroyd cursed his comrade.
As the fire burned lower the trapped men
rushed about like madmen trying to find an
exit.
Succour was to come from outside, how-
ever, for the revenue men were hurrying up
to the mill. Seeing what had happened they
feverishly responded to the cries of the pri-
soners ; and despite the danger from the fire
overhead, cleared away the rocks sufficient to
admit of an entrance being effected. The
smugglers were dragged out, and too beaten
to put up resistance were marched off to
jail. The mill continued to burn fiercely
for some time afterwards, but eventually the
dynamite blew-up and all that remained
later in the day were the blackened and
smouldering ruins.
The case against the smugglers was con-
clusive, and the chief of the revenue
department decided that Tom had well
earned the reward. With the money he
returned home to the aid of his own old
folk, but he took someone with him — a
wife ; it was Kitty, the lighthouse keeper's
sister.
T TOW would you like to wear a cool million
■*- -■■ dollars in jewellery, if only for a few
hours ? How would you like to wear a
gown designed by " Lucille" (Lady DufF-Gordon)
costing over £600 ?
This is exactly what Alice Joyce, the beautiful
Kalem star, is to do in a forthcoming feature of
the Alice Joyce series. The jewels will be loaned
to Kalem by one of the Fifth Avenue's most
prominent jewellers, while the magnificent gown
to be worn by Miss Joyce is now being made
by the most fashionable modiste of to-day.
The mere cost of borrowing the jewels which
Miss Joyce is to wear, even though it is to Vje for
only a few hours, is enormous. Because nothing
covering a case similar to this has ever come to
the attention of the insurance and bonding com-
panies, special arrangements have had to be
made with the concerns who have undertaken to
assume the risk.
Pinkerton detectives have been engaged to
guard Miss Joyce while the filming of the scenes
in which the Kalem star wears the jewels is in
progress. A special force of men will guard the
studio in which the scenes are to be made, and
none but those showing special passes will be
admitted to the place until the gems are on
their way back to the steel vaults of their owners.
The title of the Alice Joyce feature in which the
jewels are to be worn will be announced shorth'.
OWING to the fact that America is such a
prominent film-producing country, visitors
to cinema theatres often find themselves
puzzled by the peculiar dialect in which the
explanation of the pictures is given. There is
" rustler," for example. This means cattle thief.
"Rustling a broncho," therefore, stands for
stealing a small horse ; a broncho being the kind
of animal generally ridden on the western plains.
Other cowboy terms are : " Hold-up," a demand
for money ; " thug," a higliwaj^ robber ;
"quitter," a coward; "rube," a yokel; and
"shack," an old barn. Again, we are learning
several new waj's of saying hooligan. "Hood-
lum" is one, and "tough" another. For our
tramp, too, there are "hobo" and "deadbeat,"
while " dive " is equivalent to "thieves'-kitchen,"
or a resort of bad characters.
WHO invented Motion Pictures ? Edison's
Kinetoscope, invented it 1887, was
demonstrated at the World's Fair,
Chicago, in 1893 ; whilst Muybridge, in 1872,
Donisthorpe in 1876 and Reynaud in 1877, have
variously' been credited with the invention, but
it seems that the honours should go to Mr.
Henry R. Heyl, who gave the first exhibition at
Philadelphia on February''i')th,'l870.
The Basilisk.
A TALE OF MYSTERY AND ROMANCE.
Adapted fi'om the HcpivorfJi Drama hy John Harrow.
A strange and uncanny subject, little understood, is that
of clairvoyance and hypnotism, which, if practised by a
rogue, leads to danger. Freda succumbs to the influence
of a deceiving mesmerist, who endeavours to get her in
his power; but the story shows how the spell is broken,
and how a terrible Nemesis wreaks vengeance on the
would-be destroyer.
Cast
Basil Reska
Eric Larne
Freda Hampton
WILLIAM FELTON
TOM POWERS
ALMA TAYLOR
Written and Produced by CECIL M. HEPWORTH.
jND8 up, governor."
The command was ignored
however by the man stand-
ing calmly at the other side
of the table, and amazed
indeed were the two bur-
glars who now found themselves unable to
remove their eyes from his. Never a word
did he speak, yet by some invisible power
he held the two marauders completely at
his mercy. Another moment and they had
slunk out of the room and were disappearing
across the lawn as fast as their trembling
legs could cany them.
+ * *
It may be possible to hypnotise weak
minded people, but I doubt if any man can
control a brain equally as strong as his own.
In my opinion, the thing is simply a battle of
strength between minds."
"You may be right, Larne; nevertheless
it is perfectly true about those two rascally
burglars. They were completely at my
mercy. Why, one of the fellows actually
covered me with a revolver and found
himself unable to use it."
The above discussion took place in old
John Hampton's house. A number of well-
known people were present, among them
Basil Eeska, with whom the reader came in
touch in the opening paragraph.
Young Eric Laine was there as a matter
of course. Since losing his heart to Freda
Hampton he had practically haunted the
house. The fact that the occult formed the
topic of conversation annoyed him consider-
ably. No healthy young man believes oi
cares anything about such things as hyp-
notism, and Eric was a fine specimen of
British manhood. Turning to Reska he
challenged him rather warmly.
' To support my rem.ark I am quite
willing that you should practise your hypnotic
powers on me, and I honestly believe it is
beyond you to cause me to do anything
against my will,"
Basil readily responded to the challenge,
and after making a few elaborate preparations
did his very utmost to hypnotise the sturdy
young fellow. His eiforts were treated
lightly by the remainder of the company,
and roars of laughter greeted his obvious
failure. Reska was maddened at the
humiliation he had suffered.
''Give me another chance," he cried,
" and I will prove to you that I possess the
powers I lay claim to."
" Try me, Basil," said Freda Hampton.
" Perhaps I shall prove more responsive
than Eric."
" No, Freda, don't do it," cried Larne.
" You know I object to this sort of thing."
Eric's protest seemed to decide the girl,
and flashing her lover a roguish smile she
seated herself in front of Basil, and the
latter made his second attempt. It was
184
THE BASILISK.
obvious from the
commencement
that Freda was
strangely influ-
enced by Reska,
who, with his
bold grey eyes
and powerful
clean shaven
face, possessed
that fascinating
demeanour
which proves so
attractive to
members of the
opposite sex.
The company
was very quiet
as Basil brought
his powers to
bear on the girl,
and as his influ-
ence began to
take eff"ect several
of the ladies
present gave vent to awe-stricken gasps.
Freda's smiling face slowly contracted into
a stony stare. Reska explained to her
that she was Lady Jane Grey about to
be executed, and she admitted that such
The Burglars gain an entrance to Basil's house.
was the case. In a quiet penetrating
voice he commanded her to beg for mercy
from the people present, and going on her
knees to each in turn she did so.
The scene was pitiful in the extreme, and
unconscious
shivers began to
pass round the
room.
Basil realised
that he had gone
far enough, and
allowing his face
to relax into a
smile he released
the girl from his
influence. For
a while she was
too l)evvildered
to grasp the
situation, then
looking round
with a smile she
said :
"What has
happened 1 "
Upon being-
told of the
absurd things she
had done, the
girl blushed to
the roots of
" 'Ands up, governor."
THE BASILISK.
185
lier hair, and looking with terror at Basil
she hurried from the lOom. Shortly after-
wards the remainder of the ladies followed
her, leaving the gentlemen to their coflee,
cigars and gossip.
Although efforts were made by several of
the men present to turn the conversation
into a more pleasant channel, the subject of
hypnotism could not be kept under, and
before long the whole company were aiguing
as to whether Basil's extraordinary power
was sufficiently strong to influence anybody
Avho was not actually present.
I am willing to bet you a fiver that you
cannot hypnotise Miss Hampton now that
she is absent." This offer was made by
young Eric, who was still feeling hurt over
the ridiculous capers that Freda had cut
whilst under Basil's influence.
The hypnotist smilingly accepted the offer,
and selecting a small dish from the table he
explained to the angry young fellow that
without moving an inch from where he was
now seated he would cause Freda to con-e
into the room, take the dish from his hand
and return with it to the drawing-room.
All eyes were fixed on the door, and a
gasp ran round the now silent room as it
was seen to open. Freda appeared, and
upon her face was that strange mesmeric
look which the assembled company had seen
there but a few minutes before. She
crossed to where Basil sat, and without
speaking a word she lifted the dish from
his hand and returned the way she had
come. As she entered the drawing-room the
influence left her, and she was astonished to
find herself holding the little dish, having
no idea where it had come from. The
ladies present were amazed at Freda's
action, and a mysterious silence reigned.
Far different was the scene in the
dining-roon:. Basil was being noisily ap-
plauded by the men, with the exception of
Larne, who, greatly disgusted with himself
for causing this second disturbance, com-
pletely lost his temper. Glaring at Reska,
he cried :
"I believe you are the very devil him-
self." Snatching his case from his pocket
he took out a five-pound note, and crushing
it into a ball, flung it full into the face of
the hypnotist. Stamping like a mad bull
he hurried from the room.
As may well be expected after the events
recoided above, all friendship between Eric
and Basil was at end. The strangest result
however, arising out of the experiments
conducted by Reska at Hampton's house,
was that he conceived a wild passion for the
girl who had proved so susceptible to his
mesmeric power. When this became ap-
parent to onlookers it caused Eric great
annoyance, and his feeling of hatred towards
"Freda'.s smiling tare slowly contracted into a stony stare."
186
THE BASILISK.
Keska became more
and more acute. So
deeply did his jealousy
affect him that he
refused to allow Freda
out of his sight.
Through this, further
complications arose, as
Freda objected to being
unable to move unless
accompanied by him.
Angry words passed
between the lovers, and
now Eric had resorted
to following her
wherever she went.
One day about a
week after the events
recorded ])reviously,
Basil was sitting at his
window when Freda
chanced to pass. His
passion for the girl had
now become so great
that he longed for
her company. The
temptation of the present opportunity
proved irresistible, and exerting his influ-
ence once more he forced her to enter
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" He grasped liim l>y the tliroat and would ^la^■e strangled him."
Reska conceived a wild passion for the gii'l who had proved
so susceptible to his mesmeric power."
his house.
That morning Eric had followed Freda
and was surprised and annoyed to see her
enter Basil's gate.
After a m o m e n t's-
thought he suspected
that she was not acting^
of her own free will,
and decided to follow
her. He was just in
time to stop BasilV
insulting behavour.
" You cur," he cried,
as he saw his lover in
the arms of his rival.
Rushing at heska he
grasped him by the
throat and would have
strangled him but for
the timely intervention
of Freda, who had
now recovered from the
effects of Basil's mes-
meric influence. Fling-
ing the wretched
hypnotist to the floor
he shook his fist in his
face, and laughing
triumphantly left the
house with Freda. For
a time at least the
THE BASILISK.
187
spell was broken.
* + *
All went well for a while, Freda and Eric
carefully avoiding the man whom they now
both loathed. Fate deemed it that they
should meet again however, and the meeting
took place at a house where Freda and
Basil were fellow guests. Her greeting of him
was extremely cold, and this attitude on the
girl's part was bitterly resented by Reska.
He determined to crush her spirit once and
for all. That night, when everybody had
retired to rest, Freda could not sleep.
Again and
again she tried,
but instinc-
tively felt that
the invisible
force of the
man she hated
was again be-
ing brought to
bear on her.
After vain
endeavours to
resist his in-
fluence the
girl was forced
to leave her
room, and al-
though she
was aAvare that
her destina-
'tion was Basil's
room, she
found it im-
possible to
direct her foot-
steps into
another
channel.
Eeska had
overlooked
one point how-
ever, and that
was that it is
impossible for a man to use hypnotism in
order to get a woman into his power. He
was to learn the truth of this with startling
suddenness.
The moment that Freda entered the
room and saw her wicked tormentor's in-
tentions, her faculties returned to her.
Directly she realised her freedom from the
power of this devil she recalled her past
sufferings at his hands, and her wrath was
terrible to see.
For once your power has failed you," she
cried. " It is my turn now, and I will kill
you." Snatching up a chair she rushed, at
the man, but the miserable wretch, as-
tounded and amazed at the failure of his
plans, could only grovel at her feet. At the
sight of this cowardice Freda's anger left
her, and dropping the chair she hurried
from the room, her shoulders shaking with
sobs.
After a time Basil recovered from his
state of terror, and he became consumed
with rage. To think that he should be
" Snatching up a chair, she rushed at the man."
defied. He sat up far into the night, and
had before laying his head on the pillow-
planned a hideous and terrible revenge.
Eric was again back at the Hamptons.
Things were now going very smoothly
between him and Freda, and he was quite
happy. There was still a doubt in his mind
as to whether they had seen or heard the
last of Basil Reska. If he could have seen
Freda at that moment he would have known
188
THE BASILISK.
that the hypnotist was
still exerting liis powers
over the i)Oor girl, this
time with the intention
of exacting his revenge.
Freda had dressed for
dinner and was just pre-
paring to descend, when
she felt the horrible influ-
ence stealing over her.
Try as she could she was
unable to resist it, and
seizing a knife frona a
trophy of old arms which
hung upon the wall she
descended the stairs and
went aionij the corridor
in the direction of Eric's
room. The young fellow
did not see her until she
was quite close to him,
and then, looking up, he
saw his sweetheart a few
paces before him, knife in hand.
" Oh ! my God ! " he cried
what are you going to do ? "
k ^
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" The knife was raised ready to strike."
* Freda,
But as he
dashed forward and seized her wrist he
realised her condition, and his anguish at
seeing his beloved once more under the
power of their mutual foe was so great that
he slipped to the ground in despair. The
girl stepped forward, knelt on one knee, and
the knife was raised ready to strike.
Now, Eric, I am quite comfortable."
Are you quite sure, dear % Have this
other cushion."
No, thanks. I have more than enough
cushions. The only thing I want now is to
hear the story of how Basil met his death and
how my hand was stayed from killing you."
Very will, I will continue."
After I slipped to the ground in despair
I saw you advance with the knife in your
hand and that terrible look on your face
which made me so afraid. Just as your arm
was raised and I had given up all hope, a
marvellous change came over your face. It
resumed its old expression, and I knew that
the influence had left you. You simply
smiled at me and swooned.
After I had recovered a little from the
terrible shock I became mad with Reska,
and could not rest until I had once and for
all stopped his wicked practice. Rushing
round to his house I discovered the reason
of your sudden release from his power.
Fate had taken the matter out of my hands,
for he was already dead. A fellow of
Basil's temperament was naturally fond of
weird and curious animals, and it appears
that an old friend of his in India had sent
him a poisonous snake which had not had
its fangs drawn. Quite unknown to Basil
the thing had got loose, but he was far too
engrossed in exerting his mesmeric power
over you to notice anything that was passing
around him. Crawling on the table the
snake struck him full in the face just at the
moment when you were about to plunge
the dagger into my heart. Of course, with
his death the spell was broken, and you
became master of yourself again."
" Oh, how horrible, Eric."
" Yes, dear, but he brought it on himself."
" We won't say unkind things now, Eric.
All the misery through which we have passed
has only brought us closer together, and in
the delight of the bright and happy future
which stretches before us we can forgive
even Basil Reska the harm which he tried
to do us."
These Good Old Days.
By Evan Stro?ig. Illustrated by Sys.
|E mourn the passing of the good
old times. I wonder if in fifty
years to come the screen-
actor will clothe himself in
sackcloth and ashes in regret
for the convivial days of the
present, which will then have passed into the
old lumber box of the things that have
been 1 It is a merry life, this of the screen-
actor, hung to-day and pushed over a
hu ndred-f eet
canyon to-mor-
row; but what's |
the worry 1 In-
surance policies
stand good, and
the next man's
feet are not too
big for your
shoes. That is
the philosophy
of the screen-
actor ; to the
quarter -sessions
with old Scho-
penhauer and
his measly phil-
osophy of pessi-
mism ; will or
no will, satisfac-
tion or the
reverse, we are
a band of opti-
mists, else there
would be UD
features.
Padding along a dusty road, dreaming as
the wanderer dreams of good beer and
walloping big cheeses, a spider-legged, three-
weeks-to-a -shave, blotting-paper-tongued loon
got a swollen nose from a big red fist for
stopping a runaway horse with a trap and a
young lady behind it. And that is how I
came to join the ' movies."
When I came to, a hefty johnny asked
me politely what I wanted to jump up like
a punch and judy show (only that was
hardly the expression) right in the middle
of the picture and necessitate the exposing
of another couple of hundred feet of film, by
the Lord Harry, and a few other note-
worthies and picturesque celebrities.
I said I didn't really know, which was
perfectly true, and withal in the circum-
stances a rather witty and useful remark.
" Do you know we are taking a picture 1 "
threatened the burly one.
" Indeed, I was not aware of it," I reply.
" May I ask where you are taking it to, if
its not too rude
a question ■? "
Mind you I
was not entirely
recovered from
the avalanche.
It was an aval-
anche, wasn't it,
or was it a
typhoon 1 And
I was rather
surprised as this
being an artist
who might be
carrying a valu-
able canvas to
an exhibition,
perhaps a pic-
ture on which
he pinned his
whole fortune in
the future. I
could have pin-
ned all my hopes
on a postage
stamp at that
moment.
''Where was I taking it to — I mean a
' movie,' you silly ass," bellowed Mr. Bull.
I could have sworn his name was Bull, he
was a picture of bovine ferocity. But I had
no answer for him. " Movie " beat me all
out and I felt like lying down and never
moving again, so I just remarked :
" If you would inform me if this is really
my nose or a stray balloon I should be very
much obliged." You see I was suffering
badly from the success of my first entrance
into pictures and was a bit swollen-headed,
vX
Pardon me !
190
THESE GOOD OLD DAYS.
though the swelling was localised.
Mr. Bull seemed fairly flabber-
gasted and left me for a hurried
consultation with his somewhat
nondescript friends. Sooner or
later he returned and planting
himself before me firmly on two
legs he said :
" Say, young feller-me-lad, do
you want a job ? "
That was adding insult to
injury, but recollections of what
had passed led me to acquiesce,
and from that day onward I have
been a " movie " actor ; and I
tell you honestly a furniture dealer
■could not have done more moving
than I have since my answer to
that simple question. Talk of
rapid transits, there's nothing
comparable to the movie " man's
existence for that. Once I re-
member I moved from the sixth
storey to the ground — through being mis-
taken for the dummy — in less time than it
takes to record it, and when I came out of
hospital I sailed across the Atlantic between
two scenes and we finished the picture the
same day.
No doubt there are a few aspirants who
read these lines seeking for a tip as to
methods of procedure and training for
picture actors. Let me tell them one thing:
The Order of the Boot makes a deep im-
pression and it is not infrequently awarded.
Still, there's a chance for you, but you must
practise and train. Don't fiddle with your
collar, young aspirant — you'll get a tighter
one some day when you join the "movies."
First of all, if you are a ' heavy " you must
practise being landed on the point by a
" Falling doesn't hurt one."
fellow four times your size and still be able
to smile sinisterly in the next scene ; second-
ly, you must learn to fall off a motor-car
going at eighty miles an hour, and such
things too numerous to mention, as they
say in catalogues. But let us leave this for
to-night. Suffice it that the " movie "
actor's life is full of possibilities and sudden
stops. To-day has passed and you're not in
hospital; to-morrow, well, you may be pushed
over yonder cliff, and its a good fifty odd feet
drop on to solid rock. But what's the odds 1
Falling doesn't hurt one — it's that sudden
stop at the bottom only which jars so.
No doubt in fifty years' time our successors
will be mourning the good old days ; and we,
we are optimists, and sufficient for the day
is the hospital at the end of it.
AT a picture house in Glasgow a lady had the
-^*- misfortune to tear her skirt against a piece
of iron projecting from a " tip-up " seat.
She complained bitterly to the attendant at the
front, who replied : " I am very sorry, madam,
but I don't think the governor is responsible, as
you will see by the notice on the walls that
' Seats are not guaranteed.' "
t)RYANT WASHBURN, whose face is so
-■-' familiar to the public as the villain in
Essanay productions, is tired of wearing
a false moustache and has decided to grow a real
one. From the present outlook Bryant will be
wearing a false one for some time, in spite of
the fact that he is using every possible means to
coax the " misplaced eyebrow " along.
G'
RACE CUNARD and FRANCIS FORD are
Vjusily engaged in a powerful six-part pro-
duction, " The Phantom of the Violin,"
after which they will feature in a series of pictures
" My Lady RafHes," with Miss Grace as My Lady.
VICTOR POTEL, the famous " Slippery Slim"
of the Essanay Western Comedies, has
been nick-named "Six O'Clock" by his
friends. He is straight up and down they say.
The Call of the Deep.
Adapted from the DANIA Biofilm Dixtnia
by Rosa Beaulaire.
The hesitating maid, in love with a gallant
lieutenant-diver, marries another and a richer
man, but regrets her mistake. A powerful
story of a woman's anguish, a lover's sacri-
fice, and how understanding came to her
too late.
N orphan since quite small, Eva
Manning, now entering on her
twenty-first year, looked upon
life with gentle ease, and
thought of possible romances
and ultimate marriage with
complacency as part of the purpose of living.
True, her surroundings were scarcely such as
to arouse very deep feeling on the subject of
the future. Everything was calm and well-
ordered in the house of her maiden aunt : the
pair had a sufficiency to live comfortably upon,
and nothing ever occurred, or seemed likely
to occur, to rufile the smooth surface of their
every day existence.
Eva, sedate, and in many ways a charming
girl, had her lovers : one a fine young naval
officer, attached to the divers' division for
special service ; the other a rich young
merchant, whose fortune had been made by
his father, and whose business ran smoothly
and profitably with little direction from its
owner.
Summer fled with the two dangling after
the girl, each watching the other and
fearful lest the one should gain an advantage.
Winter struck down the feeble old aunt, and
with the spring she was gathered to her
family.
The shock of her aunt's death re-acted
terribly on Eva. The rich youthful blossoms
fled from her cheeks. She drooped visibly,
and when she learnt that there was nothing
left to her — the old aunt had hidden her
failing financial state, trusting in a good
marriage for her niece — Eva thought her
cup of sorrow was full to overflowing. She
did not understand that she of all others
should be so treated by fate. She could not
realise that thousands suffered at fate's hands
worse calamities than that which had befallen
her.
Faced with poverty, the heart-broken girl,
her home sold over her head, sought humble
lodgings in the town, and endeavoured to live
on the few pence which had been saved
from the wreck. She allowed all thoughts of
Holmes, the rich lover, and Lieut. Hammond
to pass from her mind ; but they had not
forgotten her.
It was a soft spring morning, with a balmy
breeze which brought scented promise of a
luxurious, flower-bedecked June, when
Gustave Hammond, off duty for a few hours,
took it into his head that he had let enough
time slip under his feet to satisfy the
proprieties, and that this morning was
opportune to press his suit for the hand of
Eva. Whistling in his hope, he presented
himself at the house where Eva had taken
refuge, and was admitted.
He felt confident, and gave not a passing
thought that possibly she would raise any
objection to his offer. Like tke blunt sailor
he was, he plunged headforemost into action.
"Miss Manning — Eva, I have come
purposely to ask an important question," he
burst out, after compliments had passed. "I
want you to be my wife. I love you, and
have waited long. Will you — can you say
'yes'?"
Eva was taken off her guard, but she
recovered her composure rapidly.
" I'm sorry, very sorry, Mr. Hammond, but
have you thought seriously of my position
now?"
" I have only thought that I love you and
1P2
THE CALL OF THE DEEP.
want you badly.
What do I care for
position ! "
" Yet position is a
matter of importance.
Have you considered
what it would mean
to you, who are
fighting for progress
in your profession,
to be tied in your
actions with a poor
wife 1 "
Eva spoke in cal-
culated tones she
was far from feeling.
In her heart she felt
she would like to
yield to this manly
fellow, but she
crushed the sensa
tion. She must, if
she married at all,
marry a rich man.
She could not stand
poverty.
"But — Eva, how can that affect me
anyway?" cried Hammond, half losing heart.
" My love is sufficient to overcome all
obstacles if you love me."
"And if I do not love you ? "
" I will teach you to if you will marry me,"
he appealed.
For a moment Eva was impressed by his
fervour, but she recalled herself as he came
forward and grasped her hand. Drawing her
fingers gently away, she gave him his answer:
No, it is useless. I must marry a rich
man. Indeed, I have determined, if I marry
ever, to marry a man who can give me all
the luxury and comfort I want. I am sorry,
very sorry if it hurts you, but it cannot be."
Is that your last word? Can't you give
me a little hope to come again later 1 " cried
Hammond, heart-broken.
I'm afraid not. You must think no more
about it. It is impossible. Still, let us
be friends," said Eva, turning to him with a
forced smile and extending her hand.
Hammond was beaten and broken. He
took the small hand held out to him and tried
to smile. But the effort was a ghastly failure
and he fled from the house.
Not long afterwards he heard that Eva was
betrothed to rich George Holmes, and he
understood. Yet he felt that she did not
love the man she had accepted — and he was
"He dropped over the side and disappeared below the waters."
right. Poor Eva had been guided by other
motives than love. Though she hardly realised
it, her heart was in Gustave Hammond's
keeping, and she was to learn later how fast
the unseen bonds of love were between them.
Sheloved,butdid not know it — like others, she
could not appreciate love or distinguish it
from liking. Fate was to teach her in its
heartless, inexorable way.
* + *
A large yacht was scudding across the blue
bay where Hammond's vessel, from which
diving operations were being directed, was
anchored. As it flew past, running swiftly
before a strong wind, a handkerchief was
waved. Lieut. Hammond, who had picked
out the yacht with his glasses, returned
the compliment, and the yacht altered its
course. It was Holmes' vessel, and he was
carrying off his bride for a h-jneymoon trip.
In a few moments they were within hail, and
Hammond invited the yacht party aboard.
The sails were run down and theyachtbrought
to, while a dinghy put out from its side
and made for the diving vessel. Five minutes
later George Holmes and his bride stepped
aboard.
" Welcome aboard the old tub," cried
Hammond ; " and let me congratulate you,
George." Holmes was an old friend. And
my compliments to the bride," turning to
Eva.
THE CALL OF THE DEEP.
193
Watching Hammond closely she detected
a bitterness in his words, which Holmes
failed to observe, and when the latter
turned for a chat with the mate, an old
crony, about matters nautical, Eva felt
embarrassed and nervous alone in the lieu-
tenant's company.
" Shall we take a stroll round the ship 1 "
said Hammond, while George takes a
a lesson from Williams in navigation."
"If you like, yes," she answered, half-
fearing her old lover's attitude. Parted
from him she felt her love welling up from
her heart, and she was afraid.
They only went a few steps when
Hammond halted and took her hand.
"Eva, you have sold yourself for wealth.
You love me, I can see it in your eyes," he
said, gently.
"And if I do it is too late now. Why do
you mention it when you must know it
hurts 1 " she answered, sadly.
' It hurts me also, but I had to learn the
truth from you. I loved you — and still love
you so dearly, Eva."
" Yes, I know; oh, I know " She
could say no more, her emotion overcame her,
and she could scarcely retain her composure.
Her fingers played with a magnificent
bracelet which adorned her wrist. As she
played with it the clasp came open and it
lay loose in her hand.
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" That hand held the bracelet : he had brought it back to her
in exchange for his life."
"a wedding gift from George ? " queried
Hammond, vaguely and for no reason, as he
gazed at the jewel.
" Yes. Oh, Gustave, I am broken-hearted,"
she cried passionately. ' I hate his gifts —
they are to me as signs of bondage." With a
vicious gesture she threw the bracelet over
the side of the ship before Hammond could
prevent her, and at the moment Holmes
came up.
For a second he halted beside them as if
doubtful of the attitude of the two.
Hammond caught sight of him immediately,
and with ready wit sought to shield Eva.
" It slipped off accidentally as Mrs. Holmes
was leaning over the side," he stammered.
" What ? " asked Holmes.
" The bracelet. But I noticed Avhere it
fell. We have a diving suit aboard and I
will recover it." Then turning to the
trembling bride : " Don't fear, Mrs. Holmes,
I shall easily find it — the water is not deep
here."
Calling his handymen he had the diving
suit brought and quickly donned it. Seeing
everything in order he dropped over the side
and disappeared below the waters.
Twoor three minutes passed —they seemed
like hours to Eva, who was overwhelmed
with her sorrow. Now, and now only, did
she realise what she had lost — what a great
possession she had sold for riches. In her
pain she wrung her
hands, and the nails
dug deep into the
flesh as in the agony
of the waiting she
endeavoured to con-
trol her emotion.
Of a sudden a cry
struck her ear, as
from a distance.
Someone had shouted
that the air pump
had failed. What
did it mean 1 She
flew to the side.
The men in the
boat were hauling in
the ropes attached
to the diver for all
they were worth.
Fascinated and
uncomprehending,
she watched the
huge helmet appear
above the water and
194
THE CALL OF THE DEEP.
the willing hands
stretch out to drag
the inert mass into
the boat. They
brought him aboard
the ship. He never
moved as they laid
him out on the deck
and hastily unfast-
ened the helmet.
Then the truth
flashed upon her.
She found her voice
in her terror.
"Is he dead?
Don't say he is dead,"
she cried, and rushed
to the side of the
silent diver. " He
is not dead. Tell me
he is not dead," she
moaned, as she took
one of the cold
hands.
That hand held the bracelet. He had
brought it back to her in exchange for his
life. For Hammond had died under water
when the air gave out.
Holding up the bracelet, Eva fell half-
fainting across the body of the dead man,
moaning her love and endeavouring to call
him back to life.
With gentle arms her husband raised her
and led her away. He could not be angry,
though all happiness for him had fled.
* =f: *
That night, as she lay in her richly cap-
arisoned bed on the yacht, the voice of her
lover called to Eva from the waters. He
called her to throw off her dearly bought
bondage and come to him. In her dreams
" To her who could not understand had come eternal romance.
she saw him beckon her, and she stretched
out her arms to greet him. Dreaming, she
rose to go to him. He led her on up to the
deck, and the cold wind blew through her
flimsy garb, but she did not notice the cold —
she belonged not to the earth, and was
subject to none of the discomforts of man. She
walked, still guided by her lover's voice, to
the bow of the yacht. His face appeared on
the surface of the water below and smiled
in welcome. She stretched out her arms in
yearning. He called again, bidding her
come to him for ever. For a moment she
stood poised between heaven and the sea.
Then there was a splash — she had gone to
her lover ! To her who could not understand
had come eternal romance.
BY THE EDITOR.
JUDGING by the numerous enquiries that come to hand from interested readers who ask
for the names of (he players in their favourite films, we gather that the present number
will be much appreciated, as we are enabled to include the cast with nearly every story.
We are always pleased to have expressions of opinion from our friends calculated to
improve the PICTURE STORIES MAGAZINE.
NEXT month's issue will contain a powerful story of the two-act Kalem film drama, "The
Potter and the Clay," featuring Marin Sais; an interesting " Flying A " number, "The
Cocoon and the Butterfly," featuring Miss Vivian Rich and Jack Richardson; an
Edison romance, " The One Who Loved Him Best," starring Bigelow Cooper, Marjorie
Ellison and Herbert Prior ; and the first instalment of a most enthralling Lasky serial, " The
Call of the North," with Bessie Barriscale in the. cast. Also supplement portraits of Marin
Sais, Little Kathie Fischer the "Beauty" Juvenile lead, Hal Clements (Kalem), Bigelow
Cooper (Edison), Winifred Kingston, who figures in the Lasky film " Brewster's Millions," etc.
On tfie^creen
EVAN STRONG
Mr. Strong has for several years been connected with one
of the largest houses in the Film Trade. In his monthly
article this keen observer discusses happenings in the
Picture World and gives his ideas and suggestions which,
supported by such practical experience, prove valuable
and instructive reading.
^OME years ago I wrote in a
newspaper an article on the
people's picture gallery — the
poster hoardings. It was at
the time of a general election
and the man in the street was
being coaxed by the finest examples of
poster-artist work in this country to give his
vote for this or that party. And I don't
know but that the party which engaged the
best artist did not gain materially by the
utilisation of his work. An appeal is an
appeal, and the strongest to a mixed public
is not cast-iron facts, but the Lloyd Georgean
touch which arouses sentiment. But I am
far from thinking of politics and parties — I
am among the cinemas, on the outside.
Posters form a great part of the cinemas'
publicity campaign. They are intended to
appeal to sentiment and arouse interest.
Yet how often do we see posters which from
their very crudeness repulse rather than
attract; posters which may well have come
from the old travelling showman's stock, with
the fat lady in gaudy tights, and cannibals
typifying no race on this earth. They drag
cinematography down to the level of the
"penny gaff," and are an insult to those who
think of the cinema's purpose in a higher way.
* + +
AMONGST these "throw-backs," how-
ever, it is a pleasure to notice here
and there posters of a better class,
with the unmistakeable stamp of the artist
on them. These tell a story and the
theatre which exhibits them calls in
doubting patrons in greater numbers than
does that which pastes its front up with the
cheap and nasty variety. The manager who
studies the effects of his posters soon realises
that the better ones draw a better class of
patron, and, taking for granted his pro-
gramme holds good, this patronage increases.
He never goes back to the slap-dash stuff
merely because it is cheaper — it doesn't pay
him. Here is where you, dear reader, can
do a deal for cinematography. Avoid the
poor-poster cinema; you want better pictures,
and you can be sure that good posters are a
safer index to a good programme. By
supporting the highest in its relation to
cinematography, a steady improvement all
round will be brought about simply by the
influence of the pressure, passive though it
may appear. And we all want improvement;
no one with a real interest in cinematography
wishes to see it sink to the level of the
penny peep show.
IT would seem that British manufacturers
are awake to the opportunity which
presents itself at the moment, and not
only are the old-established British film
producers working at top speed to place on
the market films which will fill the gaps left
by the extensive stoppage of foreign import-
ations, but new manufacturing companies
are springing up eager to take the advantage
which offers. Best of good luck to them.
We have waited for British capitalists to
awaken to the fact that a splendid and
profitable industry is slipping from their
grasp for lack of support. The foolish idea
that Britain could not produce films as good
as those sent from abroad on account of the
climate was absolutely exploded when the
Imp Company came over and made "ivanhoe"
at Chepstow Castle, and when the London
Film Company and others commenced put-
ting out their popular subjects. We slept
and let others take our money — now we
realise we have a big chance, and it is
196
ON THE SCREEN.
gratifying to note that this chance is being
seized with both hands. There is a demand
for British films because — when well pro-
duced— they are more in accordance with
British taste. We realise that now — but
why did we not realise it earlier 1
* * +
IF you would realise the advance of cine-
matography you must watch the
theatres — not only the picture halls
but legitimate theatres. The war has caused
a money stringency, and of all amusements,
perhaps the theatrical — classic, drama and
comedy^ — is feeling the pinch most. Yet the
cinemas everywhere are full to overfloAving.
In this instance, the easy adaptability of the
cinema is partly the cause of its success. But
this is not the only sign — there is another,
more important, and that in Islington, where
after a century and a half of vicissitudes
as Shakespearean andmelodramahouse, music
hall and boxing saloon, the old Sadler's Wells
Theatre has turned to the pictures and has
brought back to itself some of the lustre it
gloried in when Samuel Phelps achieved his
successes there in classic parts — 1842-62.
Sadler's Wells Theatre was built in 1765 and
had a century or more of varying success.
During the past few decades its fame has
been out-shone. Attempts, some admirable,
some paltry, were made to revive its attraction,
and now at last it has opened its arms to the
pictures. Is this not a sign of the times *?
+ * *
IN his eflForts to convince the world that he
aiid his soldiers are really angels of
peace, the Kaiser has managed some new
stage effects in his usual inimitable style.
There is no one to touch Wilhelm as an actor
on the stage of the world, and as a quick-
change artiste he is unapproachable. I
have seen him at the head of his guards
suggesting that, as ruler of all he desired,
the sun only shone to increase his splendour.
I have seen him in the street with his
aides-de-camps smiling the smile of innocence
and peace. But these were merely roles
— yet he played them well. When the
war broke out Wilhelm ordered that cinema-
tographists should follow the troops to take
pictures which would reveal to neutral
nations, not the glory of the German army, so
much as the loving attitude adopted by the
men towards non-combatants of the enemy
and the welcome they received in the villages
and towns. In Brussels, for instance, they
were photographed with women waving
handkerchiefs from windows. It was well
stage-managed — we know that. But at
Louvain they have said they were met with
rifle-shots, and certainly, after the destruction
of the place following on a drunken quarrel,
the pictures of the Kaiser's Schweinebunde
(any German will tell you what it means, if
he doesn't die of apoplectic rage when you
mention it) goose-stepping through the ruins
show no handkerchief-waving or any other
sign of welcome. Perhaps the sceptical
attitude of neutrals has proved to the Kaiser
that his posing and posturing is weak, and his
stage managing faulty, because exaggerated ;
for all ph Dtographers have been driven away
from the German troops, and in future no
correspondent, painter, or photographer will
be allowed with the German forces.
* * +
I QUOTE from an American writer : — " I
cannot conceive of any finer mission of
moving pictures than that of dis-
seminating the truth. The tremendous
error now being made in the Old
World has grown out of primitive resistance
to enlightenment. It is almost inconceivable
that this or that family should be permitted to
hold authority on self-assured 'divine right.' "
The writer sets himself a two-fold messager
first, to point out to Germans, who cannot
understand America's lack of sympathy, the
reasons of America's attitude during the
war; and secondly, to show how motion
pictures should take the place of historical
books and general literature in creating
universal understanding. America'sattitudeis
strictly neutral, even pictures being produced
teach neutrality and avoid incidents which
might incite racial antagonism. Germans
misinterpret this, and the writer points
out that they do not understand the
American people, and have but a dim idea
of how the nation came into existence
Germans go to America in quest of better
conditions than they have enjoyed at home,
and finding members of other nations doing
the same thing, begin to draw unsound
inferences, which are fostered by lack of
the right information. Historical pictures,
correctly produced, would do a lot towards
introducing the true idea. Pictures are
operating to build up character — when they
arouse the right feeling they become a factor
in building up national character. This
appears to be such excellent advice that I
risk amplifying it here. If historical pictures
are produced at all, and also pictures which
ox THE SCREEN.
197
depict in one way or another national
character, the producer should, in fairness
to the picture patron, take the greatest
pains to avoid conveying a misconception.
* * +
IN 1903 H. G. Wells wrote : "For lack
of sufficient literature a number of new
social types are developing, ignorant of
each other, ignorant almost of themselves,
full of mutual suspicions and mutual mis-
understandings ; narrow, limited, and danger-
ously incapable of intelligent collective
action in the face of crises."
If you will put in this sentence cinema-
tography" for "literature," you will imme-
diately grasp what I am driving at. If before
the war we could have placed before the
German people pictures revealing the char-
acter of our nation, its history and growth,
and the reasons for its growth to greatness,
the intelligent body of that country would
have repudiated what we see to-day — the
effort, on the Kaiser's orders, to crush
" French's contemptible little army." The
German army and people thought it could be
done as easily as said, because they had no
reason to believe otherwise — they had not
seen that French's army was not made to be
crushed. Again, had pictures of our history,
truly produced, been common in Germany,
there would have been no talk of a scrap
of paper," because it would have been
realised that a pledge with us is a solemn
thing. But Germany could not understand
why we fought for the preservation of our
pledge, for the German sees in "a scrap of
paper " a pledge which is binding so long as
it is favourable, but should policy require
evasion, then renunciation becomes a piece
of business acumen. In such manner are
all contracts held in Germany, and as the
German doesn't know the Britisher, he is
dumbfounded at his attitude in regard to
his undertaking when that attitude involves
danger and serious discomfort.
+ • * *
THE American writer maintains that
pictures should be a universal vehicle
for creating mutual understanding.
Literature will never do this — so far-reaching
as its scope is. The pictures, however, go to
the masses and explain, in a primitive way,
by action what is to be explained. Had we
British understood the German character,
we would not have put too much reliance in
the signature to the Belgian neutrality
treaty; we should have been prepared for
floating mines and the " lie campaign ;" and
vice-versa, the Germans would have had no
doubts as to what the invasion of Belguim
entailed, and the clarion call which sounded
throughout the British Empire when the
story of Mons was told.
" The only thing that can put the mass of
intelligent men upon a common basis of
understanding is an abundant and almost
universally influential contemporary litera-
ture."
THE attempted boycott of German
films may be sound from a business
point of view, but I doubt if from
our side, that is the cinema-goer's side, it is
common-sense. If you desire to see a
" thunder " film, if you wish no other kind,
stick out for the British variety every time;
but if you attend the cinema for a double
purpose, as you should do, for amusement
and information, the really serious German
work should be studied. We are fighting
the Germans, and it would do us good to
study them. All have not had the chance
to go to Germany and gain their knowledge
of the German first-hand,, therefore those
who have not been so lucky should make
the most of the pictures. Watch the actions
of German players closely, follow out the
course of the plot and try to reason out the
motives behind it. You will get an idea of
of how the German brain works, and of the
principles which govern the German. You
will come to understand some of the meaning
of what I have written in a previous para-
graph, because what I have said will be
evident in the motives which underlie the
actions in the film.
With regard to the boycott of cinemas
supported by German capital, I think the
least said soonest mended. I would not go
into one knowingly myself, but an organised
boycott — well, individuals surely should
know what to do in such a case, always
remembering that the ' silver bullet " plays
a great and decisive part in modern warfare.
WHY not send your old copy of the
" Picture Stories Magazine " to
Thomas Atkins, Esq., at the Fronf?
He would dearly like to pass the weary
hours of waiting in the trenches with a
readable magazine on his knees.
With the Players
"Oh bright-eyed, brown-haired, laughing maid.
At nought dismayed, of nought afraid.
How many times your face I've seen
Upon the motion picture screen. "
"ly/TARY PICKFORD, to whom the above
-^'-'- refers, seems ever welcome to ovir readers,
either on the screen or in print, therefore
we are including her in a new pose in our
supplement.
This pretty " star," known as the "Queen of
the Movies " and the idol of two continents, was
torn at Toronto, Canada, on April 8th, 1894, and
is therefore just over twenty years of age. Her
husband is Mr. Owen Moore. She commenced
her career on the stage at the age of five.
Among the first characters she portrayed was
that of little "Eva" in "Uncle Tom's
•Cabin." Later, " Little Mary " took to pictures,
and immediately jumped into the front rank of
film favourites, but her greatest triumphs were
reserved for the Famous Players pictures,
commencing with "A Good Little Devil," pro-
duced by David Belasco. From this onward
Miss Pickford played the leading parts in pro-
ductions suitable to her special talents, enabling
her to " shine " with greater brilliance than ever.
Her salary is stated to be £200 weekly.
It was little Mai-y's dearest wish to visit the
United Kingdom this summer, and arrangements
had been made to this effect, but to the dis-
appointment of thousands of her admirers the
War made the visit inadvisable for the present.
Perhaps later on
TV/TAX FIGMAN, the celebrated American
■^'^-*- actor, was born in Vienna in 1868, and
made his first appearance on the stage in
1883. After he had " starred " in a great many
well-known plays he was cast for the leading
part in the famous comedy-drama " The Man on
the Box," which toured the States with tremen-
dous success. Naturally, when the Lasky Feature
Play Company decided to film this famous play,
they engaged Max Figman and his wife Lolita
Robertson to play the leads.
Another actor took part in the drama whose
talents threatened to outshine those of any in
the cast, the actor being Max Figman's baby,
which won the hundred per cent, prize in the
"Woman's World" Babv Contest, and is just
now two years old. The proud father purchased
a print of the picture from the Lasky Company,
which he has sealed up, and which will be given
to the baby on its fifteenth birthday, when it
will have an opportunity to see just how it looked
when it was a eugenically perfect specimen.
ONE day five years ago a girl from a small
Thames-side village took part in a "mob
scene " for a motion-picture play. She was
one among a hundred others. The director who
was producing the play had employed a thousand
like her in similar positions, yet in spite of that
she stood out clearly as a possible star.
Since that day ALMA TAYLOR has steadily ad-
vanced, till now she is easily the most famous of
English picture girls. Why ? In the answer is
to be found not only the key to this romance of
the films, but also the secret of all greatness in
picture playing as distinguished from the stage.
And the answer is : Alma Taylor believed the
plays she played in, just as does the little child
who " pretends " she's Cinderella.
Not one girl in an entire county has that gift.
And that is why Alma Taylor's work has always
been so remarkably popular wherever British
films have gone. She has been well-known as
Nancy in "Oliver Twist," Margaret in "The
Cloister and the Hearth," Molly in "Blind Fate,"
Mad Madge in " The Heart of Midlothian," and
finally as Freda in " The Basilisk."
T? MIL GREGERS, the handsome and intrepid
-'--' leading actor of the Danmark Film Com-
pany, also fills the same capacity in the
Royal Opera House, Copenhagen.
As most people are aware, the risks run by a
cinema actor are sometimes rather big, but Mr.
Gregers seems to revel in such parts as call for
any amount of personal risk, as will readily be
seen in the productions in which he figures,
notably in "The War Correspondents," "For
Ever," and " Through Flames to Fame." He is
a most versatile actor, often rehearsing comedy
and drama on the same day, and his abilities as a
comedy actor are in no way small, but when he
turns to his favourite — drama — he forgets the
woi-ld and throws himself whole-heartedly into
his business.
Up to the time of going to press he is still un-
married, but as so many of the fair sex lay siege
to his heart, we on this side shall never be
surprised to hear of his marriage.
TO ALL READERS OF MAGAZINES!
AUTHORS' APPEAL.
MAGAZINE READERS' 2/6 FUND
in aid of
H.R.H. THE PRINCE OF WALES'
NATIONAL RELIEF FUND.
OR GOOD OR EVIL, or partly
for good and partly for evil,
the names of us who have
signed this appeal are familiar
to readers of magazines ; the
:names, also well known to you, of many
others, our brethren in the craft of writing,
might, we feel sure, have been added, if time
had allowed of their sanction being obtained.
Often — and in the case of some of us for
more years than we care to reckon — it has
been our privilege to try to interest you, thrill
you, or amuse you. We and our fellow-
writers have been the companions of your
leisure, your resource in hours of ease, some-
times, perhaps, your diversion and solace in
seasons of weariness, illness or trouble.
Without flattering ourselves, then, we may
claim to have been, in some sense, your friends.
And you have been good and faithful friends
to us. You have found us dull and dis-
appointing sometimes, no doubt ; and you
may have your special likes and dislikes for
this and that man or woman among us. But
on the whole there has grown up between
you the readers and us the writers a famili-
arity and a friendship, not often openly ex-
pressed— opportunity for such expression
seldom occurs —but, as we believe, very real,
and, we hope, strong enough to incline you
to listen to us when we speak to you on a
matter, not of diversion or amusement, but
of high seriousness and of national obligation.
We have always been in earnest about doing
our best to deserve your approval. Even
more earnestly we now beg you to respond
to our appeal.
As probably all of you are aware, H.R.H.
The Prince of Wales has been pleased to
establish a National Relief Fund, to meet
the myriad cases of hardship and distress to
which — despite the goodwill of our citizens
— the war gives rise. To supplement this
Fund, we want you to raise a Magazine-
Readers' Half-Crown Fund, and to this end
our appeal is inserted in this magazine by the
courtesy of its proprietors, and will appear
(we hope) by a like courtesy in every maga-
zine published in the kingdom. It rests
with you, and each of you, by sending your
Half-Crowns, to make the appeal a success,
and to enable us to offer, in your names, a
splendid contribution to the Prince, who
200
AUTHOKS' APPEAL.
himself is serving the country so zealousy as
soldier and citizen.
Many of you, no doubt, have already given
to the Prince's Fund, but many others — able
perhaps to do only a little — will have found
no opportunity that seemed apt for doing-
even vrhat they can. Whether you have
given or not, we ask you now to give us your
Half-Crown. Half-a-Crown is not much to
the well-to-do. To many of you, we know,
it may be a good deal, but then the cause is
one in which you are bound to give, freely
and ungrudgingly, to the limit of your power,
be it small or great. Half-a-Crown is not
much in itself, but you number tens of
thousands — aye, hundreds of thousands.
And though we ask but one Half-Crown from
each of you, we shall gladly receive as many
as you can send. If the richer among you
are giving a poor friend a magazine you have
done with, why not pay his Half-Crown for
him?
If we have been able at all to please you,
it has been, thanks, in the main, to the gift
of imagination.
You, too, have that gift. Give it play
now, not on fictions, but on realities.
Picture what your Half-Crowns will
mean — the relief of suffering, the salva-
tion of homes, the protection of honest
self-respect, in many and many cases the
rescue from ruin of all that a man or woman
has worked for throughout a life of unresting
labour and honourable thrift. Consider what
your Half-Crown will mean to our soldiers
and sailors — the knowledge that their dear
ones will be cared for, that -the country for
Avhom they are ready to give their lives is
not unmindful of what must be as dear to
them as life itself.
The trouble strikes far and deep; the need
is great and urgent. But you, the Magazine-
Readers of the Kingdom and the Empire,
are a mighty host. If you will, you can do
much, and in your generous response to our
appeal we shall see fresh proof of your
friendly feelings towards us.
Your Half-Crowns should be sent to
H.R.H. The Prince of Wales, Buckingham
Palace, London. Envelopes, which need
not be stamped, should be marked Magazine
Header. The Coupon on our advertisement
page 6 may be used. Any queries should
be addressed to the Honorary Secretary of
the Magazine-Readers' Half-Crown Fund,
Mr. Anthony Hope Hawkins, at 41, Bedford
Square, London, W.C.
Wc are, Ladies and Gentlemen, your faithful and grateful servants :
(Signed)
J. M. Barrie.
Arnold Bennett.
Hall Caine.
G. K. Chesterton.
Marie Corelll
CoNAN Doyle.
Charles Garvice.
Thomas Hardy.
Anthony Hope.
W. W. Jacobs.
Jerome K. Jerome.
Rudyard Kipling.
W. J. Locke.
A. E. W. Mason.
Arthur Morrison.
E. Philips Oppenheim.
Barry Pain.
Gilbert Parker.
Max Pemberton.
Eden Phillpotts.
H. Hesketh Pritchard.
Arthur Quiller-Couch.
E. Temple Thurston.
Mary A. Ward.
(Mrs. Humphry Ward).
Marriott Watson.
'Picture *'
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Pidure Stories Magazine.
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CONTENTS FOR DECEMBER. 1914.
VOLUME 111. No. 16.
FRONT COVER :
Scene from THE CALL OF THE NORTH (Lasky).
ART SUPPLEMENT OF FILM FAVOURITES:
Miss MARIN SAIS
Mr. YALE BOSS
Miss WINIFRED KINGSTON
Mr. H. B. WARNER ...
Mr. BOYD MARSHALL
Mr. BIGELOW COOPER
Mr. DUSTIN FARNUM
Mr. ROBERT G. VIGNOLA
Kalem
Edison
Lasky
Famous Players
Thanhouser
Edison
Lasky
Kalem
FILM STORIES
THE CALL OF THE NORTH ...
THE COCOON AND THE BUTTERFLY ...
LOLA
THE POTTER AND THE CLAY
THE ONE WHO LOVED HIM BEST
THE UNWELCOME MRS. HATCH
THE TOLL...
TIME— THE GREAT HEALER ...
A CHRISTMAS STORY
NOTE : These stories are written from films produced by Motion Picture Manufacturers
and our writers claim no credit for title or plot. When known to us, the name of the
playwright is announced.
PAGE
Jesse L. Lasky
.. 201
Flying A
.. 217
Flying A
.. 222
Kalem
.. 227
Ediso/i
.. 233
Famous Players
.. 240
Vitagraph
.. 249
Hepworth
.. 254
Vitagraph
.. 262
ON THE SCREEN
WITH THE PLAYERS.
BY THE EDITOR
SPECIAL ARTICLES:
Evan Strong
267
270
272
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MSS. should be typewritten.
HOW 2'6 BUYS A
TON OF COAL.
Remarkable Discovery which enables every Householder to Save
many Pounds during the Winter.
British Aristocracy
setting splendid Example
using "ANTHRANITE. "
in Economy by
Special Test Offer to Readers.
Owins to the perseverance of certain researches, it has
now become possible to deliver to you, post free at your
own house, a coal-saving and intensifying substance of such
wonderful efficiency that it makes a scuttle of coal last as
long as two would in the ordinary way, whilst it also im-
proves the coal so much that the heat thrown out is
considerably greater, and that cheap coal or a mixture of
coal and coke may be used where high-grade coal was
formerly necessary.
ANTHRANISED COAL IS OF DOUBLE
STRENGTH.
Anthranite, as the new substance is called, decreases the
coal bill of any flat, house, apartment, factory, hospital or
other building by one-half or more, so that it is easy for any
Coal User to save from £z to £20 during the next few months
according to ordinary rate of his coal consumption.
Coal which has once been "Anthranised " retains its
double strength for ever, and the process of treating the
fuel is so perfectly simple that it can be performed without
the slightest trouble by any lady, even in the very room in
which the coal is to be used.
Amongst the many advantages of Anthranite, one may
specially mention the following :
—Anthranite is perfectly harmless ; it
does not set up fumes and its presence
can only be detected by the greater bright-
ness and heat of the fire.
—Anthranised coal lasts twice as long as
ordinary fuel.
—A fire may be kept in for any length of
time.
—An enormous saving of labour results,
for the fires require practically no
attention.
— Cheap coal, or a mixture of coal and
coke, may be used where high-grade coal
was formerly necessary.
—Soot and smoke are greatly decreased,
and the fuel burns to fine ash.
—"Anthranised" kitchen fires make far
better cooked meals, because the heat in
the oven is perfectly steady witnout
fluctuation.
— The weekly or monthly coal bill will be
reduced by one-half or more.
No wonder, then, that people, when speaking of
Anthranite, are already calling it "condensed coal," and
that the demand for this wonderful substance, which has
been placed before the general public just at the time when
economy is most necessary, is growing by leaps and bounds.
In spite of this, however, orders are being despatched
practically by return of post, as special arrangements have
been made to turn out the huge quantities demanded daily.
Anthranite is being used in the best houses in Town and
Country, in Hospitals, Institutions, Clubs, Banks, and I'ublic
Offices. Among its Patrons are to be found the names of
the best families in the Kingdom, and there can be no
doubt that ere long it will have become as ordinary an
article of daily consumption as is coal itself. So great is
the value of this wonderful suljstance that those who have
tried it will as little think of using coal, col<e or slack,
without Anthranising it, as it occurs to them to make tea
without first making sure that the water has boiled.
A REMARKABLE TEST OFFER TO
READERS.
The regular price of Anthranite is 5s. per box, sufficient
to "Anthranise " one ton of coal, but in order to enable
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of this money-saving substance, the Proprietors have
decided to send, post free with full directions, for a short
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five boxes on receipt of only 10s. The latter offer is
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may be withdrawn at any time.
EXPENSIVE PRE-ANTHRANITE DAYS.
The difference between the days before Anthranite was
produced in sufficient o.uantities to make it universally
available and the present, when anyone can have a ready
stock at hand for the mere trouble of detaching the coupon
below and dropping it into the Post, together with the
necessary remittance, is simply marvellous.
Those who know the comfort and cleanliness of Anthra-
nised fires say that it is like comparing present-day lighting
conditions to those days when Oil Lamps were the only
house-light. But not Only that — there is also the enormous
saving in money. Where people formerly used two tons
of coal at, say, 28s. per ton, they now use one at about 24s,
and one box of Anthranite, cost 2s. 6d. Net result : Clean-
liness, comfort, better heat, less work, and a saving of
exactly 29s. 6d. So gratifying a change cannot be produced
by any other means, and quite naturally it is most welcome,
particularly in these days of all-round retrenchment.
*
Readers who wish to take advantage of the Special Test
Offer should detach the Privilege Coupon below, pin it to
their letter and enclose it with remittance for 2s. 6d., if they
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same to Anthranite, Dept. 61, 54, Haymarket, London. S. W.
As it is particularly desired to avoid delay in delivery
which often arises through misspelt names or addresses,
the Proprietors will be greatly obliged if readers will take
care to write plainly.
Special Test Coupon.
Sales Manager, Anthranite, Dept. 61,
64, Haymarket, London, S.W.
Please send by return post free with full
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1 Box Anthranite ... 2/6
5 Boxes Anthranite 10/-
for which I enclose remittance.
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Picture Stories Magazine.
In answering advertise meiits pleast mention Picture Stories Magazine.
Mr. YALE BOSS
(Edison)
Miss WINIFRED KINGSTON
(Lasky)
is:
Mr. H. B. WARNER
(Famous Players)
Mr. BOYD MARSHALL
(Thanhouser)
OW COOPER
Mr. BIGELOW COOPER
(Edison)
Mr. DUSTIN FARNUM
(Lasky)
Mr. ROBERT G. VIGNOLA
(Kalem)
Picture Stories Magazine.
No. 16. Vol. III. December, 1914.
The Call of the North.
From the Film Production of JESSE L. EASKY Feature
Play Company by Irene Silvers.
A wonderful picture, telling of the trackless woods
of the great snow world among the fur hunters.
Featuring Robert Edeson.
Illustrations from the Film.
Prologue.
ALEN ALBEET trudged
through the deep snow of a
Hudson's Bay winter. Already
hunger had assailed him ; he
was growing steadily weaker
with every step. And not at
all in, the cowardly spirit of one repining
against fate, but rather in the mood of the
strong man knowing what he must face, he
realised that he was near the end. Mis-
fortune had beset him ; he bad lost his rifle,
and with it the food supply he had carried.
If he could reach the post where Jock Wilson
was factor, all would be well. If not — well,
the tale was one that would soon be told.
Not once did Albret think of giving up.
Not once did he cease to press forward,
with shortening steps, that grew feebler and
feebler as one succeeded the other. His duty
to himself and to the great company he
served alike bade him speed on. And, as he
trudged on, one thought came to comfort him.
His post was well cared fur. Graham
Stewart, in charge when he had set forth,
would do in all things as the rules of the
company required. True, he was young. But
he was a trader of rare skill, well used to the
ways of the great North. He was here,
indeed, because he had heard the call of the
great solitudes. Almost alone among the
men who wrestled with the frozen spaces
for a living, Stewart was there of his own
free will.
This fact had attracted Albret, himself a
great lover of the north, to the younger
man. Here was one who could, if he would,
enjoy life at his ease in the cities of the
east. No need to earn a living had brought
him north — he was, if not wealthy, at least
independently, even comfortably off. Yes,
his post would fare well, even if he did not
return.
But failure is not often the reward of such
indomitable courage, such a will to live, as
Albret had. It was late at night when he
dragged himself painfully over the last few
frozen yards, and fell, beating against the
door, at the factor's house. And then, once
his signal was heard, his troubles were at
an end Stout Jock Wilson himself carried
him in, despite his huge frame. Wasted as
that great body now was, Jock could do it.
But Galen Albret, in the height of his
strength and power, could never have been
lifted by any save a giant.
While Galen slowly won back his
strength, there flowered one of those
wild, swift romances of the frozen places.
Not in the tropics alone do passions rise to
their fiercest heights, both of love and hate.
Far from it. In the north, where summer
smiles but to give way again to winter, the
fires of love and hate burn as brightly as
under southern skies, where snow and ice
are but tales. Elodie, Wilson's daughter,
helped to nurse Albret back to life. And,
even as he loved her, she returned his love.
Gone were the thoughts she had cherished
of Rand, the silent, sombre trader ; for-
gotten was her half-given promise that she
would yield to his suit and wed him. Once
she had seen Albret, no other love could
find a place in her heart.
She listened readily to his plea ; in the
night, lest Wilson oppose them, they slipped
away. And the next day, with Indians for
the only witnesses, the wandering i^riest who
served those isolated trading posts married
them. They knelt before him ; they arose,
rapt with the wonder of the thought that
B
202
THE CALL OF THE NORTH.
Rand shows the Factoi- the pouch as proof of his wife's love for Stewart.
once he spoke to
her of what had
lain between
them.
" You hit me
pretty hard,
Elodie," he said,
then. " But —
well, 1 guess you
took the better
man* I guess you
were wiser than
1 was, after all."
" I didn't mean
to hurt you ! " she
said. "I'm sorry.
But I couldn't
help it."
That was all.
Alb ret knew
nothing of Hand's
former suit. He
liked Rand, be-
cause the man
efficient,
they were man and wife. And so Albret
returned to his post with a wife, he who
had gone forth alone and doomed as surely
to live alone as any man might seem to be.
Stewart greeted him Avith a delight that
was tempered by sadness. He, too, had had
his romance ; his wife was dead. Dying, she
had left the boy who was now making his
first trip into the northern lands with his
father, little Ned Stewart. Yet Stewart,
despite the sorrow of which Albret's mar-
riage reminded him, was able to share the
factor's happiness. He liked the gentle
Elodie, too, at sight. Moreover, he was
glad to think that a woman would be at
the post.
Happy days followed for all of them
Albret never ceased to delight in the girl he
had made his wife. She, in turn, loved him
wholely. Between her and Stewart, too,
there sprang up a friendship. He talked to
her, in his calm way, of his dead wife, and
she listened to him with ready tears in her
eyes, thinking of her own happiness. The
boy, Ned, she loved devotedly. With
Stewart she taught him things about the
woods ; from both he learned how to use
the snowshoes an Indian had made for him.
And then came Rand, transferred at his
own request from Wilson's post to Albret's.
There seemed nothing sinister in his coming.
His manner to Elodie was perfect. Just
was emcient, a
good trader, who asked few questions and
made no excuses, preferring to accomplish
alone whatever he undertook. And there
was something in common between them —
the common tie of the north. So all was
set for liand's plan. For he had come to
the post with a deep and sinister purpose.
And, as soon as he dared, he began to
sow in Albret's mind suspicions of Elodie
and Stewart. Rand had nothing against
Stewart ; it was upon Albret himself, and
Elodie, that he desired to be revenged.
Stewart was simply a means to an end.
Nor was it long before his purpose was
accomplished. Elodie herself helped him,
unwittingly. She made a little present for
her father, a pouch of beads, in the Indian
fashion, to hold tobacco. And knowing
that Stewart was soon to make a trip to her
father's post, she asked him to deliver it
fo!' her.
Rand knew of this. He showed Albret
the pouch, in Stewart's cabin, as evidence
of what he charged.
But for Albret's temper nothing might
have happened. But he, accusing Stewart,
even on this flimsy evidence, flew into a
fearful rage when Stewart contemptuously
declined to answer him.
" Go then ! " he said. " I expel you from
this territory ! You shall take La Longue
Traverse."
THE CALL OF THE NORTH.
203
Stewart did not understand. He set out
■bravely enough. But in the first night his
rifle was taken ; five days later he died, shot
by an Indian who had trailed him from the
start.
The boy was left ; and weeks afterwards
the priest, returning to civilization, took
him away to be cared for by Stewart's
relatives living then in Duluth.
Chapter L
TWENTY years after Graham Stewart
had met his death in the silent soli-
tude of the forest, a man, who save
for the absence of a beard, might have been
taken for Albret's victim, come to life, strode
through the snow, singing a song in the
patois of the French rivermen as he marched:
he sang-
Le fils du roi s'en va chasmnt "
y
En roulant ma houle,
Avec son grand fusil d'argent,
RouU roulant, ma houle roulant.
Avec son grand fusil d'argent,
En roulant ma houle,
Visa le noir, tua le hlanr,
Ropuli roulant, ma houle roulant.
Light-heartedly he sang the old chanson
that had gone westward with the voy-
ageurs. The joy of living was seething in
this young man, who, like his father before
him, had answered the call of the north.
Why was he here 1 He had asked himself
ihat same question. He faced danger here,
yet that was not it. He was close to nature,
yet nature held sway in other places. He
could make money — but his father's estate
had accumulated during the years of his
boyhood, and he had already more than he
knew how to spend. He loved the north ;
perhaps that explained it, in a measure.
That and the driving desire, the primitive
urging to learn what he had never been able
to discover — his father's fate.
Young as he had been when his father
died, he had not been too young to under-
stand that about the loss of his father there
had been something strange, something
sinister, something that was far from being
normal or as it should be. And in him, as
in all those nursed in the primitive places
of the earth, there was that elementary
principle of justice. If there was that about
his father's death that called for vengeance,
it was for him to discover it and do that
simple justice that men who live in the far
(iraham Stewart is sent to his death on La Longive Traverse (the Journey of Death).
204
THE €ALL OF THE NORTH.
Graham Stewart, sent out on La Longue Traverse,
bids good-bye to his boy Ned.
places mete out to one another. Perhaps
that accounted for his coming ; perhaps the
North itself had called him.
Whatever the reason, here he was, a free
trader in the land that the Hudson Bay
Company, robbed of most of its old mon-
opoly, still held sacred to itself. Here
man-made la>^'s, as they are written in the
statute books, went unheeded. Here might
was ri^ht, and the might was the might of
the great company and the law the law that
its factors dispensed. The one law that all
knew was this — that no free trader might
dare to penetrate this northern wilderness
of Hudson's Jiay ; that none such might
trade there with the Indians unless he was
willing to face the penalty.
Twice already company men had found
Ned — Ned Tient, as he called himself—
going about his businaes, legal and yet illicit,
with the Indians, carrying his trading pack,
receiving from the natives the furs they
were glad to give him because he paid better
than the company. Each time his pack
and all his furs had been taken
from him — confiscated. Each time
he had been taken, under escort, to
the south, and warned to keep away
from the closed lands. And now,
despite those warnings, he was
"^ back, a song on his lips, though he
^vB knew well the risk he ran — the
^ risk of being sent upon La Longue
Traverse, the journey of death, from
which men did not return — cast
out from a post, without arms,
with barely a week's food, and
with Indians to watch the trail.
No, men did not escape the dangers
of La Longue Traverse. Yet Ned
Trent took the risk gaily, as he
took everything.
He was heading now for a
particular rendezvous ; there, he
knew, he would find Indians ready
to trade. He reached them ; they
snapped up his trade eagerly and
gave him, instead, the skins they
had gained through months of
work.
He stayed with the friendly
Indians, who warned him of the
presence, within fifty miles, of
company men. In the morning, to
his surprise, a man called him
by his abandoned name.
" Ned Stewart, as I live ! " said
this man. "My boy, don't you remember
me?"
Trent searched the older man's eyes,
and at last recognition dawned in his own.
"Father Crane ! " he cried. But at once
he lowered his voice. " My name here —
and now — is Trent, Ned Trent."
Chapter II.
T was the priest who had taken Ned
with him after his father's death to
Duluth. And now they set down to-
gether and talked of things the old priest
had nearly forgotten.
"You take me back through the years,,
my boy," he said. He sighed. ' Ah, I am
thinking of your poor father — and of how I
could have saved him had I have been at
the post when "
" Go on," said Trent, his eyes gleaming.
" It is to learn what you can tell me that I
am here ! Do you know, sir, I have never
known how my father died 1 "
The minister started. He looked long at
I
THE CALL OF THE NORTH.
205
the young man, the past rising before him.
" Well, I suppose I must tell you ! " he
said, wearily. " So much of sin, and hate,
and bitterness, in a world where there
should be only love and charity ! Listen,
then, but understand this — I have always
believed there was some horrible mistake — -
that what they said and believed of your
father was not true. Remember that when
you hear me, for I shall tell what others
thought, and why they acted as they did."
And so Ned Trent heard, with stiffening
face, the story of his father's death. He
heard everything — except the names of
those who were concerned. The priest
showed him the pouch that had caused all
the trouble. But the names he refused to
give.
"No," he said, firmly. "' Vengeance is
mine, said the Lord.' Remember that, my
boy. Your mind is filled with hate now.
But it is not for you to take the law into
your own hands, and doubly it is not for me
to further such a design if you now cherish
it. You have changed your name. You
have done well. A free trader is not safe
here. Remember that I am your friend,
but keep away from the company's men."
Or they will kill me as they killed my
father!" said Trent, bitterly. "I know.
Oh, I am caieful. I do not mean to die
until I have discovered what you have re-
fused to tell me. I shall discover all some
day, and then those who killed him will
have to answer to me ! "
"Ah — youth — youth?" sighed the old
priest. " Well, God be with you, my son !
I am needed elsewhere. It may be that we
shall not meet again. Farewell."
They parted. And before the sun had
reached the zenith Ned, too, had left the
friendly Indians and was pressing north-
ward alone. His way took him through
untracked portions of the wilderness, for,
though there were trails, to follow them
now, as the winter was breaking, would
expose him too greatly to the danger of
encountering company's men. And he
needed no trails ; he was able, well equipped
as he was, to travel anywhere.
It was well for another traveller that he
travelled as he did. For jujt before dusk
he came upon a French-Canadian half-breed.
The man was staggering, moving in circles,
feebly. He had been smitten by snow blind-
ness ; with all his supplies gone, he was
near to death. For two days Trent cared
for him ; at the end of that time the half-
breed was able to travel.
" You are one of dose free traders — no?"
said the half-breed. Ba — I am a company
man, I — but you are my fren'. I, Achille
Picard — I am your fren'. You have saved
mylif — via — dei^t af^sez ! "
"(xood-bye, then, friend." said Trent.
And they parted.
Chapter III.
THUS Trent fared in his first meeting,
on this trip, with a representative of
the great company. He laughed to
himself as he left the volatile half-breed,
wondering if he should see him again.
I'm not likely to find them helpless,
those company men, as a rule," he said to
himself.
And knowing that they were all around
him, he redoubled his vigilance. But he
had to sleep. And, less than a wee !c after
he had left Picard, Ned awoke suddenly in
bright moonlight to find himself covered by
half a dozen rifles.
Throw up your hands, young man.
We've got the drop on you," said a rough
voice. " Let's see you — ah."
'Yes, you've got me, McTavish," said
Trent, coolly. "All right. No use fighting
against odds. Well, what now ? Going to
escort me out of town again 1 "
"So it's you, is it, Trent?" said McTavish.
" You had fair warning. No, I'll not escort
you out this time. I'll take you to Conjuror's
House, and we'll see what the factor there
has to say."
"Old Galen Albret himself, eh? The
big man of the whole country? My, I'm
getting important."
"Joke all you've a mind to now," said
McTavish, grimly. " I'll warrant Albret
will make you laugh out the other side of
your face ! "
"Well — we'll see," said Trent, easily.
You can't frighten me anyhow, McTavish,
as I guess you've m.aybe learned by now."
"Small credit to you," grumbled the other.
A man's got need of some sense before he
has brains enough to fear — and you've not
got that."
That ended the exchange of talk between
them. After that, during the long trip to
Conjuror's House, there passed between
McTavish and his prisoner — for prisoner
Trent was, as he well knew — only such words
as were wholely indispensable. In the north
206
THE CALL OF THE NOETH.
speech is not wasted ; Trent and McTavish
understood one another, and there was no
need of making conversation. And so Trent,
under compulsion, went on, uncertain as to
the fate he was to meet, knovving nothing,
in actual fact, about it — except that it was
likely to prove highly unpleasant.
The last part of the journey was made in
a comfort almost luxurious, for it was made
on the swift flowing Moose River that ran,
as Trent knew, right by the trading post
of Conjuror's House, the most important of
the whole vast region. After they reached
the spot where the canoes were there
was nothing for Trent to do but to sit
back in his place and watch the Indians
as they paddled. Free trader he might l)e,
and outlaw, but he was white, at least, and
full blooded, and manual work was not for
him while there were those of lesser breeds
to do it — so argued McTavish.
* * +
Early on a bright morning the flotilla
of canoes that McTavish led came to
Conjuror's House. Trent, sitting back idly
in his place, scorning to show his curiosity,
certainly without incentive to follow the
example of others, who leaped ashore as
soon as the canoes touched the bank, was
interested, even though he hid his interest.
His eyes fell first on an old man, tall,
rugged, broad and massive of build, with a
Picaid caught in the bear trap.
snow white beard. At a glance he knew
him as the famous factor, Galen Albret,
although he had never before seen him, had
never before heard him described.
This was the sort of man about whom
legends grew up. Easy, even at a glance, to
see that he was born td rule ; that he would
dominate any assembly in which he had a
])art. An involuntary shiver shook Trent.
He was not a coward ; he was not easily
alarmed. He had had his share of danger.
Yet about this man there was something
that expressed determination and relentless-
ness. And, talking to McTavish,' he had
shot one look at the silent man in the boat
a look so baleful, so full of malice, that it
could not fail to leave its mark.
And then, all at o;;ce, Trent forgot
Albret, forgot McTavish ; forgot his own
danger, vague but imminent. For his eyes,,
wandering about, came suddenly on a figure
that seemed at first grotesquely out of place,
the figure of a young girl standing on the
.shore, and regarding him with a curiosity
frank and unasham.ed. Li a moment re-
sponding to the instincts of the caste that
claimed him when he was not in the north,
he was on his feet, hat in hand. She paid
no attention to him beyond a grave in-
clination of the head, so slight that it could
not be called a bow. And so, for a long
minute, they stared frankly at one another.
" God ! " said
Trent to himself.
A. girl — a white
girl- — here ! And
a beauty. Young,
too. She's not
more than nine-
teen. She's no^
squaw. No breed,
either ! "
Then the spell
was broken. The
girl turned away.
Without a back-
ward look she
walked towards
the principal
house of the post.
Trent stared
after her ruefully.
Then a voice
l^roke into his
musing.
"Galen Albret
will see you.
THE CALL OF THE NORTH.
'J07
Trent, in his office," said McTavish.
"At once ! "
Chapter IV.
YOU have been caught twice
before in my county by my
men," said Galen Albret,
without prelude, when he had
stared at Trent for several moments.
The second time you were warned
that you would come here a third
time only at your own grave peril —
that such lenient measures as
escorting you out of the country
would not be adopted again. Yet
you are here."
That is quite true, all of it,"
said Trent, quietly. ' Yet I am
within my rights. The forest is
free. Your monopoly has expired.
The company no longer has the
exclusive right to trade in, this
domain."
None the less I shall exercise
that right," said the factor. "If
you are to be allowed to go fiee
again I must have your word of
honour that you will not again
interfere with my trade."
II If I refuse— as I do T'
I know how to enforce my will.''
Yes, I suppose you have sent
men on La Longue Traverse before,
though not all know."
The simple words made a sensation. For
in that post, in that whole region, indeed,
men spoke those words with bated breath,
in hushed tone?, among themselves — and
never, by any chance, to such a one as Galen
Albret, endowed there, by the might of his
own power, with the high justice, the
middle, and the low. Perhaps he had sent
men out upon La Longue Traverse never to
return, but it was done in secret. It was
never admitted. Albret seemed to glower
now.
" What childish talk is that ? " he asked,
sternly. " There is a legend of La Longue
Traverse, true "
It is no legend. I know men whose
whitening bones, could they be found, would
prove its truth," said Trent. You may
kill me, if you like — that way or another.
But do not think you can deceive me."
Go, now," said the factor, quietly. I
will dispose of your case later, and in my
own good time. Meanwhile, you are not to
Julie determines to kill Rand to save her lover Picard.
make any attempt to leave the post."
Small danger of that," laughed Trent,
bitterly. " You have taken away my gun
and my food. What chance would I have
in the wilderness, even if you did not send
your Indian couriers du hois to see that I
did not by any chance escape 1 "
"Enough," said Albret. "Such discom-
forts, such deprivations as you have to
suffer you have brought upon yourself. Go."
Chapter V.
TRENT stepped from the factor's office
into the open air, seemingly dis-
traught, almost indifferent. Those
whose eyes were upon him saw a man who
was, perhaps, unconscious of his danger, or,
if not unconscious, supremely careless. Yet
Trent's senses were every one alert. He
not only knew the danger he was in; he was
determined to evade it, in some fashion.
The will to live was strong in him. And
he had seen that in the factor's eyes which
convinced him that there was no mercy for
208
THE CALL OF THE NORTH.
him in that old man. He must fend for
himself, and, above all, he must act quickly.
The problem was one to stagger him.
He was here alone, without a friend, save
for the old priest, who might be almost
anywhere, and, ten to one, could not help
him were he near. In all that vast region
he might look for aid only from some free
trader like himself — and few of those were
bold enough to come where the long arm of
Galen Albret might reach them. Then,
suddenly, his eyes lighted. For they fell on
the form of AchiUe Picard, the man he had
saved, shrinking behind the door of a cabin.
Picard — Achille — ^old vagabond ! " he
cried, heartily. ' So I did save your worth-
less life, hein 1 Come here, then, and let
me shake your hand ! "
Achille came, reluctantly. He owed this
man his life, yet he knew Trent to be pro-
scribed. Was it fair, then, to ask him to
associate himself with such a one 1 Yet he
came ; gratitude, after all, was strong in hiu-..
And there was Julie, the woman he loved,
to whom he had told his adventure. She
was listening ; what would she say did he
refuse to acknowledge this benefactor 1 "
Listen, Achille," said Trent, di-opping his
voice, yet assuming an air as if what he were
saying were trivial. I am iu trouble — you
know."
" I beleef you ! " said Picard. '' Dose old
man — she no lak' you — you trade dose fur
—no?"
Just about that, Achille, Listen, you
know what goes on here 1 You have heard
of La Longue Traverse 1 "
" Oui I "
Have there been men sent out since you
came here 1 "
" Ba oui I I tink. Nobody know but
dat ole man and his couriers du hois."
" 1 suppose I shall take that trail. La
Longue Traverse?"
" I have think so/' agreed Achille.
"Then, Achille, if you will get me a rifle
I will give you a hundred dollars ! "
" No, I can't do eet," said Achille, in-
stantly. ' 01c man, he find out. He know
everyt'iiig. He count every rifle— w'en he
meesees wan he fin' out purty queek
who is tak' heem."
And Picard was obstinate. Neither his
gratitude nor his cupidity when Trent raised
his offers moved him. All he could offer
was advice.
Maybee," he said, you stan' some show
if he sen' you out queek. Dose duck is
yonge yet. They cannot fly yet. Here, I
weel help — for what you deed for me. Via
I geev' you my knife ! "
' But how can I make him send me
quickly 1 Won't he think about the ducks?"
' Maybee. You mak' heem mad at you — "
" ril do it ! " vowed Trent. " That is the
best chance. You're right, Achille."
"Ciii — eet ees wan chance — not much !
He ees get mad purty queek. Den maybee
he ees sen' you out toute suite — maybee he
ees shoot you ! "
'"And I'll take that chance, too," said
Trent.
Chapter VL
GALEN ALBRET sat in his study
dreaming. He had almost forgotten
about the free trader who must take
La Longue Traverse. After all Trent was
only an incident in the life of the post.
There had been others. But suddenly his
daughter Virginia, the girl Trent had
seen, spoke to him out of the silence.
Dad, who was that man who came in
with Mr. McTavish 1 He acted so strangely,
and all the men treated him in such a
strange way 1 No one will tell me about
him."
Albret considered her. Most of the day
had passed; twilight had fallen.
He is a stranger ^who is where he does
not belong," he said, finally.
"What is his station? Why should we
not receive him as a guest ? " she asked. '
" He is a gentleman — that is enough,"
said her father. Then, abruptly, he changed
the subject. " Virginia," he said, you are
growing up. It is time you saw something
of the outside world. Would you like to
go to Quebec this year — to school?"
" I should like to go some time," she
said. " I should like to go with you."
'" I cannot go this year," he said. But
you — if you will — can go with the Abitibi
brigade. You have until it starts to decide. '
" Thank you, father," she said. ' I will
think of it."
They fell silent. She understood that
she was to ask no more questions concerning
the stranger. And then, suddenly, while
she was thinking, not of Quebec, but of him,
he was iu the room unannounced.
"Are you there, Galen Albret?" called
Trent, sharply.
" What then ? " said the factor, in his
THE CALL OF THE NORTH.
•209
deep tone. I did not send for you."
No, but I ha\ e come. When do I start
on La Longue Traverse 1 "
Stop that nonsense," said Albret, sharply.
As to when I shall send you away I do
not know."
Trent lighted a cigarette.
I do not smoke in this room. My
daughter uses it often," said Albret.
' What do I care for your habits ? "
demanded Trent.
And then Virginia, angry at his insolence
toward her father, rose from the shadow
that had hidden her.
"You have left your manners far behind,
sir," she said. "I was told you were a
gentleman by the man you are insulting,
who is old enough to command your
respect."
The cigarette flew into the hearth.
" I beg your pardon ! " cried Trent, his
design of spurring Albret to anger forgotten.
I did not know you were here ! "
Once more he stared at her. And though
she coloured slowly, she could not withdraw
her eyes from his. She was puzzled,
mystified by him.
" I beg you to pardon me," he said, again.
But I am desperate. For months I have
seen nothing but the wilderness. And now,
suddenly, I come here — I find men, and
books, and houses — comfort — homos. And
— and a woman — a woman, mademoiselle,
such as men like me dream of in the light
of their fire at night. Others may stay —
may go out, knowing that they return to
all this that I see ! But I — 1 am to take
La Longue Traverse ! That is why I seemed
to insult your father without arousing his
anger."
But this long journey that you speak
of," said the girl, bewildered. "Other men
take long journeys — men less strong than
you. They return safely, so why should
you be lost?"
" But not from La Longue Traverse."
' La Longue Traverse 1 " she questioned.
" What is it ? '
" Some call it the Journey of Death," he
said.
'" But " she began, wondering.
" Ah, I can explain — I will — if you will
let me see you again, alone," he whispered.
" To-night, by the guns, you will be there 1 "
Tears were in her eyes as she looked at
him. Still she did not understand. Suddenly
she fled. Albret's voice roared in his ears.
" You hound," cried the factor. "Would
you play upon my daughter's sympathy to
save your life 1 Dare you make love to her
under my very eyes?"
Suddenly Trent remembered his design
to anger this man. He had succeeded in
that, at least. He threw back his head
and laughed in the other man's face, which
turned black with anger.
" By God ! " cried Albret. " You go too
far ! You have spoken of La Longue
Traverse ! It shall be made real to you —
as real as anything ever was ! "
Chapter VII.
SMILING, Trent left the house. He had
achieved ^omething — Galen Albret
was angry. He had not shot him
down ; the chances were, however, that he
would send him out on the journey of death
within the week. And Achille Picard's
suggestion, as Trent well knew, was sound.
While the ducks and other young birds
were still too young and weak to fly, there
was a chance for him to snare them, or kill
them, perhajis with bow and arrow. If —
and it was a big if — he could protect himself
from the watchful Indians, the couriers du
hois, who would be on his trail. Trent was
a rich man. But he would have given
cheerfully all his wealth for a rifle. Armed,
he would have had no fear. Going forth
unarmed, save for Picard's knife, he knew
that the chances were a hundred to one
against him, even after his success in
hastening Albret's move.
And then suddenly he remembered the
girl. Would she help him ? She had seemed
to be interested. There was a chance then.
Pei haps he could play upon her sympathies,
her emotions, and win the help from her
that all others denied. Well, it was worth
trying. He cared nothing for what might
happen to her. She was only a means to
an end. Would she meet him ? He waited,
tensely, watching by the guns.
At last he saw her. She came from her
father's house, slowly hesitating. He stepped
forward in her path. Her eyes fell ; she
coloured painfully. But he took her hand.
" You came," he said. "Ah, I knew you
would come ! You took pity on me then 1 "
" I — did not come — to meet you,'' she
said falteringly. But the rich colour in her
cheeks gave the lie to her words. She was
struggling with her reserve, with her modesty.
This man seemed able to invade the re-
210
THE CALL OF THE NORTH.
Sandy McTavish, Factor of Kettle Portage, arx-ives at^Conjuror's House with Ned Trent^a
prisoner. (Smoke is cannon salute).
motest places of her consciousness ; at his
summons she was ready to forget her duty
to her father, her duty to herself. Why?
She had asked herself that question, tor-
mented by the waves of emotion that swept
her, leaving her baffled.
" You came," he said, taking her hand
again. "That is enough. Why should 1
care why 1 "
Will you explain?" she asked, desper-
ately. " Will you tell me why all this is
happening? Why you talked so to my
father — and why he answered you as he
did?"
"Come with me," he said. " Here there
are too many to listen. What I said would
be repeated. Come with me and I will tell
you all — all that you must know."
Reluctantly, wondering at herself for con-
senting, she acquiesced. She let him take
her by the hand and lead her to the high
bank above the rushing water. There they
looked down. Above them were myriads of
stars. In the north the flashing lights
played, filling the sky with a blaze such as"
none in southern latitudes may hope to see
— the wonder of the Aurora Borealis, flash-
ing and blazing there like some great ^con-
flagration. About them it was as light as
day, but in the b'ght there was a quality
that was different, weird, unearthly. A fit
time and a fit place, indeed, for this girl
who knew so little to learn something of
life. And as she looked up into the face of
this man, who, she could no longei- doubt,
was facing some strange and terrible ex-
perience, she shivered a little.
' " Now ! " she cried, freeing her hand, sud-
denly. "Tell me! Tell me! What is this
Longue Traverse of what you speak ? Why
should you, a strong man and a brave, fear
this journey ? Is it more dangerous than a
voyage to the Athabasca or the Peace ? Do
unknown perils lurk along its course ? Tell
me ! "
"La Longue Traverse!" he repeated,
moodily. After all, he thought, was it for
him to tell her? Was it for him, for the
sake of grasping at one faint chance, to blast
her faith in her father, to accuse the father
to his daughter? He wondered! And as
he looked into her eager eyes he was moved,
for the first time, with some real thought of
her. ."^he appealed to him at last as a
THE CALL OF THE NORTH.
211
Ned, a prisoner, first sees the Factor's daughtei'.
shame, and —
sorrow. She fled
from him. And
Ned Trent look-
ed after her^
sa vagel y^
morosely.
There are
prices too high
to pay for life ! "
he said to him-
self, bitterly.
' ' To expose her
to his anger, for,
if she helped
me, he would
know. No. And
she was — begin-
ning to care. I
had to stop that.
I have done it.
She hates me
now, despises
me ! It is better
woman. She stirred his chivalry, and he
exulted fiercely at the knowledge, for it
proved that he could face death and still
think of other things.
''I have told you," he went on. " Som.e
call it the Journey of Death. I am to take
it I think. It may be that I shall call on
you to make a choice — to choose between
your pity and what you might think to be
your duty. Then, if I must ask you to
make that choice, I will tell you all there i|
to be told of La Longuc Traverse. Now, it
is a secret not altogether mine. But tell me.
Are you, perhaps, a little sorry for me?
Do you understand that I am no coward —
that I am not given to complaining thus
when fate elects that the coin shall fall the
wrong way for me ? "
I — yes, I am sorry for you," she said,
gravely. " I can see that you are unhappy
and that is enough. That — and that you
are a brave man. For that is written in
your eyes."
He laughed lightly.
To win such pity is worth un happiness ! "
And as he looked at her his mood changed
— and the whole spirit of the man. "Look!"
he cried. 'A shooting star ! You know
the legend 1 That means a kiss ! "
He kissed her suddenly, before she could
draw away, full on the red lips. She started
back ; in her cry there was anger, and
Ten minutes later he passed her window.
His song was on his lips — " i^u ronlant ma
boule — Iiouli roulant, ma houle ronlanf ! "
.\ nd he can sing ! " she cried, bitterly, to
herself. And flung herself, weeping, on her
bed, to wonder, as she lay awake, what
these things might mean.
Chapter VIII.
NED TKENT supposed that he had
killed her interest in him. He had
only stiried it to fever heat. For
in that night of sorrow, as she pondered,
things grew clearer to her. She forgot the
insult of that kiss; she remembered only
the warmth of his lips on hers, the surging
answer of her whole being to the call of his.
And, young as she was, she knew that that
kiss was light only in seeming ; that behind
the sudden impulse was something that she
could answer freely, proudly, with upraised
head. He had not spoken, but — there are
times when there is no need of words.
And so Virginia meant to learn the truth
that all — her father, Trent, everyone —
seemed leagued together to keep from her.
She had asked direct questions, and been
put off. Now, before she asked more
questions she was determined to have the
means of knowing whether the answers she
received were truthful or not. Here her
sex helped her — and she counted upon that.
212
THE CALL OF THE NORTH.
Her sex and the fact that she was svipposed
to be even more ignorant than she actually
was.
She was not lacking in guile. She had
noticed that Picard and Trent were friendly.
And so in the morning she managed to
overhear a conversation between them. It
told her much, though even so she lacked
the knowledge of certain things. It told
her that Trent faced a real peril for one
thing, for she knew that Achille was no
alarmist. It told her, too, what it was that
he might ask of her — a rifle. For he was
trying once more to make Picard give him
his, or steal one for him. And Picard was
refusing, on the ground that her father
would know and hang him.
"Ah, well," she heard Trent say at last,
what will must hel There was another
way, I think, but I have closed that to
myself. Some things I cannot do ! "
Her heart leapt at that — for now she
guessed his meaning. Now, at last, she was
close to knowing. La Longue Traverse still
baffled her ; the meaning of that she must
discover. But, knowing as much as she did,
she refused to let that lack of knowledge
hinder her. And before dusk she had
wormed the secret out of the only other
white woman at the post, Mrs. Cockburn,
wife of the post doctor. Mrs. Cockburn had
been almost a mother to her ; she under-
stood now, as no
man could have
■done, the real
stress under which
the girl was
labouring. "I
should not tell
you. I scarcely
dare," she said,
when Virginia had
made her demand.
" If you do
not," said Virginia,
'I shall go
straight to my
father ! I shall
tell him what I
suspect, and I
shall make him
tell me, no matter
what he says or
does ! "
The doctor's
wife saw that she
meant it. She
sighed and feared what might follow.
" No," she said, slowly. " Rather than
have you do that I shall tell you myself.
But it will bring you unhappiness, my dear
— and I wish you could bring yourself to
take your father still on faith, as you have
always done — to be sure that, whatever he
does, is done for the best. What I shall
tell you of La Longue Traverse will seem
hard — it will seem cruel, unjust. Yet — I
believe that it is necessary, things being
as they are."
" Tell me," said Virginia. " I expect the
truth to hurt. I am learning that the truth
almost always does hurt."
And so filled with horror as she under-
stood, she learned the meaning of the
dreadful phrase. She learned the fate Ned
Trent was condemned to meet — and that it
was her own father who was to send him to
his death, as, perhaps, he had sent other
men to die.
' Thank you," she said, simply, when Mrs.
Cockburn had done. ' I know now what
there is for me to do."
And so, as dusk was falling again, she
made her way to the river bank. She
thought she knew where she might find
Trent. Nor was she disappointed. He
was sitting on a rock looking out over the
water. At her coming he looked up. But
the fire that always lighted his eyes before
Stewart and Me-en-gan fight foi' possession of the rifle.
THE CALL OF THE NORTH.
2ia
when he saw her was missing. His mood
did not change to meet her coming.
" Forgive me for being here if you sought
solitude," he said. " This will be, I think,
my last day of plenty. I am making the
most of it."
"You are leaving the post soon 1 "
" To-morrow morning early, I am told,"
he said.
' And you are ready for the journey 1
You have everything you need 1 "
He looked at her, surprised more by her
tone than by her words. And then he lied,
deliberately.
Everything," he said, calmly.
It was true, then, she thought, her heart
singing within her. He would not use her !
Then — he must — care.
" Have you a rifle, for La Longue Tra-
verse 1 " she asked.
For a moment he was confused. Could
she know, he wondered 1 And he lied
again, sure that she could not — and that he
would never tell her.
"a rifle 1 " he said '' Of course, mademoi-
selle ! Who would travel in the north
without a rifle 1 "
" You ! " she answered, passionately, aban-
doning her reserve. Oh, I know every-
thing 1 "
Chapter IX.
I KNOW everything !" she repeated. I
know what is to "be done to you — and
by my own father ! My eyes are
open. I am no longer a foolish girl ! You
meant to get me to help you — with my eyes
closed. Now you must let me help you —
for do you think I can allow you to be treated
so, with such injustice 1 No ! "
But he was not thinking of himself. She
saw the furious colour blaze up into his
cheeks.
"Who told youl " he demanded, savagely.
" It wasPicard. I will teach him.''
"No, no," she cried, half laughing, half
crying. " It was not ! It was some one
else, some one you do not know. I had the
right to know."
" No ! " he said. "And no one had a right
to tell you something that has brought sor-
row to your eyes." He broke off', and was
silent a moment, in deep thought. Listen,
girl," he said. "As you know so much, I
must tell you more. You know the fate that
awaits me, but not the reason. There are
two sides. I came here with my eyes open —
I knew what would happen if I were caught.
I faced the risks. It was a fair fight. Per-
haps it is wrong — but if it is, it is a system
that is wrong, that is cruel, that is unjust —
not the man who obeys the laws of that
system, your father. It is inevitable, what
is to happen to me. And — I do not
complain."
" But, last night," she said, " you spoke of
asking me to choose — between pity and
duty. Did you not 1 "
' That you must forget," he said. "Those
were idle words — no more."
They were not," she cried. " My pity-
was to have given you a rifle. My duty
was to my father. Was it not so? "
He saw that she must know the truth.
' Yes," he admitted, dejectedly.
Then why — why have you not asked me
to choose ? " she said. " Why have you
abandoned that ' other way ' of which I
heard you speak to Achille Picard, for I was
that other way, was I not "? "
' I — ^I could not ask you," he said, slowly.
I knew you would be found out. You
might be punished."
" But you knew all this when you still
planned to do it 1 "
Yes, but then it was different. Then — I
did not — I had not known you, really.
Now I would rather take my chance — even
of death."
"Ah," she said, softly. " Y'ou lied to me
then ! But — it was a noble lie — a wonder-
ful lie ! How many men would have dared
to tell it, I wonder 1 And — you shall have
my help, after all ! " He interrupted her
with a sharp cry, but she silenced him.
" No — listen. I can give it without the
risk you fear. For years ago a friend of my
father's gave me a small rifle — small, but
straight and true. I have not used it — my
father has forgotten it. He would never
know that it was gone. I shall give it to
you — but on a condition. You must
promise me to leave this country to-night —
never to return. Will you do that"? '
" I — I must," he said. " But — after you
have done this — never to see you again— "
" I will give you the rifle, then," she said.
" But — I would not like to lose it altogether.
You must give it back to me. That you
may do in August — in Quebec. That you
must promise too."
His face blazed with delight.
" In Quebec 1 You are going to Quebec 1 "
he cried. " Then I shall want to live ! Get
■214
THE CALT. OF THE NORTH.
me the rifle and the cartridges — and I shall
fly to-night I They will not suspect — and
with the start 1 shall have and a rifle in
Tny hand, let them catch me if they can ! "
He took her hands and held them closely
in his own.
"Ah, the things that I shall say when I
return the rifle ! " he said. " You will bring
it V'
" In an hour — here," she whispered. " I
shall be listening — for the things you are to
say ! "
She heard him singing a few minutes
later as he passed her window.
" But how can he help singing 1 " she
asked herself.
Chapter X.
THEY met in the flaming night, where
to find darkness they had to seek
the shadows cast by the trees and
great rocks. She bore the rifle and the
cartridges.
" It is enough 1 " she asked him, anxiously,
tears in her voice. " There is nothing else
that I can do for you, Ned Trent? "
" Nothing else," he said. " Except to
think of me when you pray ! "
" La Longue Traverse," she said, with a
shudder. " Even with a rifle it will be hard.
I am filled with dread. I fear what n'ay
•come to you."
" Banish your fears ! " he laughed. " I
have none now. I know the way, and if
any try to stop me, I think they will find
that, thanks to you, I am a match for them."
" Then if there is nothing else, you must
go," she said. Oh, to know that you are
going, perhaps to death — to hardships,
certainly "
No greater hardships — not as great — as
I faced coming in," he said. " The hazards
of the forest, of the trail, yes. But what
are they ? I do not fear them. Till August
then — in Quebec."
And once again he kissed her full on the
lips. But this time her kiss answered his
this time she did not cry out or flee from
him. For a moment they clung to one
another. Then he was gone.
She lingered a moment. And then,
suddenly, she heard a sound of scuffling.
(Guttural cries assailed her ears. She ran
toward them and saw Trent struggling with
Me-en-gan, her father's most trusted Indian.
Others were running toward the fighters.
Even so Trent saw her, and thought of her.
Go — go quickly ! " he cried. You
must not be seen here ! "
She knew that he was right. With a
sinking heart she fled. He was strong.
Would he be able to get away 1
Before she slept she knew the truth — -that
he was a prisoner again, and this time a
prisoner in very truth. She heard the
tokens of her father's anger, his order that
Trent should be brought before him in the
morning for trial. And, shuddering, she
lay awake, wondering how she might save
him, and finding in the end only one plan
that off'ered any hope, and that so slim, so
faint, she knew, that she could take no
comfort in it.
Then morning came and she saw her
father, grim and silent, go from his breakfast
to the room where he dispensed the rude
justice of the post. Tensely she listened,
striving to hear what went on. She was
barred from the room; she might only guess.
* * *
Inside Trent faced the factor with a calm
face and an eye that yielded nothing to the
stern gaze of his accuser and his judge.
" Now, indeed," said Galen Albret, " you
have touched a vital thing. Before when I
dealt with you I could show mercy. The
matter was serious; it was not one of life
and death. Now you have touched my
discipline. You have undermined the whole
structure of ray authority. For you had
aid ! Some one of my people gave you a
rifle. Who did that 1 "
"No one. I stole it," said Trent.
" You had aid," repeated the factor.
" There was another person with you just
before you were captured. The Indians do
not know — but there were others who saw.
I offer you one last chance. Tell me who
aided you, who gave you that rifle, and I
will let you go free. You shall be taken
from the country in peace and honour — or
you may travel with the Abitibi brigade
when it goes out. But, if you do not tell
me . . . ! "
" Well ? Better let me know — for I will
answer no more questions ! "
" Then, in five minutes, I shall hang you!
You might survive La Longue Traverse. I
take no more chances with you ! "
'Hang nie like acomm.on criminal! You
wouldn't dare ! " cried Trent. For the first
time he went white. To be shot, that was
a man's death. But to be hung — in the
north — it was to damn him as the lowest of
THE CALL OF THE NORTH.
215
the low, a death he abhorred.
'' You shall see. In five minutes, ;f you
liave not told, I shall give the order. Let
me know who aided you — and you shall go
free. If not, you shall be hung ! "
" I believe you do mean it," said Trent.
The first sharp shock was over. " I'll take
your word for it. Stop talking. Go to the
•devil ! "
" Father ! "
[["They wheeled together to face Virginia
Albret. She stood in the door. Beside her
was Me-en-gan.
" You must go back," said Trent, catching
his breath. ' Galen Albret, send her away."
" Virginia," said the factor, sternly, at one
Avith his enemy for once, " you must leave
the room. You have nothing to do with
this case. You must not interfere."
But the girl came on. She faced her
father bravely.
" I have more to do with it than you
think," she said. " For it was I who gave
this man the rifle ! "
Trent groaned. Albret, for a moment,
•was speechless.
' Why ? " he asked, his face working.
" Because I love him," she said.
Chapter XI.
IN his blind anger, caution had still ruled
Galen Albret, as it had all the days of
his life. He had sent Virginia to her
room ; Trent he had ordered locked up.
And then he had set out to unravel the
twisted skein. Trent must die ; that much
he knew. But that could wait until he
knew just how far things had gone ; until
he knew, too, how greatly Virginia was to
blame.
And first he saw Trent. He had gained
some control of himself ; his rage had quieted
so that he could let the younger man talk.
And once more Trent lied.
' I deceived your daughter," he said. I
lied to her. I made her think I was your
victim in more ways than were true. She
is only a child. She was moved by her pity
and her ignorance."
" I think you are telling the truth, and it
does you some credit," said Galen Albret,
grimly. Suddenly his eyes fell on the pouch
the old priest had given to Trent. He
started, and his whole manner changed.
" Where did you get that? " he asked. "I —
I have seen that. It belonged to a man "
" You know it? " he asked. " It was my
father's, and a proud possession ! "
" I might have known," said Albret, with
a terrible softness. ' You are Graham
Stewart's son 1 You were born to be a
curse to me ! Now — now I know ! I beat
your father. I shall beat you."
Trent launched himself then. With one
fierce cry he was at the factor's throat.
" You are the man who killed my father !"
he cried. " It was to find you that I came
to the north — not to get the furs ! "
Albret shook him off for a moment ; be-
fore the attack could be renewed half a
dozen men had answered the factor's call
for help.
You will wait here," said Albret, until
I am ready. Then — well, it will make no
difference to you ! "
He went out, grimly. In his eyes men
saw that he was in no mood to be ap-
proached. He was living over again the
days of his youth, when he had hated
Stewart and sent him to his death on La
Longue Traverse. But one thing had
been accomplished. He had softened to-
ward Virginia. She had been the victim
of Stewart's son, as her mother had been
his father's victim.
' Tell Virginia to find me by the river,"
he ordered.
She came, tears in her eyes, pleading.
No," he said. "Virginia, I shall tell
you a story now that I hoped you would
never learn. But I must tell you, that you
may learn to hate this man who has won
your heart with lies."
Sorrowfully he told her of Ned's father
and her mother. And when he had done
she looked up at him with blazing eyes.
And you believed — on such flimsy evi-
dence as that ! " she cried. " You killed a
man for that ! You believed my mother
faithless to you, on the word of a scoundrel
like Rand ! And what if it were true 1
Must a son be like his father ? "
She broke off suddenly.
" What is that V she cried, in a changed
voice. 'A canoe floating down towards the
rapids. It has gone by the landing. There
is a man in it."
They ran together to the water's edge.
And, as it went by, Albret seized the canoe.
"Rand!" cried Virginia. "He's wounded!"
Galen Albret lifted the wounded trader
from the boat. Together they laid him on
the shore.
" He's dying," said Albret.
216
THE CALL OF THE NORTH.
And at that the wounded man opened his
eyes.
'Yes," he said, chokingly. "Shot myself
— an accident. Is that you, Factor? I —
I've got something to tell you. You — you
got the girl I loved. Years ago— she
married you. I hated you both. I — lied
about her and Stewart. There was nothing
wrong "
He choked and coughed. A moment
later his head slipped back. He was dead.
And Galen Albret, the foundations of his
whole life shaken, looked into his daughter's
eyes.
" Here is the key," he said brokenly.
Release him. Tell him — and bring him to
me. I want to ask him to forgive me."
Cast
Graham Stewart
Galen Albret ...
Virginia
Rand
Elodie
ROBERT EDESON
THEODORE ROBERTS
WINIFRED KINGSTON
HORACE B. CARPENTER
FLORENCE DAGMAR
The story is founded on Stuart Edward White's book " The Conjuror's
House," and the film, which is in five parts, contains 317 scenes.
Note : — A Factor at a trading post is the chief officer, and more powerful than the Czar
in his own domain
WHILE it is the dream of thousands of girls
to appear in motion-picture dramas, wear
gorgeous gowns and play society dames
in general, there is one photoplay star who would
rather jump into a pair of tattered overalls and
climb into the oily cab of a locomotive than take
part in the most intense society drama ever
written.
This remarkable person is HELEN HOLMES,
the Kalem actress, whom the railroad men out
West have dubbed " The Daughter of the Rail-
road." Miss Holmes doesn't care what role she
portrays — telegraph operator, fireman (or should
it be firegirl ?), or substitute engineer, so long as
it enables her to live in the atmosphere of the
railroad.
The most recent drama in which Miss Holmes
appears is " Grouch, the Engineer," in which she
enacts the role of a railroad man's widow. A rail-
road serial story is being written around the capti-
vating personality of Miss Holmes. This story
is called " The Hazards of Helen," and will con-
sist of a series of episodes, each complete in
itself, showing the hazards encountered by
Helen, who is a railroad telegraphist. Of course
she has lots and lots of love affairs — everybody
from the meanest wiper to the railroad president
falls in love with her. But who the fortunate
suitor is will not be divulged until the final
episode.
'TT^HOSE of our readers who have been enrap-
-■- tured with the Gold Seal series of pictures,
" Lucille Love," will be delighted to hear
that they are to be succeeded by "The Trey
O' Hearts," which is no doubt an epochal pro-
duction, both from the literary and dramatic
view point. The s